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Troilus and Criseyde (1385) by: Geoffrey Chaucer

Troilus and Criseyde (1385) by: Geoffrey Chaucer

Geoffrey Chaucer

Createspace Independent Publishing Platform
2016
nidottu
Troilus and Criseyde (Modern English: is a poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the Siege of Troy. It was composed using rime royale and probably completed during the mid 1380s. Many Chaucer scholars regard it as the poet's finest work. As a finished long poem it is more self-contained than the better known but ultimately uncompleted Canterbury Tales. This poem is often considered the source of the phrase: "all good things must come to an end" (3.615). Although Troilus is a character from Ancient Greek literature, the expanded story of him as a lover was of Medieval origin. The first known version is from Beno t de Sainte-Maure's poem Roman de Troie, but Chaucer's principal source appears to have been Boccaccio who re-wrote the tale in his Il Filostrato. Chaucer attributes the story to a "Lollius" (whom he also mentions in The House of Fame), although no writer with this name is known. 1] Chaucer's version can be said to reflect a less cynical and less misogynistic world-view than Boccaccio's, casting Criseyde as fearful and sincere rather than simply fickle and having been led astray by the eloquent and perfidious Pandarus. It also inflects the sorrow of the story with humour.
Geoffrey Moncton: or, The faithless guardian (1855). By: Susanna Moodie: Novel (World's classic's)
Susanna Moodie (born Strickland; 6 December 1803 - 8 April 1885) was an English-born Canadian author who wrote about her experiences as a settler in Canada, which was a British colony at the time.Susanna Moodie was born in Bungay, on the River Waveney in Suffolk. She was the younger sister of a family of writers, including Agnes Strickland, Jane Margaret Strickland and Catharine Parr Traill.She wrote her first children's book in 1822, and published other children's stories in London, including books about Spartacus and Jugurtha. In London she was also involved in the Anti-Slavery Society, transcribing the narrative of the former Caribbean slave Mary Prince. 3] On 4 April 1831, she married John Moodie, a retired officer who had served in the Napoleonic Wars. In 1832, with her husband and daughter, Moodie immigrated to Upper Canada. The family settled on a farm in Douro township, near Lakefield, north of Peterborough, where her brother Samuel worked as a surveyor, and where artifacts are housed in a museum. Founded by Samuel, the museum was formerly an Anglican church and overlooks the Otonabee River where Susanna once canoed. It also displays artifacts concerning both Samuel and Catharine Parr Traill. Moodie continued to write in Canada and her letters and journals contain valuable information about life in the colony. She observed life in what was then the backwoods of Ontario, including native customs, the climate, the wildlife, relations between the Canadian population and recent American settlers, and the strong sense of community and the communal work, known as "bees" (which she, incidentally, hated). She suffered through the economic depression in 1836, and her husband served in the militia against William Lyon Mackenzie in the Upper Canada Rebellion in 1837. As a middle-class Englishwoman, Moodie did not particularly enjoy "the bush", as she called it. In 1840 she and her husband moved to Belleville, which she referred to as "the clearings". She studied the Family Compact and became sympathetic to the moderate reformers led by Robert Baldwin, while remaining critical of radical reformers such as William Lyon Mackenzie. This caused problems for her husband, who shared her views, but, as sheriff of Belleville, had to work with members and supporters of the Family Compact. In 1852, she published Roughing it in the Bush, detailing her experiences on the farm in the 1830s. In 1853, she published Life in the Clearings Versus the Bush, about her time in Belleville. She remained in Belleville, living with various family members (particularly her son Robert) after her husband's death, and lived to see Canadian Confederation. She died in Toronto, Ontario on 8 April 1885 and is buried in Belleville Cemetery. Her greatest success was Roughing it in the Bush. The inspiration for the memoir came from a suggestion by her editor that she write an "emigrant's guide" for British people looking to move to Canada. Moodie wrote of the trials and tribulations she found as a "New Canadian", rather than the advantages to be had in the colony. She claimed that her intention was not to discourage immigrants but to prepare people like herself, raised in relative wealth and with no prior experience as farmers, for what life in Canada would be like..............
Works of Geoffrey Chaucer

Works of Geoffrey Chaucer

Geoffrey Chaucer; Hugh G Evelyn-White

Dover Publications Inc.
2017
sidottu
The edition of The Works of Geoffrey Chaucer published by the Kelmscott Press in 1896 combined the talents of William Morris, one of England's greatest typographers and printers, and those of artist Sir Edward Burne-Jones, who created the 87 full-page woodcut illustrations. For students of Chaucer, English literature, English printing history, and 19th-century British art, the Kelmscott Chaucer is a unique treasure. Originally published in a limited edition of fewer than 500 copies ? hardly any of which surface on the rare book market ? this masterpiece is now available to a new generation of collectors and bibliophiles.
Geoffrey Tristram

Geoffrey Tristram

David Baker

AuthorHouse UK
2022
pokkari
For nearly thirty years, Geoffrey Oliver Tristram (GOT) was the celebrated Organist and Master of the Choristers at Christchurch Priory. He set a high standard for both organ performance and choral direction still widely revered and celebrated. This book charts GOT's life from his birth in Stourbridge, Worcestershire, in 1917 to his sudden death at the age of just 61. It looks at his career as student, teacher, choirmaster, accompanist and, especially, celebrated recitalist, at home and abroad. Drawing heavily on primary source material, including family archives and photographs, the book is complemented and underpinned by the memories and reminiscences of relations, friends, colleagues, peers, and others. It includes many contemporary reviews of his performances, right from his early days as a teenage Fellow of the Royal College of Organists until his last masterly recitals. Appendices give details about Tristram's recitals, broadcasts, and recordings, alongside specifications of the instruments at Christchurch Priory. The book also provides access to a selection of previously unreleased recordings made in the 1960s and early 1970s. Geoffrey Tristram: A Very British Organist, paints a rich picture of the man (husband, father, friend) and the musician, a player who had a significant influence on generations of organists and singers.