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1000 tulosta hakusanalla Byron Perrine

Byron, Hobhouse and Foscolo

Byron, Hobhouse and Foscolo

E. R. Vincent

Cambridge University Press
2013
pokkari
Originally published in 1949, this book is concerned with the various collaborations between John Hobhouse, Lord Byron and Ugo Foscolo, which occurred around the fourth canto of Childe Harold's Pilgrimage. The text is based on documents which were previously unpublished and, in so far as possible, these documents are allowed to speak for themselves, with some additional explication where necessary. A notes section is provided at the end of the text. This book will be of value to anyone with an interest in Byron's poetry and Romantic literature in general.
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Byron Among the English Poets

Byron Among the English Poets

Cambridge University Press
2024
pokkari
For Byron, poetic achievement was always relative. Writing meant dwelling in an echo chamber of other voices that enriched and contextualised what he had to say. He believed that literary traditions mattered and regarded poetic form as something embedded in historical moments and places. His poetry, as this volume demonstrates, engaged richly and experimentally with English influences and in turn licenced experimentation in multiple strands of post-Romantic English verse. In Byron Among the English Poets he is seen as a poet's poet, a writer whose verse has served as both echo of and prompt for a host of other voices. Here, leading international scholars consider both the contours of individual literary relationships and broader questions regarding the workings of intertextuality, exploring the many ways Byron might be thought to be 'among' the poets: alluding and alluded to; collaborative; competitive; parodied; worked and reworked in imitations, critiques, tributes, travesties and biographies.
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Byron Among the English Poets

Byron Among the English Poets

Cambridge University Press
2021
sidottu
For Byron, poetic achievement was always relative. Writing meant dwelling in an echo chamber of other voices that enriched and contextualised what he had to say. He believed that literary traditions mattered and regarded poetic form as something embedded in historical moments and places. His poetry, as this volume demonstrates, engaged richly and experimentally with English influences and in turn licenced experimentation in multiple strands of post-Romantic English verse. In Byron Among the English Poets he is seen as a poet's poet, a writer whose verse has served as both echo of and prompt for a host of other voices. Here, leading international scholars consider both the contours of individual literary relationships and broader questions regarding the workings of intertextuality, exploring the many ways Byron might be thought to be 'among' the poets: alluding and alluded to; collaborative; competitive; parodied; worked and reworked in imitations, critiques, tributes, travesties and biographies.
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Byron and the Discourses of History

Byron and the Discourses of History

Carla Pomarè

Routledge
2016
nidottu
In her study of the relationship between Byron’s lifelong interest in historical matters and the development of history as a discipline, Carla Pomarè focuses on drama (the Venetian plays, The Deformed Transformed), verse narrative (The Siege of Corinth, Mazeppa) and dramatic monologue (The Prophecy of Dante), calling attention to their interaction with historiographical and pseudo-historiographical texts ranging from monographs to dictionaries, collections of apophthegms, autobiographies and prophecies. This variety of discourses, Pomarè suggests, not only served as a source of the historical information Byron cherished, providing the subject matter for countless episodes in his works, but also and primarily supplied him with epistemological models. From them, Byron drew such trademark textual practices as his massive use of notes and paratexts, which satisfied his ingrained need for ’authenticity’ - a sentiment expressed in his oft-quoted, ’I hate things all fiction’. As Pomarè argues, Byron’s meticulous tracing of the process that links events, documents and historical representations ultimately answers his desire to retrieve what might be lost during the transmission of historical knowledge. Thus does he betray his preoccupation with the ideological uses of history writing, projecting his own discourses of history into the present of their composition.
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Byron's Don Juan

Byron's Don Juan

Bernard Beatty

Routledge
2016
sidottu
First published in 1985. What sort of poem is Don Juan, and how does it maintain its momentum through its long and often struggling narrative? These are the questions that Bernard Beatty proposes in this subtle and elegant discussion of Byron’s masterwork. The legend of Don Juan was entrenched in European literature and other arts long before it came under Byron’s hands, yet Byron’s treatment of the story is often almost unrecognisably far from its forebears. Beatty indicates how deeply Byron has assimilated his predecessors in order to produce his own work. The sustained argument of this book raises questions of interest not only to students of Byron but of comedy in general, as well as of the place of religious motifs in apparently secularised modes.
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Byron's Don Juan

Byron's Don Juan

Bernard Beatty

Routledge
2017
nidottu
First published in 1985. What sort of poem is Don Juan, and how does it maintain its momentum through its long and often struggling narrative? These are the questions that Bernard Beatty proposes in this subtle and elegant discussion of Byron’s masterwork. The legend of Don Juan was entrenched in European literature and other arts long before it came under Byron’s hands, yet Byron’s treatment of the story is often almost unrecognisably far from its forebears. Beatty indicates how deeply Byron has assimilated his predecessors in order to produce his own work. The sustained argument of this book raises questions of interest not only to students of Byron but of comedy in general, as well as of the place of religious motifs in apparently secularised modes.
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Byron's Don Juan

Byron's Don Juan

Elizabeth French Boyd

Routledge
2016
sidottu
When this book was published in 1945, interest in Byron’s poetry and appreciation of his titanic role in Romanticism had been steadily increasing. Of all his vast poetic production, Don Juan, the last and greatest of his major works, offers the highest rewards to the modern reader. It not only stands out among his poems as the best expression of Byron, but it ranks with the great poems of the nineteenth century as representative of the era, and of modern European civilization. This title will be of interest to students of literature.
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Byron's Don Juan

Byron's Don Juan

Elizabeth French Boyd

Routledge
2017
nidottu
When this book was published in 1945, interest in Byron’s poetry and appreciation of his titanic role in Romanticism had been steadily increasing. Of all his vast poetic production, Don Juan, the last and greatest of his major works, offers the highest rewards to the modern reader. It not only stands out among his poems as the best expression of Byron, but it ranks with the great poems of the nineteenth century as representative of the era, and of modern European civilization. This title will be of interest to students of literature.
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Byron, Sully, and the Power of Portraiture

Byron, Sully, and the Power of Portraiture

John Clubbe

Routledge
2016
sidottu
First published in 2005. Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sulley’s Byron has never before been the subject of scholarly study. Beginning with the discovery of the portrait in 1999 and a 200-year narrative of the portrait’s provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries.
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Byron, Sully, and the Power of Portraiture

Byron, Sully, and the Power of Portraiture

John Clubbe

Routledge
2017
nidottu
First published in 2005. Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sulley’s Byron has never before been the subject of scholarly study. Beginning with the discovery of the portrait in 1999 and a 200-year narrative of the portrait’s provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries.
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