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1000 tulosta hakusanalla W Timbrell Pierce

W.D. & H.O. Wills and the development of the UK tobacco Industry

W.D. & H.O. Wills and the development of the UK tobacco Industry

B.W.E Alford

Routledge
2005
sidottu
This independent and critical study in economic and social history is based on free access to the records of W.D. & H.O. Wills. Dr Alford traces the history of the firm from its origin to its transformation into a constituent part of a larger company. Having played such a leading role in the development of the UK tobacco industry, Willis’ book is more than the history of a single firm, it also provides an important study of a leading consumer goods industry. Drawing on aspects of economic theory, the author examines the firm's development in the light of general aspects of business history.This major study was first published in 1973.
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W.B. Yeats

W.B. Yeats

Routledge
2010
nidottu
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
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W.E.B. Du Bois

W.E.B. Du Bois

Zhang Juguo

Routledge
2015
nidottu
Based on careful reading of Du Bois' writings and with a combination of analytical and narrative approaches, the author probes the reasons and dynamics behind the changes of Du Bois strategies concerning the solution to the American race problem.
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W. Somerset Maugham

W. Somerset Maugham

Routledge
2013
nidottu
This set comprises of 40 volumes covering nineteenth and twnetieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
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W.H. Auden

W.H. Auden

Routledge
2013
nidottu
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
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W.E.B. Du Bois on Race and Culture

W.E.B. Du Bois on Race and Culture

Bernard W. Bell; Emily R. Grosholz; James B. Stewart

Routledge
1997
nidottu
Interpreting Du Bois' thoughts on race and culture in a broadly philosophical sense, this volume assembles original essays by some of today's leading scholars in a critical dialogue on different important theoretical and practical issues that concerned him throughout his long career: the conundrum of race, the issue of gender equality, and the perplexities of pan-Africanism.
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W.E.B. Du Bois

W.E.B. Du Bois

Zhang Juguo

Routledge
2002
sidottu
Based on careful reading of Du Bois' writings and with a combination of analytical and narrative approaches, the author probes the reasons and dynamics behind the changes of Du Bois strategies concerning the solution to the American race problem.
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W. E. B. Du Bois: Selections from His Writings

W. E. B. Du Bois: Selections from His Writings

W.E.B. Du Bois

Dover Publications Inc.
2014
nidottu
These essays by the prolific historian and civil rights activist W. E. B. Du Bois focus on some of the African-American author's lesser-known writings. They include "Strivings of the Negro People," "A Negro Schoolmaster in the New South," "The Talented Tenth," "Address to the Nation: The Niagara Movement Speech," "Evolution of the Race Problem," and more.
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W. E. B. Griffin Rogue Asset by Andrews & Wilson

W. E. B. Griffin Rogue Asset by Andrews & Wilson

Brian Andrews; Jeffrey Wilson

G.P. Putnam's Sons
2022
pokkari
The secretary of state has been kidnapped by Islamic extremists and his only hope for survival is a reconstituted Presidential Agent team in this revival of W. E. B. Griffin's New York Times bestselling series. Secretary of State Frank Malone has been kidnapped from his Cairo hotel--his security detail wiped out. President Natalie Cohen is left with several unacceptable options. It's time to think outside the box, and that can only mean one thing: the revival of the Presidential Agent program. Cohen calls for Charley Castillo to come out of retirement to direct a new Presidential Agent, one Captain P. K. "Pick" McCoy, USMC. Charley may be too old to kick down doors and take names, but Killer McCoy is just the man to get the job done. Together, they will track the kidnapped secretary from Cairo to sub-Saharan Africa. The only problem is that one man can't hope to win against an army of terrorists...good thing there are two of them.
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W.E.B. Griffin Zero Option

W.E.B. Griffin Zero Option

Peter Kirsanow

Penguin Putnam Inc
2025
nidottu
Dick Canidy races to stop an assassin from disrupting a vital conference that will shape the course of World War II in the latest electrifying entry in W.E.B. Griffin's New York Times bestselling Men at War series. November 1943. Stalin is pressing the Allies to open a second front in Europe in order to ease the pressure on the bloody grinding war in the East. Roosevelt and Churchill agree to meet the Soviet premier in Tehran. Wild Bill Donovan, the charismatic leader of the OSS, has intelligence that someone is planning to assassinate either or both of the Western leaders at the conference. He sends his best agent, Dick Canidy, to thwart the plan, but how can he do that when he doesn't even know if the killer is a Nazi or an Ally?
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W. B. Yeats

W. B. Yeats

Thomas Parkinson

University of California Press
2021
pokkari
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.
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W. B. Yeats

W. B. Yeats

Thomas Parkinson

University of California Press
2021
sidottu
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.
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W. B. Yeats

