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Harry Gruyaert: Morocco

Harry Gruyaert: Morocco

Harry Gruyaert

THAMES HUDSON LTD
2024
sidottu
The vivid colours of Morocco as seen by master of colour photography Harry Gruyaert. When Harry Gruyaert first visited Morocco in 1972, it was love at first sight. On every return visit, he has tried to relive that initial feeling of enchantment, the splendid harmony between form and colour, people and nature. From the High Atlas mountains to the desert, from rural areas to the bustling streets of Marrakech and Essaouira, Gruyaert’s photographs take us on a dreamlike cinematic journey through a reality that is nonetheless highly physical, its textures shaped by light and shadow. Each image has its own power and all of them reflect the importance of family, community and faith to the people of Morocco, as well as Gruyaert’s own innate curiosity and desire to understand different realities.
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Harry Gruyaert: Homeland

Harry Gruyaert: Homeland

Harry Gruyaert; Brice Matthieussent

THAMES HUDSON LTD
2024
sidottu
The award-winning Magnum photographer turns his lens on his homeland, Belgium. Born in Belgium in 1941, Harry Gruyaert was one of the first European photographers to take advantage of colour, following in the footsteps of US pioneers like William Eggleston and Stephen Shore. Heavily influenced by Pop Art, his dense compositions are known for weaving together texture, light, colour and architecture to create filmic, jewel-hued tableaux. As a result, they often seem closer to painting than to photography. Although his wanderlust has taken him to many exotic locations, Gruyaert has frequently returned to his country of birth. Here, in the homeland that he had considered so desolate in his younger years, he found an unexpected beauty. Urban lighting, neon storefronts, glimpses behind suburban dwellings, passers-by wandering drunkenly home, ports that never sleep, countryside with seemingly infinite horizons: his lens captures the singularity of his nation, portraying everyday life in a way that unfolds like a hyper-realistic film set. As a counterpoint to these more recent colour photographs, three portfolios of black-and-white images taken in the 1970s punctuate this visual immersion and journey through the lowlands.
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Harry Gruyaert: New York

Harry Gruyaert: New York

Cédric Klapisch

THAMES HUDSON LTD
2026
sidottu
An immersion into the vibrant world of Harry Gruyaert’s New York. For over fifty years, Harry Gruyaert has wandered New York City’s streets, capturing its dazzling contrasts – from towering skylines and neon-lit diners to multicultural neighbourhoods and fleeting street scenes. Designed as a large-format visual album, this book presents each photograph across a double-page spread, evoking the rhythm and energy of a cinematic storyboard. Accompanying this striking visual journey are fictional vignettes by acclaimed filmmaker Cédric Klapisch, blurring the lines between reality and imagination. A city of endless spectacle, New York becomes a global stage in Gruyaert’s hands – alive with drama, diversity and colour.
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Harry Gruyaert

Harry Gruyaert

THAMES HUDSON LTD
2023
nidottu
New in the Photofile series, a mini-monograph on Belgian photographer Harry Gruyaert. Born in Antwerp in 1941, Harry Gruyaert was a pioneer of European colour photography in the 1970s and 1980s. In 1972, he created TV Shots, a series of images created by turning the dial on a television set at random and photographing the screen. Later he travelled the world, seeking out different kinds of light and exhibiting a particular fascination with borders, interfaces and incongruous juxtapositions. A member of Magnum Photos since 1982, he describes colour as ‘a means of sculpting what I see ... it’s the emotion of photography.’ Most recently he has begun to explore the experimental freedom offered by digital photography. Autonomous, non-narrative and often witty, Gruyaert’s images are complex encounters with colour and light.
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Harry Gruyaert

Harry Gruyaert

Thames Hudson Ltd
2015
sidottu
Born in Antwerp in 1941, Harry Gruyaert was one of the first European photographers to explore the creative potential of colour in the 1970s and 1980s. This book brings together his best work, including images from his renowned 1972 series TV Shots and the later Made in Belgium, in one beautifully produced volume. Influenced by such American photographers as Saul Leiter, Joel Meyerowitz, Stephen Shore and William Eggleston, as well as by cinema, Gruyaert’s work defined new territory for colour photography: an emotive, non-narrative and boldly graphic way of perceiving the world. His photographs are autonomous and self-sufficient, often independent from any context or thematic logic. A member of Magnum Photos since 1982, he has embraced the possibilities of digital photography in his most recent work, feeling that it allows him to take more risks and capture new kinds of light.
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Harry Gruyaert: Edges

