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Mark Twain and the Art of the Tall Tale

Mark Twain and the Art of the Tall Tale

Henry B. Wonham

Oxford University Press Inc
1993
sidottu
Mark Twain and the Art of the Tall Tale is a study of a peculiarly American comic strategy and its role in Mark Twain's fiction. Henry Wonham examines how Mark Twain used the oral genre of the tall tale to experiment with narrative structure throughout his career. Wonham argues that in his major fiction Twain manipulated conventional approaches to reading and writing by engaging his audience in a series of rhetorical games, whose rules he adapted from the conventions of tall tale performance and response. The book offers a history of the tall tale in American oral and written language, and shows how Twain's appropriation of the genre developed from the early works such as The Innocents Abroad through Tom Sawyer, Huck Finn, and Pudd'nhead Wilson.
Mark Twain

Mark Twain

Larzer Ziff

Oxford University Press Inc
2004
sidottu
Mark Twain towered above the American literary landscape. With a worldwide fame greater than that of statesmen, scientists, or entertainers, Twain was in his own words "the most conspicuous man on the planet." Now, in this wonderful recounting of his career, Larzer Ziff offers an incisive, illuminating look at one of the giants of American letters. Mark Twain emerges in this book as something of a paradox. His humor made him rich and famous, but he was unhappy with the role of humorist. He satirized the rapacious economic practices of his society, yet was caught up in those very practices himself. He was a literary genius who revolutionized the national literature, yet was unable to resist whatever quirky notion or joke that crossed his mind, often straying from his plot or contradicting his theme. Ziff offers a lively account of Twain's early years, explores all his major fiction, and concludes with a consideration of his craftsmanship and his strength as a cultural critic. He offers particularly telling insight into Twain's travel writings, providing for example an insightful account of Following the Equator, perhaps Twain's most underrated work. Throughout the book, Ziff examines Twain's writings in light of the literary cultures of his day--from frontier humorists to Matthew Arnold--and of parallel literary works of his time--comparing, for example, A Connecticut Yankee with major utopian works of the same decade. Thus the book is both a work of literary criticism and of cultural history. Compact and sparkling, here then is an invaluable introduction to Mark Twain, capturing the humor and the contradictions of America's most beloved writer.
Mark Twain and Male Friendship

Mark Twain and Male Friendship

Peter Messent

Oxford University Press Inc
2009
sidottu
Combining biography, literary history, and gender studies, Mark Twain and Male Friendship examines three profoundly influential and vastly different friendships in the life of the author of Adventures of Huckleberry Finn. With accessible prose informed by extensive research, the study begins by exploring the relationship between Mark Twain and his pastor Joseph Twichell, highlighting the latter's role as mentor and spiritual advisor as a way to explore the great author's conflicted religious beliefs. Messent then shifts gears to consider fellow author and sometime rival William Dean Howells who serves as a prism through which to spotlight the literary marketplace of 19th-century America and reveal Twain's competitive streak. A third unlikely friendship between Twain and Standard Oil robber baron H.H. Rogers illuminates Twain's attitude toward business and explores how Rogers and his wife served as a surrogate family for the novelist after the death of his own wife. Throughout, Messent uses the existing work on male friendship and gender roles as a springboard to place these friendships in terms of changing conceptions of masculinity and of men's roles both in marriage and in the larger social networks of their time. He also considers the friendships against a larger ideological backdrop in which the status of these four men-as socially privileged white males-very much conditioned both the form of the friendships and the way they functioned. Ultimately, Messent's study provides a unique perspective on one of America's greatest novelists while at the same time giving us a distinctive cultural history of male friendship in nineteenth-century America.
Mark Twain and Male Friendship

