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1000 tulosta hakusanalla Maria Moessner

Maria Mitchell and the Sexing of Science

Maria Mitchell and the Sexing of Science

Renee Bergland

Beacon Press
2018
pokkari
The story of one of America's first professional astronomers and the changes that led to science being a male-dominated field There are a number of intellectual women from the 19th century whose crucial roles in the philosophical, social, and scientific debates that roiled the era have not been fully examined.Among them is the astronomer Maria Mitchell. Given the relative dearth of women scientists today, most of us assume that science has always been a masculine domain. But as Ren e Bergland reminds us, science and humanities were not seen as separate spheres in the nineteenth century; indeed, before the Civil War, women flourished in science and mathematics, disciplines that were considered less politically threatening and less profitable than the humanities. Mitchell apprenticed with her father, an amateur astronomer; taught herself the higher math of the day; and for years regularly swept the clear Nantucket night sky with the telescope in her rooftop observatory. In 1847, thanks to these diligent sweeps, Mitchell discovered a comet and was catapulted to international fame. Within a few years she was one of America's first professional astronomers; as computer of Venus--a sort of human calculator--for the U.S. Navy's Nautical Almanac, she calculated the planet's changing position. After an intellectual tour of Europe that included a winter in Rome with Sophia and Nathaniel Hawthorne, Mitchell was invited to join the founding faculty at Vassar College, where she spent her later years mentoring the next generation of women astronomers. Tragically, opportunities for her students dried up over the next few decades as the increasingly male scientific establishment began to close ranks. Mitchell protested this cultural shift in vain. In this compulsively readable biography, Ren e Bergland chronicles the ideological, academic, and economic changes that led to the original sexing of science--now so familiar that most of us have never known it any other way.
Maria Marches On

Maria Marches On

John Russell Fearn

Wildside Press
2003
nidottu
John Russell Fearn (1908-1960) was an extremely prolific and popular British writer, who began in the American pulps, then almost single-handedly drove the post-World War II boom in British publishing with a flood of science fiction, detective stories, westerns, and adventure fiction. He employed numerous pseudonyms, such as Vargo Statten, Volstead Gridban, Hugo Blayn, Thorton Ayre, Polton Cross, Geoffrey Armstrong, Dennis Clive, John Cotton, Ephriam Winiki, Spike Gordon, and many others. He is noted for such grandly extravagant science fiction as _The Intelligence Gigantic_ and _The Liners of Time, _ "Mathematica," and the Golden Amazon series. He was so popular that one of his pseudonyms became the editor of VARGO STATEN'S SCIENCE FICTION MAGAZINE in the 1950's. His work is noted for its vigor amd wild imagination. He has always had a substantial cult following and has been popular in translation around the world.
Maria Szymanowska (1789-1831)

Maria Szymanowska (1789-1831)

Anna E. Kijas

Scarecrow Press
2010
sidottu
In Maria Szymanowska (1789-1831): A Bio-Bibliography, Anna E. Kijas examines the career of the highly-influential Polish pianist and composer. Kijas focuses on Szymanowska's life from her days as a young artist to her public concert tours between 1822 and 1828 to the last three years of her life in St. Petersburg. Kijas examines the daily aspects of touring, including organizing concerts, securing transportation and lodging, and managing finances, and she reviews Szymanowska's reception in the cities in which she performed, paying attention to her repertoire, the critic's remarks, ticket prices, and other artists on the program. Separated into Works, Discography, and Literature, the bibliography lists more than 100 compositions for piano, voice, and chamber ensemble. The discography provides details for CD, LP, and cassette recordings between 1960 and the present, and the literature section examines more than 120 primary source documents such as 19th-century reviews and advertisements, personal correspondence, journals, and scrapbooks. Secondary sources include articles, books, and essays about Szymanowska as a composer and pianist. Complete with a list of sources and an index, this comprehensive reference provides insight into the struggles and accomplishments related to concert life for a professional woman in early 19th-century Europe.
Maria Callas

