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1000 tulosta hakusanalla Marina Bohlmann-Modersohn

Marina Abramovic: Nomadic Journey and Spirit of Places
Now available in a limited, slipcased edition of three hundred copies signed by the artist. Compiled over the course of four decades on stationery from various hotels and other temporary residences, this self-curated collection of Marina Abramovic 's original drawings, collages, poetry, writings, cut- outs, and photographs offers readers a rare insight into a daring and utterly original body of work. This book takes readers on a journey through the brilliant mind of the world's most revered performance artist-a mind in constant motion and always evolving. "I believe we humans need to keep moving forward and my own life was purely nomadic," Abramovic writes of her travel diaries. "My home was everywhere I went, because my home was my own body."
Marina Abramovic: Nomadic Journey and Spirit of Places
Now available in a hand-signed collectible edition of five hundred, this intensely personal assemblage of travel notes and sketches by revered performance artist Marina Abramovic´ offers an essential iconography of her work. Housed in an ornate clamshell box with a magnet latch, this new collector’s edition features one hundred and fifty unbound prints on high-quality paper, each with an artwork from Abramovic’s collection of drawings, collages, poetry, writings, cut-outs, photographs and doodles, as well as a separate explanatory booklet and a unique print signed by Abramovic herself. Beautifully produced and packaged, it takes readers on a journey through Abramovic’s thoughts—and traces the evolution of the most fruitful phase of her career. “I believe we humans need to keep moving forward, and my own life was purely nomadic,” Abramovic writes of her travel diaries. “My home was everywhere I went because my home was my own body.” Filled with archival material compiled over the course of four decades, and specially selected by the artist for this collector’s edition, Nomadic Journey and Spirit of Places offers Abramovic´’s enormous fanbase intimate access to her creative process.
Marina Abramovic

Marina Abramovic

Marina Abramovic

Prestel
2023
sidottu
Never before published, this self-curated, intensely personal collection of travel notes and sketches by the world's most revered performance artist offers readers a kind of iconography of Abramovic 's daring and utterly original body of work. An artist's notebooks are arguably the most authentic means of understanding her process, techniques, and impulses. And, for a performance artist, a rare, permanent record of how she develops her craft. Compiled over the course of four decades on stationery from various hotels, and other temporary residences, this collection of Marina Abramovic 's original drawings, collages, poetry, writings, cut-outs, photographs and doodles offers glimpses of a brilliant mind in constant motion. Beautifully produced and packaged, it takes readers on a journey through Abramovic 's thoughts-and traces the evolution of the most fruitful phase of her career. "I believe we humans need to keep moving forward, and my own life was purely nomadic," Abramovic writes of her travel diaries. "My home was everywhere I went because my home was my own body." With the archival material elegantly reproduced in their original size on high-quality paper, this collection offers Abramovic 's enormous fanbase unprecedented access to her creative process.
Psychoanalyst Meets Marina Abramovic

Psychoanalyst Meets Marina Abramovic

Marina Abramovic; Jeannette Fischer

Scheidegger und Spiess AG, Verlag
2018
pokkari
In summer 2015, performance artist Marina Abramovic and psychoanalyst Jeannette Fischer spent four days together at Abramovic's house in the Hudson Valley. Associating freely, they explored - from a psychoanalytical perspective - Abramovic's biography and art and what connects them. A better understanding of herself, her personality and her work, was Abramovic's objective. She claims that conversations with artists abound, with one curator saying this and another saying that. Yet there is no book in which psychoanalysis puts her life and artistic work in context. This new book aims to fill this gap. Yet it is not a therapist's report, nor a record of Fischer's analysis of Abramovic. It records the dialogue between artist and analyst attempting an interpretation of Abramovic's extraordinary violent performances that sometimes reach the brink of faint, even death. The two search for an understanding of the underlying structures and dynamics. Abramovic performs relationships, and she performs violence, yet she remains on her own in facing the pain and fear about it. The book is arranged in a sequence of dialogues, separated by Fischer's comments on and images of four of Abramovic's performances to which the psychoanalyst refers.
Marina Abramovic

Marina Abramovic

Marina Abramovic; Susanne Kleine; Rein Wolfs

Verlag der Buchhandlung Walther Konig
2018
sidottu
Marina Abramovic: Writings 1960-2014 compiles the artist's colossal archive of handwritten and typed notes, diary entries, poems, accounts of dreams, travel descriptions, letters, performance instructions, stories, concepts and various collections of documents--all of these disparate materials have been collated, catalogued and contextualized for the first time in this publication. Known primarily for her radical performances and for reaching a broad public with her immaterial art during her more than 50-year career, Abramovic (born 1946) offers a vast contextual backdrop for these works in this collection of writings.
Marina Tabassum

