Axel Munthe (1857-1949) var en svensk läkare, författare, kosmopolit, filantrop och övertygad djurvän. Han var bl.a. drottning Victorias livläkare fram till hennes död 1930. Som författare har han blivit mest känd för Boken om San Michele (1929), som gjorde honom världsberömd. Den blev en internationell bestseller och har översatts till fler än 60 språk. Boken kan närmast beskrivas som en fantasirik och underhållande blandning av filosofiska funderingar kring livet och döden, medicinsk etik, djurens rätt och inte alltid helt sanna historier ur författarens händelserika liv. I fokus för boken står dock Munthes dröm om att bygga ett hus på Capri, en dröm han kom att förverkliga. I ett av bokens företal diskuteras varför den blev en sådan enorm bestseller. Bland de förklaringar som fördes fram och återgavs av Munthe fanns att ”den boken är olik varenda bok jag någonsin läst” och att ”den mannen är olik alla andra människor jag någonsin råkat.”
Michele Garicoits (1797-1863) e stato un sacerdote diocesano di origine basca, figlio di agricoltori poveri ma fedeli alla Chiesa anche nel periodo di persecuzioni della Rivoluzione francese. Nel 1835, trovandosi ex superiore del seminario di Betharram, fonda una societa di predicatori pronti ad accorrere dove il vescovo indica maggior bisogno: la congregazione del Sacro Cuore di Gesu di Betharram (Betharramiti). Garicoits basa il carisma della famiglia religiosa sull'Incarnazione, cogliendone gli aspetti di tenerezza (il Sacro Cuore) e di obbedienza al Padre da parte del Figlio che si fa uomo. Canonizzato nel 1947, Garicoits ha lasciato una fitta corrispondenza, eredita dell'attivita come direttore d'anime. Manca invece un'opera teorica organica. Il corpus dottrinale del sacerdote basco si deve al padre betharramita Pierre Duvignau che l'ha organizzato in due opere tra cui La dottrina spirituale di cui per la prima volta viene pubblicata la traduzione in italiano.
This legal text, "Per I Ricorrenti Pasquale Ferrante E Michele Placido Di Minervino Murge Accusati Di Assassinio Premeditato", delves into the legal arguments presented on behalf of Pasquale Ferrante and Michele Placido, residents of Minervino Murge, who were accused of premeditated murder. The central issue revolves around the interpretation of Article 41 of the Law on Jurors of June 8, 1874. This document provides valuable insight into 19th-century Italian legal proceedings and the application of the jury system. Authored by Ferdinando Lambert and Stanislao Antonio Manfredi, the text offers a detailed examination of the legal nuances surrounding the case and the specific statute in question. It represents an important historical record for those interested in Italian legal history and the complexities of criminal justice during this period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This legal text, "Per I Ricorrenti Pasquale Ferrante E Michele Placido Di Minervino Murge Accusati Di Assassinio Premeditato", delves into the legal arguments presented on behalf of Pasquale Ferrante and Michele Placido, residents of Minervino Murge, who were accused of premeditated murder. The central issue revolves around the interpretation of Article 41 of the Law on Jurors of June 8, 1874. This document provides valuable insight into 19th-century Italian legal proceedings and the application of the jury system. Authored by Ferdinando Lambert and Stanislao Antonio Manfredi, the text offers a detailed examination of the legal nuances surrounding the case and the specific statute in question. It represents an important historical record for those interested in Italian legal history and the complexities of criminal justice during this period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The First Professional Revolutionist: Filippo Michele Buonarrati, 1761-1837 is a biographical account of the life of Filippo Michele Buonarrati, an Italian revolutionary who played a significant role in the political and social upheavals of the late 18th and early 19th centuries. Written by historian Elizabeth L. Eisenstein, the book chronicles Buonarrati's upbringing, education, and early political activism, as well as his involvement in key events such as the French Revolution and the Napoleonic Wars.Eisenstein explores Buonarrati's role as a professional revolutionary, highlighting his dedication to the cause of political and social reform and his willingness to take risks and make sacrifices in pursuit of his goals. She also examines the challenges and obstacles that Buonarrati faced, including imprisonment, exile, and the shifting political landscape of the time.Drawing on a range of primary sources, including Buonarrati's own writings and correspondence, as well as contemporary accounts and historical records, Eisenstein provides a detailed and nuanced portrait of this complex and fascinating figure. The First Professional Revolutionist offers a compelling insight into the tumultuous period of European history in which Buonarrati lived, as well as the motivations and ideals that drove him to become one of the era's most influential revolutionaries.A Biographical Essay.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
HEXANNE is a Demoncaster trained to exorcise the possessed students of HALLOWCREST HIGH This book is the reference photo shoot for the comic book character
Travelling in Women’s History with Michèle Roberts’s Novels: Literature, Language and Culture is a journey to discover Roberts’s work as a feminist writer, novelist and memoirist. An overall analysis and detailed overview of Michèle Roberts’s novels first provide the reader with a study of Roberts’s rewriting of stories that have been inspired by historical, mythological and religious women who gain a voice in her fiction. Not only will the content of Roberts’s novels be explored but also its connection to form, as this feminist writer has always linked body to language. Second, the book analyses personal and public discoveries in Roberts’s memoir, Paper Houses: A Memoir of the ‘70s and Beyond (2007). The personal, professional and political journeys the writer-protagonist strolls in London will be part of a feminist culture and language that the memoirist preserves in her autobiography. Finally, two conversations with Michèle Roberts from 2003 and 2010 are presented in a last chapter in order to illustrate Roberts’s arguments when writing as a woman.
Zw lf in T cher gewickelte Leichen auf dem Friedhof San Michele wecken Carlas Neugier. Durch ihr Hobby ger t sie in allergr te Gefahr. Noch mehr Leichen f r San Michele in Venedig?