Maria Callas

Arianna Huffington

Cooper Square Publishers Inc.,U.S.
2002
pokkari
For millions of people, the great soprano Maria Callas (1923-1977) remains the focus of such unparalleled fascination that there is still no higher praise for singers than "…the best since Callas." In this biography, Callas' career is brought brilliantly to life, from her transformation from a chubby, painfully shy girl into a magnificent, celebrated soprano, to her conflict with her larger-than-life image. Huffington makes this struggle, which was at the center of her life, also the center of the biography. Using a wealth of previously unpublished material and numerous first-hand interviews, Huffington documents Callas' interminable conflict with her mother, her deeply emotional relationship with her voice, the gradual unraveling of her first marriage, her passionate love affair with of Aristotle Onassis, her agony and humiliation at his leaving her, and her secret abortion.
Maria Martin's World

Maria Martin's World

Debra J. Lindsay

The University of Alabama Press
2018
sidottu
The first book-length treatment of one of John James Audubon’s background painters.Maria Martin (1796–1863) was an evangelical Lutheran from Charleston, South Carolina, who became an accomplished painter within months of meeting John James Audubon. Martin met Audubon through her brother-in-law, Reverend John Bachman, who befriended Audubon while passing through Charleston on route to Florida where he expected to find new avian species. Martin was an amateur artist, but by the time Audubon left, she had familiarized herself with his style of drawing. Six months after their initial meeting, her background botanicals were deemed good enough to embellish Audubon’s exquisite bird paintings.Martin’s botanicals and insects appeared in volumes two and four of The Birds of America (1830–1838). She painted snakes for John Edwards Holbrook’s North American Herpetology (1842) and assisted in drafting the descriptive taxonomies prepared by John Bachman—who later became her husband in 1848 following the death of her older sister—for The Viviparous Quadrupeds of North America (1846–1854). Until now, her contributions have been unknown to all but the most astute students of natural history and art history and a close circle of family and friends.Maria Martin’s World is a heavily illustrated volume examining how Maria Martin learned to paint aesthetically beautiful botanicals with exacting accuracy. Drawing on deep research into archival documents and family-held artifacts, Debra Lindsay brings Maria Martin out from behind the curtain of obscurity and disinformation that has previously shrouded her and places her centrally in her own time and milieu. In the telling of Maria Martin’s story, Lindsay also uncovers many nuances of the behavior and actions of the two prominent men in her life that readers interested in Audubon and Bachman will find noteworthy.Martin was a gifted artist recognized for having contributed beautiful paintings to a natural history. But beyond the natural world this is a biography of an evangelical Lutheran steeped in the faith of her German ancestors and raised to respect the patriarchal norms of her time. Maria Martin pursued her scientific and artistic interests only when they did not conflict with her religious and familial responsibilities.
Maria Speaks

Maria Speaks

Sarah Amira De la Garza

Peter Lang Publishing Inc
2004
nidottu
De la Garza weaves a powerful examination of the complex processes that work together to constrain self-expression in a woman of Mexican ancestry. The book demonstrates the use of a variety of creative and reflexive methodologies, including poetry, prayers, de/reconstructed narratives, autobiography, and letters to historical and cultural female archetypes of Mexican origin. This methodology of art as meditation , for obtaining insight into the dynamics of culture, is used to produce an autoethnographic study of how one can reclaim voice through rigorous interrogation of our own lives as cultural texts. De la Garza offers us a template for a new methodology, as applicable in academic studies of culture as it is in the everyday lives of those seeking to find voice within silenced cultural domains.
Maria of Agreda

Maria of Agreda

Marilyn H. Fedewa

University of New Mexico Press
2010
nidottu
Maria of Agreda's exceptional attributes spread from her cloistered convent in seventeenth-century Agreda (Spain) to the court in Madrid and beyond. Without leaving her village, the abbess impacted the kingdom, her church, and the New World. Based upon her transcendent visionary experiences, Sor Maria chronicled the life of Mary, mother of Jesus of Nazareth, in Mystical City of God, a work the Spanish Inquisition temporarily condemned. In America, reports emerged that she had miraculously appeared to Jumano Native Americans - a feat corroborated by witnesses in Spain, Texas, and New Mexico, where she is known as the legendary ""Lady in Blue."" Today Sor Maria is lauded in Spain as one of the most influential women in its history and in the United States as an inspiring pioneer. Fedewa's biography of this spirited abbess integrates voluminous autobiographical, historical, and literary sources published by and about Maria of Agreda.
Maria Montessori

