This book gives the inside story of a man searching for answers as to why his friend Shorty Shea was murdered by Charles Manson and other members of the Manson Family.
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1000 tulosta hakusanalla Charles Crothers
From 1895 to 1915, Chinese translations of Dickens's fiction first appeared as part of a growing interest in Western literature and culture among Chinese intellectuals. Klaudia Hiu Yen investigates the multifarious ways in which Dickens’s works were adapted, reconfigured, and transformed for the Chinese readership against the turbulent political and social conditions in the last stages of the Qing dynasty (1644-1912) and the early Republic (1912-1949). Moving beyond the 'Response to the West’ model which often characterises East-West interactions, Lee explores how Chinese intellectuals viewed Dickens’s novels as performing a particular social function; on occasion, they were used to advance the country’s social and political causes. Translation and adaptation became a means through which the politics and social values of the original Dickens texts were undermined or even subverted. Situating the early introduction of Dickens to China within the broader field of Victorian studies, Lee challenges some of the theoretical and conceptual underpinnings of the ’global’ turn, both in Dickens scholarship and in Victorian studies in general.
Charles Kingsley
Routledge
2020
sidottu
Novelist, poet, Anglican priest, and controversialist, Charles Kingsley (1819–75) epitomizes the bustling Victorian man of faith and letters, a prolific polymath as ready to break a lance with John Henry Newman over Christian doctrine as he was to preach to schoolchildren on the virtues of manly, physical struggle. Kingsley’s The Water-Babies and Westward Ho! were best-sellers which became classics of children’s literature. Kingsley has come to epitomize the Victorian age.On closer inspection, Kingsley is harder to categorize: a socialist who was also an imperialist, a Chartist revolutionary who was Queen Victoria’s favourite novelist, a natural theologian who popularized Darwin, a priest who celebrated sex as sacrament. Kingsley only appears straightforward if you consider him one piece at a time. The debates he shaped remain with us today: faith and sexuality, economics and exploitation, race and identity. The aim of this book is to present the whole man: to consider the public crusades for public health alongside the most private fantasies of sexual intercourse; to consider the ardent imperialist alongside the Darwinist. It will be of interest to all students of Victorian studies, as well as of British/Imperial history, church history, and especially the history of science.
Charles Simic and the Poetics of Uncertainty provides the first full account of the poetics of the former US Poet Laureate, who is one of the most popular and critically acclaimed English-language poets writing today. The book argues for uncertainty as the center of Simic’s poetics and addresses the ways that his poetry grows from and navigates various forms of uncertainty. Donovan McAbee addresses uncertainty regarding the national character of Simic’s poetry and how this is complicated by Simic’s identity as a Yugoslavian refugee to the United States. The book assesses the theological and linguistic uncertainties of Simic’s poetry and explores the ways that Simic articulates the aesthetic space created by poems, as a safe place of encounter for the reader. The book argues for the role of humor as a primary mode that holds together the uncertainties of Simic’s poetry, and finally, it articulates the way that within these uncertainties, Simic develops a deeply humane political poetry of survival. Along the way, Simic’s work is placed in conversation with key influences and other important American and international poets and writers, including James Tate, Mark Strand, Charles Wright, Nicanor Parra, Vasko Popa, and others.
Charles Avison in Context
Routledge
2020
nidottu
Despite recent interest in music-making in the so-called ’provinces’, the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison’s life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.
Until this book was published in 1974, many of the letters in this book between Charles I Prince Rupert his nephew and the leading Royalist commander had never been published. From a mainly private collection, the letters give a fascinating insight into the stormy relationship between the monarch and his nephew. Also included are letters from the Royalist exiles, including the future King Charles II and letters to and from other notable figures of the time including Queen Henrietta Maria, Montrose and Oliver Cromwell. The period covered by the letters is the turning point of the Civil War and enables the reader to see the War through the eyes of those who participated in it. The letters have been edited in such a way as to illuminate to the full the personalities of their writers and the appropriate historical and personal context to the letters.
