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1000 tulosta hakusanalla Virginia Hamilton

Essays of Virginia Woolf Vol 3 1919-1924: The Virginia Woolf Library Authorized Edition
During the period in which these essays were written, Woolf published Night and Day and Jacob's Room, contributed widely to British and American periodicals, and progressed from straight reviewing to more extended critical essays. "Excellently edited, the essays reconfirm Woolf's] major importance as a twentieth-century writer" (Library Journal). Edited and with an Introduction by Andrew McNeillie; Index.
The Letters of Virginia Woolf: Vol. 1 (1888-1912): The Virginia Woolf Library Authorized Edition
A collection of Virginia Woolf's correspondence from age six to the eve of her marriage twenty-four years later. "Engagingly fresh and spontaneous as young Virginia's letters are...the excitement in this collection arises from her] growing awareness of herself as a writer" (Chicago Sun-Times). Introduction by Nigel Nicolson; Index; photographs.
The Letters of Virginia Woolf: Volume II: 1912-1922

The Letters of Virginia Woolf: Volume II: 1912-1922

Virginia Woolf; Nigel Nicolson

Mariner Books Classics
1978
nidottu
Over six hundred letters covering the first decade of the Woolfs' marriage; the publication of The Voyage Out, Night and Day, and Jacob's Room; the founding of Hogarth Press; the years of World War I; Virginia's two periods of insanity and an attempted suicide. Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.
The Letters of Virginia Woolf: Volume III: 1923-1928

The Letters of Virginia Woolf: Volume III: 1923-1928

Virginia Woolf; Nigel Nicolson

Mariner Books Classics
1980
nidottu
Now in her forties and in love, Woolf writes two of her greatest novels during this period. "I can only write, letters that is, if I don't read them: once think and I destroy."-to Pernel Strachey, August 10, 1923. Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.
The Letters of Virginia Woolf: Volume IV: 1929-1931

The Letters of Virginia Woolf: Volume IV: 1929-1931

Virginia Woolf; Nigel Nicolson

Mariner Books Classics
1981
nidottu
These years were dominated by one woman and one book. The woman was Ethel Smyth; the book was The Waves. This volume's "unerringly human and confessional tone makes Woolf, at last, a real person" (San Francisco Chronicle). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.
Letters of Virginia Woolf 1932-1935

Letters of Virginia Woolf 1932-1935

Virginia Woolf; Nigel Nicolson

Mariner Books Classics
1982
nidottu
The penultimate volume of Woolf's letters, when the author was between the ages of 50 and 53, covers the composition of the Years and the death of Lytton Strachey and Roger Fry. "Her wit flashes, often unexpectedly, in letters of almost every kind" (New Yorker). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index.
Moment and Other Essays: The Virginia Woolf Library Authorized Edition
A selection of twenty-nine essays. " Woolf's] essays...are lighter and easier than her fiction, and they exude information and pleasure.... Everything she writes about novelists, like everything she writes about women, is fascinating.... Her well-stocked, academic, masculine mind is the ideal flint for the steel of her uncanny intuitions to strike on" (Cyril Connolly, New Yorker). Editorial Note by Leonard Woolf.
Moments of Being: The Virginia Woolf Library Authorized Edition
Moments of Being is "the single most moving and beautiful thing that Virginia Woolf ever wrote about her own life" (The New York Times) and her only autobiographical writing, published years after her death. This collection of five pieces written for different audiences spanning almost four decades reveals the remarkable unity of Virginia Woolf's art, thought, and sensibility.? "Reminiscences," written during her apprenticeship period, exposes the childhood shared by Woolf and her sister, Vanessa, while "A Sketch of the Past" illuminates the relationship with her father, Leslie Stephens, who played a crucial role in her development as an individual a writer. Of the final three pieces, composed for the Memoir Club, which required absolute candor of its members, two show Woolf at the threshold of artistic maturity and one shows a confident writer poking fun at her own foibles.
Orlando, a Biography: The Virginia Woolf Library Authorized Edition
"Come, come I'm sick to death of this particular self. I want another." As his tale begins, Orlando is a passionate sixteen-year-old nobleman whose days are spent in rowdy revelry, filled with the colorful delights of Queen Elizabeth I's court. By the close, three centuries have passed, and he will have transformed into a thirty-six-year-old woman in the year 1928. Orlando's journey is also an internal one--he is an impulsive poet who learns patience in matter of the heart, and a woman who knows what it is to be a man. Virginia Woolf's most unusual creation, Orlando is a fantastical biography as well as a funny, exuberant romp through history that examines the true nature of sexuality.
A Room of One's Own: The Virginia Woolf Library Authorized Edition
"I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman." In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister--a sister equal to Shakespeare in talent, and equal in genius, but whose legacy is radically different. This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. If only she had found the means to create, argues Woolf, she would have reached the same heights as her immortal sibling. In this classic essay, Woolf takes on the establishment, using her gift of language to dissect the world around her and give voice to those who are without. Her message is a simple one: women must have a steady income and a room of their own in order to have the freedom to create. With a Foreword by Mary Gordon
Three Guineas: The Virginia Woolf Library Authorized Edition

Three Guineas: The Virginia Woolf Library Authorized Edition

Virginia Woolf; Mark Hussey

Mariner Books Classics
1963
nidottu
"Though we see the same world, we see it through different eyes." Setting out to answer the question "How are we to prevent war?" Virginia Woolf argues that the inequalities between women and men must first be addressed. Framing her arguments in the form of a letter, Woolf wittily ponders to whom--among the many who have requested it--she will donate a guinea. As she works out her reasons for which causes she will support, Woolf articulates a vision of peace and political culture as radical now as it was when first published on the eve of the Second World War. A founding text of cultural theory, Three Guineas can also help us understand the twenty-first-century realities of endless war justified by "unreal loyalties." "Witty, scornful, deeply serious...If you are a woman, or anti-war, or both, read it."--The New Yorker
The Waves: The Virginia Woolf Library Authorized Edition

The Waves: The Virginia Woolf Library Authorized Edition

Virginia Woolf; Mark Hussey

Mariner Books Classics
1950
nidottu
"I am made and remade continually. Different people draw different words from me." Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf's masterpiece. It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.
Virginia's Private War

Virginia's Private War

William Blair

Oxford University Press Inc
1998
sidottu
William Blair's Virginia's Private War is a close study of the home front in the Confederacy and a significant contribution to our understanding of the Confederate defeat. Blair challenges and effectively overturns the dominant assumption that internal stresses and conflicts, particularly along lines of class and race, undermined the Confederacy. Rather, he shows that for most of the South the centripetal forces of Confederate nationalism and defence of home and hearth against an invading enemy were more powerful. Internal problems, including dissent, wracked the state of Virginia, yet these private wars actually helped prolong the conflict as they forced authorities to turn the war into more of a rich man's fight.