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1000 tulosta hakusanalla Keith Alan Hamilton

Keith Grant

Keith Grant

Judith LeGrove

LUND HUMPHRIES PUBLISHERS LTD
2023
sidottu
Having travelled extensively throughout his life, Grant has drawn inspiration from landscapes from Antarctica to the tropics, While attracted to northerly territories (he has lived in Norway since 1996), the subject matter of Grant's bold images varies from marine volcanoes and rainforests to icebergs and glaciers. Dynamic and vital, elemental palettes conjure up abstracted fiery drama to figurative icy stillness. Seen collectively, the work reveals a creative energy that finds many forms of expression. This translates into an original visual language that questions and probes how we see the world around us. Much more than images, Grant's remarkable artistic contribution not only provides paintings that capture the world's beauty, but also extend our understanding of the environment, climate and the fundamental importance of nature.
Keith Kyle, Reporting the World

Keith Kyle, Reporting the World

Kyle Keith

I.B. Tauris
2009
sidottu
Keith Kyle was 'the epitome of the intellectual journalist' and the foremost historian of the Suez War. In this, his posthumously published autobiography, he takes the reader on a spectacular and exhilarating journey through the political history of the later 20th century, to the heart of world-shaking international crises where great events, people and places come to life. The clarity, expertise, enthusiasm and essential modesty with which he wrote gave his international audience the vital feeling of involvement and being there. Here was a reporter - and he claimed to be no more - of rare skill, intelligence, humanity and true moral purpose. Keith Kyle's extraordinary career took him from history at Oxford with A.J.P. Taylor, military service in India and Burma (ending as 'an unlikely infantry captain'), to the BBC World Service. He was recruited for The Economist by Geoffrey Crowther to act as Political and Parliamentary Correspondent in Washington, where he was at the epicentre of world politics. He was in Washington when the Suez crisis broke - the subject of his major history, Suez: Britain's End of Empire in the Middle East, which has defined the subject to the present. Keith Kyle's radio and television journalism brought him into countless British homes as BBC Talks Producer but he also held political ambitions which saw him contesting - unsuccessfully - St Albans and Braintree for Labour and Northampton South for the SDP/Alliance. In Keith Kyle's last years his life evolved from his years of vivid reporting of world politics, to scholarly research and writing at the John F Kennedy Institute of Politics at Harvard; St Antony's College, Oxford; the RIIA at Chatham House; and, the University of Ulster, where he was Visiting Professor of History.
Keith Waterhouse: Collected Plays

Keith Waterhouse: Collected Plays

Keith Waterhouse

Oberon Books Ltd
2012
nidottu
Keith Waterhouse is one of Britain’s most popular writers in nearly every field. This collection brings together for the first time his most celebrated plays from a career spanning more than forty years.Our Song is a warm, tender, romantic drama, infused with moments of great humour. Pulling himself out of the rut of his middle-aged executive lifestyle, Roger Piper stumbles into a sixteen-month tempestuous affair.Billy Liar tells the story of a funeral parlour worker with a humdrum life, who spends most of his time dreaming of ways to escape his drab existence in Yorkshire. Adapted from his celebrated novel.Jeffrey Bernard is Unwell Gambler, journalist, fervent alcoholic, four-times married Jeffrey Bernard writes the‘Low Life’ column for the Spectator magazine. Locked in The Coach and Horses in Soho overnight, he has time to reflect on a dissolute life.Good Grief is a sensitive, wryly humorous study of a middle-aged widow, coming to terms with bereavement, who finds the courage to break with the past.Mr and Mrs Nobody is an adaptation of George and Weedon Grossmith’s comic novel The Diary Of A Nobody and Mrs Pooter’s Diary. A respectable Victorian clerk has lofty social aspirations.
Keith Haring

Keith Haring

Tate Publishing
2019
nidottu
Keith Haring (1958 -1990) is widely recognised for his colourful paintings, drawings, sculptures and murals. Haring exploded onto the early 1980s New York art scene with his vivid graffiti-inspired drawings, many of which found exposure in the public realm, such as the Times Square billboard broadcast of his famous Radiant Child in 1982. Haring's instantly recognisable `cartoon-like' imagery not only drew on the iconography of contemporary pop and club culture but also looked back to the patterns and rhythms of Islamic and Japanese art, and primitive wall-paintings,. Furthermore his work also reflected a profound commitment to social justice and activism, and raised numerous issues that remain relevant today, including the AIDS crisis, the Cold War and fear of nuclear attack, racism, the excesses of capitalism and environmental degradation. Featuring around fifty works supported by rarely seen photography, film and archival documents from the Keith Haring Foundation, this accessible book will not only introduce Haring to a new audience but also throw fresh light on an artist whose work remains symptomatic of the subcultural and creative energy of 1980s New York. Three short texts exploring various aspects of Haring's practice will be interspersed with illustrations of his works and a rolling time-line featuring key social and political events of the 1980s (from the election of Reagan in 1980 and the explosion of hip hop from underground movement to global phenomenon to the fall of the Berlin Wall in 1989) and Haring's responses to them. The publication also aims to include select and unpublished reminiscences from those who collaborated and interacted with Haring, including performers such as Madonna and Grace Jones and artists Jenny Holzer and Yoko Ono.
Keith Joseph

