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1000 tulosta hakusanalla HENRY CONSTABLE

Henry of Harclay: Ordinary Questions, XV–XXIX

Henry of Harclay: Ordinary Questions, XV–XXIX

Oxford University Press
2008
sidottu
This volume completes the first full edition of the later work of the medieval philosopher and theologian Henry of Harclay. In colloboration with Raymond Edwards, an English translation is printed on facing pages, making this work available to a much wider audience. The twenty-nine Quaestiones Ordinariae cover a range of topics in metaphysics, theology, physical science, philosophical anthropology and ethics, which were among the most important of those debated in the early fourteenth century. The articles provide a window to this era, as Harclay discusses many of the main questions of his day: whether and why we choose what is evil, how God can know the future and we can still be free, what a virtue is, whether the human soul survives death, whether all things are made up of atoms. This edition enables us to evaluate Harclay, not only in relation to other notable thinkers of his time (such as John Duns Scotus and William of Ockham) but to appreciate the inner coherence of his own thought. An extensive introduction to Harclay's life, works and doctrine is provided. The volumes will also benefit scholars following the debates among lesser-studied thinkers such as William of Alnwick, Thomas of Sutton, Nicholas Trivet, and Robert Walsingham, whom this edition shows to have been in dialogue with Harclay during the years of the composition of his Quaestiones, 1310-1317. Because of the clarity of Harclay's thought and style, now mirrored in the English translation, the Quaestiones Ordinariae are an ideal way to introduce students to key problems in medieval philosophy, as well as to enable scholars to deepen their knowledge of the debates of this period. Questions 1-14, together with an extensive introduction, were published as volume XVII in the Auctores series.
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Henry David Thoreau

Henry David Thoreau

Lawrence Buell

OXFORD UNIVERSITY PRESS INC
2025
nidottu
"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..." Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-basics living, both rural and urban. Thoreau's great essay, "Civil Disobedience," is a classic of American political activism and a model for nonviolent reform movements around the world. Thoreau also stands as an icon of modern American environmentalism, the father of American nature writing, a forerunner of modern ecology, and a harbinger of freelance spirituality combining the wisdom of west and east. Thoreau is also a controversial figure. From his day to ours, he has provoked sharply opposite reactions ranging from reverence to dismissal. Scholars have regularly offered conflicting assessments of the significance of his work, the evolution of his thought, even the facts of his life. Some disagreements are in the eye of the beholder, but many follow from challenges posed by his own cross-grained idiosyncrasies. He was an advocate for individual self-sufficiency who never broke away from home, a self-professed mystic now also acclaimed as a pioneer natural and applied scientist, and a seminal theorist of nonviolent protest who defended the most notorious guerrilla fighter of his day. All told, he remains a rather enigmatic figure both despite and because we know so much about him, beginning with the two-million-word journal he kept throughout his adult life. The esteemed Thoreau scholar Lawrence Buell gives due consideration to all these aspects of Thoreau's art and thought, framing key issues and complexities in historical and literary context.
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Henry David Thoreau

Henry David Thoreau

Lawrence Buell

OXFORD UNIVERSITY PRESS INC
2024
sidottu
"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..." Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-basics living, both rural and urban. Thoreau's great essay, "Civil Disobedience," is a classic of American political activism and a model for nonviolent reform movements around the world. Thoreau also stands as an icon of modern American environmentalism, the father of American nature writing, a forerunner of modern ecology, and a harbinger of freelance spirituality combining the wisdom of west and east. Thoreau is also a controversial figure. From his day to ours, he has provoked sharply opposite reactions ranging from reverence to dismissal. Scholars have regularly offered conflicting assessments of the significance of his work, the evolution of his thought, even the facts of his life. Some disagreements are in the eye of the beholder, but many follow from challenges posed by his own cross-grained idiosyncrasies. He was an advocate for individual self-sufficiency who never broke away from home, a self-professed mystic now also acclaimed as a pioneer natural and applied scientist, and a seminal theorist of nonviolent protest who defended the most notorious guerrilla fighter of his day. All told, he remains a rather enigmatic figure both despite and because we know so much about him, beginning with the two-million-word journal he kept throughout his adult life. The esteemed Thoreau scholar Lawrence Buell gives due consideration to all these aspects of Thoreau's art and thought, framing key issues and complexities in historical and literary context.
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The Correspondence of Henry and Sarah Fielding

