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Albert Einstein

Albert Einstein

Diane Dakers

Crabtree Publishing Co,US
2014
nidottu
Albert Einstein was a theoretical physicist and an intellectual giant of the twentieth century. This fascinating biography reveals Einstein’s life story, and how his theories changed the way we looked at the universe.
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Albert Einstein

Albert Einstein

Anita Croy

Crabtree Publishing Co,US
2020
nidottu
"The important thing is to not stop questioning. Curiosity has its own reason for existing." This fascinating biography details the life and achievements of Albert Einstein, a scientist and mathematician who made significant contributions to the field of physics. Einstein's famous Theory of Relativity changed the world's understanding of space and created a whole new kind of science to study—cosmology.
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Albert J. Luxford, the Gimmick Man

Albert J. Luxford, the Gimmick Man

Albert J. Luxford; Gareth Owen

McFarland Co Inc
2002
pokkari
Albert J. Luxford has long been known as "The Gimmick Man" in the film and television industry, but he has remained one of its unsung and unknown geniuses despite his well-known work. He equipped James Bond with some of his most memorable gadgets; made possible many of the effects and sequences in the Carry On series. He worked on such shows and movies as Are You Being Served?, The Muppets, Highlander, and Chitty Chitty Bang Bang, among many others. In this memoir, Luxford reminisces with great good humor about his life and work and shares some tricks of the trade. He left school at 16 to attend the Institute of Automobile Engineers in West London and began in the film industry as an engineer at Pinewood Studios. The bulk of this work is made up of Luxford's recollections about his experiences in special effects. This is a genuine tour behind the scenes by an incomparable master of movie magic.
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Albert Beauregard Hodges

Albert Beauregard Hodges

John S. Hilbert; Peter P. Lahde

McFarland Co Inc
2013
pokkari
Albert Beauregard Hodges is a legend among chess aficionados. One of the most well-known American chess players of the late 19th and early 20th centuries, he played an important role in transforming chess from a pleasant pastime into a social institution. This work provides an in-depth biography of Hodges' personal life and chess career and a collection of more than 340 of his games, as well as 15 of his published chess problems. Hodges' complete tournament and match records are included, along with line engravings, photographs, and several indexes.
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Albert Camus

Albert Camus

Todd Olivier

Carroll Graf Publishers Inc
2000
pokkari
In this vibrant, engaging biography of Albert Camus, the internationally acclaimed author of The Stranger, The Plague, and The Fall, French writer and journalist Olivier Todd has richly tapped resources never before available,personal correspondence, notebooks, public records, as well as exclusive interviews with Camus's family, friends, fellow workers, mentors, and lovers. What emerges is the study of a man caught in conflicts between family loyalties and his own passionate nature, between the call to political action and devotion to his art, between his support of the native Algerians and his identification with the forgotten poor whites. Exploring Camus's impoverished childhood in the Algerian city of Belcourt, his underground activities during the Occupation in Paris, the intrigues of the French literati who embraced him after the publication of his first novel, L'Etranger, Todd uncovers the solitary private man behind the mask of his celebrity. He shows us a writer isolated by his own success, crippled by the charms of women he could not resist, debilitated by the tuberculosis that did not kill him. The auto accident that did adds only to the ironies in the life of this international giant of twentieth-century literature.
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Albert Camus

Albert Camus

Zaretsky Robert D.

Cornell University Press
2010
sidottu
Like many others of my generation, I first read Camus in high school. I carried him in my backpack while traveling across Europe, I carried him into (and out of) relationships, and I carried him into (and out of) difficult periods of my life. More recently, I have carried him into university classes that I have taught, coming out of them with a renewed appreciation of his art. To be sure, my idea of Camus thirty years ago scarcely resembles my idea of him today. While my admiration and attachment to his writings remain as great as they were long ago, the reasons are more complicated and critical.—Robert Zaretsky On October 16, 1957, Albert Camus was dining in a small restaurant on Paris's Left Bank when a waiter approached him with news: the radio had just announced that Camus had won the Nobel Prize for Literature. Camus insisted that a mistake had been made and that others were far more deserving of the honor than he. Yet Camus was already recognized around the world as the voice of a generation—a status he had achieved with dizzying speed. He published his first novel, The Stranger, in 1942 and emerged from the war as the spokesperson for the Resistance and, although he consistently rejected the label, for existentialism. Subsequent works of fiction (including the novels The Plague and The Fall), philosophy (notably, The Myth of Sisyphus and The Rebel), drama, and social criticism secured his literary and intellectual reputation. And then on January 4, 1960, three years after accepting the Nobel Prize, he was killed in a car accident. In a book distinguished by clarity and passion, Robert Zaretsky considers why Albert Camus mattered in his own lifetime and continues to matter today, focusing on key moments that shaped Camus's development as a writer, a public intellectual, and a man. Each chapter is devoted to a specific event: Camus's visit to Kabylia in 1939 to report on the conditions of the local Berber tribes; his decision in 1945 to sign a petition to commute the death sentence of collaborationist writer Robert Brasillach; his famous quarrel with Jean-Paul Sartre in 1952 over the nature of communism; and his silence about the war in Algeria in 1956. Both engaged and engaging, Albert Camus: Elements of a Life is a searching companion to a profoundly moral and lucid writer whose works provide a guide for those perplexed by the absurdity of the human condition and the world's resistance to meaning.
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Albert Camus

