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Michael Balint

Michael Balint

Andrew Elder; Robert Gosling; Harold Stewart

Routledge
1996
nidottu
Whilst Michael Balint's applied work is widely known, many of his theoretical contributions have been incorporated into everyday analysis without due recognition of their source. In this account of his thinking, Harold Stewart evaluates the extent of Balint's contribution to psychoanalysis and firmly re-establishes his place within the development of Object Relations theory.The first section examines Balint's theories of human psychological development, defining such concepts as primary love, ocnophilia and philobatia, the basic fault and the three areas of the mind. The author places Balint's understanding of the analyst's influence and technique in the context of his relationship with Sandor Ferenczi, his analyst and mentor.The second section of this work looks at how the "Balint Group" has contributed to the assessment and understanding of emotional problems in various areas, including general practice, marital work and psychosexual medicine. A charismatic teacher, Balint's method of work with General Practitioners has become an established worldwide institution. Features of this work, including the use of countertransference and the affective response of the doctor are vividly described here by two General Practitioners, Andrew Elder and Robert Gosling.Michael Balint: Object Relations, Pure and Applied brings alive Balint's teaching and practice and demonstrates the relevance of his theories to many of the problematic issues in current analytic practice.
Michael Porter
Michael Porter (b. 1947) has been described by The Economist as ‘the doyen of living management gurus’. Boldly introducing the language and concepts of economics into management theory, his work has focused on how a firm (or a region) can build a competitive advantage and develop a competitive strategy.Supplemented with the editors’ introduction, which places the gathered work in its historical and intellectual context, this new four-volume collection from Routledge brings together the best and most influential critical writing on Porter.
Michael J. Shapiro
Michael J. Shapiro’s writings have been innovatory with respect to the phenomena he has taken to be political, and the concomitant array of methods that he has brilliantly mastered. This book draws from his vast output of articles, chapters and books to provide a thematic yet integrated account of his boundary-crossing innovations in political theory and masterly contributions to our understanding of methods in the social sciences. The editors have focused on work in three key areas:DiscourseShapiro was one of the first theorists to demonstrate convincingly, and in a manner that has had a long-standing impact on the field, that language is not epiphenomenal to politics. Indeed, he shows that language is constitutive of politics. From his frequently-cited article on metaphor from the early 1980s to recent work on discourse and globalization, Shapiro has shown that politics happens not only with and through the use of language, but within discourse as a material practice.CultureGabriel Almond and Sidney Verba’s (1963) famous work on ‘The Civic Culture’ established a long-held but ultimately counterproductive relationship between culture and politics, one in which culture is an independent variable that has effects on politics. Samuel Huntington’s (1998) (in)famous polemic, ‘The Clash of Civilizations’, only pushes this relationship to its breaking point. Shapiro’s rich and numerous writings on culture provide a powerful and important antidote to this approach, as Shapiro consistently shows (across wide-ranging contexts) that politics is in culture and culture is in politics, and no politically salient approach to culture can afford to turn either term into a causal variable.ViolenceWhile violence is surely not a theme foreign to political studies, no one has done more or better work in contemporary political theory to bring violence into play as a central term of political thought and to expand our understanding of violence. By reconceptualizing and reinterpreting this term, Shapiro’s work has helped us to rethink the very boundaries between political theory and international relations as putatively separate subfields of political science. And it explains why both political theorists interested in International Relations and International Relations scholars concerned with a broader understanding of international politics must both start with Shapiro’s work as required reading.
Michael J. Shapiro
Michael J. Shapiro’s writings have been innovatory with respect to the phenomena he has taken to be political, and the concomitant array of methods that he has brilliantly mastered. This book draws from his vast output of articles, chapters and books to provide a thematic yet integrated account of his boundary-crossing innovations in political theory and masterly contributions to our understanding of methods in the social sciences. The editors have focused on work in three key areas:DiscourseShapiro was one of the first theorists to demonstrate convincingly, and in a manner that has had a long-standing impact on the field, that language is not epiphenomenal to politics. Indeed, he shows that language is constitutive of politics. From his frequently-cited article on metaphor from the early 1980s to recent work on discourse and globalization, Shapiro has shown that politics happens not only with and through the use of language, but within discourse as a material practice.CultureGabriel Almond and Sidney Verba’s (1963) famous work on ‘The Civic Culture’ established a long-held but ultimately counterproductive relationship between culture and politics, one in which culture is an independent variable that has effects on politics. Samuel Huntington’s (1998) (in)famous polemic, ‘The Clash of Civilizations’, only pushes this relationship to its breaking point. Shapiro’s rich and numerous writings on culture provide a powerful and important antidote to this approach, as Shapiro consistently shows (across wide-ranging contexts) that politics is in culture and culture is in politics, and no politically salient approach to culture can afford to turn either term into a causal variable.ViolenceWhile violence is surely not a theme foreign to political studies, no one has done more or better work in contemporary political theory to bring violence into play as a central term of political thought and to expand our understanding of violence. By reconceptualizing and reinterpreting this term, Shapiro’s work has helped us to rethink the very boundaries between political theory and international relations as putatively separate subfields of political science. And it explains why both political theorists interested in International Relations and International Relations scholars concerned with a broader understanding of international politics must both start with Shapiro’s work as required reading.
Michael Harrington