Keith Joseph

Andrew Denham; Mark Garnett

Acumen Publishing Ltd
2001
sidottu
This volume charts the political career of Keith Joseph. The authors challenge Joseph's self-declared conversion to Conservatism in 1974 and the importance of his "education" of Margaret Thatcher. His own ambition, intellectual integrity and consistency are all examined.
Keith Joseph

Keith Joseph

Andrew Denham; Mark Garnett

Acumen Publishing Ltd
2002
nidottu
Hailed by Margaret Thatcher as the founder of modern conservatism, Keith Joseph is commonly ranked among the most influential politicians of the late-20th century. A complex and enigmatic figure Joseph was almost unique among Mrs Thatcher's senior ministers in refusing to write his own memoirs. Challenging both the "mad monk" view held by his critics and his status of mythical hero to his admirers, the authors present a picture of Joseph as a thinker and decision-maker. the authors tell of Joseph's formative years before he entered Parliamnet in 1956: the powerful Jewish dynasty into which Josph was born; his time at Harrow; at Oxford; his war years in the Royal Artillery; and his Fellowship at All Souls. This volume charts the political career of Keith Joseph. The authors challenge Joseph's self-declared conversion to Conservatism in 1974 and the importance of his "education" of Margaret Thatcher. His own ambition, intellectual integrity and consistency are all examined and a different picture emerges of his role as the intellectual driving force behind Conservative Government policy in the 1980s.
Keith Dockray's Road to Oblivion