Albert Camus

Robert D. Zaretsky

Cornell University Press
2013
pokkari
Like many others of my generation, I first read Camus in high school. I carried him in my backpack while traveling across Europe, I carried him into (and out of) relationships, and I carried him into (and out of) difficult periods of my life. More recently, I have carried him into university classes that I have taught, coming out of them with a renewed appreciation of his art. To be sure, my idea of Camus thirty years ago scarcely resembles my idea of him today. While my admiration and attachment to his writings remain as great as they were long ago, the reasons are more complicated and critical.—Robert Zaretsky On October 16, 1957, Albert Camus was dining in a small restaurant on Paris's Left Bank when a waiter approached him with news: the radio had just announced that Camus had won the Nobel Prize for Literature. Camus insisted that a mistake had been made and that others were far more deserving of the honor than he. Yet Camus was already recognized around the world as the voice of a generation—a status he had achieved with dizzying speed. He published his first novel, The Stranger, in 1942 and emerged from the war as the spokesperson for the Resistance and, although he consistently rejected the label, for existentialism. Subsequent works of fiction (including the novels The Plague and The Fall), philosophy (notably, The Myth of Sisyphus and The Rebel), drama, and social criticism secured his literary and intellectual reputation. And then on January 4, 1960, three years after accepting the Nobel Prize, he was killed in a car accident. In a book distinguished by clarity and passion, Robert Zaretsky considers why Albert Camus mattered in his own lifetime and continues to matter today, focusing on key moments that shaped Camus's development as a writer, a public intellectual, and a man. Each chapter is devoted to a specific event: Camus's visit to Kabylia in 1939 to report on the conditions of the local Berber tribes; his decision in 1945 to sign a petition to commute the death sentence of collaborationist writer Robert Brasillach; his famous quarrel with Jean-Paul Sartre in 1952 over the nature of communism; and his silence about the war in Algeria in 1956. Both engaged and engaging, Albert Camus: Elements of a Life is a searching companion to a profoundly moral and lucid writer whose works provide a guide for those perplexed by the absurdity of the human condition and the world's resistance to meaning.
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Albert Cohen

Albert Cohen

Jack I. Abecassis

Johns Hopkins University Press
2005
sidottu
A major figure in twentieth-century letters, Albert Cohen (1895-1981) left a paradoxical legacy. His heavily autobiographical, strikingly literary, and polyphonic novels and lyrical essays are widely read by a devout public in France, yet have been largely ignored by academia. A self-consciously Jewish writer and activist, Cohen remained nevertheless ambivalent about Judaism. His self-affirmation as a Jew in juxtaposition with his satirical use of anti-Semitic stereotypes still provokes unease in both republican France and institutional Judaism. In Albert Cohen: Dissonant Voices, the first English-language study of this profound and profoundly misunderstood writer, Jack I. Abecassis traces the recurrent themes of Cohen's works. He reveals the dissonant fractures marking Cohen as a modernist, and analyzes the resistance to his work as a symptom of the will not to understand Cohen's main theme-"the catastrophe of being Jewish."For Abecassis, Cohen's diverse oeuvre forms a single " roman fleuve" exploring this perturbing theme through fragmentation and grotesquerie, fantasies and nightmares, the veiling and unveiling of the unspeakable. Abecassis argues that Cohen should not be read exclusively through the prism of European literature (Stendhal, Tolstoy, Proust), but rather as the retelling-inverting and ultimately exhausting, in the form of submerged plots-of the Biblical romances of Joseph and Esther. The romance of the charismatic Court Jew and its performance correlative, the carnival of Purim, generate the logic of Cohen's acute psychological ambivalence, historical consciousness and carnal sensuality-themes which link this modernist author to Genesis as well as to the literary practices of Sephardic crypto-Jews. Abecassis argues that Cohen's best-known work, Belle du Seigneur (1968), besides being an obvious tale of obsessive love and dissolution, is foremost a tale of political intrigue involving Solal, the meteoric-rising Jew in the League of Nations during the period of Appeasement (1936), and his ultimate self-destruction. Providing close readings and imaginative analyses of the entire literary output of one of twentieth-century France's most important Jewish writers, Abecassis presents here a major work of literary scholarship, as well as a broader study of the reception and influence of Jewish thought in French literature and philosophy.
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Albert Ellis

