'The latest book from the bestselling photography author will be a must for anyone looking keen to improve their photos.' - Digital Camera World Composition is the single most powerful tool in a photographer's armoury. Unconstrained by any outside influence, it can be a pure expression of individuality, and this is what makes it so important. Freeman details both why and how composition works, from perception to visual imagination, including many practical compositional templates - varying from the Walk-in to the Frame Break to the Fibonacci Point - ready to be applied to a range of camera situations. - All-new content from the master of photography guides- Concise and easy-to-follow format clearly explains the vital ingredients of composition- Real-life examples of composition in practice ably demonstrate the key elements- Unique visuals and illustrations cut through the jargon and make the subject simple
Drawing on over 40 years of practical experience, best-selling author and photographer Michael Freeman examines the most fundamental building-blocks of photography - light and shadow - bringing this key element of the picture-making process into the 21st century.In this book, Freeman takes a new and different view of photography's prime commodity, arguing that for the photographer, the rich and evocative world of shadows is the full equal of the actual light that casts them and bathes scenes. He defines the varied qualities of both light and shadows (of which there are at least ten distinct types), and shows how they have particular meaning and purpose. He also argues for integrating exposure and processing with an appreciation of light and shadow quality so as to have full and subtle control. Armed with this understanding and these techniques, the creative photographer can work with light and shadow to add depth and quality to imagery.- All new content from the master of photography guides- Concise and easy-to-follow format clearly explains the fundamentals of light and shadow - For the first time ever, both light and shadow are given equal weight in the discussion of photographic image-making- Real-life examples, clearly illustrated, cut through the jargon and show the theory of light and shadow in practice
Color isn't 'just there' in photography, an ordinary fact of life. It's much more special and can be a subject and pursuit in its own right, because it triggers an emotional and aesthetic response like no other. Color is processed not in the eye, but in the mind, and that makes it personal.In this third book in the series, Michael Freeman talks about color in photography in a completely fresh, thoughtful and useful way, unlike any other book on the market. In recent years, photography-about-color has exploded as a shooting phenomenon, taking inspiration not just from the great colorist photographers like Outerbridge, Haas, Gruyaert, Leiter, Eggleston and Porter, but from the new freedom that modern sensors and processing software give.This book both celebrates and advises this new trend, drawing on Freeman's long experience editorially and professionally, spanning the two eras of film and digital color.
A quiet revolution has been gathering pace in photography - an exploration of the subtleties, excitement and pleasure in making images in black and white. This is not a case of old traditions reasserting themselves, but rather a rediscovery of what imagery made purely out of tones can offer to the creatively curious.The fourth book in Michael Freeman's newest series, Michael Freeman On...Black & White is a clear and concise guide to a unique, enduring and very popular subset of photography. Broken down into chapters covering every type of monochrome photography, the book provides both a practical guide to working without the distraction colour, details of the unique challenges posed by a genre that is so defined by shape and light and the ways in which working in monochrome can hugely improve your photographic practice.
THE LATEST BOOK IN THE ULTIMATE PHOTOGRAPHY MASTERCLASS SERIES, FROM BEST-SELLING AUTHOR MICHAEL FREEMANShooting starts with the exposure, and setting it is the first decision in photography - one that determines everything else to follow in creating a satisfying image. It's very far from being a simple binary choice between right and wrong, because there is no standard 'right' exposure. In the fifth book of his new series, best-selling author Michael Freeman takes a deep dive into another fundamental element of the photographic process. In his role as leading industry consultant in AI-led computational photography, Freeman reveals not only the full set of exposure processes available in and out of the camera, but how to link them to the personal aesthetic choices that we all want to make and argues that more than ever, exposure is a creative process. * Clearly explains the principles of photographic exposure through a concise and easy-to-follow format.* Examines the role of the photographer in the creative process of selective exposure.* Real-life examples demonstrate the range of exposure choices available in any photographic situation.* Takes account of the latest developments in computational digital photography and details how to work alongside them.* Gives the practical photographer the tools they need to take full creative control of their camera.
Paris, known affectionately throughout the world as the City of Lights, is captured in precise detail in more than 40 extraordinary drawings by Desmond Freeman. The city's much-loved ornate buildings, majestic monuments, and grand boulevards from across its 20 arrondissements are the source of inspiration for this new artistic endeavour by noted artist Desmond Freeman. Working with ink he captures more than the intricate detail of Paris to reveal a city that is again open to being discovered. Lavish full-colour and black-and-white spreads show everyday Parisian life taking place in among the city's famous landmarks. With sweeping views of the River Seine, Notre Dame, the Paris Opera, the Eiffel Tower, Sacré-Coeur, Montmartre's artist markets and the Trocadero, to the shopping districts, which are a beacon to the style aficionados who travel from across the world to glimpse the latest in style and fashion, you will fall in love with Paris again. Freeman's first book, Venice: Impressions in Ink ISBN 9780994558404 won the Gold Medal in the Fine Art Books section at the 2017 Independent Publisher Book Awards in New York from 5,000 entries from around the world. This new book on Paris makes a perfect collector's item - it illuminates this artist's methodology and renders the city in a unique format with an original set of superb illustrations.
