Opening a window into the most fascinating and, in many ways, most mysterious period in Christopher Isherwood's life, Kathleen and Christopher collects more than one hundred previously unpublished letters the young author wrote to his mother between 1935 and 1940. Composed while he was still a struggling writer, they offer a brilliant eyewitness account of Europe on the brink of war and an intimate look at the early career of a major literary figure. Because Isherwood destroyed his diaries from these years, these letters—published for the first time and edited and introduced by Lisa Colletta—provide one of the few records of this part of his life not filtered through the lens of time and memory. They contain requests for money and books, descriptions of his travels, stories of his friends W. H. Auden and Stephen Spender, reactions to the critical reception of his Berlin Stories, and a tense account of his failed attempt to save his lover Heinz from conscription into the Nazi military. The final letters in this volume document Isherwood's journey to Los Angeles, where he permanently settled. Also included are thirty images from Isherwood's personal photo album and reproductions of postcards from his international travels. Warm, confiding, and sometimes quite caustic, the letters also reveal a closer affection between the young Isherwood and his mother than his biographers have portrayed. While Isherwood acknowledged that it took him a long time to come to terms with his mother's influence on his life, the letters in Kathleen and Christopher dispute the prevalent idea that theirs was a relationship rife with conflict. Isherwood's everyday correspondence, written in extraordinary times, reveals a complex yet wholly recognizable and very close bond between mother and son. She was for him, in turns, an agent, a sounding board, and an unbreakable connection to England. Lisa Colletta is assistant professor of English at Babson College. She is the author of Dark Humor and Social Satire in the Modern British Novel.
In his day, Christopher Pearse Cranch (1813–1892) was a well-known figure in American arts and letters, with close ties to the New England Transcendentalists. His most enduring achievements are his novels for children. Collected here for the first time in one volume, these three works—The Last of the Huggermuggers, Kobboltozo: A Sequel to the Last of the Huggermuggers, and The Legend of Dr. Theophilus; or, The Enchanted Clothes—establish Cranch as a pioneer in American fantasy fiction.Huggermuggers (1856) and Kobboltozo (1857) went through several printings during the last half of the nineteenth century but were not reissued until the initial publication of this volume in 1993. These novels relate the escapades of a shipwrecked American boy, Jacky Cable, and the gentle giants and evil dwarfs who inhabit the island on which he is marooned. The manuscript of Cranch’s last unpublished novel, The Legend of Dr. Theophilus, disappeared around 1870 and did not resurface until the early 1980s. The story revolves around a faraway place where the sun cannot penetrate the fog and where a suit of enchanted clothes can cause mayhem and grief.As the editors explain in their introduction, Cranch was the first American author to write novel-length works solely for children, and to fuse elements of fantasy and adventure. In an era when most juvenile books emphasized moral rectitude and acquiescence to adult authority, Cranch put a higher premium on humor and the imaginative aspects of storytelling. Written during an important transition in the history of American children’s literature, these three novels are of special interest to scholars of American Romanticism. Perhaps most important of all, they have not lost their attraction for young readers.
A collection of fifty-five essays, written mostly in the mid-twenties but with some later examples as well, Christopher Morley's New York presents in rich, evocative detail New York at the end of World War I – that heady time after the doughboys returned, the Twenties got roaring, the Volstead Act found itself thwarted, and a lot of progressive life got on with its business before running into the wall of the Great Depression. In the first section of the book, East Side, West Side, All Around the Town, we experience New York just as Morley did: through its bookstores, restaurants, taverns, waterfronts, and other locales that lent the city its unique, rough-and-tumble character. But we're also treated to a vivid picture of Christopher Morley himself, particularly in the next section, The Three Hours for Lunch Club, in which Morley's gusto in food, drink, companionship, conversation, and general bonhomie is plainly evident. Finally, in the last section, we experience another, suburban New York: Roslyn, Long Island, where for years Morley lived with his wife and family. Contrasted with the vulgar beauty of the city, the natural splendor Morley encountered on Long Island is particularly affecting. This attractive volume is enhanced by the evocative period illustrations of Walter Jack Duncan, who illustrated so many Morley first editions.
Christopher Morley was one of the most celebrated American authors of the 1920s and 1930s. Best known as the author of Parnassus on Wheels and Kitty Foyle, Morley wrote for a popular audience that keenly appreciated his style, his wit, and his exuberant championing of the written word. Morley wrote most of the pieces collected in this volume from 1918 to 1920, while a columnist for the Philadelphia Evening Ledger. His assignment: to "saunter" around town and the Philadelphia suburbs, and then – usually after a leisurely lunch – report back. The result was a series of lively essays that, read now, not only reveals a city's colorful past, but sheds light on its present: much of the Philadelphia Morley explored remains intact for the native or visitor with the eye and patience to discover it. Morley's best Philadelphia work, scattered among 12 volumes published during his lifetime, have been collected in this handsome new book, which includes period illustrations by Walter Jack Duncan and Frank Taylor, and a critical introduction by Ken Kalfus. Published on May 5, 1990, on the 100th anniversary of Morley's birth, Christopher Morley's Philadelphia brings together numerous essays that have been out of print for 50 years or longer. The book joins Fordham University Press's 1988 collection, Christopher Morley's New York, as a lasting contribution to the Morley oeuvre.
