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Nancy Culpepper

Nancy Culpepper

Bobbie Ann Mason

Random House Trade
2007
nidottu
Kentucky native Nancy Culpepper boldly left home to attend school in Massachusetts, married a Yankee, and raised her son in the Northeast. "One day I was feeding chickens and listening to Hank Williams and the next day I was expected to know what wines went with what," she tells her husband, Jack. Yet no matter where she travels, her rural southern heritage is never far from her thoughts, her habits, and her heart. Nancy is on a lifelong quest to understand her place in the world. Returning home to the family farm, she searches for photographic evidence of an ancestor bearing her own name. Still in her jeans, she brings home strange ideas and an assertiveness she learned up north. Always adventurous, Nancy travels far and wide-searching, seeking. The narrative sweep of her life traverses the turbulent sixties, the Vietnam War, the eighties and the foreboding death of John Lennon, and finally the new millennium-when a self-assured Nancy finally emerges. These humorous and often touching stories recount her courtship and marriage to Jack, her relationship with her precocious son, and the deep, loving bond between her parents, Spence and Lila Culpepper. Eventually Nancy's marriage is threatened by a cultural divide that plagued her and Jack from the start. But when she inherits the Culpepper family farm and discovers more pieces of her ancestral puzzle, she realizes that her life is assuming its proper shape. Later, standing on a lonely mountain in England, she sees the world from a surprising perspective. Bestselling author Bobbie Ann Mason's prizewinning Nancy Culpepper chronicles have appeared in The New Yorker, The Boston Globe, The Southern Review, and other distinguished literary anthologies. She has compiled these stories into one definitive collection, which includes the novella Spence + Lila, two new, never-before-published stories, and one Pushcart Prize winner. Heartfelt and thought-provoking, Nancy Culpepper is a poignant depiction of change and growth in a modern-day heroine.
My Turn: The Memoirs of Nancy Reagan

My Turn: The Memoirs of Nancy Reagan

Nancy Reagan

Random House
1989
nidottu
The former First Lady discusses her life, the Reagan administration, her shaky relationship with her children and key White House personnel, her husband's involvement in the Iran-Contra affair, and her bout with cancer. "During our White House years I said almost nothing about how I really felt regarding the controversies that swirled around me. . . . But now those years are over, and it's my turn to describe what happened. . . ." About Ronald Reagan: "Although Ronnie loves people, he often seems remote, and he doesn't let anybody get too close. There's a wall around him. He lets me come closer than anyone else, but there are times when even I feel that barrier." About being a mother: "What I wanted most in all the world was to be a good wife and mother. As things turned out, I guess I've been more successful at the first than at the second." About her influence: "I make no apologies for telling Ronnie what I thought. Just because you're married doesn't mean you have no right to express your opinions. For eight years I was sleeping with the president, and if that doesn't give you special access, I don't know what does." About astrology: "What it boils down to is that each person has his or her own ways of coping with trauma and grief, with the pain of life, and astrology was one of mine. Don't criticize me, I wanted to say, until you have stood in my place. This helped me. Nobody was hurt by it--except, possibly, me." About Don Regan: "His very first day on the job, Don said that he saw himself as the 'chief operating officer' of the country. But he was hired to be chief of staff. . . . Although I believed for a long time that Donald Regan was in the wrong job, my 'power' in getting him to leave has been greatly exaggerated. Believe me, if I really were the dragon lady that he described in his book, he would have been out the door many months earlier."
Nancy Batson Crews