Mark Twain and Male Friendship

Peter Messent

Oxford University Press Inc
2013
nidottu
Biographies of America's greatest humorist abound, but none have charted the overall influence of the key male friendships that profoundly informed his life and work. Combining biography, literary history, and gender studies, Mark Twain and Male Friendship presents a welcome new perspective as it examines three vastly different friendships and the stamp they left on Samuel Clemens's life. With accessible prose informed by impressive research, the study provides an illuminating history of the friendships it explores, and the personal and cultural dynamic of the relationships. In the case of Twain and his pastor, Joseph Twichell, emphasis is put on the latter's role as mentor and spiritual advisor and on Twain's own waning sense of religious belonging. Messent then shifts gears to consider Twain's friendship with fellow author and collaborator William Dean Howells. Fascinating in its own right, this relationship also serves as a prism through which to view the literary marketplace of nineteenth-century America. A third, seemingly unlikely friendship between Twain and Standard Oil executive H.H. Rogers focuses on Twain's attitude toward business and shows how Rogers and his wife served as a surrogate family for the novelist after the death of his own wife. As he charts these relationships, Messent uses existing work on male friendship, gender roles, and cultural change as a framework in which to situate altered conceptions of masculinity and of men's roles, not just in marriage but in the larger social networks of their time. In sum, Mark Twain and Male Friendship i s not only a valuable new resource on the great novelist but also a lively cultural history of male friendship in nineteenth-century America.
Mark Rothko

Mark Rothko

James E. B. Breslin

University of Chicago Press
2012
nidottu
This is a full-length biography of Mark Rothko, arguably one of the greatest artists of the 20th century. Drawing on exclusive access to his personal papers and over 100 interviews with artists, patrons and dealers, the author tells the story of a life in art: the personal costs and professional triumphs, the convergence of genius and ego, culture and commerce, that defined the New York art scene of the 1930s, 1940s and 1950s - the world of Abstract Expressionism, of Pollock, Rothko, de Kooning and Kline.
Mark Twain

Mark Twain

Hamlin Hill

University of Chicago Press
2010
nidottu
After laughing their way through his classic and beloved depictions of nineteenth-century American life, few readers would suspect that Mark Twain's last years were anything but happy and joyful. They would be wrong. As Hamlin Hill reveals in "Mark Twain: God's Fool", contrary to the myth perpetrated by his literary executors, Twain ended his life as a frustrated writer plagued by paranoia. He suffered personal tragedies, got involved in questionable business ventures, and was a demanding and controlling father and husband. As Hill's book demonstrates, the difficult circumstances of Twain's personal life make his humorous output all the more surprising and admirable.
Untitled Mark Smith

Untitled Mark Smith

Mark Smith

MICHAEL JOSEPH
2026
nidottu
Part war story, part memoir, telling the story of Mark's father's RAF flying boat crew on special duties operations in the Indian Ocean. Through the lens of his relationship with his father and the stories he would share with young Mark when they looked through his logbook together, Mark will bring to life the lives of the men he served with - including the death of his father's best friend in an attack with a Japanese fighter. It will set their story against the wider war fought by the RAF, SOE and the wider war fought by British and Commonwealth forces in the Burma theatre, while weaving in Mark's own friendships with the survivors after the war and his efforts to record and pay tribute to their service and sacrifice as part of his growing interest in medals.
Mark Twain

Mark Twain

Ron Chernow

PENGUIN BOOKS LTD
2025
sidottu
The complex and fascinating life of Mark Twain, as told by a Pulitzer prizewinning biographerBorn in 1835, the man who would become America’s first, and most influen­tial, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Mark Twain went west and accepted a job at the local newspaper, writing dis­patches that attracted attention for their brashness and humour. It wasn’t long until the former steamboat pilot from Missouri was recognized across the country for his literary brilliance.In this rich and nuanced portrait of Twain, Ron Chernow brings his powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a jour­nalist, satirist, and performer, and a family man, Twain went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the epicentre of American culture, emerging as the nation’s most notable political pundit and the only white author of his generation to grapple so fully with the legacy of slavery. At the same time, his madcap business ventures eventually bankrupted him and led him and his family to nine years of exile between London, France, Germany and Italy. During this time, he lost his wife and two daughters – the last stage of his life marked by heartache, politi­cal crusades, and eccentric behaviour that sometimes obscured darker forces at play.Drawing on Twain’s bountiful archives, includ­ing thousands of letters and hundreds of unpublished manuscripts, Chernow here captures the magnificent and often maddening life of one of the most original characters in literary history, reminding us why Twain’s writing continues to be read, debated and quoted over a hundred years after his passing.
Mark For Everyone

