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1000 tulosta hakusanalla Luca Rossini
Leonardo & Luca Pacioli the Evidence: New Rules New Shapes in the Manuscript of Luca Pacioli about chess
Franco Rocco
Createspace Independent Publishing Platform
2013
nidottu
A few years ago a learned bibliophile, stumbled on a 500 years old manuscript hidden among the funds of an Italian library and recognized it as the handwritten draft of a mythical book, thought lost and for centuries, actively but vainly sought after. "DE LUDO SCACHORUM" lost opus of Luca Pacioli, Franciscan friar, father of modern accounting, friend, counsellor, teacher & contributor to the century's incomparable genius, Leonardo da Vinci. The booklet is mesmerizing. It is a hand sketched draft of hundreds of complicated chess studies that Luca Pacioli must have been collecting over a long span of time. Now, perusing the booklet something catches your attention and the more you look at it the more it becomes evident. While the writing is Pacioli's, two hands instead had been there penning in the chess pieces, the first with scholarly diligence the second with artistic swiftness. Whose? Luca's and Leonardo's. They were friends, congregating and travelling together, they had a history of partnership Leonardo having illustrated Luca's DE DIVINA PROPORTIONE. It is clear: Luca was set to prepare another yet of his popularising textbooks and Leonardo had lent to his friend his "incomparable left hand" once again. Obviously the possible implication of Leonardo da Vinci in the drafting of the manuscript could not, not to be taken into consideration. And it was rejected. Rightly, at times like ours, adept to Dan Brown's like flights of fancy, doubt is a virtue and suspicion should be "de rigueur" which means that a lasting grudge must not be held to the "expert" who, possibly startled by the news, not having been warned or seen the manuscript, quipped, "the silly season on Leo never closes". In reality the discovery of Luca Pacioli's lost manuscript heralds, without doubt, that the "a la rabiosa" problems therein reported are of Leonardo's hand and we well know that Leonardo penned between 1487 and 1490 a rebus "I a roccha ro'" (I shall castle) confirming his perfect knowledge of the games new rules. These can be traced back to the coronation of queen Isabella of Spain in the year 1474 and to her crowning are dated the new powers attributed to the Bishop and the Queen whose status of most powerful piece on the chessboard justified the new rules nickname of "mad queen" or "a la rabiosa". Yet nothing is said at that time about castling, that important move absolutely necessary in modern chess to counterbalance the overpowering new status of the Queen. Nothing, from 1474 until Leonardo's rebus of 1487. Would it be its inventor Leonardo should then be considered, if such hypothetical case were true, not only the co-author as he is, of "DE LUDO SCACHORUM" and designer of the chess pieces therein drafted but, as well and rightfully, one among the major: FATHER OF MODERN CHESS. Time flies; while the excitement due to the discovery of Luca Pacioli's lost work is ineluctably subsiding, so the focus on this other of Leonardo's prodigious accomplishment is quietly worming its way into the cosy corners of expert knowledge and world oblivion. To avoid this fate this book, LEONARDO & LUCA PACIOLI - THE EVIDENCE, is set to confirm that the chess design is indeed the work of Leonardo. That two hands have been drawing the booklet's chess pieces and that, so great was his genius and so swift his incomparable left hand, that "the season on Leo still brings beautiful fruits". Supporting the evidence, you'll find, in appendix, a study of the Vitruvius Man showing its exacting geometrical structure, further to a deep reflection and elaboration of the principles Leonardo and Luca Pacioli outlined in DE DIVINA PROPORTIONE. In truth, the design of the Vitruvian Man, based on an extraordinary conception of the Golden Section, stands as a paradigm for the geometric structure and proportions of the DE LUDO SCHACORUM chessmen set. Wonder and enjoy
Giuseppe Luca, un Eroe del Vietnam
Richard a. Reale
Createspace Independent Publishing Platform
2014
nidottu
"Giuseppe Luca, un Eroe del Vietnam", e la storia di uh uomo e del suo incredibile viaggio, da emigrante italiano a pluridecorato Marine, coinvolto nella guerra del Vietnam ancor prima di essere diventato cittadino americano. I fatti porteranno il lettore a riflettere e decidere se il Sergente Luca fosse un altro eroico soldato nominato per la "Medaglia d'Onore", poi negatagli per ragione discriminatorie, o meno. Attraverso gli occhi di Giuseppe Luca, il lettore vivra l'orrore della guerra e capira perche' i suoi traumi sono sepelti nella mente dei sopravvissuti per sempre.
