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Vanessa - Die heiße Agentin zum Sex erpresst | Erotischer Roman
Miu Degen
Blue Panther Books
2024
pokkari
Vanessa - Die Ausbildung zur Sex-Agentin | Erotischer Roman
Miu Degen
Blue Panther Books
2023
pokkari
Vanessa Mai hautnah
27amigos
2024
sidottu
Novinka v megapopuljarnoj franshize "Zlodei Disney"! Prodazhi knig o zlodejakh prevyshajut 200 000 ekzempljarov. A v novykh knigakh vas zhdjot ne tolko magija i prikljuchenija, no i ljubov! Da-da, zlodei tozhe kogda-to umeli ljubit! Zadolgo do vstrechi s rusalochkoj Ariel vedma Ursula uzhe pobyvala na sushe. V oblike obvorozhitelnoj Vanessy ona vyshla na bereg v poiskakh moguschestvennoj sily, no nashla... Andre. Smozhet li prekrasnyj i blagorodnyj tselitel rastopit serdtse zhestokoj kolduni? Otkazhetsja li ona radi nego ot vsemoguschestva? Smogut li oni ostanovit strashnoe prokljatie? Byt mozhet, sila istinnoj ljubvi vsjo zhe silnee zla? Neverojatno atmosfernye oblozhki i polnaja romantiki i chuvstv istorija pokorjat vashe serdtse. Eto sovershenno novyj Disney! Takikh istorij po motivam ljubimykh multfilmov vy eschjo tochno ne chitali!
Vanessa Kanombe's Husband's Dream
JustFiction Edition
2022
nidottu
Vanessa Baird
Kari Brandtzæg; Jon Refsdal Moe; Trude Schjelderup Iversen; Vegard Vinge
Munch Museum
2025
nidottu
Vanessa Baird is confrontational, morbidly funny, even infamous, with her sharp, oblique observations of herself and her times. Go Down with Me, the book accompanying MUNCH’s exhibition of the same name, is richly illustrated with works from her whole career. This includes the installation You Must Never Go Down to the End of Town if You Don’t Go Down with Me, created especially for MUNCH, which reflects on the ongoing wars in Ukraine and the Gaza Strip. Also included are thought-provoking essays by Kari Brandtzæg, Jon Refsdal Moe, Trude Schjelderup Iversen and Vegard Vinge, demonstrating Baird’s ceaseless productivity and unique ability to hit where it hurts the most.
An exuberant, in-depth exploration of materiality, from an artist who favors siliconeSwiss artist Vanessa Safavi (born 1980) explores themes of otherness, alienation, tourism and exoticization through her sculptures and installations. Using both organic and inorganic materials, from taxidermized birds to molded silicone in the form of human limbs, her work is both abstract and representative, playful and sensual.
Vanessa älskar att bada och hon älskar sin docka Dockprinsessa! Idag åker hon och hennes pappor till stranden, men mitt i sandslottsbygget dyker en pojke upp. Han heter Linus, och har två mammor. Allt är roligt och på lek, tills Dockprinsessa och Linus nalle, Nalle Minus, försvinner. Var kan de ha tagit vägen? Alla måste leta!
Vanessa bor på en ö. På avslutningsdagen i skolan brukar hon ströva omkring ensam innan sommargästerna kommer. Den här gången upptäcker hon en stig hon aldrig sett förut. Snart möter hon en märklig varelse. Plötsligt inser Vanessa att hon delat sin ö med ett helt annat folk och att alldeles intill alla välkända platser finns en annan värld. Hon dras med i ett sökande som ger henne möjlighet att lära känna den nya världen.