Mark For Everyone

Tom Wright

SPCK Publishing
2014
pokkari
Tom Wright has completed a tremendous task: to provide comprehensive guides to all the books of the New Testament, and to furnish them with his own fresh translation of the entire text. Each short passage is followed by a highly readable commentary with helpful background information. The format makes it appropriate also for daily study. Tom Wright's eye-opening comments on the gospel and what it might mean for us are combined, passage by passage, with his own fresh and involving translation. Making use of his true scholar's understanding, yet writing in an approachable and anecdotal style, Wright captures the urgency and excitement of Mark's gospel in a way few writers have.
Mark Twain's Own Autobiography

Mark Twain's Own Autobiography

University of Wisconsin Press
2010
nidottu
Mark Twain's ""Own Autobiography"" stands as the last of Twain's great yarns. Here he tells his story in his own way, freely expressing his joys and sorrows, his affections and hatreds, his rages and reverence - ending, as always, tongue-in-cheek: 'Now, then, that is the tale. Some of it is true'. More than the story of a literary career, this memoir is anchored in the writer's relation to his family - what they meant to him as a husband, father, and artist. It also brims with many of Twain's best comic anecdotes about his rambunctious boyhood in Hannibal, his misadventures in the Nevada territory, his notorious Whittier birthday speech, his travels abroad, and more. Twain published twenty-five 'Chapters from ""My Autobiography""' in the ""North American Review"" in 1906 and 1907. 'I intend that this autobiography...shall be read and admired a good many centuries because of its form and method - form and method whereby the past and the present are constantly brought face to face, resulting in contrasts which newly fire up the interest all along, like contact of flint with steel.' For this second edition, Michael Kiskis' introduction references a wealth of critical work done on Twain since 1990. He also adds a discussion of literary domesticity, locating the autobiography within the history of Twain's literary work and within Twain's own understanding and experience of domestic concerns.
Mark and Luke in Poststructuralist Perspectives

Mark and Luke in Poststructuralist Perspectives

Stephen D. Moore

Yale University Press
1992
sidottu
"What is the lesson of that other, newly sprung tree (the cross) in whose bark Mark has carved his Gospel (for this is a book that bleeds)? Is it that Jesus's body, grafted onto the cross, became one with it, and thus became tree, branch, book, and leaf, inscribed with letters of blood, can now at last be read, no longer an indecipherable code but an open codex? And that in its (now) re(a)d(able) ink, lately invisible, the message that was scratched into the fig tree is transcribed: outside the gates, but only just, the summer Son is shining in full strength?"--Stephen D. MooreIn this book Stephen D. Moore offers a dazzling new reading of the Gospels of Mark and Luke, applying the poststructuralist techniques of Derrida, Lacan, and Foucault to illuminate these texts in a way that no one has done before. Written with wit and a sensitivity to words--and wordplay--that is reminiscent of Moore's fellow countryman James Joyce, the book is also deeply learned, impressive in its detailed knowledge of previous scholarship as well as in the challenges it presents to that scholarship.Moore argues that whereas the language of the Gospels is concrete, pictorial, and often startling, the language of modern gospel scholarship tends to be propositional and abstract. Calling himself a New Test-what-is-meant scholar, he approaches the Gospels of Mark and Luke as though they were pictograms or dreamwork to decipher and interpret, writing a response that is no less visceral and immediate than the biblical texts themselves.
Mark Rothko

Mark Rothko

David Anfam

Yale University Press
1998
sidottu
Originally published in 1998 and still in print, this quintessential volume presents an overview of Mark Rothko’s stunning corpus of paintings on canvas and panel. With all works reproduced in color, the book includes the images for which Rothko is most famous—the large, hypnotic, poignant fields of color—along with almost 400 additional paintings that are far less well known and reveal an artist who was attuned by turns to realism, expressionism, surrealism, and the avant-garde issues of his era. "Far and away the best monograph ever written on Rothko."—Yve-Alain Bois, ArtforumPublished in association with the National Gallery of Art, Washington
Mark 1-8