The Correspondence of Henry and Sarah Fielding

Henry and Sarah Fielding

Clarendon Press
1993
sidottu
Important discoveries in private and public archives have recently brought to light many new letters by Henry Fielding (1707-54) and by his sister, the novelist and classicist Sarah Fielding (1710-68). Published here for the first time is their entire extant correspondence, edited with an Introduction and explanatory annotations - 77 letters from and to Henry Fielding written over the years 1727 to 1754, and 33 letters from and to Sarah Fielding written from 1749 to 1767. The collection illuminates Henry Fielding's activities as author, lawyer, and magistrate; and it is valuable as well for the light it throws on his character and personal relationships. Fielding scholars are already acquainted with the important letters to his cousin Lady Mary Wortley Montagu, to his rival Samuel Richardson, to his friend George Lyttelton, and to his famous half-brother John Fielding, the latter written on the sad occasion of his final voyage to Lisbon. In this volume they will also find Fielding's correspondence with his great patron, the Duke of Bedford, and his agents - letters relating to Fielding's stewardship of the New Forest and to his appointments to the magistracy. The heart of this present collection, however - Fielding's correspondence with his closest friend, James `Hermes' Harris - is completely new. Never before published, the Harris letters comprise the finest extant examples of Fielding's epistolary correspondence, a kind of familiar writing he practised reluctantly, but well. The Harris papers are equally valuable for what they reveal of Sarah Fielding's literary and scholarly interests and her relationship with her brother. Other letters in the collection - several also published here for the first time - will serve to clarify her friendships with Richardson, Garrick, and Elizabeth Montagu. Included in the Appendix are a half-dozen letters from members of the family that will be of interest to biographers of Henry and Sarah.
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Henry James

Henry James

Roslyn Jolly

Clarendon Press
1993
sidottu
This is a study of Henry James's changing attitudes to history as a narrative model, tracing the development from his early interest in `scientific' historiography to the radically anti-historical character of his late works. James's use of the term `history' was influenced by developments in nineteenth-century historiography, but was also embedded in the complex of defensive manoeuvres through which Victorian culture sought to control its anxiety about the power of fiction. Reading James's novels in the light of contemporary debates about the morality and authorship and the politics of reading, Dr Jolly finds that fiction develops from being history's censored `other' in the early works to being a valued mode of problem-solving in the later fiction. This shift may be seen as the product of James's increasing engagement with the reading practices of groups marginalized by high Victorian culture: women, the working class, other cultures, and the avant-garde. The book ends with a consideration of the challenge posed to James's radical anti-historical epistemology by the unprecedented violence of twentieth-century history. Drawing on contemporary narrative theory, and providing illuminating readings of a large number of James's novels, Roslyn Jolly had written a sophisticated and persuasive analysis of James's shifting definitions of history and fiction.
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Henry VI, Part Three