W. B. Yeats

A. G. Stock

Cambridge University Press
1961
nidottu
Professor Stock has written a critical interpretation of Yeats's poems for the reader who is interested enough to study the poetry attentively but is not familiar with either Yeats's prose or his scholarship. The underlying idea of this book is that, although the poet's beliefs and the power of his poetry are different things, great poetry does not grow out of insincere or flabby thinking. Because Yeats's thought is often disconcerting, readers tend to treat it as an aberration rather than an essential part of his poetry. Thus, in relation to the poems, Professor Stock considers three elements of his thought at some length - his preoccupation with Irish tradition, his social and political outlook, and the ideas formulated in A Vision. In particular Professor Stock (herself Irish) has dwelt considerably on Yeats's lifelong preoccupation with his Irish inheritance, and with the distinctive tradition and temperament behind his writing. Finally, Professor Stock has paid considerable attention to Yeats's borrowings from eastern thought.
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W. H. Auden in Context

W. H. Auden in Context

Cambridge University Press
2013
sidottu
W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century's shifting cultural terrain affect him and his work? Written by distinguished poets and scholars, these brief but authoritative essays offer a varied set of coordinates by which to chart Auden's continuously evolving career, examining key aspects of his environmental, cultural, political and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between himself, his time and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers and students of English literature, cultural studies and creative writing.
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W. A. Mozart: Don Giovanni

W. A. Mozart: Don Giovanni

Rushton Julian

Cambridge University Press
1981
pokkari
This book is a study of Mozart’s Don Giovanni, his second opera to a libretto by da Ponte. Although it is one of the handful of best-known and most often performed operas of the last two hundred years, Don Giovanni is seldom given in an authentic form and arguments persist as to its nature. Julian Rushton takes the view that, notwithstanding the tragic nature of certain scenes, it must be regarded as an opera buffa. He gives a brief summary of its history and life in the theatre, but the chief historical essay (by Edward Forman) concerns the subject-matter before it reached da Ponte. The book includes a very detailed synopsis which forms the basis of an extended commentary on the librettist’s handling of a plot constructed of both original and inherited ideas. Bernard Williams contributes an essay on Don Giovanni as an idea in literature and philosophy since Mozart. The book concludes with an extensive bibliography, and a discography of complete recordings compiled by Malcolm Walker.
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W. A. Mozart: Die Entführung aus dem Serail

W. A. Mozart: Die Entführung aus dem Serail

Bauman Thomas

Cambridge University Press
1988
pokkari
This addition to the Cambridge Opera Handbooks series is also the first full-length study of Mozart's Die Entführung aus dem Serail. It aims to familiarize the reader with all aspect of the work: Mozart's writing of the opera and its literary antecedents, its plot, its musical structure, its reception and performance history. The reader will find much that is new in Thomas Bauman's study. He discusses the opera in relation to other Oriental operas, in the light of eighteenth-centruy apprehensions of the East, and as an attempt to reconcile the conventions of German opera in the early 1780s with Viennese taste and Mozart's own maturing operatic aesthetic. The text is well illustrated with pictures and music examples and a full discography lists the available recordings of the opera. This will be essential reading for all who have an interest in Mozart's operas, whether as student, scholar or opera-lover.
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W. A. Mozart: Le Nozze di Figaro

W. A. Mozart: Le Nozze di Figaro

Tim Carter

Cambridge University Press
1988
pokkari
Le nozze di Figaro (1786) was Mozart’s first mature opera buffa. It was also the first of his three major collaborations with the librettist Lorenzo da Ponte. Unlike Don Giovanni (1787) and Così fan tutte (1790), Figaro has few obvious problems, and even if it is not without flaws, it nevertheless contains a remarkable mixture of all those elements that go to produce a good opera: a sound plot, a well-structured text and fine music. This opera handbook examines the work from historical and musical perspectives, to set it in the context of Mozart’s age.
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W. A. Mozart: Die Zauberflöte

W. A. Mozart: Die Zauberflöte

Branscombe Peter

Cambridge University Press
1991
pokkari
Few operas have had more written about them than The Magic Flute, yet few are as often exposed to misguided comment - or to idiosyncratic productions. This book sets out to provide a straightforward account of Mozart’s last opera, exposing the half-truths and legends that have proliferated since its first production in 1791. In the first chapter a hitherto unsuspected source for the opening scene is presented and Branscombe reveals the complex relationship between the stories, essays and stage-works on which the plot is based. The second chapter studies the intellectual background, with special attention to Freemasonry. A detailed synopsis follows, then the history of the composition, based on documentary evidence and, in the case of the autograph score, the paper-types used. Chapter 5 examines the identity of the librettist and the qualities of his work, and chapter 6 is a detailed study (by Erik Smith) of Mozart’s music and more generally of his late style. Chapter 7 covers the first performance, the cast, early reception, and then the rapid growth in the opera’s fame; an outline history of productions concludes the chapter. Anthony Besch discusses the nature of the challenge to the director presented by Die Zauberflöte and suggests how the problems can be overcome. The book contains illustrations, a synopsis, bibliography and discography and will be of interest to music students, scholars and opera-goers.
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