Marina Tabassum

Marina Tabassum

ArchiTangle GmbH
2024
sidottu
The first book devoted to the Bangladeshi architect Marina Tabassum and her multifaceted architectural oeuvre. Marina Tabassum's work can be seen in the UK . . . Serpentine Pavilion 2025: A Capsule in Time by Marina Tabassum Since its launch in 2000, London’s annual Serpentine Pavilion has become one of the most anticipated events in the global cultural calendar, and a leading visitor attraction during London’s summer season of culture. Each year, an internationally known architect is invited to design and create their first built structure in England: the Serpentine Pavilion. https://www.serpentinegalleries.org/whats-on/serpentine-pavilion-2025-by-marina-tabassum/ Marina Tabassum (b. 1969, Dhaka, Bangladesh) is an acclaimed architect and educator. Her architectural practice, Marina Tabassum Architects, remains consciously contained in size — prioritising climate, context, culture and history — undertaking a limited number of projects per year. Tabassum is a Professor at Delft University of Technology in the Netherlands. She held the Norman Foster Chair at Yale University in 2023 and has taught as a visiting professor at numerous universities. Tabassum’s pursuit for the ‘architecture of relevance’ has won her numerous awards including the Soane Medal from the UK; Arnold Brunner Memorial Prize from the American Academy of Arts and Letters; the Gold Medal of the French Academy of Architecture; and the Jameel Prize from the Victoria and Albert Museum, London. In 2024, Tabassum was included in TIME Magazine’s ‘100 Most Influential People’. This volume presents various building projects that Marina Tabassum has worked on since 1995. The book ranges from early projects in the city of Dhaka such as the Museum of Independence and the celebrated Bait Ur Rouf Mosque, to recent mobile modular structures called Khudi Bari. Tabassum is establishing the latter for the people affected by displacement in various geographically and climatically challenged locations--both in the Ganges Delta and in the Rohingya refugee camp at Cox's Bazar on the border with Myanmar, which is currently the largest refugee camp in the world. With contributions by Sean Anderson, Vera Simone Bader, Kareem Ibrahim, Hanif Kara, Andres Lepik, Nondita Correa Mehrotra, Tanzil Shafique, Sarah M. Whiting, and Danny Wicaksono.
Tsvetaeva Marina. Stikhotvorenija
"Kakie stikhi Vy pishete, Marina... Vy vozmutitelno bolshoj poet", - pisal Marine Tsvetaevoj Boris Pasternak. V sbornik voshli stikhotvorenija, v kotorykh jarko predstavleno vse mnogoobrazie i vmeste s tem tselnost poeticheskogo mira Mariny Tsvetaevoj.
Marina Mnishek

Marina Mnishek

Vjacheslav Kozljakov

Molodaja gvardija
2022
sidottu
Marina Mnishek - odna iz samykh jarkikh figur russkoj Smuty nachala XVII veka. Polka, stavshaja zhenoj dvukh samozvantsev i pervoj venchannoj na tsarstvo russkoj "imperatritsej", ona sumela vyzvat k sebe zhestokuju nenavist svoikh poddannykh. Ee schitali glavnoj vinovnitsej vsekh bed i neschastij, obrushivshikhsja na Russkoe gosudarstvo, voploscheniem zla, eretichkoj i dazhe koldunej. Avtor knigi, opirajas na dokumenty iz russkikh i polskikh arkhivov, popytalsja dat bolee vzveshennyj portret Mariny, vzgljanut na nee ne stolko kak na zlodejku, skolko kak na zhertvu tragicheskikh obstojatelstv, a zaodno zadatsja voprosom: chto imenno sumela privnesti v russkuju istoriju eta nezaurjadnaja zhenschina?Redaktor: Karpov A. Ju.
Marina Mnishek

