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Howard Cruse

Howard Cruse

Janine Utell

UNIVERSITY PRESS OF MISSISSIPPI
2023
pokkari
Howard Cruse is the first biography to tell the life story of one of the most important figures in LGBTQ+ comics. A preacher’s kid from Alabama who became "the godfather of queer comics," Cruse (1944–2019) was a groundbreaking underground cartoonist, a wicked satirist, an LGBTQ+ activist, and a mentor to a vast network of queer comics artists. His comic strip Wendel, published in The Advocate throughout the 1980s, is considered a revolutionary moment in the development of LGBTQ+ comics, as is his inaugurating the editorship of Gay Comix with Kitchen Sink Press in 1979, which furthered the careers of important artists like Jennifer Camper and Alison Bechdel. Cruse’s graphic novel Stuck Rubber Baby, published in 1995, fictionalizes his own coming out in the context of the civil rights movement in 1960s Birmingham and was a significant forerunner to contemporary graphic novels and memoirs. Howard Cruse draws on extensive archival research and interviews and covers Cruse’s entire body of work: the cute and zany Barefootz, the unexpected innovations of the Gay Comix stories, the domestic intimacies of Wendel, and the complexity and power of Stuck Rubber Baby. The book places Cruse’s art in the context of his life and his times, including the historic movements for gay rights and against the AIDS crisis, and it celebrates this extraordinary and essential figure of LGBTQ+ comics and American comics art more broadly.
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Howard Cruse

Howard Cruse

Janine Utell

UNIVERSITY PRESS OF MISSISSIPPI
2023
sidottu
Howard Cruse is the first biography to tell the life story of one of the most important figures in LGBTQ+ comics. A preacher’s kid from Alabama who became "the godfather of queer comics," Cruse (1944–2019) was a groundbreaking underground cartoonist, a wicked satirist, an LGBTQ+ activist, and a mentor to a vast network of queer comics artists. His comic strip Wendel, published in The Advocate throughout the 1980s, is considered a revolutionary moment in the development of LGBTQ+ comics, as is his inaugurating the editorship of Gay Comix with Kitchen Sink Press in 1979, which furthered the careers of important artists like Jennifer Camper and Alison Bechdel. Cruse’s graphic novel Stuck Rubber Baby, published in 1995, fictionalizes his own coming out in the context of the civil rights movement in 1960s Birmingham and was a significant forerunner to contemporary graphic novels and memoirs. Howard Cruse draws on extensive archival research and interviews and covers Cruse’s entire body of work: the cute and zany Barefootz, the unexpected innovations of the Gay Comix stories, the domestic intimacies of Wendel, and the complexity and power of Stuck Rubber Baby. The book places Cruse’s art in the context of his life and his times, including the historic movements for gay rights and against the AIDS crisis, and it celebrates this extraordinary and essential figure of LGBTQ+ comics and American comics art more broadly.
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Howard Thurman's Philosophical Mysticism

Howard Thurman's Philosophical Mysticism

Anthony Sean Neal

Lexington Books
2019
sidottu
African American Philosophy and African American Philosophers have played a central role in understanding and also shaping what it means to be black in America. Some of their conclusions were reactions to the mistreatment they received from the majority population, but other of their conclusions were extensions and/or novel positions taken with a view through past perceptual lenses. Yet, with the mass exodus of black students from HBCU’s after the civil rights era, many of the important figures and their inquiries have been little or poorly studied. The significance of this work is found in its attempt to grapple with one such seminal figure, his memory of his ancestors, and the education he received from Morehouse College (in the Atlanta University Center), all of which formed the roots of the ideas he later produced. Howard Thurman, former Dean of Marsh Chapel at Boston University, and mentor to figures such as Martin Luther King, Jr., left quite a large ideological footprint; however, just as others of his milieu, his ideas have been largely overlooked. Thurman’s deep-rooted knowledge of black culture, particularly black religious ideas as they existed during the period of African enslavement in the United States and as they were exhibited in the Negro Spirituals, shaped his thinking and allowed him to produce a body of work grounded in the musings and traditions of his ancestors. This volume investigates, forms an analysis, and even critiques Thurman’s work such that others can benefit from the profundity of his thoughts while also taking note of their relevance for today’s philosophers concerned with humanity.
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