Maria Montessori

Marion O'Donnell

Continuum International Publishing Group Ltd.
2007
sidottu
Maria Montessori is indisputably a major thinker in education. Marion O'Donnell's volume offers the most coherent account of Montessori's educational thought. This work is divided into: intellectual biography, critical exposition of Montessori's work, and, the reception and influence of Montessori's work and the relevance of the work today.This is a major international reference series providing comprehensive accounts of the work of seminal educational thinkers from a variety of periods, disciplines and traditions. It is the most ambitious and prestigious such project ever published - a definitive resource for at least a generation. The thinkers include: Aquinas, Aristotle, Bourdieu, Bruner, Dewey, Foucault, Freire, Holt, Kant, Locke, Montessori, Neill, Newman, Owen, Peters, Piaget, Plato, Rousseau, Steiner, Vygotsky, West and Wollstonecraft.
Maria Cornejo

Maria Cornejo

Maria Cornejo

Rizzoli International Publications
2017
sidottu
Maria Cornejo established her atelier in 1998, and in the nineteen years since her label has grown a devoted following of fashion icons including First Lady Michelle Obama. A champion of women in the fashion industry and beyond, Cornejo is guided by the idea of creating wearable luxury for real women. Her designs are timeless and accessible, using only the highest-quality fabrics to make minimalist, modern, understated luxury and effortless elegance. This is an intimate portrait of Cornejo s processes and inspirations that combines a mix of Polaroids, sketches, runway shots, and photographs created especially for this book by her fashion-photographer husband, Mark Borthwick, including images of Tilda Swinton, Cindy Sherman, and many other fashion muses. This much-anticipated volume will be a must-have for lovers of fashion, culture, and personal style alike.
La Caixa Collection: Maria Fusco

La Caixa Collection: Maria Fusco

Maria Fusco

Whitechapel Gallery
2019
nidottu
The first of four special publications to accompany a year-long display of works from Barcelona’s `la Caixa’ Collection at Whitechapel Gallery, selected by and featuring newlycommissioned fictional works by some of the most original English and Spanish-language writers working today. Established in Barcelona in 1985 by Fundación `la Caixa’, the `la Caixa’ Collection of Contemporary Art features over 1,000 works of international contemporary art from the last 30 years, including artists such as Antoni Tàpies, Joseph Beuys, Cornelia Parker and Doris Salcedo. For a major four-part display running from 2019–20, Whitechapel Gallery has partnered with `la Caixa’ Collection to showcase key pieces from the Collection, with each of the four `chapters’ curated by a contemporary writer, who will also contribute a brand new work of fiction in response to their selection. Each display will be accompanied by a fullyillustrated catalogue featuring the works displayed and the new text, accompanied by a foreword and introduction from both institutions.
Maria, Mota and the Grandmother

Maria, Mota and the Grandmother

Stella Houghton Alico

Sunstone Press
2019
pokkari
Little Maria doesn't want to go live with her grandmother. But grandmother is elderly and needs Maria's company even though they have to live in a one-room house away from all the familiar surroundings. Soon a kitten arrives and Maria comes to love her new world in this family story set in rural New Mexico at the turn of the century with photographic re-recreations by Jan Young. Includes glossary of Spanish terms.
Maria Wickert: Studies in John Gower

Maria Wickert: Studies in John Gower

Robert J. Meindl

State University of New York at Binghamton,Medieval Renaissance Texts Studies
2016
sidottu
Studies in John Gower is a translation of Maria Wickert’s Studien zu John Gower, the book that began the modern study of the Vox Clamantis. It is a monograph in six chapters, the first five on various aspects of the Vox — textual development, the vision of the Peasants’ Revolt, influence of the medieval sermon, the open letter to Richard II, world view — and the sixth a penetrating study of Gower’s narrative technique in the Confessio Amantis.
María Brito

María Brito

Martinez Juan A.