Henry VI, Part Three

William Shakespeare

Oxford University Press
2001
sidottu
Shakespeare's early history plays have come into new prominence following their triumphant revival by the RSC under the title of This England. This new edition of the precursor to Richard III offers a fresh interpretation of the relationship between the two earliest texts - The True Tragedy of Richard Duke of York (octavo, 1595) and the First Folio Henry VI Part Three (1623) - arguing that the former is a memorially reported and original version of the play later revised for the Folio. The two therefore represent Shakespeare's early and revised conceptions of the play. Unlike all previous editions, the text here is based rigorously on the Folio, with a re-examination of the dates of composition, memorial reporting, and revision. The introduction provides a useful synopsis of the historical events dramatized by Shakespeare, and appendices present extracts from his two chronicle sources and a detailed analysis of his dramatization of particular passages. The play's stage history and critical interpretations are considered as cultural and artistic responses to its multiply-focused dramatic structure: they are thus integrated, instead of being treated in separated sections on characters and themes, critical fortunes, and stage performance. The commentary fully explains meanings of archaic words and phrases, identifies historical figures and events in relation to Shakespeare's sources, and illustrates characters and scenes by reference to a variety of modern stage performers and productions in England and the USA - the first edition of the play to do so.
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Henry James and Revision

Henry James and Revision

Philip Horne

Clarendon Press
1990
sidottu
At the height of his powers Henry James turned from the creation of new fiction to the `writing over' of his past works for the definitive New York Edition of his novels and tales. His anxious scrutiny of what he had written across his long career - up to thirty-six years before - led sometimes to rejection, but more often to a renewed imaginative intimacy with the creations of his old self through the intensive revision of his texts. In the first major study of the subject Philip Horne examines the revision of particular works, shedding new light on interpretative controversies (as with The Portrait of a Lady and Daisy Miller). He attends to questions of principle raised by the paradoxical processes of the reviser. Using much new material, this book tells the painful but impressive story of James's lifelong struggle for perfection, and illuminates his genius as a framer of sentences and a master of dramatic nuance. James's engagement with revision is connected with every other aspect of his achievement; it displays vividly and accurately his close experience of the life of writing.
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Henry Purcell's Operas

Henry Purcell's Operas

Clarendon Press
2000
sidottu
While understanding the concept of all-sung opera, seventeenth-century English impresarios and their audiences also understood opera to mean spoken plays with a large amount of added music. The works have been given a variety of descriptive titles including `semi-operas', `ambigues', `multi-media spectaculars', and, most appropriately, `dramatick operas'. As well as four big dramatick operas, Henry Purcell also wrote a small all-sung masque, Dido andAeneas, which is one of the few works of the century which fulfils a modern ideal of `opera'. The music of Purcell's operas has long been studied in detail, but it is only in recent years-and not by all scholars-that the operas have been taken seriously as dramatic entities. Consideration of the pieces havebeen hampered by the lack of availability of the texts of the operas, for while the music has long been edited and played, the sections of spoken dialogue have been almost entirely ignored. This volume, the first complete collection of the texts, redresses the balance. It presents to the reader the complete entertainment as prepared by the author on each occasion. Included are editions of both the 1689 libretto of Dido and Aeneas and its later incarnation as a series of masques in Shakespeare's Measure for Measure, together with the playtext, the original published texts of Dioclesian, King Arthur, and The Fairy-Queen, and atranscription of the manuscript of The Indian Queen. An appendix to the volume shows the song texts as actually set by Purcell.
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Henry Lawes

Henry Lawes

Ian Spink

Oxford University Press
2000
sidottu
Henry Lawes (1596-1662) has long been acknowledged as the most important and prolific English songwriter between the death of John Dowland in 1626 and the birth of Henry Purcell in 1659. He is celebrated as Milton's collaborator in Comus (1634). Although he wrote some church music, Lawess significance as a composer lies in his settings of many of the choicest lyrics by Cavalier poets such as Carew, Herrick, Suckling, and Waller–who, like Lawes himself, belonged to the brilliant court of Charles I. This book combines an account of his life with a study of his development as a songwriter during this fascinating historic period. Following the execution of the King in 1649, Lawes played an important part in establishing concerts in London during the 1650s, and was one of the composers of the first English opera, Davenant's The Siege of Rhodes (1656). At the Restoration he set Zadok the Priest for the coronation of Charles II, but died the following year. The last book on Lawes appeared in 1940, since when the importance of his songs has been increasingly recognized–thanks in part to Ian Spink's own previous study, English Song: Dowland to Purcell (1986), and his edition of Cavalier Songs: 1625-1660 for Musica Britannica.
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Miscellanies by Henry Fielding, Esq: Volume Three

