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1000 tulosta hakusanalla Henry Moskowitz

Henry James and the Art of Impressions

Henry James and the Art of Impressions

John Scholar

Oxford University Press
2020
sidottu
Henry James criticized the impressionism that was revolutionizing French painting and fiction. He satirized the British aesthetic movement whose keystone was impressionist criticism. So why, time and again in important parts of his literary work, did James use the word 'impression'? Henry James and the Art of Impressions argues that James tried to wrest the impression from the impressionists and to recast it in his own art of the novel. Interdisciplinary in its range, philosophical and literary in its focus, the book shows the place of James's work within the wider cultural history of impressionism. It draws on painting, philosophy, psychology, literature, and critical theory to examine James's art criticism, early literary criticism, travel writing, reflections on his own fiction, and the three great novels of his major phase, The Ambassadors, The Wings of the Dove, and The Golden Bowl. It shows how the language of impressions enables James to represent the most intense moments of consciousness of his characters. It argues that the Jamesian impression is best understood as a family of related ideas bound together by James's attempt to reconcile the novel's value as a mimetic form with its value as a transformative creative activity.
Henry VII's New Men and the Making of Tudor England

Henry VII's New Men and the Making of Tudor England

Steven Gunn

Oxford University Press
2023
nidottu
The reign of Henry VII is important but mysterious. He ended the Wars of the Roses and laid the foundations for the strong governments of Henry VIII and Elizabeth I. Yet his style of rule was unconventional and at times oppressive. At the heart of his regime stood his new men, low-born ministers with legal, financial, political, and military skills who enforced the king's will and in the process built their own careers and their families' fortunes. Some are well known, like Sir Edward Poynings, governor of Ireland, or Empson and Dudley, executed to buy popularity for the young Henry VIII. Others are less famous. Sir Robert Southwell was the king's chief auditor, Sir Andrew Windsor the keeper of the king's wardrobe, Sir Thomas Lovell, the Chancellor of the Exchequer so trusted by Henry that he was allowed to employ the former Yorkist pretender Lambert Simnel as his household falconer. Some paved the way to glory for their relatives. Sir Thomas Brandon, master of the horse, was the uncle of Henry VIII's favourite Charles Brandon, duke of Suffolk. Sir Henry Wyatt, keeper of the jewel house, was father to the poet Sir Thomas Wyatt. This volume, based on extensive archival research, presents a kaleidoscopic portrait of the new men. It analyses the offices and relationships through which they exercised power and the ways they gained their wealth and spent it to sustain their new-found status. It establishes their importance in the operation of Henry's government and, as their careers continued under his son, in the making of Tudor England.
Henry VI, Part II

Henry VI, Part II

Christopher Marlowe; William Shakespeare

Oxford University Press
2026
nidottu
'The first thing we do, let's kill all the lawyers.' Henry VI, Part II opens with a wedding and ends with a civil war, cycling through witchcraft, adultery, multiple murders, pirates, and an entire popular rebellion across its five acts. Its characters are larger-than-life, wielding curses as easily as they do swords or daggers, conjuring demons to seek prophetic knowledge, and transforming a struggle for the English throne into a cosmic blood feud between the houses of York and Lancaster. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Henry Fielding - Plays

