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1000 tulosta hakusanalla James Stratton

Bible and Interpretation: The Collected Essays of James Barr
This is the second volume of three volume collection which collates the most important published papers of James Barr (1924-2006). The papers deal with questions of theology (especially biblical theology), biblical interpretation and ideas about biblical inspiration and authority, and questions to do with biblical Hebrew and Greek, along with several lexicographical studies, essays and obituaries on major figures in the history of biblical interpretation, and a number of important reviews. Many of pieces collected here have hitherto been available only in journals and hard-to-access collections. This collection will prove indispensable for anyone seeking a rounded picture of Barr's work. It incorporates work from every period of his academic life, and includes a number of discussions of fundamentalism and conservative biblical interpretation. Some pieces also shed light on less well-known aspects of Barr's work, such as his abiding interest in biblical chronology. Barr's characteristic incisive, clear, and forthright style is apparent throughout the collection. The three volumes are thematically compiled. Each is accompanied by an introduction by John Barton, providing a guide to the contents. Volume 1 begins with a biographical essay by Ernest Nicholson and John Barton. It contains major articles on theology in relation to the Bible, programmatic studies of the past and future of biblical study, and reflections on specific topics in the study of the Old Testament. Volume 2 is concerned with detailed biblical interpretation and with the history of the discipline. It also contains material on biblical fundamentalism. Volume 3 is a collection of Barr's extensive papers on linguistic matters relating to Biblical Hebrew and Greek, and to biblical translation in the ancient and the modern world.
Bible and Interpretation: The Collected Essays of James Barr
This is the third volume of a three volume collection which collates the most important published papers of James Barr (1924-2006). The papers deal with questions of theology (especially biblical theology), biblical interpretation and ideas about biblical inspiration and authority, and questions to do with biblical Hebrew and Greek, along with several lexicographical studies, essays and obituaries on major figures in the history of biblical interpretation, and a number of important reviews. Many of pieces collected here have hitherto been available only in journals and hard-to-access collections. This collection will prove indispensable for anyone seeking a rounded picture of Barr's work. It incorporates work from every period of his academic life, and includes a number of discussions of fundamentalism and conservative biblical interpretation. Some pieces also shed light on less well-known aspects of Barr's work, such as his abiding interest in biblical chronology. Barr's characteristic incisive, clear, and forthright style is apparent throughout the collection. The three volumes are thematically compiled. Each is accompanied by an introduction by John Barton, providing a guide to the contents. Volume 1 begins with a biographical essay by Ernest Nicholson and John Barton. It contains major articles on theology in relation to the Bible, programmatic studies of the past and future of biblical study, and reflections on specific topics in the study of the Old Testament. Volume 2 is concerned with detailed biblical interpretation and with the history of the discipline. It also contains material on biblical fundamentalism. Volume 3 is a collection of Barr's extensive papers on linguistic matters relating to Biblical Hebrew and Greek, and to biblical translation in the ancient and the modern world. Contents List
The Papers of James Madison, Volume 6

The Papers of James Madison, Volume 6

James Madison

University of Chicago Press
1967
sidottu
During the first four months of 1783, when the United States was neither wholly at war nor wholly at peace, a cluster of difficult problems confronted James Madison and his fellow delegates in Congress. Faced with the interlocking issues of finance, demobilization, and foreign affairs, Congress held many contentious sessions early in the year. The sparseness of the official journal enhances the value of the notes on debates, recorded by Madison, for illuminating the discussions.
The Papers of James Madison

The Papers of James Madison

James Madison

University of Chicago Press
1970
sidottu
During the first six of the ten months covered by this volume, Madison completed his initial period of service as a delegate from Virginia in the Congress of the Confederation. His correspondence with Thomas Jefferson and Edmund Randolph, as well as his other papers, reveal the mounting difficulties besetting him and his fellow nationalists who sought to preserve a union among the thirteen states. The major problems, which included demobilizing the discontented army, obtaining public revenue, funding the Confederation debt, pressing the British to evacuate their military posts, enforcing the preliminary articles of peace, creating a public domain in the West, locating a provisional or permanent capital of the Confederation, and negotiating commercial treaties with European powers, fostered sectionalism, factionalism, and an emphasis upon state sovereignty. As a prominent member of Congress, Madison sought legislative and constitutional remedies for this menacing divisiveness. To him the maintenence of the new nation embodied the greatest trust ever confided to a political society, for it was the last and fairest experiment in favor of the rights of human nature. Early in December, after an absence of over three years, Madison returned to Montpelier, his father's estate. There during the winter of 1783-1784, he studied law, renewed old friendships, and canvassed the residents of Orange County for support of his candidacy for election to the House of Delegates of the Virginia General Assembly. maintenance
James Joyce and the Irish Revolution