Christopher Morley was one of the most celebrated American authors of the 1920s and 1930s. Best known as the author of Parnassus on Wheels and Kitty Foyle, Morley wrote for a popular audience that keenly appreciated his style, his wit, and his exuberant championing of the written word. Morley wrote most of the pieces collected in this volume from 1918 to 1920, while a columnist for the Philadelphia Evening Ledger. His assignment: to "saunter" around town and the Philadelphia suburbs, and then – usually after a leisurely lunch – report back. The result was a series of lively essays that, read now, not only reveals a city's colorful past, but sheds light on its present: much of the Philadelphia Morley explored remains intact for the native or visitor with the eye and patience to discover it. Morley's best Philadelphia work, scattered among 12 volumes published during his lifetime, have been collected in this handsome new book, which includes period illustrations by Walter Jack Duncan and Frank Taylor, and a critical introduction by Ken Kalfus. Published on May 5, 1990, on the 100th anniversary of Morley's birth, Christopher Morley's Philadelphia brings together numerous essays that have been out of print for 50 years or longer. The book joins Fordham University Press's 1988 collection, Christopher Morley's New York, as a lasting contribution to the Morley oeuvre.
This book contains a thorough re-evaluation of the problems surrounding the activities, dramatic, literary, and otherwise, of Christopher Marlowe, particularly in his relations with his associate Richard Baines, in the latter part of Marlowe's life. It is the first full-length biography of Richard Baines, the object of which is to act as a lens through which to view standard Marlovian biography from a new angle and with a fresh eye. This new book thus comprises two interlinking biographical studies which inform both literary criticism and early modern history, puts the Baines/Marlowe relationship into a new perspective, and demonstrates the symbiotic relationship that existed in actuality between the two men in their lifetimes and which, of its nature, sets up a literary, historiographical, cultural, and scholastic virtual relationship on the web of history. Kendall's method is not to give full-scale interpretations of individual plays and poems or to attempt a conventional Canterbury/Cambridge/London appraisal of Marlowe's life, but rather to take the reader along a rough chronological path that traces the life of Richard Baines, picking suitable spots to break off the narrative and analyze Marlowe's writings and actions and reinterpret known events connected with his life and with Baines's (especially where they overlap). By offering fresh primary evidence, Kendall is able to suggest new ways in which each influenced the life of the other - especially how Baines influenced and affected Marlowe.
Le Brun s large-scale paintings are characterized by their lyrical abstraction and often reference myth, history, and literature using a rich palette and expressive brushwork. Each page of this sumptuous book reveals the artist s dynamic use of color, texture, and form, capturing the essence of his creative process and the emotions embedded in his canvases, some light in touch and some involving dense accretions of paint. Featuring an extensive plates section of full-color reproductions, including five expanding foldouts, a critical narrative by art historian Matthew Holman, and a reference section of illustrated footnotes that shed light on Le Brun s inspirations, this book provides a comprehensive look at one of Britain s most beloved artists.
"When you revisit a place that matters to you for the first time in a long time it is a rich, spiritual experience, but if you then revisit such a place too frequently it loses some of its power. The power lies in the absences." — Christopher Pratt Widely considered to be one of Canada's most prominent and celebrated painters, Christopher Pratt stands with other great artists — Alex Colville, Lawren P. Harris, Jean Paul Lemieux, and Lionel LeMoine Fitzgerald — who influenced him and the way he represents the land. But Pratt's greatest influence is perhaps the geography of his home province of Newfoundland. The Places I Go focuses on Pratt's paintings of the last decade, each revealing his observations of a place changing even as it endures. Beginning in 2005, Pratt started to travel by car to "everywhere I've ever been," recording his travels in his "car books," in his memory, and, ultimately, in his paintings. The paintings that resulted from this journey are vintage Pratt. They are also acts of remembering, of recording, of becoming the observer of transformation. Standing on "the littoral," looking toward the horizon, Pratt casts his eye on the perpetual presence of the ocean. Yet, his images — houses, spillways, bridges, and boats — also pay homage to the right angles of humanity. Buried in snow, at rest in a dock, they celebrate the built form. This exquisite book, featuring essays by exhibition curator Mireille Eagan, archivist Larry Dohey, and Pratt himself, examines Pratt's interest in and preoccupation with transformation, the act of remembering, and his abstractions of the ineffable.