Harry Gruyaert: Edges

Harry Gruyaert

Thames Hudson Ltd
2018
sidottu
The ‘edges’ that Harry Gruyaert, a pre-eminent member of the Magnum photo agency, explores in this incredibly lush, full-colour book, are the oceans, seas and rivers where humans meet the edge and the water begins. This unusual volume, which opens from the top up, takes the reader to Israel’s Dead Sea, the Mali River in Niger, the North Sea of Iceland, South Korea and Biarritz, as Gruyaert’s sensitive photos record the subtle chromatic vibrations of the edges of the Orient and the Occident. Gruyaert opposes the hustle of the city with a pared-down, yet intense, nature. His landscapes are never empty; they are inhabited places where light, colour, objects, people and situations weave a serene, sublime tableau. This beautifully produced photographic manifesto reveals the profoundly poetic character of Gruyaert’s work, and the sensual elegance of his faultless compositions.
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Harry Gruyaert: Last Call

Harry Gruyaert: Last Call

Harry Gruyaert

Thames Hudson Ltd
2019
sidottu
Alongside American photographers such as Saul Leiter, Joel Meyerowitz, Stephen Shore and William Eggleston, Harry Gruyaert became one of the few European pioneers to explore the creative possibilities of colour in the 1970s and 1980s. The previous decades had elevated black and white photography to the realms of art, relegating colour to use in advertising, the press and illustration. Gruyaert’s work suggested new territory for colour photography: an emotive, non-narrative and boldly graphic way of perceiving the world. Gruyaert’s ability to seamlessly weave texture, light, colour and architecture comes together to wonderful effect in this new collection. His photographs of airports beautifully – and at times surreally – record these liminal, yet reliably inhabited spaces.
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Harry Gruyaert: India

Harry Gruyaert: India

Harry Gruyaert

Thames Hudson Ltd
2021
sidottu
For more than thirty years, Harry Gruyaert has been recording the subtle chromatic vibrations of Eastern and Western light. His photographs attest to his singular vision: his interest in story, public space and unexpected scenes. This book brings together 125 of Gruyaert's photographs of India, many published here for the first time. From Gujarat to Kerala, Gruyaert captured the quintessence of this multifaceted country. Streets bustling with activity in New Delhi or Calcutta; modest villages in Tamil Nadu or Rajasthan; ghats of the great religious city of Benares; women in saffron and purple saris beating grain, dyers busy at smoky vats, an encampment of nomadic shepherds at twilight… Gruyaert’s India is saturated with colour, light and noise – and sometimes silence too. These images move beyond stereotype to present the plurality of India. ‘Taking a photo means both seeking contact and refusing it, being at once the most and the least present,’ says the photographer. It is a question of teasing out wonder, of capturing what characterizes places. The search for density within the frame makes photography a physical experience – one that is particularly well represented here, in this multi-sensorial journey through India.With 130 illustrations
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Harry Johnson

Harry Johnson

D. E. Moggridge

Cambridge University Press
2008
sidottu
Harry Johnson (1923–1977) was such a striking figure in economics that Nobel Laureate James Tobin designated the third quarter of the twentieth century as 'the age of Johnson'. Johnson played a leading role in the development and extension of the Heckscher-Ohlin model of international trade. Within monetary economics he was also a seminal figure who identified and explained the links between the ideas of the major post-war innovators. His discussion of the issues that would benefit from further work set the profession's agenda for a generation. This book chronicles his intellectual development and his contributions to economics, economic education and the discussion of economic policy.
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Harry Versus the First 100 Days of School

Harry Versus the First 100 Days of School

Emily Jenkins; Pete Oswald

Random House USA Children's Books
2021
sidottu
An acclaimed author and a #1 New York Times bestselling illustrator team up to bring us a funny, warm, and utterly winning chapter book that follows, day by day, the first hundred days in one first grader's classroom. In just one hundred days, Harry will learn how to overcome first-day jitters, what a "family circle" is, why guinea pigs aren't scary after all, what a silent "e" is about, how to count to 100 in tons of different ways, and much more. He'll make great friends, celebrate lots of holidays, and learn how to use his words. In other words, he will become an expert first grader. Made up of one hundred short chapters and accompanied by tons of energetic illustrations from bestselling illustrator of The Good Egg and The Bad Seed, this is a chapter book all first graders will relate to--one that captures all the joys and sorrows of the first hundred days of school.
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Harry Broadtape - Volume IV - Die Gotterdammerung... Maybe?

Harry Broadtape - Volume IV - Die Gotterdammerung... Maybe?

John Johnson

Lulu.com
2010
pokkari
Despite the fact that he had been trying to withdraw from the world of finance since the early 1980s, Harry's karma always presented situations that managed to keep him in the game. The common thread to these ongoing business dealings now seems, in one way or another, to represent a form of a breach of contract - either by private parties or the Government. After retiring from a highly successful executive career in the industrial sector, Peggy has now joined Harry to help him fight his way out of his assorted entanglements. Here in Volume IV, we see how these situations evolved and how they are dealt with in a world gone wild with excessive debt creation and social engineering. Throughout it all, Harry and Peggy manage to find comedy in all this social and financial tragedy by treating the whole mess as though it were a soap opera.
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