Miscellanies by Henry Fielding, Esq: Volume Three

Henry Fielding

Clarendon Press
1997
sidottu
Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The history of the Life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the `thief-taker' and gang-leader of that name who was hanged in 1725, but in Fielding's hands, the history of Wild is transformed into a mock-hostorical work of sustained irony aimed at all who would be `great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Weslyan Edition, this provides critical, unmodernized text, based on the Greg-Bowers `Rationale of Copy-text'. The version is that of the first edition, with an appendix giving all variants in wording and presentation in the 1754 revision. In his introduction the textual editor lays out the rationale for his choice of version. This volume also includes, for the first time in modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by the textual editor.
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Henry Fielding: Contributions to The Champion, and Related Writings

Henry Fielding: Contributions to The Champion, and Related Writings

Henry Fielding

Oxford University Press
2003
sidottu
This volume completes the edition's coverage of Henry Fielding's journalism, which occupied a far greater part of his time than has been traditionally acknowledged. His contributions to The Champion are not only among his most energetic and intriguing works in the genre; they also have a dense political background, of interest to historians studying the interface between journalism and politicians of the time, as well as the role of newspaper publishers. Walpole figures hugely, and the extent to which Fielding hints at the minister's life and activities is remarkable. Much of the volume's material has never been reprinted before. Explanatory annotations are full, as the characteristically allusive and topical nature of Fielding's writing requires. Appendices provide an analytical textual apparatus, and the editorial introductions emphasize matters such as genesis and composition, circumstances of publication, in addition to immediate biographical, literary, and historical backgrounds.
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Miscellanies by Henry Fielding, Esq: Volume Two

Miscellanies by Henry Fielding, Esq: Volume Two

Henry Fielding

Clarendon Press
1993
sidottu
This is the second volume of Fielding's Miscellanies, first published as a three-volume set in 1743. Its major work is the fantasy A Journey from This World to the Next, Fielding's richest and most extensive piece of prose fiction outside his three novels and Jonathan Wild. Its theme, described by Gibbon as `the history of human nature', is the excoriation of false greatness and over-weening ambition, one of the great moral ideas of the age. The annotation and commentary to this edition present new evidence about Fielding's manipulation of historical sources in the Journey, which is shown to be both artistically complete and thematically consistent with the other material in the Miscellanies. The remaining two works in this volume are both plays which Fielding included at a late stage of planning for the book: the farce Eurydice, a burlesque of mythological figures who function as vehicles for topical satire, and The Wedding Day, a revision of an intrigue comedy written early in his career but staged for the first time in 1743, only a few months before the Miscellanies appeared. The introduction reviews this period of Fielding's career and describes the circumstances leading up to the original publication of Miscellanies by subscription, and the historical and biographical contexts of the works included in Volume Two. The text follows the significant features of the 1743 presentation, as far as possible; the Greg-Bowers `Rationale' hitherto observed in the Wesleyan Edition is refined and augmented by more recent textual theorizing. The full,uncensored text of The Wedding Day, from Larpent MS 39 in the Huntington Library, is given as an appendix to the censored form published in Miscellanies.
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Henry Howard, the Poet Earl of Surrey

Henry Howard, the Poet Earl of Surrey

W. A. Sessions

Oxford University Press
2003
nidottu
The first comprehensive biography of Henry Howard, Poet Earl of Surrey, this influential book fills a major gap in the history of early modern British culture. Sessions's narrative combines historical scholarship with close readings of poetic texts and Tudor paintings to explore Surrey's unique life. The first cousin of Queens Anne Boleyn and Catherine Howard (and an influence on his young cousin the Princess Elizabeth), he was beheaded in 1547 on the orders of Henry VIII. Surrey embodied the contradictions of the courtier's role, through his standing both as a representative of the older nobility and heir to the greatest title outside the royal family, and as a poet who wrote innovative texts and created the most enduring poetic forms in England, the English sonnet and blank verse. More and more, critics and scholars have called for a more contemporary and wider assessment of his role in Tudor society. Sessions uses Surrey's redefinition of the role of Tudor courtier through his poems, his unique portraits, his military campaigns, and his political presence, to reveal how he created the first image in England of the Renaissance courtier. Surrey is also shown to embody the rather more modern image of the poet who writes and invents in the midst of radical violence.
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Henry Vaughan's Silex Scintillans

