The author traces the Big Bang through the rise of civilization, documenting his work with a host of the world's most advanced scientists and mathematicians to explain why things are the way they are.
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1000 tulosta hakusanalla Bryson
The author of A Walk in the Woods traces the Big Bang through the rise of civilization, documenting his work with a host of the world's most advanced scientists and mathematicians to explain why things are the way they are. Reprint.
The Life and Times of the Thunderbolt Kid: A Memoir
Bill Bryson
Crown Publishing Group (NY)
2007
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The best-selling author of A Walk in the Woods and I'm a Stranger Here Myself describes his all-American childhood growing up as a member of the baby boom generation in the heart of Iowa, detailing his rich fantasy life as a superhero known as the Thunderbolt Kid and his remarkably normal 1950s family life. Reprint. 250,000 first printing.
In these pages, the beloved Bill Bryson gives us a fascinating history of the modern home, taking us on a room-by-room tour through his own house and using each room to explore the vast history of the domestic artifacts we take for granted. As he takes us through the history of our modern comforts, Bryson demonstrates that whatever happens in the world eventually ends up in our home, in the paint, the pipes, the pillows, and every item of furniture. Bryson has one of the liveliest, most inquisitive minds on the planet, and his sheer prose fluency makes At Home one of the most entertaining books ever written about private life.
A Chicago Tribune Noteworthy BookA GoodReads Reader's Choice The summer of 1927 began with Charles Lindbergh crossing the Atlantic. Meanwhile, Babe Ruth was closing in on the home run record. In Newark, New Jersey, Alvin "Shipwreck" Kelly sat atop a flagpole for twelve days, and in Chicago, the gangster Al Capone was tightening his grip on bootlegging. The first true "talking picture," Al Jolson's The Jazz Singer, was filmed, forever changing the motion picture industry. All this and much, much more transpired in the year Americans attempted and accomplished outsized things--and when the twentieth century truly became the American century. One Summer transforms it all into narrative nonfiction of the highest order.
In 1995, Iowa native Bill Bryson took a motoring trip around Britain to explore that green and pleasant land. The uproarious book that resulted, Notes from a Small Island, is one of the most acute portrayals of the United Kingdom ever written. Two decades later, Bryson--now a British citizen--set out again to rediscover his adopted country. In these pages, he follows a straight line through the island--from Bognor Regis to Cape Wrath--and shows us every pub, stone village, and human foible along the way. Whether he is dodging cow attacks in Torcross, getting lost in the H&M on Kensington High Street, or--more seriously--contemplating the future of the nation's natural wonders in the face of aggressive development, Bryson guides us through the old and the new with vivid detail and laugh-out-loud humor. Irreverent, endearing, and always hilarious, The Road to Little Dribbling is filled with Bill Bryson's deep knowledge and love of his chosen home.
NEW YORK TIMES BESTSELLER - A must-read owner's manual for every body. Take a head-to-toe tour of the marvel that is the human body in this "delightful, anecdote-propelled read" (The Boston Globe) from the author of A Short History of Nearly Everything. With a new Afterword. "You will marvel at the brilliance and vast weirdness of your design." --The Washington Post Bill Bryson once again proves himself to be an incomparable companion as he guides us through the human body--how it functions, its remarkable ability to heal itself, and (unfortunately) the ways it can fail. Full of extraordinary facts (your body made a million red blood cells since you started reading this) and irresistible Brysonesque anecdotes, The Body will lead you to a deeper understanding of the miracle that is life in general and you in particular. As Bill Bryson writes, "We pass our existence within this wobble of flesh and yet take it almost entirely for granted." The Body will cure that indifference with generous doses of wondrous, compulsively readable facts and information. As addictive as it is comprehensive, this is Bryson at his very best.
Multiculturalism was a hot issue on college campuses in the 1990s, and it was a confusing issue, especially for English professors. Making Multiculturalism ventures into four college English departments to explore how professors made sense of multiculturalism. Their answers provide important insights into the "canon wars," multiculturalism, and cultural change. Defining meaning as a system of boundaries, Bryson uncovers specific mechanisms through which social institutions preserve themselves by imposing old meanings on new ideas. She connects those insights to some of today's most difficult cultural policy challenges, including campus (or workplace) diversity, individual responsibility, and the policy pitfalls of defining culture as something separate from social life. Bryson contends that cultural policy should abandon the "norms and values" definition of culture as individual beliefs and focus instead on the cultural implications of structure.