Henry Fielding - Plays

Henry Fielding

Oxford University Press
2004
sidottu
This is the first of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in edited form. Fielding came to the novel-writing for which he is best known after an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur in a cheerfully mocking form of drama journalistically devoted to contemporary experience, culture, and politics. This volume presents the first seven of these plays in a critical unmodernized edition based on the original texts, with explanatory notes and commentary on sources, stage history, and critical reception, as well as appendices accounting for textual variation, bibliography, and musical sources.
Henry Fielding - Plays, Volume II, 1731 - 1734
This is the second of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a classic novelist and the author of Tom Jones, but like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off-stage. This volume presents nine plays from one of the most productive and successful periods of Fielding's theatre career. One of them, The Grub-Street Opera, is a ballad opera cheerfully mocking various public characters including the Prime Minister, Prince of Wales, and even King and Queen. Another, The Modern Husband, is a dark comedy attacking the cynical merchandising of sex, marriage, and influence among what passes for polite society in 1730s London. Most of the plays in this volume were major hits with long stage lives in repertory, including The Lottery, The Intriguing Chambermaid, and two of the great Molière adaptations of the century, The Mock Doctor and The Miser. Fielding wrote all four of those plays as star vehicles for the great Drury Lane musical actress Catherine Clive. The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
Henry Fielding - Plays, Volume III 1734-1742
This is the third and final volume of plays representing the only modern edition of Fielding's dramatic works. Most have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a novelist but, like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off stage. This volume presents nine plays from the final and most controversial years of his theatre career. The first, Don Quixote in England, is a ballad opera homage to Quixotic idealism played out against rustic English opportunism. Two other plays, including the long-running favourite The Virgin Unmask'd, were written as star vehicles for Fielding's brilliant colleague Catherine Clive. The Universal Gallant is another of Fielding's ventures in serious social comedy, but the heart of the volume, as of this concluding period of Fielding's dramatic career, is the group of audacious satirical plays he wrote when he was running his own makeshift company at the Little Haymarket Theatre, including Pasquin and The Historical Register. Audiences flocked to these productions to see the cultural and political life of the moment ridiculed in Aristophanic explicitness, notoriously in one case (Eurydice Hiss'd) including a mocking stage caricature of the prime minister himself. That unamused minister, Sir Robert Walpole, shortly after saw through the 1737 Licensing Act which put an end to unsanctioned playhouses and plays, and to Fielding's own career in theatre. The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
Henry Fielding - The Journal of a Voyage to Lisbon, Shamela, and Occasional Writings
This book completes the authoritative Wesleyan Edition of Fielding's nondramatic writings. It features two of Fielding's classic works: The Journal of a Voyage to Lisbon written as he sailed to Portugal hoping, in vain, to recover his health; and Shamela, the hilarious parody of Richardson's Pamela that led to Joseph Andrews and the beginning of his career as novelist. The volume also includes every other work of Fielding's not to be found in the twelve previous volumes of the nondramatic writings. Here the reader will find in section I, Occasional Verse: 'The Masquerade'; the unfinished 'Cantos'; a burlesque of Pope's 'Dunciad'; 'Plain Truth'; 'A Dialogue between a Beau's Head and his Heels'; 'An Epistle to Mr. Lyttleton'; as well as three epilogues and a prologue. In section II, Occasional Prose: 'A Full Vindication of the Dutchess Dowager of Marlborough'; the translation of Aristophanes' 'Plutus, the God of Riches'; Preface to Sarah Fielding's Adventures of David Simple; 'The Female Husband'; 'Ovid's Art of Love Paraphrased'; Preface and letters xl-xliv of Sarah Fielding's Familiar Letters between the Principal Characters in David Simple; and 'A Fragment of a Comment on L. Bolingbroke's Essays'. The appendicies include writings recently attributed to Fielding, supplementary material relating to the voyage to Lisbon, and the full textual apparatus.
Henry IV, Part I: The Oxford Shakespeare

Henry IV, Part I: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
As Henry's throne is threatened by rebel forces, England is divided. The characters reflect these oppositions, with Hal and Hotspur vying for position, and Falstaff leading Hal away from his father and towards excess. During Shakespeare's lifetime Henry IV, Part I was his most reprinted play, and it remains enormously popular with theatregoers and readers. Falstaff still towers among Shakespeare's comic inventions as he did in the late 1590s. David Bevington's introduction discusses the play in both peformance and criticism from Shakespeare's time to our own, illustrating the variety of interpretations of which the text is capable. He analyses the play's richly textured language in a detailed commentary on individual words and phrases and clearly explains its historical background. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Henry V: The Oxford Shakespeare

Henry V: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
Henry V, the climax of Shakespeare's sequence of English history plays, is an inspiring, often comic celebration of a young warrior-king. But it is also a study of the costly exhilarations of war, and of the penalties as well as the glories of human greatness. Introducing this brilliantly innovative edition, Gary Taylor shows how Shakespeare shaped his historical material, examines controversial critical interpretations, discusses the play's fluctuating fortunes in performance, and analyses the range and variety of Shakespeare's characterization. The first Folio text is radically rethought, making original use of the First Quarto (1600). ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Henry VI, Part One: The Oxford Shakespeare

Henry VI, Part One: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, collated and edited from all existing printings - On-page commentary and notes explain meaning, staging, language, and allusions - Detailed introduction considers the first performance in 1592 in relation to the 1623 folio, structure, theatrical history, and the role of women in the play - Illustrated with production photographs and related art - Full index to introduction and commentary - Durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Henry VI Part Three: The Oxford Shakespeare

Henry VI Part Three: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
The Oxford Shakespeare General Editor Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers. - a new, modern-spelling text, based on the 1623 First Folio - detailed introduction considers composition, sources, historical events, performances and changing critical attitudes to the play - on-page commentary and notes explain meaning, staging, identify historical figures and events, and much else - appendices include extracts from the chronicle sources and new research on the use of boy actors in Elizabethan performance - illustrated with production photographs and related art - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Henry IV, Part 2: The Oxford Shakespeare

Henry IV, Part 2: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
Rene Weis reveals Shakepeare's use of multiple sources to be eclectic in the extreme in this radical reconsideration of the play's date and text. He also argues for the first time that Falstaff was called Oldcastle in Part 2 as well as in Part I. The play's striving towards a form of order, peace, and legitimacy is explored in relation to Part I and through rigorous attention to structure and language. A full account of the play's history in performance and on film yields a fascinating reflection of its relationship to national triumph and crisis, as well as the diverse idealogical interpretations it has inspired. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Henry VI, Part Two: The Oxford Shakespeare

