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1000 tulosta hakusanalla Catherine Sinclair

Catherine of Siena

Catherine of Siena

Paulist Press International,U.S.
1980
nidottu
"The books are beautifully, almost lavishly presented and scholars of the highest caliber have taken part in the work of editing.... This is a comprehensive attempt to make the spiritual tradition of large areas of mankind more generally accessible to the ordinary interested reader." A. M. Allchin in Church Times Catherine of Siena-The Dialogue translation and introduction by Suzanne Noffke, O.P., preface by Giuliana Cavallini "If you have received my love sincerely without self-interest, you will drink your neighbor's love sincerely. It is just like a vessel that you fill at the fountain. If you take it out of the fountain to drink, the vessel is soon empty. But if you hold your vessel in the fountain while you drink, it will not get empty: indeed, it will always be full." Catherine of Siena, 1347-1380 This is the crowning spiritual work of the only woman other than Teresa of Avila to be granted the title of Doctor of the Roman Catholic Church. This volume was simply called "my book" by the fourteenth-century Italian saint. The aim of her book (one of the first books to see print in Spain, Germany, Italy, and England), says Dr. Noffke in her Foreword, was "the instruction and encouragement of all those whose spiritual welfare was her concern." Catherine was "a mystic whose plunge into God plunged her deep into the affairs of society, Church and the souls who came under her influence." Professor Noffke goes on to call The Dialogue "a great tapestry to which Catherine adds stitch upon stitch until she is satisfied that she has communicated all she can of what she has learned of the way of God." In this, the sixth centenary of the great Dominican's death, we live in a time so badly in need of her sense of institutional reform as flowing from Divine truth, love and charity. Dr. Noffke says: "In the opening pages of The Dialogue Catherine presents a series of questions or petitions to God the Father each of which receives a response and amplification. There is the magnificent symbolic portrayal of Christ as the bridge. There are specific discussions of discernment, tears (true and false spiritual emotion), truth, the sacramental heart ('mystic body') of the Church, divine providence, obedience…. It is not so much a treatise to be read as it is a conversation to be entered into with earnest leisure and leisurely earnest." †
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The Memoirs of Catherine the Great

The Memoirs of Catherine the Great

Catherine The Great

Modern Library Inc
2006
pokkari
A definitive translation of the memoirs by the powerful Russian queen describes Catherine's youth, her unhappy marriage and life prior to taking the Russian throne, her dealing with the intrigues and betrayals of Russian court life, and her ultimate rise to power. Reprint. 25,000 first printing.
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Catherine Spalding, SCN

Catherine Spalding, SCN

Mary Ellen Doyle

The University Press of Kentucky
2016
sidottu
At the age of nineteen, Catherine Spalding (1793--1858) ventured into what would become a lifetime of leadership with the Sisters of Charity of Nazareth (SCN) -- one of the most significant American religious communities for women. As a cofounder and first superior of the order, she dedicated her life to developing and improving health care, services for orphans, and education on the early frontier. Her contributions had a lasting impact on Catholicism, the state of Kentucky, and the many people whose lives she touched.Mary Ellen Doyle supplements her definitive biography of the influential educator and humanitarian, Pioneer Spirit, with this meticulously edited and annotated volume. The collected correspondence illustrates Spalding's exemplary character and the scope of her day-to-day life as an administrator. Together, the letters reveal a new picture of Spalding's personality and drive, her insights, her trials, and her world as mother superior. The collection also gives readers a valuable glimpse of antebellum life in Kentucky and the wider south.Doyle presents the correspondence chronologically, following Spalding through key stages in her career from the founding of the SCN to her final years, as she turned to quieter cares. She provides essential historical context and information about Spalding's various correspondents, and she also analyzes the significance of letters missing from the collection. Catherine Spalding, SCN brings the SCN founder's words to a broader audience and offers readers new perspectives on both the world in which she lived and frontier faith.
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Catherine De Medici

Catherine De Medici

Paulson Michael G.