Keith Dockray's Road to Oblivion

Mark Jones

Bristol Folk Publications
2020
pokkari
Keith Dockray's Road to Oblivion chronicles the life of a reclusive, manic-depressive, retired, gay, medieval historian/author and is a follow-up to the 2008 autobiography, Memoirs of a Yorkshire Bastard. It covers Keith's life from pension age (as was) to the grand old age of 75, or, in Keith's terms, the years of being a '...knackered, old bastard.' Part of being a knackered, old bastard involved outsourcing of what was meant to be another autobiographical work to his next-door neighbour. So, this is literally next-door to an autobiography It's a cheery, little read and the icing on the cake is that it's probably a road map for many of us, once we reach a certain age. As for a clue to Keith's opinions, the following quotes probably tell you a lot. "Now, after four decades of heavy smoking and drinking, I can contemplate a no doubt premature death with equanimity. Progressing to an inevitably lonely, and probably decrepit, old age in an ever more materialistic, technology-obsessed and paranoid society has no appeal whatever. My...fear is of an arrogant and over-powerful but philosophically bankrupt medical profession single-mindedly yet pointlessly dedicated to the preservation of life, of however poor a quality, at all costs. Euthanasia has got to be the better option; I hope, when the time comes, I have the nerve to take it." (2003.) "40+ years of hedonism are now definitely beginning to take their toll but] even if young again, I'd still reject the option of a healthy lifestyle...I've avoided doctors like the plague for most of my adult life, and certainly don't fancy the largely pointless existence now prescribed for elderly wrecks by the NHS..." (2009.) "Now in my 75th year, I'm strongly inclined to trust only doctors who are both humanists/atheists and firm believers in the right of the elderly to choose their own time/manner of death. Presumably, this means the NHS might well prove of no use to me whatever " (2018.) Yes, it's a cheery, little read.
Keith Cunningham: Dancers
Keith Cunningham’s art remained largely unseen by the public until 2016, when his widow and a small group of friends organised an intimate exhibition in Hackney, London. Since then, his reputation has grown steadily. As more of his extraordinary body of work comes to light, the world gains a fuller understanding of this understated yet remarkable artist. By the 1980s, Cunningham had shifted away from his large, rough canvases, turning instead to creating thousands of vibrant hand-drawn pieces. Some of these works, bursting with colour, movement and life, depict female dancers in the throes of dynamic, frenzied performances. A carefully curated selection of these drawings has now been brought together in this publication. Keith Cunningham: Dancers presents 327 full-scale colour reproductions of these exquisite, previously unseen artworks. Vividly rendering their intense colours and delicate lines, they showcase a variety of techniques, reflecting Cunningham’s diverse influences, ranging from graphic design to traditional drawing and abstract art. Organised into three thematic sections — Rhythm, Light, and Form — the collection is accompanied by an introductory essay by the acclaimed art writer Gabrielle Schwarz.
Keith Cunningham: Sky Studies, Volume I
Keith Cunningham: Sky Studies, Volume I is the first in a dedicated series exploring a lesser-known yet profoundly lyrical aspect of the artist’s output. Bringing together 1,488 full-colour reproductions, this volume focuses on Cunningham’s sustained visual inquiry into the sky as a subject. These works, presented here for the first time, span just under a decade and demonstrate the intensity of Cunningham’s studio practice. Executed in a range of media including pastel, ink and watercolour, the studies reveal an artist deeply attuned to the emotional and atmospheric possibilities of light, colour and movement. Some are fleeting impressions; others verge on abstraction, conjuring vast atmospheric spaces or dense, brooding cloud formations. Arranged chronologically and accompanied by an introductory text on the history and meanings of the sky as an artistic subject, the volume offers a significant contribution to Cunningham’s legacy.
Keith Cunningham: Drawings, Volume I
Keith Cunningham: Drawings, Volume I is the first of two publications dedicated to the graphic work of one of Britain’s most compelling yet overlooked artists. Focusing on drawings that depart from his early experiments of the 1950s, this volume brings together over 1,900 full-colour reproductions, most of which have never before been published or exhibited. In the 1950s and 1960s, while also working within the commercial art world, Cunningham immersed himself in an intensely personal drawing practice. These early works – characterised by their immediacy, variation and emotional intensity – reflect a restless, searching imagination. Shifting fluidly between abstraction and figuration, they reveal Cunningham’s deep engagement with texture, gesture and the expressive potential of line. Arranged chronologically and accompanied by details of date, size and medium, the drawings offer an intimate glimpse into the artist’s evolving visual language. This volume also includes a biography and an introductory text, providing historical context and critical insight. ?Keith Cunningham: Drawings, Volume I is a foundational step toward acknowledging the full scope of this artist’s remarkable legacy.
Keith Cunningham: Sky Studies, Volume II
Keith Cunningham: Sky Studies, Volume II continues the exploration of the artist’s profound engagement with the sky as a site of emotional and visual inquiry. Presenting over 1,500 full-colour reproductions, this second volume spans the early 1990s to the final years of Cunningham’s artistic output, revealing a body of work marked by increasing subtlety, depth and introspection. These late studies, executed largely in watercolour, demonstrate a distilled, meditative approach. Shifting between luminous washes and stark monochromes, the skies in these works are not just observed but felt – fleeting atmospheres rendered with restraint and sensitivity. Organised chronologically and captioned with details of date, size and medium, the volume traces a period of sustained focus and refinement, reflecting on Cunningham’s evolving relationship with landscape and light. Sky Studies, Volume II conveys the artist’s enduring curiosity and creative intensity, bringing to the fore a lesser-known but deeply resonant facet of his legacy.
Keith Cunningham: Drawings, Volume II
Keith Cunningham: Drawings, Volume II continues the series dedicated to the graphic work of one of Britain’s most quietly compelling artists. This second volume presents 1,937 full-colour reproductions of drawings created between the mid-1980s and early 2000s – a period marked by increasing refinement and experimentation in Cunningham’s practice. These works are published here for the first time, reproduced in high resolution and full colour. While retaining the emotional intensity and immediacy of his earlier work, these later pieces show a heightened sensitivity to rhythm, space and process. The line becomes more rapid, the compositions more spare, yet no less charged with energy and feeling. Arranged chronologically and accompanied by details of date, size and medium, the collection traces a crucial phase in the artist’s ongoing search for expression. Keith Cunningham: Drawings, Volume II is an essential addition to the unfolding portrait of a singular, overlooked talent whose legacy continues to grow.
Keith Cunningham: Paintings
Keith Cunningham was one of the most compelling and mysterious artists of the twentieth century. Born in Sydney, 1929, he left school at 15 to start work as a graphic designer. In 1949, he moved to London where he studied at the Central School of Design (now Central Saint Martins) before pursuing painting at the Royal College of Art in 1952. A very private man, Cunningham stopped exhibiting his paintings in 1967; his paintings from the 1950s and 60s were sealed inside his flat in Battersea for half a century until his death in 2014. Keith Cunningham: Paintings is a landmark publication that presents his paintings and drawings for the first time. The book features full colour reproductions of 108 paintings and 33 sketch drawings, with visible influences from Spanish masters, such as Goya, and Cunningham's contemporary Francis Bacon. The artworks are accompanied by a chronology, an illustrated essay from art historian James Cahill, as well as personal texts from Cunningham’s wife and fashion illustrator, Bobby Hillson, and abstract painter Frank Bowling, who modelled for Cunningham before attending art school himself. Published in a large-format hardback book, this is a unique title showcasing the work of a private yet remarkable artist.
Keith Cunningham: The Cloud of Witness
Rediscovering the sombre oeuvre of a little-known School of London painter Keith Cunningham (1929–2014) was an elusive member of the School of London alongside Bacon and Auerbach. His paintings are coated in layers of dense, sculptural brushstrokes and populated by skulls, fighting dogs and human figures. This publication offers a rediscovery of his oeuvre, featuring reproductions of over 70 works.
Happy Birthday—Love, Keith

