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1000 tulosta hakusanalla Dmitrii Emets

Dmitri and the One-legged Lady

Dmitri and the One-legged Lady

Michael Pearce

HARPERCOLLINS PUBLISHERS
1999
nidottu
A dreamy province of Tsarist Russia. An ambitious young lawyer of Scottish-Russian descent anxious to make his way. And the "One-Legged Lady", one of the most important icons in the district, goes missing. Exactly how important, the sceptical Dmitri comes to see.
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Dmitri Prigov

Dmitri Prigov

Sergey Chesnokov

Paul Mostinski
2018
pokkari
This book has been created based on the author's lecture on November 15, 2015 at the International conference dedicated to Dmitri Prigov's 75th Bithday "Prigov - 75" in Moscow, Russia.
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Dmitri Shostakovich

Dmitri Shostakovich

Derek C. Hulme; Irina Shostakovich

Scarecrow Press
2002
sidottu
Dmitri Shostakovich (1906-75) was one of the greatest composers of the twentieth century, and the first major Soviet composer. He is also a figure of some controversy, following the publication in the West in 1979 of his memoirs Testimony. Derek Hulme's catalogue of the composer's works was first published privately in 1982. This third edition adds greatly to the information contained therein and brings it up to date. For each numbered work and all the known unnumbered compositions, Hulme provides a short description of the piece, and lists date of composition, dedicatee, forces the work employs, location of the autograph score, duration, arrangements of the work, premiere(s), an extensive list of recordings, and reference to bibliography items where the piece is discussed in any detail. The entries are presented in order of opus number, with unnumbered compositions inserted appropriately within this chronological sequence. The catalogue is supplemented by a series of appendices, which includes a chronological chart of the composer's life and work and a discussion of the monogram DSCH, a musical motif based on his name that permeates his compositions.
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Dmitri Shostakovich Catalogue

Dmitri Shostakovich Catalogue

Derek C. Hulme; Irina Shostakovich

Scarecrow Press
2010
sidottu
Dmitri Shostakovich (1906-75) was one of the greatest composers of the 20th century, as well as the first major Soviet composer. In the fourth edition of Dmitri Shostakovich Catalogue: The First Hundred Years and Beyond, Derek C. Hulme names and describes all known musical compositions of the Russian composer. More than 175 major works are annotated and discussed, including such comprehensive details as titles and subtitles, dates of composition, instrumentation, and duration; information on dedications and premieres; arrangements by the composer and others; publication details; notes on bibliographical references and the location of the autograph score; and comprehensive chronological lists of vinyl, compact disc, and visual recordings. The entries are presented chronologically and by opus number, while indexes of names and compositions provide full accessibility. Several appendixes supplement the volume, guiding readers to further information in published sources and providing information on the composer's film, radio, television, and theatre productions; his abandoned projects and obscure works; and his recordings, including box sets and special USSR recordings. An appendix also discusses the monogram DSCH, a musical motif based on his name that permeates his compositions. This new edition also includes a comprehensive chronological chart of Shostakovich's works and historical events and several plates of memorabilia.
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Dmitri

Dmitri

Francis William Bain

British Library, Historical Print Editions
2011
pokkari
Title: Dmitri: a tragi comedy.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Bain, Francis William; 1890. 282 p.; 8 . 012631.f.2.
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Dmitri

Dmitri

Olive Jeanfreau Alexander

Morgan James Publishing llc
2008
pokkari
Dmitri gives a compassionate view of the Russian people. It is a representation of aspects of Russian history from about 800 A.D. into the future, as it tells of the experiences of the small purple dragon Dmitri. Dmitri is a symbol of Russia's soul. From the time that Dmitri's egg was laid in Old Russia, down to his hatching in about 1890, the tale proceeds on to his adventures in Kiev. Then the tale takes the small dragon into the Soviet era. The torture and death of Dmitri's friend the priest are described. Afterwards, the small dragon is sent to various Russian military camps. Dmitri himself is tortured by a tank sergeant in the post-Soviet New Russia. But Dmitri has a passion for life, in spite of hardships. He survives a horrific war. Then he flies back to the Old Russia area, which has been completely transformed. The tale ends with a description of a Really New Russia, and its King, and Dmitri's joyful life there.
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Dmitri

Dmitri

Olive Jeanfreau Alexander

Morgan James Publishing llc
2008
sidottu
Dmitri gives a compassionate view of the Russian people. It is a representation of aspects of Russian history from about 800 A.D. into the future, as it tells of the experiences of the small purple dragon Dmitri. Dmitri is a symbol of Russia's soul. From the time that Dmitri's egg was laid in Old Russia, down to his hatching in about 1890, the tale proceeds on to his adventures in Kiev. Then the tale takes the small dragon into the Soviet era. The torture and death of Dmitri's friend the priest are described. Afterwards, the small dragon is sent to various Russian military camps. Dmitri himself is tortured by a tank sergeant in the post-Soviet New Russia. But Dmitri has a passion for life, in spite of hardships. He survives a horrific war. Then he flies back to the Old Russia area, which has been completely transformed. The tale ends with a description of a Really New Russia, and its King, and Dmitri's joyful life there.
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Dmitri Shostakovich