This stunning book presents the fine art work of Desmond Freeman's Rome collection. Selected here are 42 highly detailed full-colour plus monochrome pen and ink sketches of the classical and contemporary architecture of Rome and its environs. Quotations from well-known authors, poets, and artists accompany these exquisite works. The preface describes the story of how this book forms part of an award-winning series in progress of five publications entitled Great European Cities - Impressions in Ink which to date includes Venice and Paris; the Rome collection is third in this successful series.
In this publication, British artist Anna Freeman Bentley presents a series of new paintings and works on paper documenting her journey into the exclusive realm of private members clubs. Having started out in her home city of London, her research took her to California, and in particular to some of the most desirable clubs of Los Angeles, where through friends, professional networks and a number of courteous emails, doors were temporarily opened to her. In places where photography is often strictly forbidden, Freeman Bentley was authorized to document some of the many luxurious lounges, well-stocked bars, and high-end restaurants that are second homes to the members who pay considerable fees to use them. Whether celebrities, self-made business people or those born into lavish lifestyles, members clubs are synonymous with wealth and success, where people can relax, socialize or do deals in a smart and protected environment free from fans, paparazzi or the general public. It is a world of affluence and glamour tailor-made for the jet-set, a meeting place where artists and art collectors fly in and drink cocktails, where high-net worth individuals and media moguls hang out with the great and the good from Hollywood or the music industry, and where social media stars can switch their phones to flight mode for a while and chat freely with friends. Freeman Bentley uses the photographs she takes of these interior and exterior spaces out of hours as the starting point for unpeopled drawings, collages and painted sketches, transforming her studies of members clubs into complex paintings that hover between reality and invention.Freeman Bentley is known for her paintings of architecture and interiors, not only exploring the physical attributes of the built environment, but also raising questions about how and why they are used, and how this is reflected in the ambiance and dynamics of a given space. At a time of heightened awareness of wealth inequality, through her painterly works Freeman Bentley gives us a glimpse inside the spaces of the social milieu of the financially successful, the movers and shakers, the leaders and trend setters, inviting us to respond as viewers in whatever ways we choose. For some, it may be a matter of curiosity or of desire and aspiration; for others the very idea of members clubs might be elitist or snobbish. Yet for others it might be an occasional treat, or simply an everyday occurrence, the norm. With her characteristic combination of matter-of-fact observation, critical reflection, and atmospheric perception, Freeman Bentley presents us with a body of work that is as enigmatic as it is intriguing, asking us not only about issues of individuality and communality, private and public life, exclusivity and inclusivity, but also about how we each fit into such dialectics, and what this says about our inner and outer lives.'Exclusive' has been co-published by Pinatubo Press, Inc., and Anomie Publishing, and released to coincide with an exhibition of the same name at the Ahmanson Gallery, Irvine, California, in spring 2018. This hardback publication showcases images of approximately twenty paintings and as many works on paper, alongside a foreword from collector and patron Roberta Ahmanson, an introduction by the exhibition curator John Silvis, and a specially commissioned essay from critic Jane Neal.Anna Freeman Bentley (b.1982) is an artist based in London. She studied painting at Chelsea College of Art and Design before graduating with an MA from the Royal College of Art in 2010. She has had solo exhibitions at venues including Wolfson College, Oxford (2017), Husk Project Space, London (2015), Workshop Gallery, Venice (2012), and Galerie Kollaborativ, Berlin (2007). Selected group exhibitions include ‘London Now’ at Space K, Seoul, South Korea (2017), ‘Der Kuhle Glanz’ at 68projects, Berlin (2017), the East London Painting Prize (2015 and 2014), the Prague Biennale 5 (2011), and Bloomberg New Contemporaries (2009). Freeman Bentley has been the recipient of numerous awards and residencies, including Breathing SPACE Residency, London (2015-16), the ERDF New Creative Markets Programme, London (2013-14); Artist in Restaurant at Pied à Terre, London (2012); The Florence Trust Artists Residency, London (2010-11) and The Chelsea Arts Club Trust Award, London (2009).
