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1000 tulosta hakusanalla Derek Gerrard

Derek Walcott

Derek Walcott

Edward Baugh

University of the West Indies Press
2017
sidottu
This succinct account the life of Nobel laureate Derek Walcott focuses on his development as poet, playwright and man of the theatre: director, producer, teacher. Friends and colleagues who figured in his career are recalled. The importance of his native St Lucia and family influences in the shaping of his creativity and his view of the world are highlighted, as these evolved in synergy with his receptivity to the poetry and theatre of the wider world. In this evolution, the tensions and complex nuances of the concept “home” are seen as an informing factor. The story points to Walcott’s seminal contribution to the emergence of Caribbean literature, with his response to the region’s colonial history as a central factor.
Derek Walcott

Derek Walcott

Edward Baugh

University of the West Indies Press
2017
nidottu
This succinct account of the life of Nobel laureate Derek Walcott focuses on his development as poet, playwright and man of the theatre: director, producer, teacher. Friends and colleagues who figured in his career are recalled. The importance of his native St Lucia and family influences in the shaping of his creativity and his view of the world are highlighted, as these evolved in synergy with his receptivity to the poetry and theatre of the wider world. In this evolution, the tensions and complex nuances of the concept "home" are seen as an informing factor. The story points to Walcott's seminal contribution to the emergence of Caribbean literature, with his response to the region's colonial history as a central factor.
Derek Walcott's Poetry Deconstructed, Its Political and Sociological Discourse Revealed
This is a deconstruction of the published books of poetry of Derek Walcott from 1961 to 1981 to unearth, expose and analyze the discourse and worldview of Walcott of miscegenated being, the Caribbean dystopia and the existential condition of the African and Indian Diasporas in the Caribbean dystopia. Walcott segregates himself from the Caribbean dystopia as he excoriates the African and Indian Diasporas blaming them for constructing the dystopia, they are trapped in. Walcott exempts white supremacist colonial and neo-colonial imperial power relations which condemns us to dependency and underdevelopment at the level of the idea. Which he must do for Walcott insists that what separates him from the Dystopia and enables his freedom from the dystopia, his flight to the North Atlantic is his white grandfather's legacy bequeathed to him by his miscegenated father. At the level of his genome Walcott is special, exceptional in the realm of the Dystopia compelled to prove and affirm this state of being in the North Atlantic. Walcott then frames his poetry on the foundation of the binary, Manichean duality of white North Atlantic discourse. I had a white grandfather and father which makes this deconstruction a personal conversation between two conflicting discourses of miscegenated being and our place in the world.
Derek the Skeleton (Red's Rainbow)

Derek the Skeleton (Red's Rainbow)

Red

Sweet Cherry Publishing
2025
pokkari
Are you scared of skeletons?Derek really wants a friend, but everyone in school is scared of him. The other children wonâ??t let him join their games or even sit with them in class. Until they learn that no matter what anyone wears on the outside, weâ??re all skeletons underneath!
Derek Mahon: A Retrospective

Derek Mahon: A Retrospective

LIVERPOOL UNIVERSITY PRESS
2026
nidottu
Derek Mahon (1941–2020) is widely recognized as one of the most important Irish poets of his generation. This collection of new critical essays offers an important retrospective assessment of the nature of his poetic achievement. Bringing together many leading scholars of modern and contemporary Irish poetry, including a notable number of accomplished poet-critics, its contributors range widely across Mahon’s body of work. Their essays offer fresh considerations of the biographical, geographical and literary contexts that shaped his poetic voice. This includes paying attention not only to more familiar influences but also to previously little considered interlocutors. The stylistic and formal achievement of his voice is re-evaluated in ways that range from attentive close readings to considerations of his controversial practice of self-revision, and his engagements with music and experiments in translation. The politics of a poet often misleadingly considered apolitical are also reframed to take in the engagements of his early work through to the ecocritical commitment of his later poetry. Indeed, a notable aspect of this book is the consideration it gives to all the phases of Mahon’s career. As a whole, the collection opens up many new ways of reading and understanding Mahon’s important body of work.
Art of Derek Domnic D'Souza

Art of Derek Domnic D'Souza

Derek Domnic Dsouza

3DTotal Publishing Ltd
2026
sidottu
Derek Domnic Dsouza is a hugely popular digital artist and animator based in Bangalore, India. His stunning art has amassed a huge global following (over 1 million on Instagram), and this exclusive art book features a huge range of that work, including artwork he created for the popular Netflix show Love, Death + Robots. Before co-founding an art studio (Studio Sideline), Derek worked as a development artist and associate producer for Disney India. He has also freelanced as an illustrator and animator for various brands such as Red Bull, TedX, Swiggy, and many more. He brings this wealth of experience to readers in this book, discussing topics such as targeted practice, growing a social following, and starting up your own art studio. He also shares behind-the-scenes insights about what it was like to work for Disney, plus tips and tricks for readers to learn how to use the artist's favourite tools and methods. All this, plus there are three extensive galleries showcasing Dsouza's best-loved works.
Derek Walcott, The Journeyman Years, Volume 1
During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convictions. As Gordon Rohlehr once presciently observed, “If one wants to see a quotidian workaday Walcott, one should go back to [his] well over five hundred articles, essays and reviews on painting, cinema, calypso, carnival, drama and literature,” articles which “reveal a rich, various, witty and scrupulous intelligence in which generous humour counterpoints acerbity.” These articles capture the vitality of Caribbean culture and shed additional light on the aesthetic preoccupations expressed in Walcott’s essays published in journals. The editors have examined the corpus of Walcott’s journalistic activity from its beginnings in 1950 to its peak in the early 1970s, and have made a generous selection of material from the Guardian, along with occasional pieces from such sources as Public Opinion (Kingston) and The Voice of St. Lucia (Castries). The articles in Volume 1 are organized as follows: Caribbean society, culture, and the arts generally; literature and society; periodicals; anglophone poetry, prose fiction, and non-fiction; African and other literatures; and the visual arts (Caribbean and beyond). The volume closes with a selection of Walcott’s mis-cellaneous satirical essays. The volume editor Gordon Collier has written a searching introductory essay on a central theme – here, a critical, comparative analysis of Walcott’s development as journalist against the historical background of press activity in the Caribbean, coupled with an illustrative discussion (drawing on Walcott’s newspaper articles) of his attitudes towards prose fiction and poetry.
Derek Daly

