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Gerhard Friedl German–language Edition – Ein Arbeitsbuch

Gerhard Friedl German–language Edition – Ein Arbeitsbuch

Volker Pantenburg

Synema Gesellschaft Fur Film u. Medien
2019
nidottu
Austrian director Gerhard Benedikt Friedl (1967–2009) left a small but singular oeuvre. His two films Knittelfeld: A Town Without a History (1997) and Wolff von Amerongen—Did He Commit Bankruptcy Offenses? (2004) are formally rigorous documentary investigations that combine an erratic voice-over commentary with patient observational camera movements. Informed by his studies of philosophy, consciously building on work by James Benning, Straub/Huillet, and others, Friedl invented a unique method of exposing the conjunction of politics, history, and violence in twentieth-century European capitalism. After the critical acclaim of Wolff von Amerongen, the filmmaker embarked on a project investigating the history of the workers’ struggle in the United States, but decided to abandon it after a research trip to the historical locations convinced him of the difficulties in finding any remaining echoes of this historic movement. Traces of the project can be discerned in his final work, Shedding Details (2009), codirected by artist Laura Horelli.This book sheds light on the work behind Friedl’s films. It combines working process documentation, including photographs, project drafts, and excerpts from his correspondence, with conversations with close collaborators. At the same time, the juxtaposed material traces the path from Friedl’s first short films made at the University of Television and Film Munich (HFF) to several unfinished projects undertaken around the time of his premature death. In addition, it republishes the articles Friedl wrote as a film and art critic and highlights his work as a film teacher and occasional curator.The volume contains contributions by Gerhard Friedl; conversations with Rudolf Barmettler, Ivette Löcker, Laura Horelli, and others; as well as an introductory essay by editor Volker Pantenburg.
Gerhard Richter

Gerhard Richter

Hauser Wirth
2024
nidottu
Produced to accompany a monumental 2023 exhibition across three Swiss locations, ‘Engadin’ delves into Gerhard Richter’s profound relationship with the Engadin region in the Swiss Alps.Coinciding with the eponymous exhibition happening concurrently at Nietzsche-Haus, Segantini Museum and Hauser & Wirth St. Moritz, Gerhard Richter: Engadin delves into the artist’s deep relationship with the Engadin region in the Swiss Alps, which he first visited in the late eighties. In an insightful essay by Dieter Schwarz, curator of the exhibition, works in the exhibition are discussed to explore the Alpine landscapes’ impact on the artist. With eighty color illustrations, the book features paintings, overpainted photographs, and archival images, with some materials available to see published for the first time.
Gerhard Richter

Gerhard Richter

Hubertus Butin

Verlag der Buchhandlung Walther Konig
2018
sidottu
For the subscription edition of Gerhard Richter's (born 1932) Schriften und Interviews, published by Insel Verlag in 1993 in an edition of 100 copies, the artist drew a small "self-portrait" in pencil on the back of a portrait photograph at the front of the book. Enthused by this work, between September and December 1993 he produced a further 94 signed and dated self-portraits on loose sheets of paper, which are published here for the first time. Seen together as a series, Richter's exercise becomes truly impressive: despite the consistency of conception, each instance has an individual formal and aesthetic appearance. These pencil drawings form a series of variations whose aspiration is not the gradual approach toward a perfected final outcome, but rather the serial testing of different but equally weighted possibilities of representation within limited specifications.
Gerhard Munthe