Until this book was published in 1974, many of the letters in this book between Charles I Prince Rupert his nephew and the leading Royalist commander had never been published. From a mainly private collection, the letters give a fascinating insight into the stormy relationship between the monarch and his nephew. Also included are letters from the Royalist exiles, including the future King Charles II and letters to and from other notable figures of the time including Queen Henrietta Maria, Montrose and Oliver Cromwell. The period covered by the letters is the turning point of the Civil War and enables the reader to see the War through the eyes of those who participated in it. The letters have been edited in such a way as to illuminate to the full the personalities of their writers and the appropriate historical and personal context to the letters.
Originally published in 1955 and based on research of public records and other contemporary sources, this book builds up an excellent picture of England before the Civil War. Through a series of case studies, it examines the type of person who emigrated to New England and their motivation for doing so. The wealth of evidence from original documents is clearly arranged and provides a refreshing reassessment of the period, showing that although religious conviction was a clear motive for emigration, the Puritan were also seeking security from hardships of other kinds.
Originally published in 1955 and based on research of public records and other contemporary sources, this book builds up an excellent picture of England before the Civil War. Through a series of case studies, it examines the type of person who emigrated to New England and their motivation for doing so. The wealth of evidence from original documents is clearly arranged and provides a refreshing reassessment of the period, showing that although religious conviction was a clear motive for emigration, the Puritan were also seeking security from hardships of other kinds.
Charles Kingsley
TAYLOR FRANCIS LTD
2022
nidottu
Novelist, poet, Anglican priest, and controversialist, Charles Kingsley (1819–75) epitomizes the bustling Victorian man of faith and letters, a prolific polymath as ready to break a lance with John Henry Newman over Christian doctrine as he was to preach to schoolchildren on the virtues of manly, physical struggle. Kingsley’s The Water-Babies and Westward Ho! were best-sellers which became classics of children’s literature. Kingsley has come to epitomize the Victorian age.On closer inspection, Kingsley is harder to categorize: a socialist who was also an imperialist, a Chartist revolutionary who was Queen Victoria’s favourite novelist, a natural theologian who popularized Darwin, a priest who celebrated sex as sacrament. Kingsley only appears straightforward if you consider him one piece at a time. The debates he shaped remain with us today: faith and sexuality, economics and exploitation, race and identity. The aim of this book is to present the whole man: to consider the public crusades for public health alongside the most private fantasies of sexual intercourse; to consider the ardent imperialist alongside the Darwinist. It will be of interest to all students of Victorian studies, as well as of British/Imperial history, church history, and especially the history of science.
Speed, acceleration and rapid change characterize our world, and as we design and construct buildings that are to last at least a few decades and sometimes even centuries, how can architecture continue to act as an important cultural signifier? Focusing on how an important nineteenth-century architect addressed the already shifting relation between architecture, time and history, this book offers insights on issues still relevant today-the struggle between imitation and innovation, the definition (or rejection) of aesthetic experience, the grounds of architectural judgment (who decides and how), or fundamentally, how to act (i.e. build) when there is no longer a single grand narrative but a plurality of possible histories. Six drawings provide the foundation of an itinerary through Charles Robert Cockerell’s conception of architecture, and into the depths of drawings and buildings. Born in England in 1788, Cockerell sketched as a Grand Tourist, he charted architectural history as Royal Academy Professor, he drew to build, to exhibit, to understand the past and to learn from it, publishing his last work in 1860, three years before his death. Under our scrutiny, his drawings become thresholds into the nineteenth century, windows into the architect’s conception of architecture and time, complex documents of past and projected constructions, great examples that reveal a kinetic approach to ornamentation, and the depth of architectural representation.
Charles Peirce on Ethics, Esthetics and the Normative Sciences
James Jakób Liszka
Routledge
2021
sidottu
This book presents a comprehensive and systematic picture of Charles Peirce’s ethics and aesthetics, arguing that Peirce established a normative framework for the study of right conduct and good ends. It also connects Peirce’s normative thought to contemporary debates in ethical theory.Peirce sought to articulate the relation among logic as right thinking, ethics as good conduct and, in an unorthodox sense of aesthetics, the pursuit of ends that are fine and worthy. Each plays an important role in ethical life. Once aesthetics has determined what makes an end worthy and admirable, and ethics determines which are good and right to pursue, logical and scientific reasoning is employed to figure the most likely means to attain those ends. Ethics does the additional duty of ensuring that the means conform to ideals of conduct. In the process, Peirce develops an interesting theory of moral motivation, an account of moral reasoning, moral truth, and a picture of what constitutes a moral community.Charles Peirce on Ethics, Esthetics and the Normative Sciences will be of interest to scholars and students working on Peirce, American philosophy, and metaethics.