PETER LANG PUBLISHING INC
2002
sidottu
Who was Catherine de Medici? The answer to this question depends largely on one's religion and politics. Catherine de Medici: Five Portraits examines historically this great queen from the standpoint of her contemporaries and later writers. The primary focus is Catherine as seen in five works of French literature: Madame de La Fayette's La Princesse de Cl ves, Honor de Balzac's Sur Catherine de M dicis, Alexandre Dumas p re's La Reine Margot, Henri III et sa cour, and Prosper M rim e's Chronique du r gne de Charles IX. The famous queen and queen-mother are viewed from a multiplicity of perspectives, including that of victim and victimizer.
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Catherine of Siena

Catherine of Siena

Guiliana Cavallini

Continuum International Publishing Group Ltd.
2005
nidottu
From her earliest years, Catherine of Siena (1347-80) was griped by the mystery of God incarnate. This was the beginning of a life-long love story, a life-long conversion in which Christ spoke to Catherine and she communicated the truth of his being to the world of her time. Creation itself, she says, is an act of love, and Christ is the bridge by which human beings come to realize their full humanity, their inmost nature, which is to love. Mystic, champion of the poor and Church reformer, Catherine was declared a Doctor of the Church in 1970. She was unable to write until she was thirty, but she corresponded with Popes, Cardinals, scholars and civic authorities. She was a true daughter of the fourteenth century, famous in her own life time, and yet her thinking and her work seem entirely relevant in the political and ecclesial context of our own time. When Pope Paul VI was asked whether she should be considered a politician, his answer was yes, but in a thoroughly spiritual way; this, he said, is why 'the teaching of this singular woman politician is still meaningful and valuable'.
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Catherine's Mercy

Catherine's Mercy

Nicole Evelina

Chalice Press
2023
nidottu
In 1824, Catherine, a Catholic spinster of 44, unexpectantly inherits millions. However, she doesn't use it to climb the social ladder or snare a husband; she uses it to fulfill a lifelong dream of building a refuge for the poor and sick of Dublin, Ireland. That an unmarried woman would dare propose such a thing is so scandalous, even her own brother calls it "Kitty's Folly." Society turns against her. The Church tries to take over. Catherine must defend her choices or lose not only her inheritance, but her reputation and life's calling. One of the first women who seeks Catherine's help is Margaret, a maid in the house of Lord Montague, the loudest of Catherine's detractors. Daring to protect herself from his advances and rebel against his maxim of total obedience, Margaret is forced to flee for her life. She desperately approaches Catherine for help, setting off a series of events that haunt Catherine all her days and prompt a rule that holds today, in the real-life Sisters of Mercy.
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Writings of Catherine of Siena

Writings of Catherine of Siena

Catherine of Siena

Upper Room Books
2017
nidottu
With: Historical commentaryBiographical infoAppendix with further readingsFor nearly 2,000 years, Christian mystics, martyrs, and sages have documented their search for the divine. Their writings have bestowed boundless wisdom upon subsequent generations. But they have also burdened many spiritual seekers. The sheer volume of available material creates a seemingly insurmountable obstacle. Enter the Upper Room Spiritual Classics series, a collection of authoritative texts on Christian spirituality curated for the everyday reader. Designed to introduce 15 spiritual giants and the range of their works, these volumes are a first-rate resource for beginner and expert alike.Living in turbulent 14th-century Italy, Catherine was driven to submit her will completely to God's will for her. Her intense prayer life led her to write hundreds of letters to friends, other monastics, and heads of state, urging them to turn away from sin and draw closer to God. Catherine's life of total prayer has long inspired admiration.
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Catherine Murphy

Catherine Murphy

Skira Rizzoli
2016
sidottu
Extolled as a contemporary heir of Edward Hopper, Catherine Murphy has evolved a style acutely American that combines obsessive authenticity with Minimalist rigor. From the shaded lawns of the New Jersey suburbs to the Massachusetts woods, from childhood interiors to self-portraits and detailed images of buttons and dust, carpeted stairs, or a stuccoed ceiling, Murphy always paints and draws from life, often the domestic and quotidian. However, Murphy has distinguished her art from that of other realists, particularly in her later work, which often presents her subjects in extreme proximity to the viewer, literally in your face. Murphy uses painting and drawing to slow time down with intense concentration, so much so that it may take her a year to complete one painting. This volume explores Murphy's complete body of work, from the hushed world of her early work to the hyper encounters of the present with more than 100 paintings and drawings accompanied by texts by art critic John Yau.
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Catherine Certitude

Catherine Certitude

Patrick Modiano

David R. Godine Publisher Inc
2001
sidottu
This charming book will delight any child - or adult - who appreciates ballet, Paris, New York, childhood, and mystery (not necessarily in that order). The book's plot is deceptively simple: Catherine, the eponymous heroine, begins her story watching her own daughter demonstrate jazz steps in their ballet school on a snowy afternoon in New York. Memory takes her (and the reader) back to her childhood, spent in the tenth arrondissement of Paris. In her youth, Catherine lives with her gentle father, Georges Certitude, who runs a shipping business with his partner, a loud, failed poet named Casterade. The real partners in this story, however, are the father and daughter who share the simple pleasures of daily life: sitting in the church square, walking to school, going to her ballet class every Thursday afternoon. Behind this gossamer storyline, "Catherine Certitude" is filled with mystery. Why did Georges change his name to Certitude? What kind of trouble with the law did Casterade rescue him from? Exactly what does Georges do, and what kind of deals is he always discussing with men in worn raincoats? Why did Catherine's mother, herself a ballerina, leave Georges to return to New York? That these mysteries remain mysteries is part of the book's charm. But that Catherine and her father love the ballet, music, and City of Lights, is certain.
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Catherine Sullivan – Five Economies (Big Hunt/ Little Hunt)

