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1000 tulosta hakusanalla Robert Cornforth

Robert Altman

Robert Altman

Mitchell Zuckoff

Random House USA Inc
2010
pokkari
Robert Altman--visionary director, hard-partying hedonist, eccentric family man, Hollywood legend--comes roaring to life in this rollicking oral biography. After an all-American boyhood in Kansas City, a stint flying bombers in World War II, and jobs ranging from dog tattoo entrepreneur to television director, Robert Altman burst onto the scene in 1970 with M*A*S*H. He reinvented American filmmaking, and went on to produce such masterpieces as McCabe & Mrs. Miller, Nashville, The Player, Short Cuts, and Gosford Park. In Robert Altman, Mitchell Zuckoff has woven together Altman's final interviews; an incredible cast of voices including Meryl Streep, Warren Beatty, Paul Newman, among scores of others; and contemporary reviews and news accounts into a riveting tale of an extraordinary life.
Robert Redford: The Biography

Robert Redford: The Biography

Michael Feeney Callan

VINTAGE
2012
nidottu
Robert Redford is among the most widely admired Hollywood stars of his generation, renowned for his iconic roles as the Sundance Kid, Bob Woodward and Jay Gatsby, and celebrated for his fierce commitment to environmental causes, independent filmmaking, and his Sundance Film Festival. Yet only now, in this revelatory biography written in close collaboration with the extraordinary actor and director himself, do we see the complex man beneath the Hollywood fa ade.
Robert Lowell, Setting the River on Fire

Robert Lowell, Setting the River on Fire

Kay Redfield Jamison

Vintage Books
2018
nidottu
A Pulitzer Prize Finalist In this magisterial study of the relationship between illness and art, the best-selling author of An Unquiet Mind brings a fresh perspective to the life and work of Pulitzer Prize-winning poet Robert Lowell. In his poetry, Lowell put his manic-depressive illness (now known as bipolar disorder) into the public domain, and in the process created a new and arresting language for madness. Here Dr. Kay Redfield Jamison brings her expertise in mood disorders to bear on Lowell's story, illuminating not only the relationships between mania, depression, and creativity but also how Lowell's illness and treatment influenced his work (and often became its subject). A bold, sympathetic account of a poet who was--both despite and because of mental illness--a passionate, original observer of the human condition.
Robert Mitchum: Baby, I Don't Care

Robert Mitchum: Baby, I Don't Care

Lee Server

St. Martin's Griffin
2002
nidottu
One of the movies' greatest actors and most colorful characters, a real-life tough guy with the prison record to prove it, Robert Mitchum was a movie icon for an almost unprecedented half-century, the cool, sleepy-eyed star of such classics as The Night of the Hunter; Heaven Knows, Mr. Allison; Cape Fear; The Longest Day; Farewell, My Lovely; and The Winds of War. Mitchum's powerful presence and simmering violence combined with hard-boiled humor and existential detachment to create a new style in movie acting: the screen's first hipster antihero-before Brando, James Dean, Elvis, or Eastwood-the inventor of big-screen cool. Robert Mitchum: "Baby, I Don't Care" is the first complete biography of Mitchum, and a book as big, colorful, and controversial as the star himself. Exhaustively researched, it makes use of thousands of rare documents from around the world and nearly two hundred in-depth interviews with Mitchum's family, friends, and associates (many going on record for the first time ever) ranging over his seventy-nine years of hard living. Written with great style, and vividly detailed, this is an intimate, comprehensive portrait of an amazing life, comic, tragic, daring, and outrageous.
Robert Ludlum's the Moscow Vector: A Covert-One Novel

Robert Ludlum's the Moscow Vector: A Covert-One Novel

Robert Ludlum; Patrick Larkin

St. Martin's Griffin
2005
nidottu
For the past three decades Robert Ludlum's bestselling novels have been enjoyed by hundreds of millions of readers worldwide and have set the standard against which all other thrillers are measured. His Covert-One series has been among his most beloved creations. Now comes the latest thrilling novel in the series: Robert Ludlum's The Moscow Vector At an international conference in Prague, Lt. Col. Jon Smith, an Army research doctor specializing in infectious diseases and secretly an agent attached to Covert-One, is contacted by a Russian colleague, Dr. Valentine Petrenko. Petrenko is concerned about a small cluster of mysterious deaths in Moscow and about the Russian government's refusal to release publicly any information or data on the outbreak. When the two meet, they are attacked by a group of mysterious men and Petrenko is killed. His notes and medical samples are lost, and Smith barely escapes with his life. At the same time, a series of government officials around the world are coming down with a mysterious, fast-acting virus with a 100% fatality rate. These deaths are somehow related to the increasing militarism from the new Russian government, headed by the autocratic and ambitious President Victor Dudarev. With few clues and precious little time, Smith and Covert-One must unravel this mysterious plot and find the mysterious figure who stands at the center of it all..
Robert Ward

Robert Ward

Kenneth Kreitner

Greenwood Press
1988
sidottu
A prolific American master whose work is rooted in the tonal tradition of nineteenth-century Romanticism, Robert Ward has had a long, varied, and successful musical career. Ward is noted for his keyboard and chamber music, songs and choral works, orchestral compositions, and operas, especially his musical rendering of The Crucible, which has become an established feature of the contemporary operatic repertoire. In this latest volume in the Bio-Bibliographies in Music series, Kenneth Kreitner presents a comprehensive bibliographic guide that includes the composer's complete works, recordings of his music, and relevant critical literature.In the introductory biographical section, Kreitner discusses Ward's life and career and examines the influence that have shaped his musical style. The complete list of works is arranged chronologically and supplies basic bibliographic data such as information on premieres and other selected performances. A discography offers data on commercially-produced recordings and an annotated bibliography lists writings by and about Ward and his music. The different sections are fully cross-referenced, and several indexes are provided. An important tool for scholars engaged in research on contemporary classical music, this volume will also be of interest to reference librarians and performing organizations.
Robert M. La Follette, Sr.

