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1000 tulosta hakusanalla D.H. Lawrence
El discurso indirecto libre en El amante de la dama Chatterley de D H Lawrence
Khalil Al-Sayyid
Ediciones Nuestro Conocimiento
2022
nidottu
Simboli della natura e della mitologia greca nelle ultime poesie di D.H. Lawrence
Mohammed Oleiwi
Edizioni Sapienza
2024
pokkari
Civilisation, marriage and tenderness in D.H. Lawrence's novel "Lady Chatterley's Lover"
Katrin Daum
Grin Publishing
2008
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Studienarbeit aus dem Jahr 2008 im Fachbereich Anglistik - Literatur, Note: 2,0, Bayerische Julius-Maximilians-Universit t W rzburg (Anglistik), Veranstaltung: Proseminar: Pastoral Novels, 6 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: When the first version of Lady Chatterley's Lover was published in 1926, the readers had been shocked, because it was about sex. Since then there have been various speculations, books and articles about if there was more to this book than sex - and there certainly is. The term paper concentrates on three main aspects: civilisation, marriage and tenderness. I chose three points of criticism of society, namely the war, the class system and industrialisation. In the chapter 'marriage', I decided to focus mainly on the Chatterley's marriage and the relation between Connie and Mellors, though also the couples Ted and Ivy Bolton and Mellors and Bertha Coutts come up shortly. For the last point in this term paper, I grouped the aspects of Connie's relations before she had met Mellors and her relation with him. In this last chapter, I tried not to give too many examples to show in which way the two lovers behave tenderly, but I rather attempted to give an overview over their relationship and the ramifications of tenderness for them.
Narcissistic Mothers in Modernist Literature – New Perspectives on Motherhood in the Works of D.H. Lawrence, James Joyce, Virginia Woolf, and Jean Rh
Marie Géraldine Rademacher
Transcript Verlag
2021
nidottu
Narcissistic mothers are an important motif in modernist literature. Tracing its appearance in the works of writers such as D.H. Lawrence and Virginia Woolf, this book questions the dichotomous image of either benevolent or suffocating mother, which has pervaded religion, art and literature for centuries. Instead of focusing on the mother-child dyad as characterized primarily by maternal domination and the child' s submission, Marie Géraldine Rademacher insists on the definitional nuances of the term »narcissism« and considers the political and socio-economic context of the time in shaping these women's narcissistic behavior. The study thus inspires a more positive (re)reading of the protagonists.
Symbole der Natur und der griechischen Mythologie in den letzten Gedichten von D.H. Lawrence
Mohammed Oleiwi
Verlag Unser Wissen
2024
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Symboles de la nature et de la mythologie grecque dans les derniers poèmes de D.H. Lawrence
Mohammed Oleiwi
Editions Notre Savoir
2024
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Women's Emancipation, Freedom, and Self-Fulfilment in D.H. Lawrence's Fiction
Yawavi Edem Akpemado
Galda Verlag
2019
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This book discusses women's emancipation, freedom and self-fulfilment in D. H. Lawrence's fiction. It explores women's realization of their subjugation to patriarchal norms and their endeavor to liberate themselves from these norms in order to be free and self-fulfilled. In fact, in the four novels under study, Sons and Lovers, The Rainbow, Women in Love, and Lady Chatterley's Lover women's lives are limited by patriarchal norms and all their love relationships are fraught with conflicts due to men's desire to dominate women as love partners and women's determination and resolution to subvert that male domination. Out of this study, it turns out that D. H. Lawrence promotes, through his writings, womanist principles of a peaceful love relationship. The promotion of women's education is one of the key issues which are used by the writer as a way towards their emancipation and thereafter towards the harmonious development of all nations.
With a new Introduction by Geoff DyerCommentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred KazinOf all Lawrence's work, Sons and Lovers tells us most about the emo-tional source of his ideas," observed Diana Trilling. "The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family." Sons and Lovers is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels. For the critic Kate Millett, "Sons and Lovers is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it."
