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Nancy @ Ninety

Nancy @ Ninety

Richard Francis Harteis

Poets Choice Publishing
2018
pokkari
Several years after William Meredith sustained a major stroke, well-meaning friends and therapists suggested that art therapy might be helpful to develop motor skills for the affected hand. We'd heard of a legendary teacher from Montgomery College and approached her about taking William on as a student. That interaction grew into a lifetime friendship which brings us to the present exhibition sponsored by the William Meredith Foundation.It turned out that motor coordination was not the problem to be dealt with. William's aphasia made understanding intellectual concepts difficult - negative space, anatomical accuracy, and all the technical requirements of sculpture were difficult to grasp for him. Nancy had a remarkable talent for reaching him, trapped under ice, as it were, and they did the dance teacher and student engage in when learning happens at its best. And characteristically, William moved on to other challenges with language once he had completed several rather remarkable portrait sculptures. Their friendship abided, however and resulted in years of travel to Bulgaria, Florida, New England, and Europe. Nancy had become family. Friends love her for her modesty, intellectual honesty, and spiritual authority. She really is something of a "wise woman," and lends her opinion at bible study at the crack of dawn each Thursday morning before returning home to teach. She plans to be "roomates" with her friend Lizzy at the Columbarium at St. Columba Episcopal Church and despite the friends who have dropped off the planet lately, she remains committed to life's pleasures. Again, as Meredith writes in "His Plans for Old Age," He is founding a sect for the radical old, freaks you may call them but you're wrong, who persist in being at home in the world, who just naturally feel it's a good bind to be in, let the young feel as uncanny as they like. And another poet comes to mind when I consider the realistic, accepting and balanced view of where she stands at this point in her life. At the end of her poem, "When Death Comes," Mary Oliver writes: When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world.Nancy doesn't have to worry in this regard. She has more than made of her life "something particular and real." The sculptures remain a testament to her sterling intelligence and unique view of reality and the world. Everyone who loves her is so grateful that this charming girl turned into the woman we all admire. As Meredith says of Simone de Beauvoir in her "civilized Gallic gloom: " "may she be loved and beautiful without wrinkles until it takes carbon dating to determine her age." And may she continue to entertain us with her beautiful work for years to come.
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Nancy Drew Anthology: Writing & Art Featuring Everybody's Favorite Female Sleuth

Nancy Drew Anthology: Writing & Art Featuring Everybody's Favorite Female Sleuth

Silver Birch Press

Silver Birch Press
2016
nidottu
Writing & Art inspired by Nancy Drew from 97 contributors around the world -- from A to Z: Kathleen Aguero, Kimmy Alan, E. Kristin Anderson, Amanda Arkebauer, Roberta Beary, Sujoy Bhattacharya, Julie E. Bloemeke, Steve Bogdaniec, Anne Born, Tanya Bryan, Kathy Burkett, Bill Capossere, Sylvia Cavanaugh, Tricia Marcella Cimera, Ellen Cohen, Christine Collier, Linda Crosfield, Ashini J. Desai, Kristina England, Paul Fericano, Jennifer Finstrom, Jennifer Fisher, Deirdre Flint, Lea Shangraw Fox, Linda McCauley Freeman, Shivapriya Ganapathy, Erica Gerald Mason, Vijaya Gowrisankar, Geosi Gyasi, Maureen Hadzick-Spisak, Kathleen M. Heideman, Jennifer Hernandez, Kathleen Hogan, Juleigh Howard-Hobson, Mark Hudson, Mathias Jansson, Alice-Catherine Jennings, Jessie Keary, Elizabeth Kerper, Phyllis Klein, Tricia Knoll, Laurie Kolp, Jennifer Lagier, Kathleen Lawrence, Jenna Le, Joan Leotta, Kristie Betts Letter, Lorette C. Luzajic, Marieta Maglas, Ksenya Makarova, Shah Mankerian, Susan Martinello, Karen Massey, Cathy McArthur, Nancy McCabe, Catfish McDaris, Patricia McGoldrick, Michelle McMillan-Holifield, Carolina Morales, Lylanne Musselman, Kaitlynn Nichol, Sarah Nichols, Faye Pantazopoulos, Lee Parpart, Stephanie R. Pearmain, James Penha, David Perlmutter, Robert Perret, Anna Pesnell, Jessica Purdy, Cynthia Todd Quam, Patrick T. Reardon, Nancy Reddy, Luisa Kay Reyes, Jeannie E. Roberts, Stephen D. Rogers, M.A. Scott, Shloka Shankar, Sheikha A., Sogol Shirazi, Donna JT Smith, Hilary A. Smith, Massimo Soranzio, Elizabeth Stark, Virginia Chase Sutton, Dorothy Swoope, Shrehya Taneja, Marjorie Tesser, Marion Tickner, Melanie Villines, Sarah Broussard Weaver, Mercedes Webb-Pullman, A. Garnett Weiss, Lin Whitehouse, Martin Willitts Jr, Marilyn Zelke-Windau.
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Nancy Graves