Marina Mnishek

A. Girshberg

Terra
2019
sidottu
Nachalo XVII veka v istorii Rusi oznamenovano kalejdoskopom krovavykh sobytij. Pravlenie i smert Borisa Godunova, krestjanskoe vosstanie Ivana Bolotnikova, polskoe nashestvie, Vasilij Shujskij, votsarenie i ubijstvo Lzhedmitrija I, prikhod Lzhedmitrija II... Sredi etoj krugoverti opasnykh muzhskikh igr vo imja vlasti i zvonkoj monety melkaet obraz "gordoj poljachki" Mariny Mnishek. Sudba istinnoj docheri Smutnogo vremeni podobna prikljuchencheskomu romanu, v kotorom est i ljubov, i begstvo, i borba za vlast. Net tolko schastlivogo kontsa. S ee imenem svjazano mnozhestvo legend i slukhov. Ej pripisyvali nezaurjadnyj politicheskij talant i koldovstvo, ee izobrazhali romanticheskoj geroinej i nazyvali chernoknizhnitsej i "vedmoj zloveschej". Kakova zhe byla v dejstvitelnosti zhizn etoj udivitelnoj zhenschiny? Na etot vopros maksimalno dostoverno popytalsja otvetit polskij istorik Aleksandr Girshberg v svoej rabote, vykhodjaschej v serii "Izbrannitsy sudby".
Marina Mnishek.Zhena dvukh tsarej
Kniga pisatelja i istorika Viktora Smirnova perenosit chitatelja v burnuju epokhu russkoj Smuty. Supruga dvukh Lzhedmitriev, ljubovnitsa kazachego predvoditelja Ivana Zarutskogo, Marina Mnishek schitaetsja odnoj iz samykh zagadochnykh figur otechestvennoj istorii. Odni avtory risujut ee tscheslavnoj avantjuristkoj, gotovoj na vse radi tsarskoj korony. Drugim ona predstavljaetsja zhertvoj obstojatelstv v burnom vodovorote ljudej i sobytij. Esli zhenschiny pochti ne ostavili sleda v korotkoj zhizni Mariny Mnishek, to ee otnoshenija s muzhchinami mogut posluzhit kljuchom k ponimaniju tragicheskoj lichnosti pervoj koronovannoj russkoj "imperatritsy".
Pianon maaginen maailma osa 2. Toimittanut  Marina Glushenko
Izdanie po-svoemu unikalno: eto ne ocherednaja shkoly igry na fortepiano, a kompleksnaja intensivnaja metodika muzykalnogo vospitanija. Ee avtor - opytnejshij peterburgskij pedagog. Posobie adresovano nachinajuschim i ikh uchiteljam, ono pomogaet detjam ne tolko ovladet instrumentom, no i razvit slukh, nauchitsja sochineniju, improvizatsii, navykam obrabotki muzyki, transponirovanija, ansamblevoj igry, ovladet pervonachalnymi znanijami teorii muzyki. Vpervye bylo izdano v 1994 godu i s tekh por vyderzhalo neskolko pereizdanij, nakhodja shirokoe primenenie v pedagogicheskoj praktike.Soderzhanie1. Nasmeshlivaja kukushka. Avstrijskaja narodnaja pesnja2. Patti S.Khill, Mildred Khill. Happy Birthday3. Rambaut de Vakejras. Estampida (otryvok)4. Bratets Jakov. Frantsuzskaja narodnaja pesnja5. Vyshivanie. Cheshskaja narodnaja pesnja6. Bumazhnyj golub. Jugoslavskaja detskaja pesnja7. Uprazhnenie 8. K. Lonshan-Drushkevichova. Dva prijatelja9. P.Chajkovskij. Starinnaja frantsuzskaja pesenka10. A.Vulfson. Gribnoj dozhdik11. Kukushka. Avstrijskaja narodnaja pesnja12. Pastukh. Cheshskaja narodnaja pesnja13. Natasha Kapustina. Tantsujuschie gnomy14. I.Stravinskij. Tilim-bom 15. Zima. Tatarskaja narodnaja pesnja 16. A.Balazh. Igra v soldatiki 17. Natasha Kapustina. Shalun 18. Dzh.Tompson. Epod 19. K. Lonshan-Drushkevichova. Igra v zhmurki20. K. Lonshan-Drushkevichova. Na katke21. G.Pjorsell(?). Vesjolye menestreli22. Tri uprazhnenija 23. A.Rouli. Akrobaty 24. Ja.Medyn. Vecher trav 25. D.Kabalevskij. Pesenka 26. T.Gummesson. Detskij bljuz 27. Kh.-G.Khojman. Poni-bugi 28. Uprazhnenie 29. N.Rimskij-Korsakov. Kolybelnaja30. K. Lonshan-Drushkevichova. Vesjolyj pajats31. S. Ljakhovitskaja. Etjud 32. A. Stojanov. Peska 33. A.Vulfson. Fanfara 34. Uprazhnenie 35. Natasha Kapustina. Selskij tanets36. I.Kh.Bakh. Menuet 37. V.A.Motsart. Vesennjaja pesnja 38. Chetyre uprazhnenija 39. T.Esten. Etjud 40. Zeljonye rukava. Starinnaja anglijskaja ballada41. U menja l vo sadochke. Russkaja narodnaja pesnja42. Uprazhnenie 43. Z.Fibikh. Allegro 44. M.Glushenko. Utjata Zakljuchitelnyj kontsertnyj urok
Marina Abramovic: 7 Deaths of Maria Callas
7 Deaths of Maria Callas is an opera project created by Marina Abramovic premiering at the Bayerische Staatsopera in Munich 2020. In collaboration with an all star creative team and through a mix of narrative opera and film, Abramovic re-creates seven iconic deaths from Callas’ most important roles throughout her career, followed by an interpretive recreation of Callas’ actual death played by Abramovic on stage. This book serves as a companion to the live performance and provides a behind the scenes look into the different elements that make up this conceptual and dynamic homage to the classic and iconic singer.
Marina Perez Simão

Marina Perez Simão

Osman Can Yerebakan; Solange Pessoa

MONDADORI ELECTA
2022
sidottu
Marina Perez Simao (1981) is an internationally recognised contemporary artist who uses a variety of techniques, such as collage, drawing, watercolour and oil painting, as starting points in order to combine interior and exterior landscapes. She composes visual journeys that sometimes traverse the unknown, the abstract, and the nebulous, but also include visions and memories. Simao s work is held in several public collections worldwide, including the Musee d Art Moderne et Contemporain de Saint-Etienne in France, The Ekard Collection in the Netherlands, and the Samdani Art Foundation in Bangladesh, the Sifang Museum in China, as well as the Speed Art Museum in Kentucky, the University of Chicago, the MCA Miami and Chicago, Dallas Museum in the United States.