Anna Freeman Bentley’s paintings use architectural imagery to explore the emotive potential of space. Grounded in an interest in the baroque her source material includes junk shops, restaurants, private members clubs, flea markets and designed interiors. Central to her work is an investigation into surface, tension and the atmosphere evoked by these different interior surroundings. The spaces she depicts are empty, yet visual signifiers point to evidence of people and social happenings.This, Freeman Bentley’s third publication to date, is centred on the relationship between painting and cinema and is divided into sections dedicated to major paintings on canvas and panel, and a number of works on paper (all works 2021–22). Freeman Bentley’s work here is focused on sets from 'The Colour Room' (2021), a film that tells the story of the early career of celebrated British ceramicist Clarice Cliff (1899–1972). The foreword to the book is written by Rollo Campbell and Matt Incledon of Frestonian Gallery. An essay by writer and critic Thomas Marks draws out the importance to her work of historic and contemporary cinema and temporary architecture. Marks notes a change in palette in these new paintings, with Freeman Bentley embracing pastels and tracing parallels between the artist herself and Cliff. An interview with Georgie Paget, co-founder of Caspian Films, production company for 'The Colour Room', meanwhile, provides insight into the artist’s particular interest in the artifice of film props and of the film set as a layered space ‘steeped in meaning, purpose and potential.’ The two discuss the reciprocity of painting and cinema in detail, recounting Freeman Bentley’s experiences on the film’s sets and discussing her working processes, beginning with taking photographs on set, through to oil sketches and the later development of large-scale canvases.The publication is edited by Matt Incledon and Matt Price. It is designed by Joe Gilmore, printed and bound by Gomer, Wales, and co-published by Frestonian Gallery, London, and Anomie Publishing, London. The publication coincides with the second solo show by Anna Freeman Bentley at Frestonian Gallery, by whom the artist is represented. The exhibition, also titled ‘make believe’ is divided between two sites: the 2022 Armory Show, New York, and Frestonian Gallery, London. Anna Freeman Bentley studied Painting at Chelsea College of Art, Kunsthochschule Berlin Weissensee and the Royal College of Art. Awards and residencies include Palazzo Monti Residency, Brescia, Italy, 2019; The Elizabeth Greenshields Foundation Grant 2019 and 2017, and Artist in Restaurant residency at Michelin-starred restaurant Pied à Terre, London, 2012. Selected exhibitions (* denotes solo) include DENK Gallery, Los Angeles, 2019*, Ahmanson Gallery, Irvine, 2018*; Space K, Seoul, 2017; 68projects, Berlin, 2017; the East London Painting Prize 2014 and 2015; Workshop Gallery, Venice, 2012*; MAC Birmingham, 2011; Prague Biennale, 2011, and the Bloomberg New Contemporaries, 2009. Her work is part of the Hotel Crillon collection, Paris; Saatchi Collection, London; Hogan Lovells Collection, London; the Ahmanson Collection, California, and numerous private collections worldwide.
Anna Freeman Bentley (b. 1982) is an artist based in London. Her painting practice explores the built environment, architecture and interiors, inviting emotive, psychological and semiotic readings of space. This publication, Complete Reality, documents Freeman Bentley’s latest series of paintings, which she created after visiting the film set for My Driver and I (2024), a coming-of-age drama set in the port city of Jeddah in Saudi Arabia. Over the course of the shoot, Freeman Bentley took over two thousand photographs, which she edited and worked from in her London studio. The paintings show lavish rooms, filled with fringed lamps, dusty chandeliers, vast mirrors and ornate furniture, juxtaposed with the incongruous signs of a film set: screens, leads, computers and plastic chairs. Exploring the relationship between ‘reality’ and ‘fabrication’, the series continues the artist’s interest in spaces that have an inherent tension or transience. Alongside the paintings that comprise Complete Reality, the publication also includes a series of oil studies on paper that explore additional rooms, angles and spaces from the film set. Installation images of the artist’s most recent solo exhibitions – Video Village at MASSIMODECARLO Pie`ce Unique, Paris (2024), make shift at Monica de Cardenas, Zuoz (2024), and Complete Reality at Anat Ebgi, Los Angeles (2024–25) – showcase the works staged in different configurations and gallery environments. In her introduction, Jennifer Higgie considers the interiority of Freeman Bentley’s elusive scenes, and her interest in temporary and unreal spaces. The curator and writer Elisabetta Fabrizi interviews Freeman Bentley about the interplay of reality and illusion in her paintings. They reflect on themes of authenticity and narrative tension, and discuss Freeman Bentley’s earlier explorations of cinema, particularly Andrei Tarkovsky’s Stalker (1979). Kathryn Lloyd writes about the conceptual and historical relationships between cinema, photography and painting. She analyses how Freeman Bentley forges an interdependence between these three distinct media, creating an unmistakably painterly language that somehow distils the essence of both film and photography. In an interview with Michele Robecchi, the artist discusses her recent solo exhibition in Switzerland, make shift. Freeman Bentley reflects on her personal connections to the work, the significance of the temporary and transitory nature of the film set and her use of triptychs, mirrors and fragmentation to disrupt conventional readings of space. In her contribution, the film producer Georgie Paget offers a speculative film script based on the exhibition Video Village at MASSIMODECARLO Pie`ce Unique, Paris. Edited by Matt Price and designed by Joanna Deans, the book is published by Anomie Publishing, London. Anna Freeman Bentley (b.1982) is an artist based in London. She completed her BA at Chelsea College of Arts, London, in 2004, and also undertook an Erasmus exchange at Kunsthochschule Weissensee in Berlin in 2003. She received her MA from the Royal College of Art, London, in 2010.