James Joyce and the Irish Revolution

Luke Gibbons

THE UNIVERSITY OF CHICAGO PRESS
2023
sidottu
A provocative history of Ulysses and the Easter Rising as harbingers of decolonization. When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
James Joyce and the Irish Revolution

James Joyce and the Irish Revolution

Luke Gibbons

THE UNIVERSITY OF CHICAGO PRESS
2023
nidottu
A provocative history of Ulysses and the Easter Rising as harbingers of decolonization. When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
James the Minimalist

James the Minimalist

John Brenkman

THE UNIVERSITY OF CHICAGO PRESS
2026
sidottu
An experiment in criticism that explores Henry James’s late works through the lens of minimalism. Henry James’s last completed novels—The Ambassadors, The Wings of the Dove, and The Golden Bowl—are among the greatest and most demanding achievements of modern fiction. The stories they tell are perverse: characters are compelling even at their most cruel, their actions often calculating and loving at the same time. The novels draw on deep-seated myths but end with an unsettling lack of finality. And their dense, involuted language tracks the movements of consciousness with uncompromising artistry—the ultimate flowering of the Late James style. In this work of experimental criticism, John Brenkman is concerned with minimalism in two senses. First, with James’s own minimalism—his intense scrutiny of couples and their erotic energies to the exclusion of so much else. And second, through a kind of minimalization in literary critical reading, Brenkman cuts through James’s amplifications to find the essence that churns beneath the intricate prose of the late novels. Showing how James evokes not only protagonists’ subjectivity but more importantly what only exists in-between—that is, between lovers, between spouses, between rivals—Brenkman reveals James’s transformation of the marriage novel and excavation of the couple form itself.
James the Minimalist

James the Minimalist

John Brenkman

THE UNIVERSITY OF CHICAGO PRESS
2026
nidottu
An experiment in criticism that explores Henry James’s late works through the lens of minimalism. Henry James’s last completed novels—The Ambassadors, The Wings of the Dove, and The Golden Bowl—are among the greatest and most demanding achievements of modern fiction. The stories they tell are perverse: characters are compelling even at their most cruel, their actions often calculating and loving at the same time. The novels draw on deep-seated myths but end with an unsettling lack of finality. And their dense, involuted language tracks the movements of consciousness with uncompromising artistry—the ultimate flowering of the Late James style. In this work of experimental criticism, John Brenkman is concerned with minimalism in two senses. First, with James’s own minimalism—his intense scrutiny of couples and their erotic energies to the exclusion of so much else. And second, through a kind of minimalization in literary critical reading, Brenkman cuts through James’s amplifications to find the essence that churns beneath the intricate prose of the late novels. Showing how James evokes not only protagonists’ subjectivity but more importantly what only exists in-between—that is, between lovers, between spouses, between rivals—Brenkman reveals James’s transformation of the marriage novel and excavation of the couple form itself.
James Clarke Hook

James Clarke Hook

Juliet McMaster; Robin Simon

MCGILL-QUEEN'S UNIVERSITY PRESS
2023
sidottu
Though his father had faced bankruptcy, James Clarke Hook (1819–1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea.James Clarke Hook, Juliet McMaster’s lively biography of the brilliant but underappreciated Victorian painter, brings the reader through Hook’s rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as a painter of contemporary rural and coastal scenes. Part of the secret of Hook’s success was his resolution to paint the final large canvas of his seascapes onsite, braving wind and weather – for which he invented an easel that was adaptable to uneven terrain. McMaster’s research led her to retrace the painter’s footsteps to the rocky headlands and sheltered bays where, over a hundred years ago, Hook had set up his easel to capture the tang of sea. McMaster connects Hook, an academician for half a century, with the major figures and movements of Victorian art – including the Pre-Raphaelites John Everett Millais and Holman Hunt, the etcher Samuel Palmer, and the painter and sculptor G.F. Watts.James Clarke Hook worked alongside the fishermen and rural families who populate and enliven his canvases; this book reinvigorates our understanding of his artistic process and unique sense of place.
James Joyce and the Revolt of Love