Gerhard Munthe

Lillehammer kunstmuseum
2011
sidottu
Gerhard Munthe (1849 - 1929) var en av de ledende kunstnere som utgjorde den store 1880 - talls generasjonen i norsk malerkunst. Munthe vokste opp i Elverum. Den rolige østlandsnaturen på flatbygdene i Hedemark kom for all tid til å prege hans landskapskunst. Han malte også figurer, men han var primært en landskapsmaler. Munthe deltok på den første Høstutstilling i 1882. Han var også med i den berømmelige Fleskum - kolonien i Bærum i 1886. Han hadde større dekorative prosjekter, Eventyrværelset på Holmenkollen Turisthotell og illustreringen av den nye praktutgaven av Snorres kongesagaer. Boken utgis i samarbeid med Lillehammer Kunstmuseum som sommeren 2011 har en betydelig utstilling av Gerhard Munthes arbeider. Forfatteren av boken er kunsthistorikeren Jan Kokkin.
Gerhard von Kamptz – Bornholms sidste tyske kommandant
I maj 1945 la° det meste af Rønne og Neksø i ruiner efter sovjetiske bombeangreb. Alle var dengang enige om, at skylden for ødelæggelserne la° hos den tyske besættelsesmagt og specielt pa° dens kommandant over øen, Gerhard von Kamptz, som i sin “fanatiske og forbryderiske stivnakkethed” havde nægtet at overgive øen til russerne. I tidens løb er synet pa° manden blevet mere nuanceret, for tingene var mere komplicerede, end man ville indrømme i 1945. Faktisk fremsta°r han i den seneste forskning som en ganske almindelig soldat, som handlede uangribeligt i den situation, han stod i.Jens Andersens indga°ende studie af ærkenazisten Gerhard von Kamptz lange liv (1902-1995) giver det til dato bedst dokumenterede billede af mennesket og soldaten Gerhard von Kamptz. Jens Andersens skildring af en tysk soldats og officers militære løbebane er samtidigt meget spændende og bliver krydret med opvækstdetaljer og efterkrigstidsinformation om manden. Forfatteren ser kritisk pa° sit undersøgelsesobjekt, soldaten von Kamptz, og sympatiserer ikke med ham, men afdækker historien ved at bruge det omfangsrige kildemateriale til at tegne et nuanceret billede. Jens Andersen ser det sa°ledes ogsa° fra von Kamptz’ eget udgangspunkt og forsøger dermed at afdække og forklare hans fatale handlema°der ved den sovjetiske invasion af Bornholm.
Gerhard Mercator: Kommentar Zum Römerbrief (Röm 1-11)
Gerhard Mercator's (1512-1594) main theological work, previously available only in manuscript form, is presented here for the first time in a critical edition with a German translation. The commentary on the Epistle to the Romans (chapters 1-11) reveals the Duisburg cartographer to be an independent theologian. Engaging critically with the predestination doctrine of John Calvin and Theodor Beza, Mercator defends man's freedom of will and the unconditional goodness of God. His 'doctrinal' interpretation of St. Paul's text sheds light on new previously unexplored aspects of his theological and philosophical thought. This bilingual edition is a valuable source not only for reconstructing the religious foundation of this early modern scholar, but also for researching the cultural conditions under which modern science emerged. Das bislang nur handschriftlich vorliegende theologische Hauptwerk Gerhard Mercators (1512-1594) wird hier erstmals ediert und ins Deutsche bersetzt. Der Kommentar zum R merbrief (Kapitel 1-11) erweist den Duisburger Kartographen als eigenst ndigen Theologen. In kritischer Auseinandersetzung mit den Pr destinationsvorstellungen Johannes Calvins und Theodor Bezas verteidigt Mercator die Willensfreiheit des Menschen sowie die vorbehaltlose G te Gottes. Die 'doktrinale' Auslegung des Paulustextes l sst zahlreiche Facetten des theologischen und philosophischen Denkens Mercators neu oder berhaupt erst sichtbar werden. Mit der zweisprachigen Ausgabe wird eine wertvolle Quelle nicht nur zur Rekonstruktion der religi sen Grundierung des fr hneuzeitlichen Gelehrten, sondern auch zur Erforschung der kulturellen Entstehungsbedingungen moderner Wissenschaft erschlossen.
Gerhard Hauptmann and the Naturalist Drama
What was German Naturalism? What were its achievements? How does it compare with its counterparts in other European countries? These are some of the difficult questions addressed by John Osborne in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject. The debates to which he contributed, and in some cases initiated, on Naturalism in the German theatre, Naturalist theory in Germany, and the development of the Naturalist movement to the contemporary Social Democrat movement, have remained central issues. This revised edition preserves the structure and approach of the original, including its emphasis on the early dramas of Hauptmann, while taking full account of subsequent scholarship which provides the context in which this Naturalist playwright's work can be placed.
Gerhard Von Scharnhorst. Private Und Dienstliche Schriften: Band 5: Leiter Der Militarreorganisation (Preussen 1808-1809)
Der Name des preussischen Heeresreformers Gerhard von Scharnhorst (1755-1813) ist fest mit der Einfuhrung der allgemeinen Wehrpflicht verbunden. Er stand damit am Anfang einer Epoche, deren mogliches Ende zu den viel diskutierten Themen der Gegenwart gehort. Scharnhorsts Konzepte reichten aber weiter und umfassten unter anderem die Neugestaltung der Offizierbildung, die Uberwindung der Adelsprivilegien im Offizierkorps und die Professionalisierung des Generalstabes. In der Konfrontation mit dem revolutionaren Frankreich verfolgte er im Einklang mit den Stein-Hardenbergschen Reformen und gegen viele Widerstande das Ziel, ein traditionelles System zu modernisieren. Die Edition will den gesamten handschriftlichen Nachlass Scharnhorsts einer breiteren Offentlichkeit zuganglich machen.Der funfte Band sieht Scharnhorst in Konigsberg als Vorsitzenden der Kommission zur Militarreorganisation und Chef des Allgemeinen Kriegsdepartements wahrend der Ministerien Stein und Dohna-Altenstein. Wahrend die Fehler von 1806 noch untersucht wurden und Preussen erneut in europaische Kriege verwickelt zu werden drohte, trieben Scharnhorst und seine Mitarbeiter die umfassende Reform und Neuausrustung des Heeres voran.