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1000 tulosta hakusanalla Tim Rowse
You will see no false nothing false tonight the Hypnotist Tim Crouch's second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch's ongoing body of work.
This collection of seven essays, like the carefully linked collection of vignettes within Tim O’Brien’s most popular book The Things They Carried, contains multiple critical and biographical angles with recurring threads of life events, themes, characters, creative techniques, and references to all of O’Brien’s books. Grounded in through research, Herzog’s work illustrates how O’Brien merges his life experiences with his creative production; he rarely misses an opportunity to introduce these critical life events into his writing.
You will see no false nothing false tonight the Hypnotist Tim Crouch's second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch's ongoing body of work.
London; Or the Triumph of Quackery. a Satirical Poem. by Tim Bobbin, the Younger.
Tim Bobbin
British Library, Historical Print Editions
2011
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Tom Cladpole's Jurney to Lunnun ... Told by Himself and Written in Pure Sussex Doggerel by His Uncle Tim. the Fifth Thousand.
Tim Cladpole
British Library, Historical Print Editions
2011
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Tim Bobbin's Centenary. a Ghostly Conversation in Verse.
M R Lahee
British Library, Historical Print Editions
2011
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The Letters of Tim. Tunbelly ... on the Tyne, the Newcastle Corporation, the Freemen, the Tolls, Andc. Andc. to Which Is Prefixed, a Memoir of His Public and Private Life.
Tim Tunbelly
British Library, Historical Print Editions
2011
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Title: The Letters of Tim. Tunbelly ... on the Tyne, the Newcastle Corporation, the Freemen, the Tolls, &c. &c. To which is prefixed, a Memoir of his public and private life.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Tunbelly, Tim; 1823. vol. 1.; 8 . 1303.i.16.
Includes the plays The Author, England, An Oak Tree and My Arm. My Arm‘...he is actually exploring on stage the nature of art and performance itself, taking risks in the process… At these moments, Crouch is armed and dangerous.’ GuardianAn Oak Tree‘Pirandello for a modern audience and better. It’s philosophy inaction, playful and seriously thought-provoking.’ Independent on SundayENGLAND‘…created with rigorous, poetic economy… ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.’ New York TimesThe Author‘This is not audience participation; it is the audience at once being the theatre and interrogating it.’ Financial Times