James Joyce and the Revolt of Love

J. Utell

Palgrave Macmillan
2012
sidottu
This study examines the representation of marital and extramarital relations in James Joyce's texts, with reference to context and to Joyce's biography. Utell claims that Joyce uses these relations to imagine a different kind of love, one based in a radical acceptance and a rejection of a utilitarian and sexually repressive stance towards marriage.
James II and the Trial of the Seven Bishops
The trial of the seven bishops in 1688 was a signifcant prelude to the Glorious Revolution, as popular support for the bishops led to a widespread welcome for William of Orange's invasion. Their prosecution showed James II at his most intolerant, and threatened the only institution for which most English people felt more loyalty than the monarchy.
James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays
This collection of comparative critical and theoretical essays examines James Baldwin and Toni Morrison's reciprocal literary relationship. By reading these authors side-by-side, this collection forges new avenues of discovery and interpretation related to their representations of African American and American literature and cultural experience.
The Cinema of James Cameron

The Cinema of James Cameron

James Clarke

Wallflower Press
2014
sidottu
This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works.
The Cinema of James Cameron

The Cinema of James Cameron

James Clarke

Wallflower Press
2014
pokkari
This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works.
James Bond Will Return

James Bond Will Return

Columbia University Press
2024
sidottu
For over six decades, James Bond has been a fixture of global culture, universally recognizable by the films’ combination of action set pieces, sex, political intrigue, and outrageous gadgetry. But as the British Empire entered the final stages of collapse, as the Cold War wound down and the “War on Terror” began, and as the visions of masculinity and femininity the series presented began to strike many viewers as outdated, the Bond formula has adapted to the changing times. Spanning the franchise’s entire history, from Sean Connery’s iconic swagger to Daniel Craig’s rougher, more visceral interpretation of the superspy, James Bond Will Return offers both academic readers and fans a comprehensive view of the series’s transformations against the backdrop of real-world geopolitical intrigue and sweeping social changes.Leading scholars consider each of the twenty-five films in the series, showing how and why Bond has changed and what elements of the formula have stood the test of time. Each chapter examines a single film from a distinct position, giving readers a full picture of the variety and breadth of the longest-running series in cinema history. Close formal readings; production histories; tracings of the political, social, and historical influences; analyses of the series’ use of then-new filmmaking technologies; reflections on the star personas that have been built around the character—these and many more approaches combine to produce a wide-ranging view of the James Bond film franchise. Essential reading for Bond scholars and aficionados alike, James Bond Will Return brings out the many surprising complexities of an iconic character.
James Bond Will Return

James Bond Will Return

Columbia University Press
2024
pokkari
For over six decades, James Bond has been a fixture of global culture, universally recognizable by the films’ combination of action set pieces, sex, political intrigue, and outrageous gadgetry. But as the British Empire entered the final stages of collapse, as the Cold War wound down and the “War on Terror” began, and as the visions of masculinity and femininity the series presented began to strike many viewers as outdated, the Bond formula has adapted to the changing times. Spanning the franchise’s entire history, from Sean Connery’s iconic swagger to Daniel Craig’s rougher, more visceral interpretation of the superspy, James Bond Will Return offers both academic readers and fans a comprehensive view of the series’s transformations against the backdrop of real-world geopolitical intrigue and sweeping social changes.Leading scholars consider each of the twenty-five films in the series, showing how and why Bond has changed and what elements of the formula have stood the test of time. Each chapter examines a single film from a distinct position, giving readers a full picture of the variety and breadth of the longest-running series in cinema history. Close formal readings; production histories; tracings of the political, social, and historical influences; analyses of the series’ use of then-new filmmaking technologies; reflections on the star personas that have been built around the character—these and many more approaches combine to produce a wide-ranging view of the James Bond film franchise. Essential reading for Bond scholars and aficionados alike, James Bond Will Return brings out the many surprising complexities of an iconic character.