Dmitri Shostakovich

John Riley

I.B. Tauris
2004
nidottu
Of all the major Soviet composers who worked in the cinema, the most prominent was Dmitri Shostakovich who, in addition to over a hundred works for the stage and concert hall, wrote scores for almost forty films. Yet despite his reputation this work, when not completely overlooked, has been poorly judged by the same criteria as his other music. Likewise, while much attention has been paid to Soviet film, the crucial role played by the scores is all too often forgotten. This, the first book in English to look at Shostakovich's cinema career, discusses every film he scored, looking at the films themselves, tracing their relationship to the changing concerns and policies of the Soviet state and examining how the music works in context. John Riley also gives a fascinating account of the composer's life. This highly readable book will be welcomed equally by devotees of the composer; those interested in Soviet culture and cinema; and general film music enthusiasts.
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Dmitri Schostakowitschs Klavierquintett op. 57 - Versuch einer Analyse

Dmitri Schostakowitschs Klavierquintett op. 57 - Versuch einer Analyse

Michael Cyris

Grin Publishing
2012
nidottu
Studienarbeit aus dem Jahr 2010 im Fachbereich Musikwissenschaft, Note: 1,3, Universit t Leipzig (Institut f r Musikwissenschaft), Veranstaltung: Klavierkammermusik, Sprache: Deutsch, Abstract: "Man mu Schostakowitsch Gerechtigkeit widerfahren lassen: Dem allgemeinen Eindruck nach enth lt seine Fuge unglaublich viel Neues ...]" So u ert sich der ebenfalls sowjetische Komponist Sergei Prokofjew zu einem der S tze aus Schostakowitschs Klavierquintett g-Moll op. 57 aus dem Jahr 1940. Auch wenn die Formulierung "dem allgemeinen Eindruck nach" etwas abf llig daherkommt scheint der Sch pfer von "Peter und der Wolf" doch dieses Kompliment recht ernst zu meinen. Auch ber die anderen S tze bildet sich Schostakowitschs Komponistenkollege eine Meinung. Der an zweiter Stelle erscheinende Fugensatz steche jedoch wie gesagt hervor. Aus der bachschen Tradition heraus unternahmen die Komponisten der nachfolgenden Generationen vielerlei Versuche originelle Fugen zu schreiben und dem damit dieser traditionellen Form ein gewisses Ma an Neuartigkeit beizubringen. Im Bezug hierauf r umt Prokofjew allenfalls Hindemith das Gelingen dieses Versuchs ein, der in seinen Sonaten ebenfalls mit fugenartigen Strukturen experimentierte. (Meyer 1998, S.173) Nicht vergessen werden darf, abgesehen von der Analyse einzelner Teils tze des Werks auch der historische Kontext der Entstehung und Rezeption des Klavierquintetts. Aus der Musikgeschichte heraus muss man Schostakowitsch ohnehin immer als Komponisten vor einem rumorenden politischen Hintergrund der Stalin- ra sehen und verstehen. Man denke hierbei etwa an die beiden Sinfonien, die Salingrader und die Leningrader Sinfonie. Ob es sich bei dem vorliegenden Werk ebenfalls um ein stark politisch konnotiertes und damit entweder revolution res oder traditionsbewusstes Werk handelt will die vorliegende Arbeit ergr nden. Dabei erfolgt zun chst die Er rterung des Entstehungshintergrunds des Werkes und seine Rezeption um dann gefolgt von der Analy
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Dmitri Schostakowitsch

Dmitri Schostakowitsch

Florian Leiffheidt

Grin Publishing
2012
pokkari
Studienarbeit aus dem Jahr 2012 im Fachbereich Musikwissenschaft, Note: 1,3, Ernst-Moritz-Arndt-Universit t Greifswald (Kirchenmusik & Musikwissenschaft), Veranstaltung: "Ach Gott, wir haben nicht gewusst, was Krieg f r eine Plage ist " - Musik und Krieg von der Fr hen Neuzeit bis heute, Sprache: Deutsch, Abstract: Schon in fr hen Jahren wurde der Komponist Dmitri Schostakowitsch (19061975) mit politischen Ereignissen konfrontiert, als er als Elfj hriger Zeuge wurde, wie w hrend einer Kundgebung Demonstranten erschossen wurden. Als unmittelbare Reaktion darauf entstand die Komposition "Hymne an die Freiheit" bzw. "Trauermarsch f r die Opfer der Revolution." Ein Zeichen, zum einen f r den fr hen Beginn der kompositorischen F higkeit, zum anderen f r die Verflechtung von historisch-politischen Ereignissen im Umfeld Schostakowitsch und der Entstehung seiner Werke. Es folgte eine Karriere als Komponist, welche jedoch nicht zuletzt durch folgendes Ereignis immens ersch ttert wurde: 1936 besuchte Josef Stalin, sowjetischer Diktator, eine Auff hrung von Schostakowitschs Oper "Lady Macbeth von Mzensk," verlie jedoch seine Ehrenloge nach einer musikalisch umgesetzten Kopulations-Szene. Und dies geschah, ohne dass Stalin vorher noch einmal das Gespr ch mit Schostakowitsch als Komponisten suchte, was nicht nur der Abwertung des musikalischen Werkes, sondern in der damaligen Zeit einem Todesurteil gleichkam. Komponisten, welche als sogenannte Systemfeinde oder Formalisten galten, wurden in n chtlichen Abholaktionen verhaftet, verh rt, im schlimmsten Falle wurden sie in Gulags deportiert und ermordet. Auf den Eklat der Auff hrung folgte ein (vermutlich von Stalin selbst verfasster) Artikel in der sowjetischen Kulturzeitung Prawda, in dem Schostakowitsch jegliche musikalische F higkeit abgesprochen und ihm stattdessen "Chaos statt Musik" bescheinigt wurde. Nun stand auch Schostakowitsch im Visier des Geheimdienstes und musste tagt glich mit seiner Verhaftung rechnen. Anekdote
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