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Hans van der Laan’s Instruments of Thought

Hans van der Laan’s Instruments of Thought

Tiziana Proietti; Kees Biesen

TAYLOR FRANCIS LTD
2024
nidottu
The work of the Dutch Benedictine monk and architect Hans van der Laan (1904–1991) offers important insights into the ways in which artifacts address the complexity of human physical, cognitive, and social needs. Van der Laan developed a number of powerful lines of thought, three of which are introduced here: the search for a theory of architecture; the establishment of a three-dimensional system of proportions named Plastic Number; and analogy as the mainspring of human thinking. This triad of deeply interconnected intellectual strategies represents his most important ‘instruments of thought’ and is rooted in the careful observation of phenomena as they are presented to us rather than relying on conventional beliefs. Van der Laan's instruments of thought lead us to reconsider the origins of human creation, urging a deeper examination of our perceptual and cognitive response to the limitlessness of the surrounding environment. On this basis, Van der Laan develops a unique philosophy of culture and design that includes considerations on the relationship between nature, culture, and religious ritual.Although this book is informative, its principal aim is to be formative. On the basis of Van der Laan’s instruments of thought, the authors develop a methodology to explore the Plastic Number theory and the many ways in which we perceive and interpret proportion. Reintroducing playful creativity and intellectual exploration into architectural pedagogy and design practice, this book is a gateway for a deeper understanding of the effects of the built environment on human behavior and the various ways in which the human mind perceives and decodes artifacts.
Hans van der Laan’s Instruments of Thought

Hans van der Laan’s Instruments of Thought

Tiziana Proietti; Kees Biesen

TAYLOR FRANCIS LTD
2024
sidottu
The work of the Dutch Benedictine monk and architect Hans van der Laan (1904–1991) offers important insights into the ways in which artifacts address the complexity of human physical, cognitive, and social needs. Van der Laan developed a number of powerful lines of thought, three of which are introduced here: the search for a theory of architecture; the establishment of a three-dimensional system of proportions named Plastic Number; and analogy as the mainspring of human thinking. This triad of deeply interconnected intellectual strategies represents his most important ‘instruments of thought’ and is rooted in the careful observation of phenomena as they are presented to us rather than relying on conventional beliefs. Van der Laan's instruments of thought lead us to reconsider the origins of human creation, urging a deeper examination of our perceptual and cognitive response to the limitlessness of the surrounding environment. On this basis, Van der Laan develops a unique philosophy of culture and design that includes considerations on the relationship between nature, culture, and religious ritual.Although this book is informative, its principal aim is to be formative. On the basis of Van der Laan’s instruments of thought, the authors develop a methodology to explore the Plastic Number theory and the many ways in which we perceive and interpret proportion. Reintroducing playful creativity and intellectual exploration into architectural pedagogy and design practice, this book is a gateway for a deeper understanding of the effects of the built environment on human behavior and the various ways in which the human mind perceives and decodes artifacts.
Hans Jonas

Hans Jonas

TAYLOR FRANCIS LTD
2024
sidottu
This book offers new perspectives on the early and formative years of the German-Jewish philosopher Hans Jonas, through innovative studies of his German and Hebrew work in pre-war Germany and Palestine.Covering all facets of Jonas’s early work, the book brings together leading scholars to explore key conceptual, historical, genealogical, and biographical contexts. Some of the main topics examined include his deep intellectual history of Western thought and its origins in late antiquity through the category of Gnosis, the intellectual influence of Heidegger, Bultmann, Husserl, and Spengler, his relation to Christian theology, and his interest in Judaism and Zionism. Existing research on his early work is not only limited in size but also often methodologically deficient, for it is common to interpret the early in light of the late and as teleologically leading to it. By introducing new materials and addressing new questions, this book offers innovative perspectives on Jonas’s intellectual project as a whole and provides a historical and conceptual foundation for further scholarly explorations of his oeuvre.Providing fresh insights into the work of one of the twentieth century’s most influential philosophers, the book will appeal to students and researchers working in intellectual history, Jewish studies, and religion.
Hans Scharoun and China

Hans Scharoun and China

Liyang Ding

TAYLOR FRANCIS LTD
2024
sidottu
This book presents the first systematic overview and analysis of the deep connection between Scharoun and China, offering insights into East-West cultural exchange and enriching existing understandings of modernism.The German architect Hans Scharoun has typically been pigeonholed as a leading figure in “expressionist” architecture. As this book shows, however, this understanding oversimplifies the multifaceted nature of Scharoun’s career and overlooks his central role within the tradition of Neues Bauen. The book begins with Scharoun’s early interactions with East Asian architects in the 1930s, his active involvement in the Chinese Werkbund (1941–42), and his extensive research on Chinese architecture and urban culture in the mid-1940s and 1950s. The book then examines Scharoun’s postwar architectural designs and urban planning projects, most notably the Kollektivplan, the Volksschule Darmstadt, and the Berliner Philharmonie, which incorporated original spatial and urbanistic concepts such as “Stadtlandschaft,” “Raum der Mitte,” and “aperspectival” space, inspired to varying degrees by Chinese architectural and urban planning traditions.The book will appeal to scholars and students of modern architecture, urban planning, and architectural theory, especially those interested in modernism and East-West cultural exchange.