From art book to artist’s book: painterly interventions in an El Greco monograph by Marley Freeman Here, New York–based painter Marley Freeman (born 1981) transforms the spreads of a reference book on El Greco into abstract paintings that cover text and image alike, and leaving half the book with only small traces of interventions.
Painterly compositions teetering between abstraction and figuration New York–based artist Marley Freeman (born 1981) works with a steadfast devotion to process. Her paintings emerge over extended periods, seamlessly navigating the realms of transparency and opacity. The selection of works in this book chronicles her ongoing inquiry into painting’s expressive capacity.
Do you feel like your life is spiralling out of control, and there's nothing you can do to stop it? Are you feeling worthless, unloved, and with no faith in your abilities? Everybody goes through these rough patches in life, but Leslie Wright says, we must not give up on ourselves. Find how to rebuild your life from the ground up with Leslie-Wright and several other authors who share their success journeys.About Leslie Freeman-WrightArmy Brat turned Army Wife, Leslie Freeman-Wright, tells the story of her life and her journey to becoming an important role model for her family, as well as in her community. Working for the airlines, Leslie travels to many places for training events, learning, and teaching others about the industry and how to become successful. In addition, Leslie has been an entrepreneur for over ten years, stepping out into the world away from her day job, and experiencing other things that life has to offer. She has always wanted to write her own books, and finally found her niche through training others to find their full potential in life. By doing so, she has found happiness by helping others succeed in everything they want and love to do. Leslie has also been an advocate speaker at several training seminars and continues to lead everyone she meets find happiness and success.
EARTH AWAKENED ... SEED PLANTED ... PATH REVEALED. Sophia Freeman, eleven-year-old daughter of billionaire Jerri Freeman, has wanted to be an artist since the day she first held a pencil. Her father doesn't approve, calling it her silly dream. Even worse, Dad has neglected Sophia since her mother--her greatest supporter--passed away two years ago.After Dad purchases an island to expand his empire, to Sophia's surprise, he invites her along for the day to visit the island, expressing hopes of them growing closer. Unfortunately, the trip turns into a nightmare. The place is no ordinary island--it's a land of magic. After barely escaping an attack by a dark guardian, Sophia sprints to reunite with her father, but discovers his boat is fleeing, leaving her alone and helpless.As Sophia despairs, feeling betrayed and hopeless, Silimon, a tree boy, comes to her aid. After spending time together and becoming familiar with the island, she is intrigued by the highly-evolved creatures and their society, but is overwhelmed by their power of spells.The moment Sophia thinks her situation can't get any crazier, she is shocked to learn the island is under a deadly eternal curse. All living things are rapidly decaying and soon nothing and no one--including herself--will be left alive.According to the tree people's predictions, Sophia is the Chosen One, come to save them from the looming disaster. But her body is deteriorating, and the only way to prolong her life so she can break the curse is to drink the sacred water from the mysterious guarded fountain.With her life waning, she gathers her courage and focuses on her spell training in order to survive the journey to the magical fountain. Can Sophia and her companions reach the fountain and defeat the guardian before time runs out? 17 illustrations in this novel are displayed on WWW.TXTROAN.COM.
THEY MUST RISK IT ALL TO REGAIN THEIR FREEDOM ... OR BE SEALED AWAY FOREVER.Sophia Freeman and her best friend, Tim Charnal, must beat all contestants in a three-round Beyond Event organized by the mighty arbiters to free him from the penalty of murder and gain the islanders' trust. Entering the hologram and surviving environments filled with everything from hammer-throwing cave giants to a slimy tentacled sea monster, they will need all their courage, wits, and skills. But how are they going to win when magic is forbidden? www.txtroan.com
