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1000 tulosta hakusanalla J.S. Breukelaar
Four-Part Chorals of J.S. Bach. (Volumes 1 and 2 in One Book). With German Text and English Translations. (Facsimile 1929) (with Music).
Travis and Emery Music Bookshop
2009
pokkari
In Toni Ortner's Giving Myself Over to J.S. Bach, intensely lyrical poems interweave grief and love (sexual, family, even love of a pet) The voice of the poems is intimate, consistent, fluid and musical as the poems move among the different topics, tied together by recurring musical and water images. Read as a whole, this collection offers the pleasures of unity, variety and movement in a work of deep emotion.Judith Kerman- author of Aleph, broken Poems from My DiasporaToni Ortner has a very unique poetic voice. She does not adhere to specific or required form, meter or grammar, and yet the conglomerate of her words is indisputably poetry because she speaks her heart's truth. Giving Myself Over to J. S. Bach is a book about love, specific love, imagined love, ideal love, everyday love, lost love, unhappy love, love of music, of a man, of a father, of words, of beauty. Toni's language wanders through the worlds of the emotions that are embedded in human relationships and she misses nothing. Her range is compelling and intellectual. "The ultimate seduction by a mind possessing amplitude of order/notes arranged assiduously to form a perfect whole." Her verses are also beautiful and meditative: "as if there could be no vessels captured no contours altered/no masts splintered nothing sucked under." " He thinks of his unfaithful wife/ a life he might have led/ a song he would write if notes/could find him.The last seven poems of the book, ending with 'Over Night the River Removed its Thick Coat' create a quietly beautiful arrival at serenity and repose where all the pieces come together into "This is the world. Faith demands we cannot imagine it different."Becky Dennison Sakellariou, author of six books. The most recent: No Foothold in this Geography.
Lockheed F-104 G/J/S/AMA Starfighter: Aircraft in Detail
Robert Pied; Nicolas Deboeck
Hmh Publications
2022
nidottu
A complete close up of the F-104 Starfighter, both single seat and two-seat versions, including aircraft from the US, Belgium, Netherlands, Denmark, Norway, Spain, Germany, Italy, and Japan.
Duette aus Werken von J.S.Bach
Universal Edition AG
2000
lehtivihko, moniste
Dostopochtennyj K.M.J.S. Dzhagan MohanReddi izlagaet dorozhnuü kartu äffektiwnogo uprawleniq
Morusu Siwasankar
Sciencia Scripts
2022
nidottu
Nya testamentet : K J S King James bibeln på svenska
BoD
2018
sidottu
En översättning till svenska av den välkända King James bibeln. En bibel som tydligt tillkännager evangeliet om Guds fria gratis nåd och barmhärtighet i Herren Jesus Kristus. En bibel som tydligt tillkännager Kristi fullbordade ställföreträdande frälsningsverk - då Han lade ner sitt liv för sina får och så räddade dem alla! www.NyaTestamentet.nu
Analysis of J.S. Bach's Wohltemperirtes clavier (48 preludes & fugues)
H Riemann
Alpha Edition
2020
pokkari
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Analysis of J.S. Bach's Wohltemperirtes clavier (48 preludes & fugues) (Part II)
Hugo Riemann
Alpha Edition
2020
pokkari
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Analysis Of J.S. Bach'S Forty-Eight Fugues (Das Wohltemperirte Clavier)
Ebenezer Prout
Alpha Edition
2021
pokkari
Analysis Of J.S. Bach'S Forty-Eight Fugues (Das Wohltemperirte Clavier) has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Analysis Of J.S. Bach'S Forty-Eight Fugues (Das Wohltemperirte Clavier) (Partii)
Ebenezer Prout; Louis Beethoven Prout
Alpha Edition
2021
pokkari
Analysis Of J.S. Bach'S Forty-Eight Fugues (Das Wohltemperirte Clavier) (Partii) has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
A Woman’s Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
Mark A. Peters
Ashgate Publishing Limited
2008
sidottu
At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Ziegler was Germany's first female poet laureate, and the book highlights her significance in early eighteenth-century Germany and her commitment to advancing women's rights of self-expression. Peters enriches and enlivens the account with extracts from Ziegler's four published volumes of poetry and prose, and analyses her approach to cantata text composition by arguing that her distinctive conception of the cantata as a genre encouraged Bach's creative musical realizations. In considering Bach's settings of Ziegler's texts, Peters argues that Bach was here pursuing a number of compositional procedures not common in his other sacred cantatas, including experimentation with the order of movements within a cantata, with formal considerations in arias and recitatives, and with the use of instruments, as well as innovative approaches to Vox Christi texts and to texts dealing with speech and silence. A Woman's Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.
A Woman’s Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
Mark A. Peters
Routledge
2016
nidottu
At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Ziegler was Germany's first female poet laureate, and the book highlights her significance in early eighteenth-century Germany and her commitment to advancing women's rights of self-expression. Peters enriches and enlivens the account with extracts from Ziegler's four published volumes of poetry and prose, and analyses her approach to cantata text composition by arguing that her distinctive conception of the cantata as a genre encouraged Bach's creative musical realizations. In considering Bach's settings of Ziegler's texts, Peters argues that Bach was here pursuing a number of compositional procedures not common in his other sacred cantatas, including experimentation with the order of movements within a cantata, with formal considerations in arias and recitatives, and with the use of instruments, as well as innovative approaches to Vox Christi texts and to texts dealing with speech and silence. A Woman's Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.
While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the …Bach… project, a collection of new music based on Johann Sebastian Bach’s Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.
In his canonical text, "On Liberty", the English philosopher and social reformer John Stuart Mill (1806-73) looked at the limits imposed by society and the state on individual freedom. Over one hundred years later, Bruce Baum, in "Rereading Power and Freedom in J.S. Mill," shows how important aspects of Mill's theory of freedom have been misinterpreted. The author recovers lost dimensions of Mill's thought, and in so doing, contributes to a critical sociology of freedom for our time. Drawing on Mill's thoughts on liberty and power scattered throughout his numerous texts on related subjects, Baum moves beyond what Mill has to say about freedom in "On Liberty." Baum discovers a consistent purpose behind Mill's advocacy of women's rights, universal suffrage, parliamentary and educational reforms, and workers' co-operatives. Whereas Mill is commonly interpreted as an advocate of negative liberty, Baum argues that Mill possesses a complex theory of freedom that unifies the pursuit of personal autonomy with the quest for collective self-determination through an egalitarian, genuinely participatory democratic politics. This insightful work traces new connections between Mill's liberalism and the later revisionist liberalisms of theorists such as T.H. Green and John Dewey, as well as between the liberal and socialist traditions. Not only does it break new ground in its demonstration of the complementary relationship between freedom and power, it is the first comprehensive study of Mill's social and political thought that seriously engages his feminism.
While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the …Bach… project, a collection of new music based on Johann Sebastian Bach’s Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.
The Art of the Fugue by J.S. Bach, One Piano Four Hands: More Sight-Reading Practice at the Piano, Late Intermediate to Advanced
Neil Stannard
Createspace Independent Publishing Platform
2014
nidottu