Multiculturalism was a hot issue on college campuses in the 1990s, and it was a confusing issue, especially for English professors. Making Multiculturalism ventures into four college English departments to explore how professors made sense of multiculturalism. Their answers provide important insights into the "canon wars," multiculturalism, and cultural change. Defining meaning as a system of boundaries, Bryson uncovers specific mechanisms through which social institutions preserve themselves by imposing old meanings on new ideas. She connects those insights to some of today's most difficult cultural policy challenges, including campus (or workplace) diversity, individual responsibility, and the policy pitfalls of defining culture as something separate from social life. Bryson contends that cultural policy should abandon the "norms and values" definition of culture as individual beliefs and focus instead on the cultural implications of structure.
Dali is a small region on a high plateau in Southeast Asia. Its main deity, Baijie, has assumed several gendered forms throughout the area's history: Buddhist goddess, the mother of Dali's founder, a widowed martyr, and a village divinity. What accounts for so many different incarnations of a local deity? Goddess on the Frontier argues that Dali's encounters with forces beyond region and nation have influenced the goddess's transformations. Dali sits at the cultural crossroads of Southeast Asia, India, and Tibet; it has been claimed by different countries but is currently part of Yunnan Province in Southwest China. Megan Bryson incorporates historical-textual studies, art history, and ethnography in her book to argue that Baijie provided a regional identity that enabled Dali to position itself geopolitically and historically. In doing so, Bryson provides a case study of how people craft local identities out of disparate cultural elements and how these local identities transform over time in relation to larger historical changes—including the increasing presence of the Chinese state.
Lively descriptions of New York's 54 breweries and brewpubs, with a history of brewing in the Empire State and information on types of beer produced at each site, tours, food served, and nearby lodging and attractions. The author, a beer connoisseur, recommends a favorite for each brewery.
Lively descriptions of 57 breweries and brewpubs in Virginia, Maryland, Delaware, and Washington DC, with a history of brewing in the area and information about the types of beer produced at each site, tours, food served, and nearby lodging and attractions, along with the author's pick of his favourite beer for each brewery.
This is a guidebook to 23 breweries and brewpubs across the Garden State, from corporate giants to the newest brewpubs. Each entry contains information on types of beers brewed at the site, available tours, nearby points of interest, and an author's pick for the best beer to try. Also included is a history of brewing in the state, a primer on the brewing process, and a section on favourite regional foods.
Here's the new and updated edition of the best-selling guide to Pennsylvania's 73 breweries and brewpubs. Beer writer and connoisseur Lew Bryson takes readers across the Keystone State to new breweries and old favourites, recounting the history of brewing and providing full information for travellers. Each brewery entry includes types of beer brewed at the site, available tours, food served, area lodging, nearby points of interest, and the author's 'Pick' of the best beer to try.
Are women still oppressed? Is paid employment the key to liberation? Should pornography be banned? Do women have an absolute right to abortion? Can women in government really make a difference? In this comprehensive study, Valerie Bryson draws on a wide range of theoretical, empirical and comparative material to provide a lucid account of feminist debates and the ways in which political disagreements stem from underlying theoretical assumptions. By disentangling questions of style and strategy from more profound disagreements, Bryson points the way to more effective forms of feminist political practice. Feminist Debates provides analysis of the situation of women in western societies, and examines women's participation in the workplace, the changing structure of the family, the extent of male violence against women, the development of reproductive technology, the political representation of women, and the role of the law in maintaining and challenging gender inequalities. Clear and balanced in its assessment of various problems and perspectives, Feminist Debates: Issues of Theory and Political Practice offers an essential guide to contemporary feminist thinking and practice.
Robert Therrien takes ordinary objects and makes them unfamiliar, removing functionality to reveal metaphoric associations in them. Such works include his series of monumental tables and chairs, giant-sized stacks of pots, plates and bowls, and fifteen-foot fake beards hanging on their stands, among other works. Expertly photographed, with an insightful interview by art historian and theorist Norman Bryson, this is the first major book to examine Therrien’s unique body of work. Planned to coincide with the exhibition of Therrien’s sculptures in May 2008 at Gagosian Gallery in New York City, this volume is a must-have for anyone interested in contemporary art including sculpture, painting, drawing, and photography.
The burgeoning field of ecocriticism is beginning to address the work of such ecopoets as Gary Snyder, Mary Oliver, W. S. Merwin, and Wendell Berry, among others, whose poems increasingly deal with ecological and environmental issues. Ecopoetry: A Critical Introduction assembles previously unpublished contributions from many of the most important scholars in the field as they discuss the historical and crosscultural roots of ecopoetry, while expanding the boundaries to include such themes as genocide and extinction, the lesbian body, and post colonialism. This volume gathers these necessary voices in the emerging conversation regarding poetry’s place in the environmental debate.
Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms. Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers’ practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.
Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms. Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers’ practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.