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1000 tulosta hakusanalla Edward Hopper

Edward Everett

Edward Everett

Ronald Reid

Greenwood Press
1990
sidottu
If Edward Everett is remembered at all today, it is as the orator who gave the other speech at Gettysburg, Pennsylvania on November 19, 1863. Ironically, Everett's oration, which was given wide coverage in contemporary newspapers, was recognized as both epideictic and argumentative. Everett defended the Union cause, whereas Lincoln's speech was strictly ceremonial. A second irony that attends Everett's oratorical career is that his countrymen believed him to be one of the great orators of the time, the undisputed master of ceremonial address. In this first new study of Edward Everett's oratory, author Ronald Reid addresses the historical and oratorical paradoxes that have influenced perceptions of Everett's career. Reid reconstitutes the role of epideictic rhetoric in the United States from the end of the Revolutionary War to the eve of the Civil War and reinstates Everett in the pantheon of great American orators. He demonstrates why Everett fell into virtual obscurity and treats the reader to a penetrating analysis of the role of public persuasion in the United States during a critical period in its history. In Edward Everett: Unionist Orator Reid effectively restores Everett to his rightful rostrum in the unfolding national drama from the 1820s to the 1860s, providing a sweeping story of America's golden age of oratory in the process.The book opens with a discussion of the influence of Everett's eighteenth-century heritage on his desire to save the Union at all costs. The author shows how the seeds of Everett's Unionism were starting to sprout in his literary and theological speeches and writings, and how he developed the rhetorical methods that he would use throughout his career. Next, Reid deals with Everett's oratory during his years of service, first as a congressman and then as governor of Massachusetts. Here he discusses Everett's increasing concern about the divisiveness of the partisan and sectional causes he espoused. Chapters three and four deal with Everett's modification of his earlier Unionist strategies in an effort to deal with increasing sectionalism and preserve the United States. In conclusion, Reid reviews Everett's oratory, speculating about the role of epideictic oratory in general in maintaining, or failing to maintain, social unity. Sample speeches complete the work, which include a partial text of one of Everett's congressional speeches, a 4th of July oration, his Character of Washington, and a partial text of Everett's Gettysburg address.
Edward Albee

Edward Albee

Barbara L. Horn

Praeger Publishers Inc
2003
sidottu
This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf?. His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill.Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.
Edward IV

Edward IV

Michael Hicks

Hodder Arnold
2004
nidottu
Edward IV was the first Yorkist king. He ruled (with only a brief hiatus) for 22 years, ended the Wars of the Roses triumphantly in 1471, and died in his bed not invariably the place of death for a medieval monarch. The best general of his day, he destroyed the House of Lancaster. At a very difficult time, he redeemed royal prestige at home and abroad, restored order and public finances, and crushed all his opponents, including his brother Clarence. His son Edward V, still a minor, succeeded him peacefully. Yet within months Edward was deposed in favour of Richard III, his uncle. The Wars of the Roses resumed, Edward IV's sons met violent deaths, and so at Bosworth Field did the usurping Richard III. Assessment of Edward IV is inextricably bound up not only in the record of his reign, itself much disputed, but also with what turned out to be his baleful legacy. This book explores how his reputation has changed and analyses the major issues in light of contemporary and later perceptions of this controversial king
Edward Lloyd and His World
The publisher Edward Lloyd (1815-1890) helped shape Victorian popular culture in ways that have left a legacy that lasts right up to today. He was a major pioneer of both popular fiction and journalism but has never received extended scholarly investigation until now. Lloyd shaped the modern popular press: Lloyd's Weekly Newspaper became the first paper to sell over a million copies. Along with publishing songs and broadsides, Lloyd dominated the fiction market in the early Victorian period issuing Gothic stories such as Varney the Vampire (1845-7) and other 'penny dreadfuls', which became bestsellers. Lloyd's publications introduced the enduring figure of Sweeney Todd whilst his authors penned plagiarisms of Dickens's novels, such as Oliver Twiss (1838-9). Many readers in the early Victorian period may have been as likely to have encountered the author of Pickwick in a Lloyd-published plagiarism as in the pages of the original author. This book makes us rethink the early reception of Dickens. In this interdisciplinary collection, leading scholars explore the world of Edward Lloyd and his stable of writers, such as Thomas Peckett Prest and James Malcolm Rymer. The Lloyd brand shaped popular taste in the age of Dickens and the Chartists. Edward Lloyd and his World fills a major gap in the histories of popular fiction and journalism, whilst developing links with Victorian politics, theatre and music.
Edward MacDowell’s European Piano Music