Henry Vaughan's Silex Scintillans

Philip West

Oxford University Press
2001
sidottu
It has been said that the poems of Vaughan's Silex Scintillans (1650; 1655) are the most biblical in English: this book revises our understanding of that claim, not by rejecting it, but by asking what it might have meant in the 1650s. Recovering the historical, literary, and scriptural context of Vaughan's poetry and his neglected prose works, particularly The Mount of Olives (1652), this study reveals the different ways in which Vaughan's work is shot through and fired by the Bible as it was read in the 'Godly nation' of the mid-seventeenth century. The uses, or scripture practices, singled out, relate both to his position as an 'Anglican survivalist' during the Commonwealth and to his acceptance of George Herbert's task of writing 'true hymns': his reading of the Genesis story of Jacob as an analogue for his own experiences as a Christian and as an image of the true Church in the 1650s; his framing of Silex Scintillans as an act of thanksgiving modelled on Hezekiah's song in Isaiah; his construction of a paraliturgical 'rule' of holy living; his exposure of the 'false prophets' of the Last Days prophesied by Christ; and his profoundly scriptural rejection of the fraud (as he saw it) of millenarian religion.
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Henry, Archdeacon of Huntingdon: Historia Anglorum

Henry, Archdeacon of Huntingdon: Historia Anglorum

Henry of Huntingdon

Clarendon Press
1996
sidottu
This is the first complete edition and translation of the Historia Anglorum ( History of the English People) by Henry, Archdeacon of Huntingdon (c. 1088-c.1157). The main narrative covers the history of England from the invasions of Julius Caesar down to the accession of King Henry II in 1154, and includes the only contemporary account of the entire reign of King Stephen (1135-54). In the influential circle of successive bishops of Lincoln, Henry was often at the centre of political life - a practical man whose consciousness of the world extended far beyond the limits of his archdeaconry, a visitor to France and Rome. His work is a major source for events in England and Normandy in his lifetime. Henry's pages are filled with good stories, including the first written record of Cnut and the waves, and of Henry's death from a surfeit of lampreys. The final two books consist of poems that show Henry to be one of the finest of Anglo-Latin poets. Henry's work has never before been published in its entirety. The 1879 edition in the Rolls series provided only a Latin text, omitted three books and other sections of the text, and failed to take account of several manuscripts. The critical edition in the present volume shows the author's successive revisions and continuations of his text. It is offered with parallel translation and historical notes. The introduction provides a fresh appraisal of Henry's career, incorporates new discoveries about his family origins and education, and assesses his importance as a poet and historian.
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Henry's Wars and Shakespeare's Laws

Henry's Wars and Shakespeare's Laws

Theodor Meron

Clarendon Press
1993
sidottu
Shakespeare's Henry V has traditionally been acclaimed for its impressive depiction of the psychological and political impact of warfare, and it remains one of the most widely-discussed plays in the canon. In this highly original, scholarly, and thought-provoking study Professor Meron uses rare medieval ordinances and other medieval and Renaissance historical and legal sources to provide challenging new contexts for Shakespeare's famous play. The result is a gripping account of how Henry V and other `Histories' dramatically articulated complex medieval and Renaissance attitudes to warfare and the conduct of nations and individuals in time of war. The author uses the play and the campaign itself as a frame for the examination of the medieval laws of war, and examines stability and change in attitudes towards the laws of war.
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