Michael Harrington

Robert Gorman

Routledge
1995
nidottu
In this provocative biographical portrait, Robert A. Gorman examines the political and intellectual life of this engaging radical thinker while looking ahead to the ways in which the work and example he has left us can affect political life in the twenty-first century. Michael Harrington's major attempt to Americanize socialism plays a big part in Gorman's analysis. He tells readers how it is possible to be both radical and patriotic and how an unjust system can be transformed without being destroyed.
Michael Jordan Speaks

Michael Jordan Speaks

Janet Lowe

JOHN WILEY SONS INC
2001
nidottu
Words and wisdom from Chicago Bulls #23: Mega-superstar, "His Airness" He is the most successful player to ever wear a basketball uniform. On the court and off the court, Michael has entertained the world as a pitchman, movie star, spokesperson, and an extraordinary athlete-although not the greatest baseball player. For the first time ever, bestselling author Janet Lowe has compiled a portrait from Michael's own words. Michael Jordan Speaks touches upon everything about the sport, his mega-superstar status, and his life, culled from articles, newscasts, and interviews.
Michael Moore

Michael Moore

The University of Michigan Press
2010
nidottu
For more than twenty years, Michael Moore has transformed himself from a marginal filmmaker into a cultural icon, unofficial spokesperson for liberals and the Left. American conservatives constantly use him for target practice and target. Book author, film director, television personality, and Web presence, Moore is now a one-man cultural phenomenon. Although Michael Moore is a constant presence on the media landscape, this is the first volume to focus on the Moore phenomenom. It explores Moore's work in film and elsewhere, bringing diverse perspectives on his activities and status as voice of liberal America and the disenfranchised working class. Topics examined include the disjunction between Moore's celebrity status and everyman, middle-western persona, his self-mocking ironic sensibility, his tendency to diagnose American social and political problems in terms of class rather than gender, his reception abroad, and his uneasy relationship with the conventions of documentary filmmaking. The contributors are leading scholars and film critics, including Paul Arthur, Cary Elza, Jeffrey P. Jones, Douglas Kellner, Richard Kilborn, William Luhr, Charles Musser, Richard R. Ness, Miles Orvell, Richard Porton, Sergio Rizzo, Christopher Sharrett, Gaylyn Studlar, and David Teztlaff. The volume features both assessments of Moore's work in general and close analyses of his most successful films. The result is a definitive assessment of Moore's career to date.Matthew Bernstein is Professor and Chair of Film Studies at Emory University. He is author of Walter Wanger: Hollywood Independent.
Michael Moore

Michael Moore

The University of Michigan Press
2010
sidottu
For more than twenty years, Michael Moore has transformed himself from a marginal filmmaker into a cultural icon, unofficial spokesperson for liberals and the Left. American conservatives constantly use him for target practice and target. Book author, film director, television personality, and Web presence, Moore is now a one-man cultural phenomenon. Although Michael Moore is a constant presence on the media landscape, this is the first volume to focus on the Moore phenomenom. It explores Moore's work in film and elsewhere, bringing diverse perspectives on his activities and status as voice of liberal America and the disenfranchised working class. Topics examined include the disjunction between Moore's celebrity status and everyman, middle-western persona, his self-mocking ironic sensibility, his tendency to diagnose American social and political problems in terms of class rather than gender, his reception abroad, and his uneasy relationship with the conventions of documentary filmmaking. The contributors are leading scholars and film critics, including Paul Arthur, Cary Elza, Jeffrey P. Jones, Douglas Kellner, Richard Kilborn, William Luhr, Charles Musser, Richard R. Ness, Miles Orvell, Richard Porton, Sergio Rizzo, Christopher Sharrett, Gaylyn Studlar, and David Teztlaff. The volume features both assessments of Moore's work in general and close analyses of his most successful films. The result is a definitive assessment of Moore's career to date.Matthew Bernstein is Professor and Chair of Film Studies at Emory University. He is author of Walter Wanger: Hollywood Independent.
Michael Pearson's Traditional Knitting

Michael Pearson's Traditional Knitting

Michael Pearson

Dover Publications Inc.
2015
nidottu
After visiting the remote fishing villages of Scotland and England, Michael Pearson compiled this extensive record of unique, centuries-old patterns. His sources include oral traditions, documents, family albums, and photos. Pearson combines a social history of the villages and the living history of these crafts with detailed patterns and practical instructions for knitters. Richly illustrated, including 32 pages in color.
'Michael Field'

'Michael Field'

Thain Marion

Cambridge University Press
2010
pokkari
'Michael Field' (1884–1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de siècle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study.
'Michael Field'

'Michael Field'

Marion Thain

Cambridge University Press
2007
sidottu
'Michael Field' (1884–1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de siècle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study.