Edward MacDowell’s European Piano Music

Paul Bertagnolli

TAYLOR FRANCIS LTD
2024
sidottu
Edward MacDowell’s European Piano Music is a critical study of the piano music that MacDowell composed during his European sojourn (1876–1888), steeped in reception history and with a special emphasis of programmaticism.The book expands current knowledge of MacDowell’s childhood in four of the chapters based on his previously uninvestigated sheet music collection, thereby achieving a better balance among the stages of MacDowell’s life than is evident in most books of the life-and-works variety. Prolific contemporaneous music criticism, meticulously preserved in MacDowell’s scrapbooks, is likewise undervalued in the MacDowell literature, but it furnishes penetrating observations about the expressive and programmatic content of numerous compositions, especially as it was revealed to critics when MacDowell performed his own works. Lastly, the book offers explanations for why MacDowell immersed himself in European culture for decades and then, at a crucial juncture in his career, embraced diverse American heritages and worked toward a conception of a pluralistic music that was American “in a creative sense.”The book’s content and methodology would appeal most directly to specialists within the broad fields of musicology and music theory, particularly within American art music and its composers; nineteenth-century music; program music; reception history; and piano literature.
Edward Steichen

Edward Steichen

WW Norton Co
2008
sidottu
Edward Steichen (1879-1973) is unquestionably one of the most prolific, influential, and indeed controversial names in the history of photography. He was admired by many for his achievements as a fine-art photographer, while impressing countless others with the force of his commercial accomplishments. The influence of his legendary exhibition, The Family of Man, is still felt. This volume traces Steichen s career trajectory from his Pictoralist beginnings to his time with Conde Nast through his directorship of photography at the Museum of Modern Art. Hundreds of his photographs are reproduced in stunning four-color to reveal the complexities and nuances of these black-and-white images. Essays from a range of scholars explore his most important subjects and weigh his legacy. Contributors include A. D. Coleman, Joanna T. Steichen, and Ronald Gedrim. With a full bibliography and chronology, this is the most complete and wide-ranging volume on Steichen ever published."
Edward Steichen In High Fashion
Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair.Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high fashion. Here are iconic images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charlie Chaplin as well as numerous other celebrities drawn from an archive of more than two thousand original prints. Until now, no more than a handful have been exhibited or published in book form. The photographs of the 1920s and 1930s represent the high point in Steichen's career and are among the most striking creations of twentieth-century photography.
Edward Durell Stone