Modernin runouden legendan esikoisteos.Syöttinä veteen / kuvasi eteen / valuu hopea / polttava, nopea.Näetkö ne kaksi / tulista kalaa. / Silmäsi syttyvät. / Vedessä palaa.Suomalaisen modernismin klassikko Mirkka Rekola (1931–2014) aloitti uransa vain 23-vuotiaana vuonna 1954 runokokoelmalla Vedessä palaa. Taidokkaat mitalliset runot ammentavat luontokuvista ja mystiikasta, ne ovat samaan aikaan dramaattisia ja raikkaita. Runot elävät yhä, ja monia niistä on sävelletty.Mirkka Rekola (1931–2014) oli filosofi ja runoilija, ajattelija ja näkijä. Hänen runoudellaan ja karismallaan on ollut väkevä vaikutus nuorempiin kirjailijapolviin. Rekolan kuvakielelle on ominaista yhtäaikainen tarkkuus ja avoimuus. Hänen runonsa ovat lyriikkamme avarimpia kohtaamispaikkoja.
Vanessa Yu never wanted to see people's fortunes--or misfortunes--in tealeaves. Ever since she can remember, Vanessa has been able to see people's fortunes at the bottom of their teacups. To avoid blurting out their fortunes, she converts to coffee, but somehow fortunes escape and find a way to complicate her life and the ones of those around her.
Vanessa Bell’s art and life were animated by the complex emotions of motherhood: creativity and care bound up with doubt, desire and ambivalence. This is the first book to focus exclusively on the influence of motherhood in Bell’s art, exploring how it shaped her creative vision and its lasting legacy at Charleston, her country home. In 1916 Bell moved with her young children and the painter Duncan Grant to Charleston, a remote farmhouse in the Sussex Downs that became a home for art, intimacy and experiment. There she lived until her death in 1961, creating a world where the boundaries between painting and living dissolved, and where care and collaboration lay at the heart of artistic life. Moving beyond familiar Bloomsbury biography, Vanessa Bell and Charleston offers a strikingly intimate portrait of Bell at work and at home, and how her art transformed the texture of everyday life. In a feminist and queer reappraisal of Bloomsbury, Jon King unearths Bell's experience of motherhood, and the ways in which her artistic vision unsettled the boundaries between mother and child. The book traces the emotional afterlife of this vision through four generations of women: from Bell’s mother, Julia Stephen, to the photographic legacy of her great-aunt Julia Margaret Cameron, and onward to her daughter, the writer and artist Angelica Garnett. Through these intertwined lives, it explores how motherhood was inherited, contested and reimagined across time. Richly illustrated, it brings together paintings, photographs and objects of the home, from Bell’s decorated rooms and family album to the camp Famous Women dinner service of 1932, to show how the domestic imagination, in its maternal, queer and collaborative forms, reverberates through the story of both Bloomsbury and British modernism more broadly.
Vanessa Bell’s art and life were animated by the complex emotions of motherhood: creativity and care bound up with doubt, desire and ambivalence. This is the first book to focus exclusively on the influence of motherhood in Bell’s art, exploring how it shaped her creative vision and its lasting legacy at Charleston, her country home. In 1916 Bell moved with her young children and the painter Duncan Grant to Charleston, a remote farmhouse in the Sussex Downs that became a home for art, intimacy and experiment. There she lived until her death in 1961, creating a world where the boundaries between painting and living dissolved, and where care and collaboration lay at the heart of artistic life. Moving beyond familiar Bloomsbury biography, Vanessa Bell and Charleston offers a strikingly intimate portrait of Bell at work and at home, and how her art transformed the texture of everyday life. In a feminist and queer reappraisal of Bloomsbury, Jon King unearths Bell's experience of motherhood, and the ways in which her artistic vision unsettled the boundaries between mother and child. The book traces the emotional afterlife of this vision through four generations of women: from Bell’s mother, Julia Stephen, to the photographic legacy of her great-aunt Julia Margaret Cameron, and onward to her daughter, the writer and artist Angelica Garnett. Through these intertwined lives, it explores how motherhood was inherited, contested and reimagined across time. Richly illustrated, it brings together paintings, photographs and objects of the home, from Bell’s decorated rooms and family album to the camp Famous Women dinner service of 1932, to show how the domestic imagination, in its maternal, queer and collaborative forms, reverberates through the story of both Bloomsbury and British modernism more broadly.
Vanessa und das Lied der Vergangenheit
tredition
2025
nidottu
Vanessa und das Lied der Vergangenheit
tredition
2025
sidottu