Happy Birthday—Love, Keith

Keith Richards

Dean Street Press Limited
2023
nidottu
A Birthday Card in Book Form Features nearly 90 witty and inspirational quotations, and a page for inscribing your personal birthday message.Born under the lucky sign of Sagittarius, Keith Richards has wandered across the planet . . . well, like a rolling stone. These days he's living as a gentlemen farmer in verdant Connecticut, but still playing; the last thing he will ever consider is the concept of retirement. Why not crank up "Sympathy for the Devil", then sit back and enjoy, in his own words, a glimmer of the unique spirit Keith Richards?Birthdays come but once a year. Who better to help celebrate yours than someone equally legendary? On your special day, enjoy the gift of wit and wisdom from Keith Richards-The Human Riff.
Keith DeLacy, A Philosophical Journey

Keith DeLacy, A Philosophical Journey

Keith Delacy

Connor Court Publishing Pty Ltd
2021
pokkari
What are they saying about his new book: Jim Kennedy AO'We need more Keith DeLacys in the Queensland Government.' - John Roskam;'DeLacy weaves together a tale of family, sport, politics, and business with candour, humanity, and profound insight. Anyone who wants to understand modern Australia must read this important and significant work.'- Gary Johns: 'When he became Treasurer in the Wayne Goss government he knew that Labor had a bad reputation for reckless spending. He set about making sure that he would not repeat the mistakes of other administrations. He succeeded. De Lacy has had a celebrated career after politics as a company director and entrepreneur.- Don Nissen: 'I met Keith DeLacy in the early 1990's ... We shared mutual friends & a deep love of sport soon becoming close friends ourselves. This friendship has grown over the 25 plus years since & remains something that I treasure today.'- Sir Leo Hielscher AC: 'What an achiever. What a friend... Keith DeLacy has had a remarkable and one of the most extensive and successful careers of any person I know.'- Martin Kriewaldt'Queensland was fortunate to have had a man of courage, common sense and practical experience: at the controls at exactly that moment when opportunity came knocking. Fortunately, his CV omitted to mention a Ph.D. from the University of Life and Hard Knocks. This is sometimes better than a Harvard MBA.'- Jennifer Marohasy: 'He knew everyone that mattered and tells some of their story as well as his - that begins with communist tobacco growers back in the 1930s. This the history of Queensland, and also of politics, and how one man grew and changed with it.'- Graham Young: 'With a personal trajectory from tobacco, tin mining, sugar, Communism and dirt-floored houses to the glittering glass towers of Brisbane, Keith's personal story is an inspirational Queensland yarn. It refreshes & enlightens a century of Queensland history.'- Nick Trompf: 'His legacy for Cairns is considerable, not just the key role he played in establishing James Cook University's campus, the city's art gallery or the world-acclaimed Convention Centre but also the leadership he showed for numerous local organisations...'
Keith Sonnier: Portals
Keith Sonnier (born 1941), along with his contemporaries Eva Hesse, Barry Le Va, Bruce Nauman, Richard Serra, Joel Shapiro and Richard Tuttle, was a leader in Postminimalist art who radically reinvented sculpture in the late 1960s. The artist experimented with previously unused materials—latex and satin, found objects, transmitters and video—until he settled upon his signature work with neon. Sonnier sketches lines, arches and curves before rendering them in glass tubing enclosed neon, creating works of line and color that become architectural installations. Keith Sonnier: Portals documents the artist’s latest eponymous series of 14 wall-mounted sculptures, in which neon is investigated architecturally as well as iconographically, serving as an entrance point for readers to examine Sonnier’s process. The artist has taken the orphic allegory of the portal and explored its various historical manifestations with delightful humor, evoking something more corporeal than architectural in the tension between penetration and accommodation.