E. Stanly Godbold, Jr. (1942- ), is a historian who is writing a two-volumbe biography of Jimmy and Rosalynn Carter. His first volume was published by Oxford Univesity Press in 2010 and has attracted much attention for its positive interpretation of the Carters. He is also the author of Ellen Glasgow and the Woman Within, Christopher Gadsden and the American Revolution, and Confederate Colonel and Cherokee Chief: The Life of William Holland Thomas. He lives in Oktibbeha County, Mississippi.
At the heart of Christopher Wool's creative project, which spans three decades of highly focused practice, is the question of how a picture can be conceived, realized and experienced today. Engaging the complexities of painting as a medium, as well as the anxious rhythms of the urban environment and a wide range of cultural references, his agile, largely monochrome works propose an open-ended series of responses to this central problem. Published on the occasion of the artist's retrospective at the Solomon R. Guggenheim Museum, New York, organized by Katherine Brinson, Associate Curator, and supported by the Andy Warhol Foundation for the Visual Arts, this exhibition catalogue presents a rich selection of paintings, photographs and works on paper, forming the most comprehensive examination of Wool's career to date. This fully illustrated publication includes essays by Katherine Brinson, Suzanne Hudson, Richard Prince and James Rondeau, as well as a definitive bibliography and exhibition history.
An amazing true story of a young sailor during the American Revolution For readers of all agesThe Revolutionary War is raging, and 12-year-old Christopher Hawkins runs away to follow his dream of being a sailor and a patriot. During his first sea adventure, the British capture his ship. Quick-witted Christopher escapes at his first opportunity.At 17, Christopher joins another American privateer ship but is soon captured by the British. This time, he is delivered to the notorious British ship HMS Jersey, the war's deadliest prison. Armed with only courage, cunning, and a sense of humor, Christopher Hawkins will face death unless he can escape from his British captors twice more. "A rare book that brings history alive in the most exciting way-full of memorable characters and real-life, harrowing adventures "-Carol Cujec, award-winning author of REAL This novel and tale of survival is adapted and expanded from author Becijos' great-great-great-great-grandfather's oft-quoted memoir, The Adventures of Christopher Hawkins.
Christopher Hawkins and His Daring Escapes: A Revolutionary War Novel is the true story of a young sailor and patriot in the Revolutionary War. In 1777, the American Revolution is raging, and 12-year-old Christopher Hawkins runs away to join a privateer fighting against England. His ship is captured, but he later escapes from the British. At 17, Christopher again joins a privateer and once more is captured by the British. This time he is sent to the HMS Jersey, the war's deadliest prison ship. Armed with only courage, cunning, and a sense of humor, Christopher Hawkins faces death as he escapes twice more from his captors. This novel is expanded and adapted from Christopher Hawkins' memoir. The main character is the author's 4th great-grandfather. Hawkins' story has been recorded in several texts on the Revolutionary War, and his memoir is housed in Philadelphia's Museum of the American Revolution. This book is for children ages 9-14 and adults.
Christopher Hawkins and His Daring Escapes: A Revolutionary War Novel is the true story of a young sailor and patriot in the Revolutionary War. In 1777, the American Revolution is raging, and 12-year-old Christopher Hawkins runs away to join a privateer fighting against England. His ship is captured, but he later escapes from the British. At 17, Christopher again joins a privateer and once more is captured by the British. This time he is sent to the HMS Jersey, the war's deadliest prison ship. Armed with only courage, cunning, and a sense of humor, Christopher Hawkins faces death as he escapes twice more from his captors. This novel is expanded and adapted from Christopher Hawkins' memoir. The main character is the author's 4th great-grandfather. Hawkins' story has been recorded in several texts on the Revolutionary War. This book is for children ages 9-14 and adults.
Celebrate America's 250th with this true story of a young teen's fight for his country 1776-1782 An amazing real-life story of a young sailor and patriot during the American Revolution In 1777, the American Revolution is raging, and 12-year-old Christopher Hawkins runs away to join a privateer fighting against England. His ship is captured, but he later escapes from the British. At 17, Christopher again joins a privateer and once more is captured by the British. This time he is sent to the HMS Jersey, the war's deadliest prison ship. Armed with only courage, cunning, and a sense of humor, Christopher Hawkins faces death as he escapes twice more from his captors. Christopher's escape leads him through New York City, Sag Harbor, Long Island, and Rhode Island. The main character is the author's 4th great-grandfather. Hawkins' story has been recorded in several texts on the Revolutionary War. This novel is expanded and adapted from Christopher Hawkins' memoir. The book is for children ages 9-14.