Derek Daly

Derek Daly; Maurice Hamilton

Evro Publishing
2026
sidottu
A blend of entertaining storytelling, brutal honesty and high drama, Irish racing driver Derek Daly’s memoir is a page-turner. His meteoric rise from a modest background in Dublin to the heights of Formula 1 is a story of relentless determination and unbridled talent, but when he reached motor racing’s pinnacle — ultimately with the top-notch Williams team in 1982 — his success story started to unravel, partly because of numerous and sometimes horrifyingly spectacular crashes often caused by car breakages. He made a clean break and went to America, where he raced Indycars and sports cars before metamorphosing into a hugely popular TV commentator, interviewer and pundit. Now, in his own words, he has put the entire rollercoaster of his life into a spellbinding autobiography that all racing fans will love. Key content • After starting out with a secondhand Formula Ford car bought from Eddie Jordan, Derek laboured in an Australian iron-ore mine for six months to earn the money to buy a more competitive racing car. • The plan worked and he became Irish Formula Ford Champion in 1975, then went to England and won numerous races in 1976, including the prestigious Formula Ford Festival. • Stepping up to Formula 3 in 1977, he continued his winning ways and became British Formula 3 Champion driving for larger-than-life Irish team owner Derek McMahon. • Two seasons in Formula 2 brought more successes, including three victories, but early attempts to break into Formula 1 were mired in frustration with teams that struggled, namely Hesketh and Ensign. • Tyrrell offered better prospects for 1980 but some big crashes — notably at the start of the Monaco Grand Prix — and numerous car failures blighted his season. • Derek finally landed a top seat for 1982, with Williams, only to find that sub-standard treatment and the team’s fading competitiveness prevented him from fulfilling his potential. • Making a dramatic change in his life, he went to race in America in Indycars, but a huge accident at Michigan in 1984 — his car crashed into the perimeter wall at 217mph and disintegrated — left him severely injured and facing a long recovery. • A racing swansong came in sports cars, with Jaguar at Le Mans and Nissan in America, the latter bringing consecutive victories in the 12 Hours of Sebring, in 1990 and 1991. • Staying in America, Derek went on to a decades-long career as a motorsport TV broadcaster alongside business ventures and keynote speaking.
Derek Bell

Derek Bell

Bell Derek; Henry Alan

J H Haynes Co Ltd
2011
sidottu
Derek Bell has become one of motor racing's 'national treasures'. He is best known as one of the world's finest ever endurance sports car drivers, winning Le Mans five times and the Daytona 24 Hours three times, as well as numerous other significant sports car races. This completely new and updated edition of his autobiography celebrates the superb motor racing career of one of Britain's most popular racing drivers.
John Derek

John Derek

Michelangelo Capua

McFarland Co Inc
2020
pokkari
Actor and director John Derek was born in Hollywood, where his striking good looks helped get him a contract with David O' Selznick. Derek's career took off after Humphrey Bogart made him his costar in the cultish noir Knock at Any Doors. Derek appeared in such Academy Award-nominated films as All the King's Men, Run for Cover, The Ten Commandments and Exodus, and worked with directors like Nicholas Ray, Cecil B. DeMille, Otto Preminger and others. He was a competent, dedicated performer even in his last, trivial roles. In the 1960s, his career in decline, he began directing his own films. Although critics panned the string of movies he made starring his three wives--Ursula Andress, Linda Evans and Bo Derek--some were box-office hits, like Tarzan, the Ape Man. This biography covers his extraordinary life and career, with extensive analysis of his films.
The Derek Cross Collection: The Southern in Transition 1946-1966
Derek Cross was one of a group of outstanding railway photographers, who mostly took pictures during the steam and early modern traction era, 1950s and 1960s. David Cross his son, has inherited his extensive collection of black & white and colour material, which has many unpublished images. This book covers the Southern from the last days of the Southern Railway through to British Railways days in the mid 1960s, when steam was on the way out. This is the first book that covers the Derek Cross Southern photographs, which date from the late 1940s through to the end of Southern Region steam and as such, features some very rare locations, unusual liveries and long extinct classes of locomotive. The author has carefully selected some rare and unusual pictures for this volume, which will be of interest and use to both railway historians and modellers.