The Fame of Sor Juana Inés de la Cruz traces the meteoric trajectory of the Mexican Tenth Muse’s renown and studies how her worldly celebrity was altered posthumously by elegists in her Fama y obras póstumas [Fame and Posthumous Works] of 1700. In this study of a polyphonic, transatlantic volume, the didactic framework of early modern fame is pushed to its limits as panegyrists inscribe the nun into an evolving world-view that could trade in the fictions of the saintly exemplar, the Tenth Muse or a New World treasure, but could not preserve a woman’s renown on the grounds of authorship. Only by making her legible could she vie for the promise of posthumous fame. In flushing out the machinations of Sor Juana’s role as agent of her own celebrity as well as the negotiations of her contemporaries, this book opens new lines of inquiry in the study of early modern fame and print culture and the role of writers, panegyrists and editors as cultural agents in the transatlantic literary relationship between Mexico and Spain.
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest of Mexican women writers. She was an intellectual prodigy, reportedly mastering Latin in twenty lessons, and at sixteen she entered a convent so that she might continue her learning. One of the most influential early feminists in the New World, she answered a bishop's criticism in a letter that has become a classic defense of the education of women. She collected a private library of 4,000 volumes, but when she was told that her studies were delaying the progress of her spiritual education, she gave away her books and devoted herself to religious studies. Traditionally, scholars have attributed only one complete play to Sor Juana, but in 1989 Guillermo Schmidhuber discovered a lost play, The Second Celestina, which he proved conclusively to be Sor Juana's earliest comedia, co-authored with Agustin Salazar y Torres. Schmidhuber's critical study is the first dedicated exclusively to the secular plays and the first to confirm Sor Juana's authorship of three dramatic pieces. Combining literary history and criticism, Schmidhuber explores the life and originality of Sor Juana's dramas and helps elucidate her enigmatic genius. Though Sor Juana's work as a poet and intellectual has received increasing attention in the last decade, writing about her has rarely taken into account her role as dramatist. Schmidhuber helps correct this critical imbalance by examining Sor Juana's plays in light of dramatic theory. He finds elements of both mannerist and baroque theater in her work, sometimes both within the same play.
Uno de los principales objetivos del presente libro es el de senalar el empleo de la alegoria en el teatro religioso de Sor Juana. En el caso del teatro profano, la dramaturga muestra las caracteristicas barrocas del siglo XVII a traves del retrato de sus personajes. Por ejemplo en Los empenos de una casa Sor Juana se pinta indirectamente rodeada del ambiente cortesano de la Nueva Espana. Otro ejemplo se halla en la comedia Amor es mas laberinto que senala el aspecto barroco a traves de la mitologia griega.
Called by her contemporaries the "Tenth Muse," Sor Juana Inés de la Cruz (1648–1695) has continued to stir both popular and scholarly imaginations. While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women’s and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field.
Called by her contemporaries the "Tenth Muse," Sor Juana Inés de la Cruz (1648–1695) has continued to stir both popular and scholarly imaginations. While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women’s and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field.
Yksil ity satukirja INES-nimisille tyt ille Tytt her , eik muista nime n. Hikka-Hiiri osaa ratkaista pulman. H n vie tyt n taikabussillaan j nnitt v lle seikkailulle. Seikkailun m r lapsen oma nimi Tytt , joka unohti nimens - Taianomainen yksil ity satukirja Kirjasiskot Oy: lt , kirjasiskot.fi
An award-winning biography about the inspiring life of Sor Juana In s de la Cruz.From a very young age, Juana In s loved words. When she was three years old, she followed her sister to school and begged the teacher to let her stay so she could learn how to read. Juana enjoyed poring over books and was soon making up her own stories, songs, and poems. Juana wanted to become a scholar, but career options for women were limited at this time. She decided to become a nun--Sor Juana In s de la Cruz--in order to spend her life in solitude reading and writing. Though she died in 1695, Sor Juana In s is still considered one of the most brilliant writers in Mexico's history: her poetry is recited by schoolchildren throughout Mexico and is studied at schools and universities around the world. The recipient of the Tom s Rivera Mexican American Children's Book Award, A Library for Juana celebrates Juana In s's incredible thirst for knowledge, and is lovingly written by renowned children's book author Pat Mora and gorgeously illustrated by Beatriz Vidal.
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1560, año de Nuestro Señor. Hemos partido a lomos de esta monstruosa serpiente de agua a la que unos llaman río Marañón y otros, río Amazonas. Vamos en busca del vasto reino de Omagua, en el que gobierna el príncipe conocido como El Dorado, quien cada mañana cubre su cuerpo en polvo de oro para luego hacer un baño ceremonial en el lago que reposa al pie de su palacio. Comanda nuestra expedición el bravío conquistador Pedro de Ursúa, y viaja junto a él, Inés de Atienza, la mujer más bella del Perú. A pesar de tan buenas apariencias para nuestra travesía, una atmósfera sombría, densa como el vapor que cubre la jungla, se cierne sobre nosotros, es un augurio nefasto, lleno de rumores de sedición y muerte, de venganza y sangre. Más pareciera que, en lugar de ir en pos del paraíso, nos internamos en las fauces del infierno.
