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Gretchen - Morderin, Verfuhrte, Unschuldige?: Goethes Margarete in Interdisziplinarer Perspektive

Gretchen - Morderin, Verfuhrte, Unschuldige?: Goethes Margarete in Interdisziplinarer Perspektive

Universitatsverlag Winter
2018
sidottu
Der Band versammelt die Beitrage zu den "Gretchen-Tagen", einem interdisziplinaren und spartenubergreifenden Symposium, das im Jahr 2015 vom Faust-Museum und Faust-Archiv Knittlingen ausgerichtet wurde. Dabei stand zum ersten Mal die Margareten-Figur des 'Faust' im Mittelpunkt, die doch bislang weitaus weniger Interesse der Forschung geweckt hatte als Faust selbst oder Mephisto. Acht umfangreiche Beitrage nahern sich der 'verfuhrten Unschuld' aus verschiedenen Perspektiven: Die soziale Lage historischer Kindsmorderinnen wird ebenso beleuchtet wie okonomische, asthetische und poetologische Aspekte von Goethes Drama. Der beruhmten 'Gretchen-Frage' wird theologisch nachgespurt, und Praktiker aus Theater und Oper berichten vom dramaturgischen und theaterpraktischen Umgang mit dem 'Fall Gretchen'. Neben einem Ausblick auf Goethes Apotheose des Weiblichen in 'Faust II' schliesst der Band mit einem literaturwissenschaftlichen Austausch uber weitergehende Forschungsansatze zu einer der vielschichtigsten Frauengestalten, die Goethe je geschaffen hat.
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Sisterhood and After

Sisterhood and After

Margaretta Jolly

Oxford University Press Inc
2019
sidottu
This ground-breaking history of the UK Women's Liberation Movement shows why and how feminism's 'second wave' mobilized to demand not just equality but social and gender transformation. Oral history testimonies power the work, tracing the arc of a feminist life from 1950s girlhoods to late life activism today. Peppered with personal stories, the book casts new light on feminist critiques of society and on the lives of prominent and grassroots activists. Margaretta Jolly uses oral history as creative method, making significant use of Sisterhood and After: The Women's Liberation Oral History Project to animate still-unresolved controversies of race, class, sexuality, disability, and feminist identity. Women activists vividly recall a divisive education system, the unevenness of sexual liberation and the challenges of Thatcherism, Northern Ireland's Troubles and the policing of minority ethnic communities. They illuminate key campaigns in these wider contexts, and talk of the organizational and collaborative skills they struggled to acquire as they moved into local government, NGOs and even the business sector. Jolly provides fresh insight into iconic actions including the Miss World Protest, the fight to protect abortion rights, and the peace protest at Greenham Common. Her accounts of workplace struggles, from Ford and Grunwick to Women Against Pit Closures and Women and Manual Trades, show how socialist ideals permeated feminism. She explores men's violence and today's demands for trans-liberation as areas of continuing feminist concern. Jolly offers a refreshingly jargon-free exploration of key debates and theoretical trends, alongside an appreciation of the joyfully personal aspects of feminism, from families, homes, shopping and music to relationships, health, aging, death and faith. She concludes by urging readers to enter the archives of feminist memory to help map their own political futures. Her work will appeal to general readers, scholars and practitioners alike.
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Defend the Valley

Defend the Valley

Margaretta Barton Colt

Oxford University Press Inc
1999
nidottu
Located in a strategic position in the Shenandoah Valley, Winchester, Virginia witnessed the Civil War in a way unlike any other town in America. In Defend the Valley, the story of the war is told through the letters and private papers of the Bartons and Joneses, In gathering together her ancestors' papers, Margaretta Barton Colt has done far more than provide a record of the Civil War. She has brought it to life with astounding clarity through the voices of those who lived it. These two families sent eleven men into battle, most in the brigade led by Thomas "Stonewall" Jackson. Culled from the private papers of twenty family members, the material represented here includes letters, diaries, and memoirs. The book benefits from the vivid recollections found in the soldiers first-hand descriptions of the battles, and the responses from the home front. The result is a fully-rounded picture of the daily struggle of the Civil War, and the passing of a way of life.
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Sisterhood and After