Henry VI, Part Two: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
The Oxford Shakespeare General Editor Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the works for modern readers - a new, modern-spelling text, collated and edited from all existing printings - on-page commentary and notes explain meaning, staging, language and allusions - detailed introduction considers composition, sources, performances, and changing critical attitudes to the play - textual introduction reconsiders the complex relationship between the two original texts - illustrated with production photographs and related art - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Education of Henry Adams

The Education of Henry Adams

Henry Adams

Oxford University Press
2008
nidottu
'Every generalisation that we settled forty years ago, is abandoned' As a journalist, historian and novelist born into a family that included two past presidents of the United States, Henry Adams was constantly focused on the American experiment. An immediate bestseller awarded the Pulitzer Prize in 1919, his The Education of Henry Adams (1918) recounts his own and the country's education from 1838, the year of his birth, to 1905, incorporating the Civil War, capitalist expansion and the growth of the United States as a world power. Exploring America as both a success and a failure, contradiction was the very impetus that compelled Adams to write the Education, in which he was also able to voice his deep scepticism about mankind's power to control the direction of history. Written with immense wit and irony, reassembling the past while glimpsing the future, Adams's vision expresses what Henry James declared the `complex fate' to be an American, and remains one of the most compelling works of American autobiography today. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Henry VII's New Men and the Making of Tudor England

Henry VII's New Men and the Making of Tudor England

Steven Gunn

Oxford University Press
2016
sidottu
The reign of Henry VII is important but mysterious. He ended the Wars of the Roses and laid the foundations for the strong governments of Henry VIII and Elizabeth I. Yet his style of rule was unconventional and at times oppressive. At the heart of his regime stood his new men, low-born ministers with legal, financial, political, and military skills who enforced the king's will and in the process built their own careers and their families' fortunes. Some are well known, like Sir Edward Poynings, governor of Ireland, or Empson and Dudley, executed to buy popularity for the young Henry VIII. Others are less famous. Sir Robert Southwell was the king's chief auditor, Sir Andrew Windsor the keeper of the king's wardrobe, Sir Thomas Lovell, the Chancellor of the Exchequer so trusted by Henry that he was allowed to employ the former Yorkist pretender Lambert Simnel as his household falconer. Some paved the way to glory for their relatives. Sir Thomas Brandon, master of the horse, was the uncle of Henry VIII's favourite Charles Brandon, duke of Suffolk. Sir Henry Wyatt, keeper of the jewel house, was father to the poet Sir Thomas Wyatt. This volume, based on extensive archival research, presents a kaleidoscopic portrait of the new men. It analyses the offices and relationships through which they exercised power and the ways they gained their wealth and spent it to sustain their new-found status. It establishes their importance in the operation of Henry's government and, as their careers continued under his son, in the making of Tudor England.
Henry Miller, Happy Rock

Henry Miller, Happy Rock

Brassai

University of Chicago Press
2002
sidottu
Henry Miller's advice to young artists is lovingly recalled by a dear friend in this powerful rembrance of a literary genius who has influenced so many writers, artists, and intellectuals. (Literature)
Henry David Thoreau

Henry David Thoreau

Laura Dassow Walls

University of Chicago Press
2017
sidottu
Walden. Yesterday I came here to live. That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to "live deliberately" in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854. But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau's character and achievements, but, as Laura Dassow Walls writes, "Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided." Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity. Walls traces the full arc of Thoreau's life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and "America was a family affair, earned by one generation and about to pass to the next." By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated? Drawing on Thoreau's copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him. "The Thoreau I sought was not in any book, so I wrote this one," says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time.
The Daily Henry James

The Daily Henry James

Henry James; Michael Gorra

University of Chicago Press
2016
nidottu
A strange and delightful memento of one of the most lasting literary voices of all time, The Daily Henry James is a little book from a great mind. First published with James's approval in 1911 as the ultimate token of fandom a limited edition quote-of-the-day collection titled The Henry James Year Book this new edition is a gift across time, arriving as we mark the centenary of his death. Drawing on the Master's novels, essays, reviews, plays, criticism, and travelogues, The Daily Henry James offers a series of impressions (for if not of impressions, of what was James fond?) to carry us through the year. From the deepest longings of Isabel Archer to James's insights in The Art of Fiction, longer seasonal quotes introduce each month, while concise bits of wisdom and whimsy mark each day. To take but one example: Isabel, in a quote from The Portrait of a Lady for September 30, muses, "She gave an envious thought to the happier lot of men, who are always free to plunge into the healing waters of action." Featuring a new foreword by James biographer Michael Gorra as well as the original introductions by James and his good friend William Dean Howells, this long-forgotten perennial calendar will be an essential bibelot for James's most ardent devotees and newest converts alike, a treasure to be cherished daily, across all seasons, for years, for ages to come.
Henry Ossawa Tanner

Henry Ossawa Tanner

Marcia M. Mathews

University of Chicago Press
1995
nidottu
Mathews's standard biography of Henry Ossawa Tanner (1859-1937), based on extensive research in archives in this country and family records in France, where Tanner emigrated before the turn of the century to find freedom and acceptance, provides a full account of Tanner's life and art.