Mark 1-8

Joel Marcus

Yale University Press
2002
pokkari
Although it appears second in the New Testament, Mark is generally recognized as the first Gospel to be written. Captivating nonstop narrative characterizes this earliest account of the life and teachings of Jesus. In the first installment of his two-volume commentary on Mark, New Testament scholar Joel Marcus recaptures the power of Mark’s enigmatic narrative and capitalizes on its lively pace to lead readers through familiar and not-so-familiar episodes from the ministry of Jesus. As Marcus points out, the Gospel of Mark can be understood only against the backdrop of the apocalyptic atmosphere of the Jewish rebellions of 66-73 c.e., during which the Roman army destroyed the Temple of Jerusalem (70 c.e.). While the Jewish revolutionaries believed that the war was “the beginning of the end” and that a messianic redeemer would soon appear to lead his people to victory over their human enemies (the Romans) and cosmic foes (the demons), for Mark the redeemer had already come in the person of Jesus. Paradoxically, however, Jesus had won the decisive holy-war victory when he was rejected by his own people and executed on a Roman cross. The student of two of this generation’s most respected Bible scholars and Anchor Bible authors, Raymond E. Brown and J. Louis Martyn, Marcus helps readers understand the history, social customs, economic realities, religious movements, and spiritual and personal circumstances that made Jesus who he was. The result is a Bible commentary of the quality and originality readers have come to expect of the renowned Anchor Bible series. Challenging to scholars and enlightening to laypeople, Mark 1-8 is an invaluable tool for anyone reading the Gospel story.
Mark 8-16

Mark 8-16

Joel Marcus

Yale University Press
2009
sidottu
In the final nine chapters of the Gospel of Mark, Jesus increasingly struggles with his disciples’ incomprehension of his unique concept of suffering messiahship and with the opposition of the religious leaders of his day. The Gospel recounts the events that led to Jesus’ arrest, trial, and crucifixion by the Roman authorities, concluding with an enigmatic ending in which Jesus’ resurrection is announced but not displayed. In this volume New Testament scholar Joel Marcus offers a new translation of Mark 8–16 as well as extensive commentary and notes. He situates the narrative within the context of first-century Palestine and the larger Greco-Roman world; within the political context of the Jewish revolt against the Romans (66–73 C.E.); and within the religious context of the early church’s sometimes rancorous engagement with Judaism, pagan religion, and its own internal problems. For religious scholars, pastors, and interested lay people alike, the book provides an accessible and enlightening window on the second of the canonical Gospels.
Mark Rothko

Mark Rothko

Cohen-Solal Annie

Yale University Press
2015
sidottu
From the prizewinning Jewish Lives series, a fascinating exploration of the life and work of Mark Rothko, one of America’s most famous and enigmatic postwar visual artists"Cohen-Solal subtly demonstrates the link between Rothko’s three outsider statuses (artist, immigrant, and Jew), his color-block canvases, and his essential Americanness.”—New Yorker“Gripping. . . . A rewarding close-up of Rothko’s . . . experience as a Jewish immigrant.”—Publishers Weekly, Starred Review Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: “Excellent.” – New York times “Exemplary.” – Wall St. Journal “Distinguished.” – New Yorker “Superb.” – The Guardian
Mark Rothko

Mark Rothko

Annie Cohen-Solal

Yale University Press
2016
pokkari
A fascinating exploration of the life and work of one of America’s most famous and enigmatic postwar visual artists Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.
Mark Dion

Mark Dion

Ruth Erickson

Yale University Press
2017
sidottu
A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist’s pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions offer novel approaches to questioning institutional power, which he sees as connected to the control and representation of nature. Generously illustrated, this publication introduces new insights and features more than seventy-five artworks. Essays address topics ranging from Dion’s ecological activism to his loving critique of museums. A diverse group of contributors explores his work as a teacher, his public artworks such as Neukom Vivarium in Seattle, and his intricate curiosity cabinets installed throughout the world. They reveal how Dion’s practice and formal investigations—which are rooted in history—connect to contemporary questions of disciplinary boundaries and the acquisition of knowledge in the age of the Anthropocene.Published in association with The Institute of Contemporary Art/BostonExhibition Schedule:Institute of Contemporary Art/Boston (10/04/17–01/07/18)