Nancy Graves

Mitchell-Innes Nash
2019
nidottu
Published on the occasion of an exhibition of works by sculptor, painter and printmaker Nancy Graves (1939–95), Mapping focuses on her paintings and works on paper dealing with maps. Graves investigated the subject of mapmaking throughout her career, and the collection of pieces selected here from the early- to mid-1970s offers a representative survey of her concern with maps of natural phenomena, specifically the newly available satellite images of temperature and weather patterns on the Earth, the Moon and Mars. By this point in her career Graves had already been given, at age 29, a solo exhibition at the Whitney, becoming the fifth woman to do so. With an essay by curator Robert Storr, Mapping is published on the 50th anniversary of the first manned moon landing, and is an important addition to the literature on this prolific postwar artist.
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Nancy Brandon's Mystery (Esprios Classics)

Nancy Brandon's Mystery (Esprios Classics)

Lilian Garis

Blurb
2024
pokkari
Lilian C. Garis, born Lilian C. McNamara (20 October 1873 - 19 April 1954) was an American author who wrote hundreds of books of juvenile fiction between around 1915 and the early 1940s. Prior to this, she was a reporter for the Newark Evening News in New Jersey. Garis and her husband, Howard R. Garis, were possibly the most prolific children's authors of the early 20th century. For the Stratemeyer Syndicate she wrote under the pseudonym Margaret Penrose and Laura Lee Hope, with her works including some of the earliest books in the Bobbsey Twins series as well as the Dorothy Dale series. But Mrs. Garis also wrote some books under her own name. Her husband, Howard Roger Garis was also a Syndicate writer and DJ on WNJR. Her children Roger and Cleo also wrote juvenile fiction.
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Nancy Brandon (Esprios Classics)

Nancy Brandon (Esprios Classics)

Lilian Garis

Blurb
2024
pokkari
Lilian C. Garis, born Lilian C. McNamara (20 October 1873 - 19 April 1954) was an American author who wrote hundreds of books of juvenile fiction between around 1915 and the early 1940s. Prior to this, she was a reporter for the Newark Evening News in New Jersey. Garis and her husband, Howard R. Garis, were possibly the most prolific children's authors of the early 20th century. For the Stratemeyer Syndicate she wrote under the pseudonym Margaret Penrose and Laura Lee Hope, with her works including some of the earliest books in the Bobbsey Twins series as well as the Dorothy Dale series. But Mrs. Garis also wrote some books under her own name. Her husband, Howard Roger Garis was also a Syndicate writer and DJ on WNJR. Her children Roger and Cleo also wrote juvenile fiction.
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Nancy Hanks Lincoln, a Frontier Portrait

Nancy Hanks Lincoln, a Frontier Portrait

Harold Edward 1896- Briggs; Ernestine Bennett Briggs

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Nancy Hanks Lincoln, a Frontier Portrait

Nancy Hanks Lincoln, a Frontier Portrait

Harold Edward 1896- Briggs; Ernestine Bennett Briggs

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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