San Luca in Aspromonte lessia per le coscienze Duisburg si poteva evitare?
Aurelio Pelle
Createspace Independent Publishing Platform
2016
nidottu
Artiste inclassable et jouant un r le capital dans l' volution de la po sie visuelle de langue fran aise, Gherasim Luca (1913-1994) laisse une oeuvre prot iforme qui rel ve de la litt rature mais aussi des arts plastiques. Dans une approche po tique de l'ensemble de son oeuvre et de ses archives pour la plupart in dites, l'ouvrage en analyse la gen se et la plasticit constante. D butant par une tude des cubomanies, oeuvres plastiques du d tournement et du collage, il s'agit tout d'abord d'en souligner les processus qui trouvent un cho dans l' criture po tique de l'artiste. Ce livre met aussi en perspective les travaux de Luca avec ceux de ses contemporains, ainsi que les nombreuses collaborations et les changes, mat rialis s par des revues et des publications collectives au sein des avant-gardes roumaines et par la cr ation de livres de dialogue avec des amis artistes de tous horizons. Ainsi, la plasticit de l' criture r pond la trace laiss e par les arts plastiques. La mati re graphique et phonique des textes est interrog e pour en montrer les enjeux, en rapport notamment avec une praxis po tique qui s' tend hors du livre, la fois voix, corps et enregistrement. Traversant le XXe si cle et li e aux pratiques de l'espace et aux nouveaux m dias qui lui sont contemporains, l'oeuvre de Luca s'inscrit enti rement dans l' re de la reproductibilit technique et force aussi en consid rer attentivement les effets m diologiques pour en montrer les soubassements esth tiques, philosophiques et critiques.
Chi rappresenta Luca? Solo l'autore del terzo vangelo? No. Se fosse solo questo, non sarebbe valsa la pena scrivere un libro del genere. Rappresenta invece le posizioni moralistiche, sul piano personale, e opportunistiche su quello politico, che impediscono di credere in un mutamento significativo della realt ; quelle posizioni che non aiutano a sperare, ma solo a illudersi che si possa vivere dignitosamente anche senza far nulla, o quasi nulla. Di qui l'esigenza d'essere espressamente "contro". E siccome Luca, di tutti gli evangelisti, quello pi vicino al mondo greco-romano, che non molto diverso dal nostro, soprattutto la sua filosofia di vita che bisogna cercare di superare.In particolare qui si tentato di capire perch il suo moralismo e il suo opportunismo favoriscono la conservazione dello status quo. Non si perso tempo a dimostrare che tutto quanto Cristo ha fatto di "sovrumano" storicamente insostenibile. Lo si dato per scontato. E questo sicuramente non piacer agli esegeti confessionali. D'altra parte anche quelli che non lo sono, diranno che, allo stato attuale delle fonti, cos fortemente tendenziose, una lettura alternativa "vanit delle vanit "
Ghérasim Luca, le poète de la voix : ontologie et érotisme
Yannick Torlini
Editions L'Harmattan
2021
nidottu
Diese Briefe sind für eine rote Keksdose bestimmt und nicht für ihren Adressaten. Denn sonst würde Simone niemals zu Papier bringen, was sie ihnen anvertraut. Die Geschichte einer großen Liebe, einer ebensolchen Kränkung und der Versuch, dem Leben eine neue Wendung zu geben.
Wie erkl re ich meinem Kind die Corona Situation? Schweinchen Luca soll dazu beitragen, bei unseren Kleinen Verst ndnis f r die Umst nde zu entwickeln und es soll ihnen Mut machen. Mit Text und s en Schweinchen-Bildern werden verschiedene Situationen veranschaulicht, wie z.B. "Warum k nnen wir nicht in Urlaub fahren?" F r Kinder kann es beunruhigend und verwirrend sein, was sie von uns und ber die sozialen Medien ber das Corona Virus h ren. Das kann Stress, Angst und Traurigkeit bei ihnen ausl sen. Daher ist es wichtig, offen mit den Kindern dar ber zu sprechen. Dies hilft ihnen, die Situation besser zu verstehen und damit umzugehen. Sehen wir Corona nicht als H rde, sondern als Treppenstufen. Und lasst uns alle daraus lernen.