Catherine Sullivan – Five Economies (Big Hunt/ Little Hunt)

Russell Ferguson; Catherine Sullivan; Hamza Walker

Renaissance Society at the University of Chicago
2002
sidottu
Los Angeles-based artist Catherine Sullivan creates radically hybrid works that combine performance, installation art, dance, traditional theatre and Hollywood cinema. Five Economies (big hunt), a five screen video installation, mixed and matched scenes and acting styles taken from The Miracle Worker, Marat/Sade, Persona, Tim and Whatever Happened To Baby Jane, as well as real life instances of virtuoso acting such as the story of Birdie Jo Hoaks, a 25 year old female who passed as a 12 year old boy in order to gain state social services. In black and white, and completely soundless, big hunt forces its audience to read drama and plot on the basis of the semiotics of gesture and mise-en-scene. This catalogue is illustrated by numerous video stills from Five Economies, and photographs of Gold Standard, the high-energy performance directed by Sullivan that took place at The Renaissance Society exhibition opening, which featured 6 pairs of actors all simultaneously acting the learning-to-eat-with-a-spoon scene between Helen and Annie from The Miracle Worker. Hamza Walker's essay discusses Five Economies' relationship to Modernist formalism and essentialism regarding media; Russell Ferguson and Sullivan talk about her working methods and the theories of acting and theatre that are the foundation of her practice. Published in conjunction with UCLA Hammer Museum
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Catherine Opie: Harmony Is Fraught

Catherine Opie: Harmony Is Fraught

Shaun Caley Regen

Regen Projects
2025
nidottu
The people and places of Los Angeles serve as familiar subjects in this collection of previously unseen photographs from Opie's decades-long oeuvre This publication presents more than 60 never-before-seen photographs by Catherine Opie (born 1961), drawn from over 30 years of making pictures in and of Los Angeles. Illustrated by more than 100 color and black-and-white images, Harmony Is Fraught sheds new light on a variety of subjects familiar to Opie's expansive oeuvre. It includes intimate portraits of lovers and friends, documentary-style photographs of iconic and lesser-known landmarks, unprecedented experiments in self-portraiture, and scenes of queer life from the 1990s to the present. In "Catherine Opie's Multiverse," a new catalog essay penned in response to the exhibition, Karen Tongson considers the analogical relationship between the timelessness of Opie's photographs and the city of Los Angeles itself, with its "jarring juxtapositions between 1920s Spanish balconies, mid-century dingbats, aspirational tudors and cloverleaf on-ramps to the future."
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Catherine Opie: Inauguration

Catherine Opie: Inauguration

Deborah Willis

Gregory R Miller Company
2011
sidottu
Celebrated photographer Catherine Opie (born 1961) has long documented the faces and landscapes of American communities, both inside and outside the mainstream. The subjects of her highly regarded portraits have ranged from California surfers, friends and fixtures in LGBT communities, high school football players and the artist herself. In this series of photographs documenting the inauguration of President Barack Obama, Opie broadens her focus to an expanded community of Americans: on January 20, 2009, over one million people gathered on the national mall to see the swearing in of America's first black president, united by their pride at what had been accomplished and a collective hope for the future. In the tradition of Robert Frank's photographs of the 1956 Democratic National Convention in Chicago and William Eggleston's 1976 Election Eve series, Opie's Inauguration, a series of 100 photographs, offers an intimate political and personal view of one of the most public days of a nation. Accompanying texts by author, curator and photo-historian Deborah Willis and writer Eileen Myles address the significance of Opie's achievement with this body of work and further explore the wonder, elation and the self-conscious anticipations of this historic moment.
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Catherine de' Medici "The Black Queen"

Catherine de' Medici "The Black Queen"

Janie Havemeyer

Goosebottom Books Llc
2011
sidottu
Queen of France, Catherine de' Medici would do anything to keep her family in power, including using poison and black magic. A nation-wide killing spree during her rule earned her the name, The Black Queen. But was she really that bad? Gorgeous illustrations and an intelligent, evocative story bring to life a real dastardly dame who fought to keep her children in power, but ended up blackening their names instead.
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