Edward Durell Stone

Mary Anne Hunting

WW Norton Co
2012
sidottu
Framed between the Great Depression and the oil embargo of the early 1970s, the distinguished career of the native Arkansan is represented on four continents, in thirteen foreign countries, and in thirty-two states—his masterpiece the American Embassy chancery (1953–59) in New Delhi, India. Recognized in his prime as one of the nation’s most sought-after architects, Stone’s vast and prestigious workload brought prosperity on a scale rare in architecture in his time; after the death of Frank Lloyd Wright, some supporters thought Stone seemed destined to take the place of his personal hero and close friend as the great national architect. But Stone also drew divergent reactions. Such International Style buildings as his Museum of Modern Art (1935–39) in New York City, an austere, unornamented volume, won critical approval; in contrast, his monumental postwar architecture—the John F. Kennedy Center for the Performing Arts (1958–71) in Washington, DC, among the best known—exposed popular tastes by offering a broader definition of Modernism inclusive of decoration. Enhanced interest in Stone’s architecture has been spurred by the reconsideration of a number of his buildings. The former Gallery of Modern Art (1958–64) at 2 Columbus Circle in New York City, which was lost to a near complete makeover, stimulated vigorous and at times contentious discussion that made evident the need for an objective reassessment. His legacy—of giving form to the aspirations of the emerging consumer culture and of reconciling Modernism with the dynamism of the age—is established in Edward Durell Stone: Modernism’s Populist Architect.
Selections from the Notebooks Of Edward Bond
From his emergence as a young writer at London's Royal Court Theatre to being hailed as "the greatest living English playwright" (The Independent), this first volume of the notebooks of Edward Bond reveals the mind behind some of the most provoc Exploring the meeting point between politics and the art of the writer, Bond's notes offer a rare insight into one of the theatre's foremost thinkers whilst charting the creative progress of his work between 1959 and 1980. As well as providing a detailed commentary on his plays, the notebooks also contain early play drafts, poems and stories, his thoughts on life, art, Brecht, dramatic method and censorship."1 August 1965: I would do almost anything to prevent my play [Saved] being banned except alter one comma at the request of the Lord Chamberlain."Edward Bond is "a great playwright - many, particularly in continental Europe, would say the greatest living English playwright" (Independent)
Selections from the Notebooks Of Edward Bond
This second volume of Edward Bond's notebooks covers the period from Restoration, his historic drama with songs, to Eleven Vests, his play for young people written for Big Brum Theatre-in-Education "There is a cliche - which is also false - that all creative writing is autobiographical. If I were to be asked when you write do you write about your life I would answer when I write I am living my life."Including first drafts of plays, ideas and thoughts on characters, themes, actions and dramatic technique, this selection of notes provides a glimpse into the working mind of one of the world's most provocative playwrights. Alongside the commentaries on the plays, Bond's notes also contain stories and poems. His philosophy on theatre and art and his views on the role of the writer in society are included. Emphasis is given to Bond's critical response to political and moral issues such as Thatcherism, the monarchy, nuclear war, Britain's social classes and our definitions of good and evil.
Edward the Elder
Edward the Elder, son and successor of King Alfred, was one of the greatest architects of the English state and yet is one of the most neglected kings of English history. During his 24-year reign, Edward led a series of successful campaigns against the Vikings and by the time of his death controlled most of southern and midland England, with his influence also felt in Wales and the north. Edward the Elder is a timely reassessment of his reign and helps to restore this ruler to his rightful place in English history.The period of Edward's reign is notably lacking in primary materials for historians. But by drawing upon sources as diverse as literature, archaeology, coins and textiles, this book brings together a rich variety of scholarship to offer new insight into the world of Edward the Elder. With this wealth of perspectives, Edward the Elder offers a broad picture of Edward's reign and his relation to the politics and culture of the Anglo-Saxon period.
Edward the Elder
Edward the Elder, son and successor of King Alfred, was one of the greatest architects of the English state and yet is one of the most neglected kings of English history. During his 24-year reign, Edward led a series of successful campaigns against the Vikings and by the time of his death controlled most of southern and midland England, with his influence also felt in Wales and the north. Edward the Elder is a timely reassessment of his reign and helps to restore this ruler to his rightful place in English history.The period of Edward's reign is notably lacking in primary materials for historians. But by drawing upon sources as diverse as literature, archaeology, coins and textiles, this book brings together a rich variety of scholarship to offer new insight into the world of Edward the Elder. With this wealth of perspectives, Edward the Elder offers a broad picture of Edward's reign and his relation to the politics and culture of the Anglo-Saxon period.
Edward Sapir
Edward Sapir (1884–1939) was one of the foremost linguists and anthropologists of his time. He is most widely known for his contributions to the study of North American Indian languages. A founder of ethnology, which considers the relationship of culture to language, he was also principal developer of the American (descriptive) school of structural linguistics. Bringing together the best work on Sapir, this long-awaited three-volume collection from Routledge includes a new introduction by the editor, a chronological table of the gathered materials, a bibliography, and a full index. It is destined to be welcomed by all scholars and students of Sapir as an invaluable reference resource.
Edward IV