Nancy Batson Crews

Sarah Byrn Rickman; Jane Kirkpatrick

The University of Alabama Press
2009
nidottu
This is the story of an uncommon woman - high school cheerleader, campus queen, airplane pilot, wife, mother, politician, businesswoman - who epitomizes the struggles and freedoms of women in 20th-century America, as they first began to believe they could live full lives and demanded to do so. World War II offered women the opportunity to contribute to the work of the country, and Nancy Batson Crews was one woman who made the most of her privileged beginnings and youthful talents and opportunities. In love with flying from the time she first saw Charles Lindbergh in Birmingham (October 1927), Crews began her aviation career in 1939 as one of only five young women chosen for Civilian Pilot Training at The University of Alabama. Later, Crews became the 20th woman of 28 to qualify as an 'Original' Women's Auxiliary Ferrying Squadron (WAFS) pilot, employed during World War II shuttling P-38, P-47, and P-51 high-performance aircrafts from factory to staging areas and to and from maintenance and training sites. Before the war was over, 1,102 American women would qualify to fly Army airplanes. Many of these female pilots were forced out of aviation after the war as males returning from combat theater assignments took over their roles. But Crews continued to fly, from gliders to turbojets to J-3 Cubs, in a postwar career that began in California and then resumed in Alabama. The author was a freelance journalist looking to write about the WASP (Women Airforce Service Pilots) when she met an elderly, but still vital, Nancy Batson Crews. The former aviatrix held a reunion of the surviving nine WAFS for an interview with them and Rickman, recording hours of her own testimony and remembrance before Crews' death from cancer in 2001. After helping lead the fight in the 70s for WASP to win veteran status, it was fitting that Nancy Batson Crews was buried with full military honors.
Nancy Hanks, An Intimate Portrait

Nancy Hanks, An Intimate Portrait

Michael Straight

Duke University Press
1988
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Nancy Hanks, Chairman of the National Endowment for the Arts (NEA) from 1969 to 1977, turned this fledgling organization into a major instrument for government support of the arts—accomplishing thereby a virtual revolution in the public arts policy of the United States. She died of cancer on January 7, 1983; later that year, at the request of Congress, President Ronald Reagan designated the building complex at Pennsylvania Avenue and 11th Street (the "Old Post Office") in Washington, D.C., as the Nancy Hanks Center.This biography captures the spirit and the flavor of Ms. Hanks's remarkable life, above all during the eight years in which she led the Endowment. Tracing her childhood in Florida and North Carolina through her achievements as a student leader at Duke University, Straight makes clear her conscious effort to find a path with more scope than the usual marriage-and-a-family when expected of Southern women. Nancy Hanks went to Washington and found a job with the Office of War Mobilization. She later worked with Nelson Rockefeller, who became governor of New York, a Republican party luminary, and vice president under Gerald Ford, in addition to being an heir to one of America's greatest fortunes. Her relationship with Rockefeller was crucial to her personal life, and his conception of government and its role and a lasting influence on her career.Straight examines Nancy Hanks's leadership of the NEA and takes particular note of the intense debate over the role of government in fostering American artistic expression, an issue with roots running back through the New Deal to the early history of the United States. Nancy Hanks took a strong and activist role in the formulation and administration of a national arts policy, and her accomplishments have left an indelible mark on public support for arts in the United States. Straight, who worked closely with Ms. Hanks and admired her despite frequent policy disagreements, deals honestly with both the successes and failures of her efforts. His biography imparts a sense of the reasons why her many friends felt such loyalty to this complex and gifted woman.
Nancy Braithwaite

Nancy Braithwaite

Nancy Braithwaite; Dara Caponigro

Rizzoli International Publications
2014
sidottu
Interior designer Nancy Braithwaite's long-awaited first book is a striking tutorial in the power of simplicity in design. In the world of interior design, Nancy Braithwaite is known for her single-minded devotion to the principle that has guided her work for more than forty years: simplicity. Braithwaite's work is luxuriously minimalist, its beauty inextricably tied to its Shaker-like purity. While her work varies from art deco to country, the underlying rules remain the same: every element should strive to be simple and powerful without compromise, and every room must have a level of power that comes from commanding scale, repetition of elements, subtleties of colour, or the sheer beauty of forms. In Braithwaite's world, excess is not opulent. Simplicity is opulent. Braithwaite takes the reader deep into her singular vision. Divided into five sections, the book begins with her manifesto on simplicity and the aspects of design used to achieve it, including architecture, scale, colour, texture, pattern, and composition. She then presents three categories of style-country, classic, and contemporary-and explains and illustrates each with iconic rooms from her portfolio. Finally, she presents several houses as case studies, displaying the power of these principles in action and emphasizing the importance of craftsmanship in design, from a stunning modern seaside retreat on Kiawah Island, South Carolina, to her unforgettable country house in Atlanta.
Nancy Drew and Company