Charles Peirce on Ethics, Esthetics and the Normative Sciences
James Jakób Liszka
TAYLOR FRANCIS LTD
2023
nidottu
This book presents a comprehensive and systematic picture of Charles Peirce’s ethics and aesthetics, arguing that Peirce established a normative framework for the study of right conduct and good ends. It also connects Peirce’s normative thought to contemporary debates in ethical theory.Peirce sought to articulate the relation among logic as right thinking, ethics as good conduct and, in an unorthodox sense of aesthetics, the pursuit of ends that are fine and worthy. Each plays an important role in ethical life. Once aesthetics has determined what makes an end worthy and admirable, and ethics determines which are good and right to pursue, logical and scientific reasoning is employed to figure the most likely means to attain those ends. Ethics does the additional duty of ensuring that the means conform to ideals of conduct. In the process, Peirce develops an interesting theory of moral motivation, an account of moral reasoning, moral truth, and a picture of what constitutes a moral community.Charles Peirce on Ethics, Esthetics and the Normative Sciences will be of interest to scholars and students working on Peirce, American philosophy, and metaethics.
Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.
The selected works of one of our finest American poets The thread that dangles us between a dark and a darker dark, Is luminous, sure, but smooth sided. Don't touch it here, and don't touch it there. Don't touch it, in fact, anywhere--Let it dangle and hold us hard, let it flash and swing.--from "Scar Tissue" Over the course of his work--more than twenty books in total--Charles Wright has built "one of the truly distinctive bodies of poetry created in the second half of the twentieth century" (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright's poetry: "language, landscape, and the idea of God." No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality. The recipient of almost every honor in poetry--the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few--and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career--for devout fans and newcomers alike.
A paperback edition of the Eisner Award-winning collection features thirty-two pages of additional material from the Charles M. Schulz Museum archives, including a vintage advertisement from the cartoonist's father's barber shop, a first United Features brochure for Peanuts, previously unpublished sketches, and a mural painted by the cartoonist for his daughter's bedroom. Reprint. 75,000 first printing.
Since 1967, when he set off in a battered motor home to explore America and talk to its people, Charles Kuralt has been one of our premier chroniclers, a man who has helped us to see our country in a way we never had before. Though he retired from CBS News in 1994, he never retired from his wanderings. "I keep thinking I will find something wonderful just around the bend," he explains, and so he set out again to revisit some of his favorite places in their favorite seasons, to rediscover slices of America that have always been closest to his heart. And with the warmth and humor and uncommon insight that have always been his hallmarks, he shows them to us now--from Montana in autumn, Alaska in summer, Cajun country in winter, and the North Carolina mountains in spring, Kuralt takes readers on a beautiful adventure through a wide swath of American terrain. Filled with people, stories, and experiences, suffused by a poet's love of language, Charles Kuralt's America is a celebration of the spirit and flavor of this vast, varied land. "A honey of a book . . . a celebration of life in America."--Richmond Times-Dispatch "Written with the same simple grace that made Kuralt such a rarity on TV."--USA Today
In this work, Robert E. Brown applies the fruits of modern historical scholarship toward an understanding of Beard's groundbreaking and controversial work. With a perspective of forty years, Brown attempts to separate the valid from the bogus in this work.
Here are most of the previously unpublished writings of Charles E. Ives: a primary source book on this unique American composer. These "Memos," as Ives called them, were on separate leaves and dealt with his music, composition, criticism, autobiography, biography, and many other topics. During his lifetime Ives rearranged them, lent them out, mislaid and tucked them away in books so that, in the late 1940s, only about three-fifths of them were available to his biographer. After his death in 1954, Ives's papers were gradually put in order, and in time most of the remaining leaves came to light. These two "batches" are here dovetailed into a three-part form by John Kirkpatrick, who has devotedly arranged, edited, and annotated them. Part One, "Pretext," sets forth Ives's aims, his views on music, critics and criticism. In part Two, "Scrapbook," Ives discusses his music. Part Three, "Memories," is devoted to biographical and autobiographical remembrances.