Edward IV

Hannes Kleineke

Routledge
2008
sidottu
The reign of King Edward IV occupies a pivotal place in late medieval English history, marking the transition from a medieval to a renaissance monarchy. The personality of the young monarch was undoubtedly a factor in this transition, yet there has been much controversy over the King's character. Was Edward a vain and self-indulgent playboy, more interested in his own pleasures than the well-being of his kingdom, or was his life cut tragically short, thus preventing him from fully establishing the 'new monarchy' now more commonly associated with his son-in-law, Henry VII?A central personality in both historical study and literary fame, Edward IV is as fascinating a character now as he was for William Shakespeare over four centuries ago. Drawing together both recent research and original sources, Hannes Kleineke reassesses the debate in this concise and accessible biography. This volume is an invaluable read for all those interested in fifteenth century history.
Edward IV

Edward IV

Hannes Kleineke

Routledge
2008
nidottu
The reign of King Edward IV occupies a pivotal place in late medieval English history, marking the transition from a medieval to a renaissance monarchy. The personality of the young monarch was undoubtedly a factor in this transition, yet there has been much controversy over the King's character. Was Edward a vain and self-indulgent playboy, more interested in his own pleasures than the well-being of his kingdom, or was his life cut tragically short, thus preventing him from fully establishing the 'new monarchy' now more commonly associated with his son-in-law, Henry VII?A central personality in both historical study and literary fame, Edward IV is as fascinating a character now as he was for William Shakespeare over four centuries ago. Drawing together both recent research and original sources, Hannes Kleineke reassesses the debate in this concise and accessible biography. This volume is an invaluable read for all those interested in fifteenth century history.
Edward Thring

Edward Thring

W F Rawnsley

Routledge
2007
sidottu
Originally published in 1926, this volume charts the achievements of Edward Thring, arguably the most original and striking figure in the schoolmaster world of England in the nineteenth century. Abroad, he was the only English schoolmaster of his generation widely known by name. The principles upon which he relied were that every boy should be taught, and the less able the boy, the more able should be the teacher who was set to deal with him; that no class should exceed twenty-five boys; that each boy should have privacy in the dormitories and that trust between boys and masters was paramount. These were revolutionary principles in educational terms at the time but they have endured to form the cornerstones of British boarding-schools which are still recognized today.
Edward Said

Edward Said

Bill Ashcroft; Pal Ahluwalia

Routledge
2008
sidottu
Edward Said is perhaps best known as the author of the landmark study Orientalism, a book which changed the face of critical theory and shaped the emerging field of post-colonial studies, and for his controversial journalism on the Palestinian political situation.Looking at the context and the impact of Said's scholarship and journalism, this book examines Said's key ideas, including:the significance of 'worldliness', 'amateurism', 'secular criticism', 'affiliation' and 'contrapuntal reading' the place of text and critic in 'the world' knowledge, power and the construction of the 'Other' links between culture and imperialismexile, identity and the plight of Palestinea new chapter looking at Said's later work and style This popular guide has been fully updated and revised in a new edition, suitable for readers approaching Said's work for the first time as well as those already familiar with the work of this important theorist. The result is the ideal guide to one of the twentieth century's most engaging critical thinkers.
Edward Said and the Literary, Social, and Political World
Edward Said is widely recognized for his work as a critic and theorist of Orientalism and the Palestine crisis, but far less attention has been devoted to his considerable body of literary and cultural criticism. In this edited collection, the contributors - many among the foremost Said scholars in the world - examine Said as the literary critic; his relationship to other major contemporary thinkers (including Derrida, Ricoeur, Barthes and Bloom); and his involvement with major movements and concerns of his time (such as music, Feminism, New Humanism, and Marxism). Featuring freshly carved out essays on new areas of intervention, the volume is an indispensable addition for those interested in Edward Said and the many areas in which his legacy looms.