Nancy Drew and Company

Bowling Green University Popular Press,US
1997
sidottu
This intriguing anthology brings together a broad range of critical essays on girls series fiction from established scholars such as Chamberlain, Johnson, and Romalov, along with emerging scholars Katrine Poe, Maureen Reed, and Deborah Siegel. Topics include: Anne of Green Gables, the Isabel Carleton series, early twentieth-century girls automobile series, girls scouting novels, 1910 1935, Cherry Ames in World War II, Nancy Drew, and Judy Bolton."
Nancy Drew & Company

Nancy Drew & Company

Inness

Bowling Green University Popular Press,US
1997
nidottu
This intriguing anthology brings together a broad range of critical essays on girls' series fiction from established scholars such as Chamberlain, Johnson, and Romalov, along with emerging scholars Katrine Poe, Maureen Reed, and Deborah Siegel. Topics include: Anne of Green Gables, the Isabel Carleton series, early twentieth-century girls' automobile series, girls' scouting novels, 1910-1935, Cherry Ames in World War II, Nancy Drew, and Judy Bolton.
Nancy Callan

Nancy Callan

Museum of Glass: International Center for Contemporary Art
2024
sidottu
Celebrates the thoughtfulness, wit, and sense of wonder that are signatures of Callan's workSeeing glass through the eyes of Nancy Callan is a delight, and experiencing the material through her work is a master class in the artistic process. Her elegant, playful designs are inspired by a seemingly limitless visual vocabulary and are executed with extraordinary technical expertise. The book is organized as a series of thematic groupings that explore the sources of inspiration that have fueled Callan's career: pop art and graphics, pattern and textiles, and nature and the wonders of the universe. Each grouping is represented by a curated sequence of artworks, illustrating Callan's conceptual development and her exploration of form and pattern. It includes new work, created and documented in the museum's Hot Shop through a series of residencies.Nancy Callan: Forces at Play invites viewers to see the medium of glass with the same curiosity and passion that have fueled Callan's artistic career.
Nancy Spero: Torture of Women
Torture of Women, Spero's epic, 14 panels, 125-foot-long collage work, fuses startling imagery from ancient mythology with hand-printed and typewritten first-person testimonies of abuse--from ancient times through the present. This unique volume zooms in, translating the work into nearly 100 pages of detailed, legible reproductions.
Nancy's Big Surprise!

Nancy's Big Surprise!

Christine R. Dyer

Joy Ministries
2009
nidottu
This book is about a young girl name Nancy, who loves animals.she visited the zoo everyday, she had a friend named Arnold, whohappens to be a Pig, she talks to Arnold who is a good listener, oneday Nancy visits him, he had a big surprise for her. come away and whatthe surprise was.
Nancy Shaver: Henry at Home
"Houses and interiors have played a huge role in my life. Though they've taken a lot of my time, working on them has been a vital part of my art work. They've taught me a great deal about space and light and color. And because I've never had any money, but have always wanted to have art, my houses have taught me about looking. My houses have been laboratories where I've had visual encounters that I wouldn't have had any other way. Henry comes out of that experience." —Nancy Shaver. Henry at Home presents photographs of objects from Henry—a shop in Hudson, NY, run by Nancy Shaver—as they appear in the homes of the people who purchased them. In addition to these photographs, taken by the objects' new owners, Henry at Home includes artwork by Nancy Shaver, an introduction by Lucy Raven, and an interview between Shaver and Steel Stillman.
Nancy Graves