With an Introduction by Joyce Carol Oatesforeword by the authorCommentary by Carl van Doren, Rebecca West,Aldous Huxley, and Henry MillerIt is . . . the world of the poets and the preponderance of the poet in [Lawrence] that is the key to his work. He magnified and deepened experience in the manner of a poet," wrote Anaïs Nin in 1934. Privately printed in 1920 and published commercially in 1921, Women in Love is the novel Lawrence himself considered his masterpiece. Set in the English Midlands, the novel traces the lives of two sisters, Ursula and Gudrun, and the men with whom they fall in love. All four yearn for fufillment in their romantic lives, yet struggle in a world that is increasingly violent and destructive. Commenting on the novel, which was composed in the midst of the First World War in 1916, Lawrence wrote, "The bitterness of the war may be taken for granted in the characters." Rich in symbolism and lyrical prose, Women in Love is a complex meditation on the meaning of love in the modern world. To the critic Alfred Kazin, "No other writer of [Lawrence's] imaginative standing has in our time written books that are so open to life."D. H. LAWRENCE (1885-1930), the son of a coal miner and a lace worker, completed his formal studies at University College, Nottingham, in 1908 and began teaching at a boys' school. By 1912, he had abandoned teaching to write full-time. His novels include The White Peacock (1911), The Trespasser (1912), Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), The Plumed Serpent (1926), and Lady Chatterley's Lover (1928), which was banned as pornographic in England until 1960.
Inspired by the long-standing affair between Frieda, Lawrence’s German wife, and an Italian peasant who eventually became her third husband, Lady Chatterley’s Lover is the story of Constance Chatterley, who, while trapped in an unhappy marriage to an aristocratic mine owner whose war wounds have left him paralyzed and impotent, has an affair with Mellors, the gamekeeper. Frank Kermode calls the book Lawrence’s "great achievement" and Anaïs Nin describes it as "artistically . . . his best novel."This Modern Library Paperback Classics edition includes the transcript of the judge's decision in the famous 1959 obscenity trial that allowed the novel to be published in the United States.
The surviving text of The Rainbow is collated to provide a text as close as possible to that which the author wrote. Also included are explanatory notes to historical references and allusions and a chronology of the book itself.
D.H. Lawrence's great autobiographical novel is a provocative portrait of an artist torn between love for his possessive mother and desire for two young beautiful women. Set in the Nottinghamshire coal fields of Lawrence's own boyhood, the story of young Paul Morel's growing into manhood in a British working-class family rife with conflict reveals both an inner and an outer world seething with intense emotions. Gertrude is Paul's puritanical mother who concentrates all her love and attention on her son Paul. She nurtures his talents as a painter - and when she broods that he might marry someday and desert her, he swears he will never leave her. Inevitably, Paul does fall in love, but with two women - and is unable to choose between them. Written early in Lawrence's literary career, Sons and Lovers possesses all the powers of description, insistent sensuality, and scathing social criticism that are the special hallmarks of his genius. "A work of striking originality," writes the critic F.R. Leavis, by "the greatest creative writer in English of our time."
Lawrence's first major novel was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly-knit mining community and by a family where feelings are never hidden for long. Paul Morel is caught between his need for family and community and his efforts to define himself sexually and emotionally. Lawrence's powerful description of Paul's relationships makes this a novel as much for the beginning of the twenty-first century as it was for the beginning of the twentieth.
D.H. Lawrence's magnificent exploration of human sexuality in the days surrounding World War I. "Let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions," wrote D.H. Lawrence in Women In Love, a masterpiece that heralded the erotic consciousness of the twentieth century. Echoing elements of Lawrence's own life, Women In Love delves into the mysteries between men and women as two couples strive for love against a haunting backdrop of coal mines, factories, and a beleaguered working class.New introduction by Louis Menand.
The story of a European woman's self-annihilating plunge into the intrigues, passions, and pagan rituals of Mexico. Lawrence's mesmerizing and unsettling 1926 novel is his great work of the political imagination.