Wie erkl re ich meinem Kind die Corona Situation? Schweinchen Luca soll dazu beitragen, bei unseren Kleinen Verst ndnis f r die Umst nde zu entwickeln und es soll ihnen Mut machen. Mit Text und s en Schweinchen-Bildern werden verschiedene Situationen veranschaulicht, wie z.B. "Warum k nnen wir nicht in Urlaub fahren?" F r Kinder kann es beunruhigend und verwirrend sein, was sie von uns und ber die sozialen Medien ber das Corona Virus h ren. Das kann Stress, Angst und Traurigkeit bei ihnen ausl sen. Daher ist es wichtig, offen mit den Kindern dar ber zu sprechen. Dies hilft ihnen, die Situation besser zu verstehen und damit umzugehen. Sehen wir Corona nicht als H rde, sondern als Treppenstufen. Und lasst uns alle daraus lernen.
Lucas journal:Tips og tricks til at mødes med Patrick på en sikker og ufarlig måde: 1. Tal om arbejde. Der er intet mindre ophidsende end at snakke om kontordamer og toiletrunder 2. Tal om Astrid. Mind hinanden om, at hun eksisterer. Et safe samtaleemne. En fælles interesse … 3. Hold op med at tænke på det han sagde med, at han havde noget andet, der var stort. Det passer ikke. Så behøver han jo ikke en motorcykel. Den er garanteret under gennemsnittet. Han kan sagtens joke med det. Jeg skal alligevel aldrig se det og be-/afkræfte det. HOLD NU OP MED AT TÆNKE PÅ DET!Bogen følger 20-årige Luca, som lige er droppet ud af universitetet og flyttet hjem til sine forældre. Som om det ikke er slemt nok, forelsker hun sig i sin perfekte søsters perfekte kæreste. Hvilket ikke er særlig perfekt …I den arbejdsjournal, som Lucas mor forærer hende, så hun kan begynde at planlægge sin fremtid, begynder Luca at skrive lister. Ikke over mulige jobs, men mere for at få overblik over alt det rod, hun er omgivet af, og den stormende forelskelse, hun pludselig befinder sig midt i. Mens Lucas søster Astrid passer karrieren og er meget væk på forretningsrejse, lærer Luca og Astrids kæreste Patrick hinanden bedre at kende, og det bliver tydeligt for Luca, at hendes følelser for Patrick ikke kommer til at forsvinde af sig selv …
This book on Luca Nichetto, is the second in a series offering deep insight into the brand's long history of collaborating with world leading designers, telling the story of the ideas, design and craftsmanship behind their products.In the book, Offecct teams-up with a number of well-known creators, such as the design writer Yoko Choy Wai-ching, China editor of the Wall-paper* magazine, photographer Björn Ceder, Andreas Ackerup and the team at Henrik Nygren Design. One can read about Luca Nichetto's first contact with Offecct in 2007 and how he adopted Scandinavian sustainability thinking into his native Italian design language. In a conversation with Dutch artist Daan Roosegaarde, Nichetto says: The more restrictions you have, the more creative you have to be. Sustainability is one of these restrictions that leads us to discover things that we have never considered before .Designer Luca Nichetto was born in Venice in 1976, where his artistic talents were inspired by the famous Murano glassmaking industry. He went on to study at Istituto Statale d'Arte in Venezia and then take a degree in industrial design at Università Iuav di Venezia (IUAV). He took the leap to setting up his own practice in the city in 2006. Five years later he moved to Stockholm, Sweden, to start his family and open a second studio there, combining his Italian flair with the Swedish spirit of modernity and sustainability. Over the years, Luca has served as art director for many international design brands and gained a reputation as a multidisciplinary designer. His highly researched, innovative projects have earned him an many international awards for designs that range from products, accessories and furniture to architecture, exhibition design and branding.
Misc 6 Giovanni Luca Conforti, Breve Et Facile Maniera d'Essercitarsi a Far Passaggi (Rome, 1593), Edited by M. Bradshaw: Volume 6
Giovanni Luca Conforti
American Institute of Musicology
1999
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IO SONO L'ELIA RITORNATO, L'ULIVO, IL CAVALIERE CON ARCO, CORONA E CAVALLO BIANCO CHE ESCE PER VINCERE ANC