Nancy Graves

Mitchell-Innes Nash
2015
pokkari
This exhibition catalogue marks the 20th anniversary of the death of American artist Nancy Graves (1939-1995), featuring work from the first half of her career, from 1969 to 1982. In 1969, Graves became internationally recognized as the first female artist to receive a solo retrospective at the Whitney Museum in New York City. It was at this exhibition that her now iconic series Camels was first displayed--a collection of three larger-than-life camels made from animal hides, burlap, wax and fiberglass. Graves, filled with curiosity about the natural world, continued to work with the image of these majestic and mysterious creatures. In 1970, she fabricated steel camel skeletons for Inside-Outside, and in the same year, she captured them in their natural habitat in the Sahara for her rarely exhibited film Izy Boukir. Alongside the artist's sculptures and films, this publication also includes her large-scale watercolors and pointillist-style canvases.
Nancy @ Ninety

Nancy @ Ninety

Richard Francis Harteis

Poets Choice Publishing
2018
pokkari
Several years after William Meredith sustained a major stroke, well-meaning friends and therapists suggested that art therapy might be helpful to develop motor skills for the affected hand. We'd heard of a legendary teacher from Montgomery College and approached her about taking William on as a student. That interaction grew into a lifetime friendship which brings us to the present exhibition sponsored by the William Meredith Foundation.It turned out that motor coordination was not the problem to be dealt with. William's aphasia made understanding intellectual concepts difficult - negative space, anatomical accuracy, and all the technical requirements of sculpture were difficult to grasp for him. Nancy had a remarkable talent for reaching him, trapped under ice, as it were, and they did the dance teacher and student engage in when learning happens at its best. And characteristically, William moved on to other challenges with language once he had completed several rather remarkable portrait sculptures. Their friendship abided, however and resulted in years of travel to Bulgaria, Florida, New England, and Europe. Nancy had become family. Friends love her for her modesty, intellectual honesty, and spiritual authority. She really is something of a "wise woman," and lends her opinion at bible study at the crack of dawn each Thursday morning before returning home to teach. She plans to be "roomates" with her friend Lizzy at the Columbarium at St. Columba Episcopal Church and despite the friends who have dropped off the planet lately, she remains committed to life's pleasures. Again, as Meredith writes in "His Plans for Old Age," He is founding a sect for the radical old, freaks you may call them but you're wrong, who persist in being at home in the world, who just naturally feel it's a good bind to be in, let the young feel as uncanny as they like. And another poet comes to mind when I consider the realistic, accepting and balanced view of where she stands at this point in her life. At the end of her poem, "When Death Comes," Mary Oliver writes: When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world.Nancy doesn't have to worry in this regard. She has more than made of her life "something particular and real." The sculptures remain a testament to her sterling intelligence and unique view of reality and the world. Everyone who loves her is so grateful that this charming girl turned into the woman we all admire. As Meredith says of Simone de Beauvoir in her "civilized Gallic gloom: " "may she be loved and beautiful without wrinkles until it takes carbon dating to determine her age." And may she continue to entertain us with her beautiful work for years to come.
Nancy Drew Anthology: Writing & Art Featuring Everybody's Favorite Female Sleuth
Writing & Art inspired by Nancy Drew from 97 contributors around the world -- from A to Z: Kathleen Aguero, Kimmy Alan, E. Kristin Anderson, Amanda Arkebauer, Roberta Beary, Sujoy Bhattacharya, Julie E. Bloemeke, Steve Bogdaniec, Anne Born, Tanya Bryan, Kathy Burkett, Bill Capossere, Sylvia Cavanaugh, Tricia Marcella Cimera, Ellen Cohen, Christine Collier, Linda Crosfield, Ashini J. Desai, Kristina England, Paul Fericano, Jennifer Finstrom, Jennifer Fisher, Deirdre Flint, Lea Shangraw Fox, Linda McCauley Freeman, Shivapriya Ganapathy, Erica Gerald Mason, Vijaya Gowrisankar, Geosi Gyasi, Maureen Hadzick-Spisak, Kathleen M. Heideman, Jennifer Hernandez, Kathleen Hogan, Juleigh Howard-Hobson, Mark Hudson, Mathias Jansson, Alice-Catherine Jennings, Jessie Keary, Elizabeth Kerper, Phyllis Klein, Tricia Knoll, Laurie Kolp, Jennifer Lagier, Kathleen Lawrence, Jenna Le, Joan Leotta, Kristie Betts Letter, Lorette C. Luzajic, Marieta Maglas, Ksenya Makarova, Shah Mankerian, Susan Martinello, Karen Massey, Cathy McArthur, Nancy McCabe, Catfish McDaris, Patricia McGoldrick, Michelle McMillan-Holifield, Carolina Morales, Lylanne Musselman, Kaitlynn Nichol, Sarah Nichols, Faye Pantazopoulos, Lee Parpart, Stephanie R. Pearmain, James Penha, David Perlmutter, Robert Perret, Anna Pesnell, Jessica Purdy, Cynthia Todd Quam, Patrick T. Reardon, Nancy Reddy, Luisa Kay Reyes, Jeannie E. Roberts, Stephen D. Rogers, M.A. Scott, Shloka Shankar, Sheikha A., Sogol Shirazi, Donna JT Smith, Hilary A. Smith, Massimo Soranzio, Elizabeth Stark, Virginia Chase Sutton, Dorothy Swoope, Shrehya Taneja, Marjorie Tesser, Marion Tickner, Melanie Villines, Sarah Broussard Weaver, Mercedes Webb-Pullman, A. Garnett Weiss, Lin Whitehouse, Martin Willitts Jr, Marilyn Zelke-Windau.
Nancy Graves