UCLA Chicano Studies Research Center Press
2009
sidottu
One of the most revered members of “the Miami Generation,” a group of Cuban-born artists who emigrated to the United States, María Brito is a painter, sculptor, and installation artist best known for her elaborately constructed room-like works that embody narratives of loss and displacement. Brito also draws on personal iconography to create challenging works that are at once deeply autobiographical and reflect a profound fluency with the history of Western art. In this new volume in the landmark A Ver series and the first major book on Brito’s career, Juan A. Martinez examines the unique interplay of the personal and the universal in this Miami-based artist’s diverse mixed-media works.
María Brito

María Brito

Juan A. Martinez

UCLA Chicano Studies Research Center Press
2010
nidottu
One of the most revered members of “the Miami Generation,” a group of Cuban-born artists who emigrated to the United States, María Brito is a painter, sculptor, and installation artist best known for her elaborately constructed room-like works that embody narratives of loss and displacement. Brito also draws on personal iconography to create challenging works that are at once deeply autobiographical and reflect a profound fluency with the history of Western art. In this new volume in the landmark A Ver series and the first major book on Brito’s career, Juan A. Martinez examines the unique interplay of the personal and the universal in this Miami-based artist’s diverse mixed-media works.
Maria: Always available

Maria: Always available

Richard Lee

Richard Lee Publishing
2020
nidottu
As interactions go, what happened the next morning was most unexpected. Roger's deep sleep was only slightly disturbed; so slight as to allow him to offer no visible indication that he was awake or aware of what was happening. Roger's head lay to the side pointing in the direction of the door and, also, the enchantress with her head beneath the sheets. He decided to open one eye just a tiny amount to see what might be visible to him.Roger was in awe of this beautiful young woman. He was also speechless. As he began to formulate a response, Serina rose slowly from her chair."Thank you, Roger. I better not keep you from your work any longer. Thanks for listening. I hope I haven't frightened you?"Serina turned and smiled an appreciative smile."You are such an attractive man Roger. Please don't lock your doors at night. Getting through windows is something neither I or my mother are good at."Serena gave a wicked laugh and smiled."Oh yes, there is one other thing, Roger. Mum knows about me just as I know about her. We support each other. We are very happy to either share, or take turns. Thanks, Roger. See you soon."The EROS CRESCENT novels take you on a journey like no other - to places you couldn't imagine - a female friendly sex club or a privately owned members-only dogging venue; the toy-boy life of a writer working on the Amalfi coast and much much more. MARIA and the other novellas - JESSICA, HELEN, MARY, THE CLUB and JANICE - are extracts taken from The Fifi Code, Eros Crescent and Mount Eros.
Maria: Santa Fe' to California. 1835, 1836
Caleb Landers travels into the Rocky Mountains and then to Alta California. The violence that was commonplace in this period of history is brought to life by Caleb and Mar a as they not only fight Indians and renegade whites, but also the elements while crossing the frontier. Mexico gained its independence from Spain in 1821. The lands from Texas to California first belonged to Mexico, then to Texas. Mexico owned the territory which stretched from Santa F to the 42nd parallel to the Sierra Nevada Mountains-including what is now Arizona, Utah, Wyoming, Oklahoma, and Colorado. It was a vast wasteland occupied by savage Indians and occasionally American or French-Canadian fur trappers who were frequently wilder than the savages. The plight of women in those early days was much different than that of today's liberated women; yet their intelligence, their needs, and their ambitions were the same. As Mar a matures and becomes sexually involved with Caleb and other lovers, her confusion is compounded by her sexuality, as well as the circumstances surrounding the women of that period.
Maria Pergay - Sketch Book

Maria Pergay - Sketch Book

Suzanne Demisch

Demisch Danant
2017
sidottu
Born in 1930, Maria Pergay is one of the most innovative and influential French furniture designers of her time, recognized internationally as an iconic tastemaker. A pioneer of material experimentation, she almost single-handedly transformed stainless steel from an industrial material into an elegant component of modern design. Maria Pergay: Sketch Book features never before seen drawings realized over the last decade. Fundamental elements of her design process, Pergay's charming and detailed drawings provide insight into her creative vision. Each one conjures the wondrous world of diverse references from which she draws.Over the last 60 years, Pergay has designed for fashion houses including Christian Dior and Jacques Heim, undertaken commissions for fashion designer Pierre Cardin, and designed the lobby for The World Trade Center in Brussels. Her works can be found in the permanent collection of The Metropolitan Museum of Art, New York, and displayed in the homes of leading collectors around the world.