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1000 tulosta hakusanalla Torrence Davis

An Introduction to Torrance Theology
For more than six decades, the brothers Torrance--Thomas, James and David—have had a tremendous influence on the theological world. They and particularly TF Torrance, have a devoted following world-wide and particularly in the US. Their high view of the fully human, fully divine Jesus is built upon the foundation of the Patristic writers, and the great Reformers from Calvin to Barth. Working in both pastoral and academic settings, the Torrances have stressed the profound implications of Christology for the mission of their Church and the daily life of Christians. Today, a generation of their students around the world find themselves in positions of pastoral and theological leadership. The focus of this book is the person of Christ (christology), a subject central to the Torrance theological vision and one which has had great influence on the presbyterian church. The contributors explore the contemporary relevance of Torrance Christology in such areas as the nature of Christ, the atonement, the ministry of the Church, epistemology and inclusion in Christ. The result is a book that offers both a fresh introduction to the Torrance tradition even as it advances the Torrance thought along fresh avenues of theological exploration.
An Introduction to Torrance Theology
For more than six decades, the brothers Torrance--Thomas, James and David—have had a tremendous influence on the theological world. They and particularly TF Torrance, have a devoted following world-wide and particularly in the US. Their high view of the fully human, fully divine Jesus is built upon the foundation of the Patristic writers, and the great Reformers from Calvin to Barth. Working in both pastoral and academic settings, the Torrances have stressed the profound implications of Christology for the mission of their Church and the daily life of Christians. Today, a generation of their students around the world find themselves in positions of pastoral and theological leadership. The focus of this book is the person of Christ (christology), a subject central to the Torrance theological vision and one which has had great influence on the presbyterian church. The contributors explore the contemporary relevance of Torrance Christology in such areas as the nature of Christ, the atonement, the ministry of the Church, epistemology and inclusion in Christ. The result is a book that offers both a fresh introduction to the Torrance tradition even as it advances the Torrance thought along fresh avenues of theological exploration.
The Theater of Terrence McNally

The Theater of Terrence McNally

Peter Wolfe

McFarland Co Inc
2013
pokkari
This first book-length work on Terrence McNally shows how his decades in the theater have refined his thoughts on subjects like growing up gay in mannish, homophobic Texas, Shakespeare's legacy in contemporary drama, and the life-giving power of forgiveness. McNally believes that the ability to forgive--a challenge to even the most high-minded--confirms our humanity because the wrongs done to us usually don't deserve to be forgiven. The author shows how McNally's impeccable timing, his instinct for a good laugh line, and his preference for physical sensation and character over plot helps him reveal both what's important to his people and why his people are important. These revelations can shake up audiences while providing a great evening at the theater.
The Work of Terrence Malick

The Work of Terrence Malick

Gabriella Blasi

TAYLOR FRANCIS LTD
2025
nidottu
The Work of Terrence Malick: Time-Based Ecocinema develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time. Current work on Malick's films emphasizes the spatial dynamics of his cinema, particularly as it pertains, from within a phenomenological framework, to the viewer's experience of films. This book redirects scholarly attention to the way Malick's directorial work shapes time and duration, laying new groundwork for the analysis of how films unsettle nature-culture binaries in modernity. The study performs this intervention through a rigorous engagement with Walter Benjamin's work on time, violence and technologies and the emergent figural approach to aesthetics in film studies. Each of these methods has important precedents in film studies and other fields. The combination of methods performed in this book contributes to understanding the relevance of a time-based approach to Malick's films and the practical implications of a time-based relation to history in contemporary ecocinema discourses.
Conversations with Terrence McNally

Conversations with Terrence McNally

UNIVERSITY PRESS OF MISSISSIPPI
2023
sidottu
Arriving in New York at the tail end of what has been termed the "Golden Age" of Broadway and the start of the Off Broadway theater movement, Terrence McNally (1938–2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people’s minds by first changing their hearts, and—in outrageous farces like The Ritz and It’s Only a Play—began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America’s treatment of persons isolated by suffering and sickness, he became the theater’s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally’s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.
Conversations with Terrence McNally

Conversations with Terrence McNally

UNIVERSITY PRESS OF MISSISSIPPI
2023
pokkari
Arriving in New York at the tail end of what has been termed the "Golden Age" of Broadway and the start of the Off Broadway theater movement, Terrence McNally (1938–2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people’s minds by first changing their hearts, and—in outrageous farces like The Ritz and It’s Only a Play—began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America’s treatment of persons isolated by suffering and sickness, he became the theater’s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally’s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.
Mexican Americans in Torrance

Mexican Americans in Torrance

Alicia Duarte Solis

Arcadia Publishing Library Editions
2018
sidottu
La Rana ("The Frog") is two street blocks located between Crenshaw Boulevard and Van Ness Avenue in Torrance, California. La Rana has a colorful history of immigrants who settled in 1908 from various parts of Mexico with the following surnames: Torres, Ordaz, Grajeda, Flores, Alvarez, Duarte, and Solis. These families fled the Mexican Revolution and religious persecution in search of a brighter future for their children. They attended Torrance schools, such as Torrance Elementary, Nativity Catholic School, Torrance High School, and El Camino College. They earned degrees of higher education from a variety of schools like the University of California, Santa Barbara; California State University Long Beach; Loyola Marymount; the University of Arizona; and American InterContinental University. Today, those progenies include Devin Molina, an anthropologist; James Yanes, a medical doctor specializing in infectious diseases; Eddie Solis, an anesthesiologist; and Maria Dolores White, a nurse practitioner. Other professions include lawyers, nurses, teachers, police officers, accountants, professional baseball players, and a fire chief, as well as many business owners. Their stories are told through vintage photographs gathered from personal collections and commentary from friends and neighbors of the lives they led and the dreams they shared.
The Legend of Terrence McFly