Albert Ellis

Joseph Yankura; Windy Dryden

SAGE Publications Ltd
1994
nidottu
Seminars by Professor Windy Dryden. See the man live and in action. To find out more and to book your place go to www.cityminds.com ________________________________________ Albert Ellis founded and has spent a lifetime practising and teaching rational emotive behaviour therapy. REBT (previously RET) is important not only in its own terms as an effective therapeutic approach to emotional disturbance, but also as the precursor of the cognitive-behavioural therapy movement which now exerts such an influence on the mental health field. Joseph Yankura and Windy Dryden present a lucid overview of the life and contributions of Albert Ellis. Using excerpts from Ellis's own writings to clarify the discussion, they look in particular at the famous ABC analysis which enables people to understand and deal with their problems, the key concepts of ego disturbance and discomfort disturbance, and Ellis's views on therapeutic efficiency.
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Albert Bierstadt

Albert Bierstadt

Bruce B. Eldredge

University of Oklahoma Press
2018
sidottu
As one of America's most prominent nineteenth-century painters, Albert Bierstadt (1830-1902) is justly renowned for his majestic paintings of the western landscape. Yet Bierstadt was also a painter of history, and his figural works, replete with images of Plains Indians and the American bison, are an important part of his legacy as well. This splendid full-color volume highlights his achievements in chronicling a rapidly changing American West. Born in Germany, Bierstadt rose to prominence as an American artist in the late 1850s and enjoyed nearly two decades of critical success. His paintings propelled him to the forefront of the American art scene, but they also met with reproach from his peers and critics in the press who viewed his painting style as outmoded. Bierstadt's star has both risen and fallen as modern art historians have reconsidered his complex oeuvre. This volume takes a major step in reappraising Bierstadt's contributions by reexamining the artist through a new lens. It shows how Bierstadt conveyed moral messages through his paintings, often to preserve the dignity of Native peoples and call attention to the tragic slaughter of the American bison. More broadly, the book reconsiders the artist's engagement with contemporary political and social debates surrounding wildlife conservation in America, the creation and perpetuation of national parks, and the prospects for the West's indigenous peoples. Bierstadt's final history paintings, including his dual masterworks titled The Last of the Buffalo - a special focus of this volume - stand out as elegiac odes to an earlier era, giving voice to concerns about the intertwined fates of Native peoples and endangered wildlife, especially bison. Along with its rich sampling of Bierstadt's diverse artwork, Albert Bierstadt: Witness to a Changing West features informative essays by noted curators, scholars of art history, and historians of the American West.
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Albert Taylor Bledsoe

Albert Taylor Bledsoe

Terry A. Barnhart

Louisiana State University Press
2011
sidottu
Albert Taylor Bledsoe (1809-1877), a principal architect of the South's ""Lost Cause"" mythology, remains one of the Civil War generation's most controversial intellectuals. In Albert Taylor Bledsoe: Defender of the Old South and Architect of the Lost Cause, Terry A. Barnhart sheds new light on this provocative figure.Bledsoe gained a respectable reputation in the 1840s and 1850s as a metaphysician and speculative theologian. His two major works, An Examination of President Edwards' Inquiry into the Freedom of the Will (1845) and A Theodicy; Or, Vindication of the Divine Glory, As Manifested in the Constitution and Government of the Moral World (1853), grapple with perplexing problems connected with causality, Christian theology, and moral philosophy. His fervent defense of slavery and the constitutional right of secession, however, solidified Bledsoe as one of the chief proponents of the idea of the Old South. In An Essay on Liberty and Slavery (1856), he assailed egalitarianism and promoted the institution of slavery as a positive good. A decade later, he continued to devote himself to fashioning the ""Lost Cause"" narrative as the editor and proprietor of the Southern Review from 1867 until his death in 1877. He carried on a literary tradition aimed to reconcile white southerners to what he and they viewed as the indignity of their defeat by sanctifying their lost cause. Those who fought for the Confederacy, he argued, were not traitors but honorable men who sacrificed for noble reasons.This biography skillfully weaves Bledsoe's extraordinary life history into a narrative that illustrates the events that shaped his opinions and influenced his writings. Barnhart demonstrates how Bledsoe still speaks directly, and sometimes eloquently, to the core issues that divided the nation in the 1860s and continue to haunt it today.
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Albert C. Ellithorpe, the First Indian Home Guards, and the Civil War on the Trans-Mississippi Frontier