Sisterhood and After

Margaretta Jolly

Oxford University Press Inc
2021
nidottu
This ground-breaking history of the UK Women's Liberation Movement shows why and how feminism's 'second wave' mobilized to demand not just equality but social and gender transformation. Oral history testimonies power the work, tracing the arc of a feminist life from 1950s girlhoods to late life activism today. Peppered with personal stories, the book casts new light on feminist critiques of society and on the lives of prominent and grassroots activists. Margaretta Jolly uses oral history as creative method, making significant use of Sisterhood and After: The Women's Liberation Oral History Project to animate still-unresolved controversies of race, class, sexuality, disability, and feminist identity. Women activists vividly recall a divisive education system, the unevenness of sexual liberation and the challenges of Thatcherism, Northern Ireland's Troubles and the policing of minority ethnic communities. They illuminate key campaigns in these wider contexts, and talk of the organizational and collaborative skills they struggled to acquire as they moved into local government, NGOs and even the business sector. Jolly provides fresh insight into iconic actions including the Miss World Protest, the fight to protect abortion rights, and the peace protest at Greenham Common. Her accounts of workplace struggles, from Ford and Grunwick to Women Against Pit Closures and Women and Manual Trades, show how socialist ideals permeated feminism. She explores men's violence and today's demands for trans-liberation as areas of continuing feminist concern. Jolly offers a refreshingly jargon-free exploration of key debates and theoretical trends, alongside an appreciation of the joyfully personal aspects of feminism, from families, homes, shopping and music to relationships, health, aging, death and faith. She concludes by urging readers to enter the archives of feminist memory to help map their own political futures. Her work will appeal to general readers, scholars and practitioners alike.
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A Visitable Past

A Visitable Past

Margaretta M. Lovell

University of Chicago Press
1989
sidottu
In this ambitious and imaginative study, Margaretta M. Lovell analyzes the large body of accomplished, sometimes startling, often brilliant work of American artists drawn to Venice's ragged splendor in the last century. Including major works by such diverse and talented painters as James McNeill Whistler, John Singer Sargent, and Maurice Prendergast, these richly varied paintings portray sleepy canals, architectural monuments, and scenes of picturesque everyday life while they also reveal surprising aspects of American culture.
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In Love and Struggle

In Love and Struggle

Margaretta Jolly

Columbia University Press
2008
sidottu
Winner of the 2009 Feminist and Women's Studies Association Book Prize Do you think I can be a feminist mother? Did I make you and your kisses up in my mind? Will you join our military protest at the gate? Will you feed the kids when I'm in prison? Are you able to forgive me for breaking off this correspondence because you are a man? During the women's movement of the 1970s and 1980s, feminists in the United States and Britain reinvented the image of the woman letter writer. Symbolically tearing up the love letter to an absent man, they wrote passionate letters to one another, exploring questions of sexuality, separatism, and strategy. These texts speak of the new interest women began to feel in one another and the new demands--and disappointments--these relationships would create. Margaretta Jolly provides the first cultural study of these letters, charting the evolution of feminist political consciousness from the height of the women's movement to today's e-mail networks. Jolly uncovers the passionate, contradictory emotions of both politics and letter writing and sets out the theory behind them as a fragile yet persistent ideal of care ethics, women's love, and epistolary art. She follows several compelling feminist relationships sustained through writing and confronts the mixed messages of the "open letter," which complicated political relations between women (such as Audre Lorde's "Open Letter to Mary Daly," which called out white feminists for their implicit racism). Jolly recovers the unsung literature of lesbianism and feminist romance, examines the ambivalent feelings within mother-daughter correspondences, and considers letter-writing campaigns during the peace movement. She concludes with a discussion of the ethical dilemma surrounding care versus autonomy and the meaning behind the burning or saving of letters. Letters that chart love stories, letters stowed away in attics, letters burnt at the end of romances, bittersweet letters written but never sent...this fascinating glimpse into women's intimate archives illuminates one of feminism's central concerns--that all relationships are political--and uniquely recasts a social movement in very emotional terms.
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In Love and Struggle

