WHO IS SHE? She is a mother. She is a victim. She is a sister. She is a survivor. She is a lover. She is a degenerate. She is a woman. She is an object. She is a writer. She is a star of stage and screen. Phyllis Stine is everything and this is her poetry. INCLUDES A BONUS INTERVIEW WITH THE AUTHOR
Title: The Wooing of Phyllis. A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Coleman, Katharine E.; 1896. vi. 304 p.; 8 . 012627.k.37.
The Book Of Phyllis is another installment in the series of photography books by American artist LG Williams. The Book Of Your Name Here] series, originating in January 2015, is an artistic re-examination of the "miracle" of the daguerreotype photograph, in which the artist reaches back to the origins of photography. On August 19, 1839 the French Academy of Sciences announced the invention of the daguerreotype by the scene painter and physicist Louis-Jaques-Mande Daguerre (1787-1851). Word of the discovery spread swiftly, and the daguerreotype photography enjoyed great popularity until the 1850s, especially in America where the process was free from patent restrictions. While there was great demand for portraits captured by the "miracle" of photography, early daguerreotype technology had its shortcomings. The necessarily long exposure times that were required to capture an image, fifteen minutes on average under bright lights, led to necessarily inevitable lacunae in representing the subject. The resulting single image daguerreotypes are de facto composites of the lapsed long exposure time, but not, as was purported, scientifically captured replicas of both time and image. This publication and series presents an opportunity for Williams to provide an artistic, political, and social perspective on the missing truths, images, and loss of time that occurred during the age of Daguerre. In other words, each book from this single-portrait-series consists of hundreds of continuous images during a fifteen-minute stretch of time, or just about as many images as the artist could take as fast as possible using his out-dated FujiFilm FinePix Z70 3-MP Digital Camera. From this historical perspective, Williams' series points to the limitations of daguerreotype photography with the seemingly limitless possibilities of contemporary analogue-image capture and production.
Catherine Jewell's grandfather is in a nursing home now, where two residents are murdered. Her fiance, police chief John MacDougal wants her to keep out of it, but knowing Catherine, can she?
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