Albert C. Ellithorpe, the First Indian Home Guards, and the Civil War on the Trans-Mississippi Frontier

Louisiana State University Press
2016
sidottu
The Civil War experiences of Albert C. Ellithorpe, a Caucasian Union Army officer commanding the tri-racial First Indian Home Guards, illuminate remarkable and understudied facets of campaigning west of the Mississippi River. Major Ellithorpe's unit- comprised primarily of refugee Muscogee Creek and Seminole Indians and African Americans who served as interpreters- fought principally in Arkansas and Indian Territory, isolated from the larger currents of the Civil War. Using Ellithorpe's journal and his series of Chicago Evening Journal articles as her main sources, M. Jane Johansson unravels this exceptional account, providing one of the fullest examinations available on a mixed-race Union regiment serving in the border region of the West.Ellithorpe's insightful observations on Indians and civilians as well as the war in the trans-Mississippi theater provide a rare glimpse into a largely forgotten aspect of the conflict. He wrote extensively about the role of Indian troops, who served primarily as scouts and skirmishers, and on the nature of guerrilla warfare in the West. Ellithorpe also exposed internal problems in his regiment; some of his most dramatic entries concern his own charges against Caucasian officers, one of whom allegedly stole money from the unit's African American interpreters. Compiled here for the first time, Ellithorpe's commentary on the war adds a new chapter to our understanding of America's most complicated and tragic conflict.
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Albert Gore, Sr.

Albert Gore, Sr.

Anthony J. Badger

University of Pennsylvania Press
2018
sidottu
In chronicling the life and career of Albert Gore, Sr., historian Anthony J. Badger seeks not just to explore the successes and failures of an important political figure who spent more than three decades in the national eye-and whose son would become Vice President of the United States-but also to explain the dramatic changes in the South that led to national political realignment. Born on a small farm in the hills of Tennessee, Gore served in Congress from 1938 to 1970, first in the House of Representatives and then in the Senate. During that time, the United States became a global superpower and the South a two party desegregated region. Gore, whom Badger describes as a policy-oriented liberal, saw the federal government as the answer to the South's problems. He held a resilient faith, according to Badger, in the federal government to regulate wages and prices in World War II, to further social welfare through the New Deal and the Great Society, and to promote economic growth and transform the infrastructure of the South. Gore worked to make Tennessee the "atomic capital" of the nation and to protect the Tennessee Valley Authority, while at the same time cosponsoring legislation to create the national highway system. He was more cautious in his approach to civil rights; though bolder than his moderate Southern peers, he struggled to adjust to the shifting political ground of the 1960s. His career was defined by his relationship with Lyndon Johnson, whose Vietnam policies Gore bitterly opposed. The injection of Christian perspectives into the state's politics ultimately distanced Gore's worldview from that of his constituents. Altogether, Gore's political rise and fall, Badger argues, illuminates the significance of race, religion, and class in the creation of the modern South.
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Albert Capellani

Albert Capellani

Christine Leteux; Kevin Brownlow

The University Press of Kentucky
2015
sidottu
In recent years, technology has given films of the silent era and their creators a second life as new processes have eased their restoration and distribution. Among the films benefitting from these developments are the works of director Albert Capellani (1874--1931), whose oeuvre was instrumental in the development of cinema in the early 1900s and whose contributions rival those of D. W. Griffith.For the first time in English, Christine Leteux's essential biography of Capellani offers a detailed assessment of the groundbreaking director. Capellani began his career in France at what was, at the time, the biggest film company in the world: Pathé. There, he directed the first multireel version of Les Miserables in 1912 as well as his masterpiece, Germinal (1913). After immigrating to the United States, Capellani worked at a number of production houses, including Metro Pictures Corporation, where he produced his two best-known films, The House of Mirth (1918) and The Red Lantern (1919). He was well known for making stage actors into movie stars, and Mistinguett, Stacia Napierkowska, and Alla Nazimova all rose to prominence under his direction.The ups and downs of Capellani's career paralleled the evolution of the film industry and demonstrated the fickle nature of success. His technical and aesthetic achievements, however, paved the way for future filmmakers. Featuring a foreword by Academy Award--winning film historian Kevin Brownlow, Leteux's intimate biography paints a fascinating portrait of one of the leading pioneers of early cinema and provides a new window into the origins of the moving picture.
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