In Love and Struggle

Margaretta Jolly

Columbia University Press
2010
pokkari
Winner of the 2009 Feminist and Women's Studies Association Book Prize Do you think I can be a feminist mother? Did I make you and your kisses up in my mind? Will you join our military protest at the gate? Will you feed the kids when I'm in prison? Are you able to forgive me for breaking off this correspondence because you are a man? During the women's movement of the 1970s and 1980s, feminists in the United States and Britain reinvented the image of the woman letter writer. Symbolically tearing up the love letter to an absent man, they wrote passionate letters to one another, exploring questions of sexuality, separatism, and strategy. These texts speak of the new interest women began to feel in one another and the new demands--and disappointments--these relationships would create. Margaretta Jolly provides the first cultural study of these letters, charting the evolution of feminist political consciousness from the height of the women's movement to today's e-mail networks. Jolly uncovers the passionate, contradictory emotions of both politics and letter writing and sets out the theory behind them as a fragile yet persistent ideal of care ethics, women's love, and epistolary art. She follows several compelling feminist relationships sustained through writing and confronts the mixed messages of the "open letter," which complicated political relations between women (such as Audre Lorde's "Open Letter to Mary Daly," which called out white feminists for their implicit racism). Jolly recovers the unsung literature of lesbianism and feminist romance, examines the ambivalent feelings within mother-daughter correspondences, and considers letter-writing campaigns during the peace movement. She concludes with a discussion of the ethical dilemma surrounding care versus autonomy and the meaning behind the burning or saving of letters. Letters that chart love stories, letters stowed away in attics, letters burnt at the end of romances, bittersweet letters written but never sent...this fascinating glimpse into women's intimate archives illuminates one of feminism's central concerns--that all relationships are political--and uniquely recasts a social movement in very emotional terms.
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Painting the Inhabited Landscape

Painting the Inhabited Landscape

Margaretta M. Lovell

Pennsylvania State University Press
2023
sidottu
The impulse in much nineteenth-century American painting and culture was to describe nature as a wilderness on which the young nation might freely inscribe its future: the United States as a virgin land, that is, unploughed, unfenced, and unpainted. Insofar as it exhibited evidence of a past, its traces pointed to a geologic or cosmic past, not a human one. The work of the New England artist Fitz H. Lane, however, was decidedly different.In this important study, Margaretta Markle Lovell singles out the more modestly scaled, explicitly inhabited landscapes of Fitz H. Lane and investigates the patrons who supported his career, with an eye to understanding how New Englanders thought about their land, their economy, their history, and their links with widely disparate global communities. Lane’s works depict nature as productive and allied in partnership with humans to create a sustainable, balanced political economy. What emerges from this close look at Lane’s New England is a picture not of a “virgin wilderness” but of a land deeply resonant with its former uses—and a human history that incorporates, rather than excludes, Native Americans as shapers of land and as agents in that history.Calling attention to unexplored dimensions of nineteenth-century painting, Painting the Inhabited Landscape is a major intervention in the scholarship on American art of the period, examining how that body of work commented on American culture and informs our understanding of canon formation.
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Early Women Dramatists 1550–1801

Early Women Dramatists 1550–1801

Margarete Rubik

Red Globe Press
1998
nidottu
A comprehensive survey of women's drama between the Renaissance and the end of the eighteenth century, assessing the plays' characteristic features and the ruptures in the text indicating the writers' precarious social and artistic position and ambiguous stances to their own creativity and sex. Chapters are devoted to individual writers as well as to general developments in specific periods. The most significant plays are analysed in detail and related to the male literary canon of the time in order to stress both their originality and the existence of an, albeit tentative, female literary tradition.
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