Nancy Graves

Mitchell-Innes Nash
2019
nidottu
Published on the occasion of an exhibition of works by sculptor, painter and printmaker Nancy Graves (1939–95), Mapping focuses on her paintings and works on paper dealing with maps. Graves investigated the subject of mapmaking throughout her career, and the collection of pieces selected here from the early- to mid-1970s offers a representative survey of her concern with maps of natural phenomena, specifically the newly available satellite images of temperature and weather patterns on the Earth, the Moon and Mars. By this point in her career Graves had already been given, at age 29, a solo exhibition at the Whitney, becoming the fifth woman to do so. With an essay by curator Robert Storr, Mapping is published on the 50th anniversary of the first manned moon landing, and is an important addition to the literature on this prolific postwar artist.
Nancy Brandon's Mystery (Esprios Classics)
Lilian C. Garis, born Lilian C. McNamara (20 October 1873 - 19 April 1954) was an American author who wrote hundreds of books of juvenile fiction between around 1915 and the early 1940s. Prior to this, she was a reporter for the Newark Evening News in New Jersey. Garis and her husband, Howard R. Garis, were possibly the most prolific children's authors of the early 20th century. For the Stratemeyer Syndicate she wrote under the pseudonym Margaret Penrose and Laura Lee Hope, with her works including some of the earliest books in the Bobbsey Twins series as well as the Dorothy Dale series. But Mrs. Garis also wrote some books under her own name. Her husband, Howard Roger Garis was also a Syndicate writer and DJ on WNJR. Her children Roger and Cleo also wrote juvenile fiction.
Nancy Brandon (Esprios Classics)
Lilian C. Garis, born Lilian C. McNamara (20 October 1873 - 19 April 1954) was an American author who wrote hundreds of books of juvenile fiction between around 1915 and the early 1940s. Prior to this, she was a reporter for the Newark Evening News in New Jersey. Garis and her husband, Howard R. Garis, were possibly the most prolific children's authors of the early 20th century. For the Stratemeyer Syndicate she wrote under the pseudonym Margaret Penrose and Laura Lee Hope, with her works including some of the earliest books in the Bobbsey Twins series as well as the Dorothy Dale series. But Mrs. Garis also wrote some books under her own name. Her husband, Howard Roger Garis was also a Syndicate writer and DJ on WNJR. Her children Roger and Cleo also wrote juvenile fiction.