The Legend of Terrence McFly

Marcella Socha

Dorrance Publishing Co.
2021
sidottu
"If a tiny fly can look for help in times of need then so can I."Poor Terrence McFly He has two wings, but only one of them seems to work So he goes to see Doc FlyPsy in the hopes to find a solution to his major problem The Legend of Terrence McFly is an illustration of self-assessment and improvement. Everyone needs to know they are capable of doing anything they put their mind to.About the AuthorMarcella Socha is a mother, grandmother, and great-grandmother. She has traveled much of the world. She lives part time in California and part time in Michigan. Marcella practices yoga and meditation, and she also collects rocks and owns kryptonite.
The Theater of Terrence McNally

The Theater of Terrence McNally

Raymond-Jean Frontain

Fairleigh Dickinson University Press
2019
sidottu
Terrence McNally’s canon of plays, books for musicals and opera libretti possesses such a breadth of subject matter and diversity of dramatic modes that critics have had difficulty assessing his accomplishment. This book is the first critical study to identify the four major stages of McNally’s development in terms of his understanding of how theater helps the modern person trapped in a seemingly profane existence to find a gateway to the transcendent. Drawing upon such diverse religious thinkers as Martin Buber, Mircea Eliade, Ilia Delio and Carter Heyward, Frontain analyzes the evolution of McNally’s understanding of grace, not as a gift bestowed by an all-powerful deity upon a desperate soul, but as the unwarranted—and, thus, all the more unusual—“act of devotion” (McNally’s phrase) that one person performs for another. By seeking to foment community, most importantly at the height of the AIDS pandemic, McNally’s theater itself proves to be a channel of grace. McNally’s greatest success is shown to be the creation of a theater of empathy and compassion in contradistinction to Artaud’s “theater of cruelty” and Albee’s Americanization of the theater of the absurd.
The Theater of Terrence McNally

The Theater of Terrence McNally

Raymond-Jean Frontain

Fairleigh Dickinson University Press
2021
nidottu
Terrence McNally’s canon of plays, books for musicals and opera libretti possesses such a breadth of subject matter and diversity of dramatic modes that critics have had difficulty assessing his accomplishment. This book is the first critical study to identify the four major stages of McNally’s development in terms of his understanding of how theater helps the modern person trapped in a seemingly profane existence to find a gateway to the transcendent. Drawing upon such diverse religious thinkers as Martin Buber, Mircea Eliade, Ilia Delio and Carter Heyward, Frontain analyzes the evolution of McNally’s understanding of grace, not as a gift bestowed by an all-powerful deity upon a desperate soul, but as the unwarranted—and, thus, all the more unusual—“act of devotion” (McNally’s phrase) that one person performs for another. By seeking to foment community, most importantly at the height of the AIDS pandemic, McNally’s theater itself proves to be a channel of grace. McNally’s greatest success is shown to be the creation of a theater of empathy and compassion in contradistinction to Artaud’s “theater of cruelty” and Albee’s Americanization of the theater of the absurd.
A Critical Companion to Terrence Malick
From the dust of the Montana plains to the farthest reaches of the cosmos, Terrence Malick’s films have enchanted audiences with transcendent images of nature, humanity, and grace for nearly fifty years. The contributors in this volume explore the profound implications of Malick’s stories, images, processes, and convictions as they offer comprehensive studies of the ten completed films of Terrence Malick. Each chapter takes a reflective and retrospective approach, considering new interpretations and frameworks for understanding Malick's unique creative choices. Drawing from a range of diverse academic disciplines, the collection analyzes the groundbreaking qualities of his cinematic style and the philosophical underpinnings that permeate his work. Rigorously researched and unique, the arguments presented within this volume shed new light on Malick and the cinematic medium.
The Cinema of Terrence Malick 2e

The Cinema of Terrence Malick 2e

Hannah Patterson

Wallflower Press
2007
nidottu
With 2005's acclaimed and controversial The New World, one of cinema's most enigmatic filmmakers returned to the screen with only his fourth feature film in a career spanning thirty years. While Terrence Malick's work has always divided opinion, his poetic, transcendent filmic language has unquestionably redefined modern cinema, and with a new feature scheduled for 2008, contemporary cinema is finally catching up with his vision. This updated second edition of The Cinema of Terrence Malick: Poetic Visions of America charts the continuing growth of Malick's oeuvre, exploring identity, place, and existence in his films. Featuring two new original essays on his latest career landmark and extensive analysis of The Thin Red Line-Malick's haunting screen treatment of World War II-this is an essential study of a visionary poet of American cinema.
Las guerras élficas de Torrente

Las guerras élficas de Torrente

Ana Lilia Hernández Rodríguez

Obra Independiente
2021
nidottu
Las guerras lficas de Torrente es una obra de fantas a pica que narra las haza as de varios h roes para lograr la liberaci n de un pueblo oprimido por un cruel tirano. A lo largo de la historia, los h roes se embarcan en una odisea para encontrar un continente desconocido en el que les esperan varias tragedias y aventuras que pondr n a prueba todo su valor y astucia para sobrevivir en las tierras salvajes de Torrente.