Robert M. La Follette, Sr.

Carl R. Burgchardt

Greenwood Press
1992
sidottu
This reference is the only book-length work to analyze all of the major speeches of one of the most significant politicians of the first part of the twentieth century, Robert La Follette, Sr. His speeches offer historic snapshots into the Progressive era and of the thinking of an outstanding governor of Wisconsin, U.S. senator, and social agitator. This rhetorical biography analyzes key speeches and provides texts demonstrating how Senator La Follette used melodramatic scenarios to enlist citizens in his reform crusade against the gravest danger that he saw in this country. This reference also provides texts of his most important speeches, a chronology of his major orations, and a lengthy bibliography. This unique volume is designed for students and specialists in political communication, rhetorical criticism, and American studies.This systematical analysis of Senator La Follette's public speeches is a short and highly readable history of the Progressive era, World War I and its aftermath, and the early 1920s from the perspective of a leading political figure of the times. The analysis of La Follette's rhetorical strategy illuminates his use of confrontational tactics, such as the filibuster in Congress to educate the voter and to plead for reforms that he considered essential. This reference provides the texts of five seminal orations and the most complete bibliography of speeches available to date.
Robert Burton and The Anatomy of Melancholy
For more than a century after its initial publication in 1621, The Anatomy of Melancholy was extensively praised and almost as widely read as the Bible. A masterpiece of style and a unique compendium of insights and curious information, Burton's wide-ranging treatise on psychology and philosophy has earned a special place in English literature and continues to interest modern scholars. This new reference is the only complete and up-to-date bibliography of primary and secondary material devoted to Burton and his most famous work. Following a brief biography of Burton and an introductory discussion of The Anatomy of Melancholy and its history, Conn offers a list of important editions and reprints of the Anatomy, together with principal extracts editions. The second section is devoted to theses and dissertations on the subject and the third to other secondary sources. Entries are consecutively numbered and listed by author. Comprehensive indexes list citations by date, topic, and title. Thoroughly researched and painstakingly checked for errors, this volume represents a definitive update of earlier Burton bibliographies.
Robert Silverberg's Many Trapdoors

Robert Silverberg's Many Trapdoors

Charles Elkins; Martin Greenberg

Praeger Publishers Inc
1992
sidottu
One of the most popular, prolific, and important science fiction writers, Robert Silverberg is given penetrating analyses by major scholars and critics of the genre. Extending beyond the conventions of popular culture and pulp science fiction, the seven essayists assess Silverberg's body of work as being manifest of the modernist literary tradition, exploring techniques, such as irony, and themes, such as the fragility of identity, utopia and dystopia, and spirituality and transcendence.Noted Silverberg scholar Thomas Clareson contributes an overview of Silverberg's literary career from his first story published in 1954 to the present, and the editors provide a bibliography of his fiction and selected secondary studies, referring to Clareson's definitive bibliography. The trapdoor metaphor used in the title relates to an observation by critic Russell Letson on the complexity of reading Silverberg, which he compares to an experience of one of Silverberg's characters: What seems to be a firm foundation for reality may in fact turn out to be a trapdoor.
Robert Russell Bennett

Robert Russell Bennett

George J. Ferencz

Greenwood Press
1990
sidottu
This volume presents the life and works of Robert Russell Bennett, whose prolific career as composer and arranger spanned much of the twentieth century. George J. Ferencz chronicles how Bennett's concert works, orchestrations, and commercial scores both reflected and enhanced the musical vitality of New York City, where he spent most of his professional life. Although Bennett enjoyed commercial success, his stylistic preferences embraced the classics, and Ferencz appropriately focuses his study on Bennett's original concert works rather than his popular scores.Ferencz introduces the artist with a lengthy biographical profile, followed by a complete list of works and selected performances which features compositions rather than arrangements in an effort to document those works most representative of Bennett's singular talent. All of Bennett's known commercial recordings are cataloged in the discography, and an annotated bibliography highlights writings about the composer and his works. Subsequent appendixes list commercial orchestrations and original scores for shows, film, and television, and a full index completes the work.
Robert Mitchum

Robert Mitchum

Jerry Roberts

Greenwood Press
1992
sidottu
Robert Mitchum's bad boy reputation that colors his public profile has been both earned and undeserved. Jerry Roberts discusses the actor's career, his cult status, his under-appreciated talent, his forgotten films, and his nonchalance.This book catalogues previously published information on Mitchum, taking a full measure of the actor and describing the events that occasionally brought him more notoriety than his movies. The book's biographical essay and annotated filmography scrutinize his performing style. Many yarns about Mitchum have been repeated and modified into legend. But much of the Mitchum myth has been just that: myth. The final word here on various rumors and stories comes from the confirmations, clarifications and corrections made by Robert Mitchum during an interview with the author and in correspondence with several members of the Mitchum family. As with the other Bio-Bibliographies in the Performing Arts, this biographical essay is followed by a chronology, annotated filmography, television, stage, recording and writing credits, list of awards, annotated bibliography listing 1,300 entries and a comprehensive index.
Robert Wise

Robert Wise

Frank Thompson

Greenwood Press
1995
sidottu
The first book-length study of the career of the director of such classic films as The Day the Earth Stood Still, West Side Story, and The Sound of Music, this volume combines thorough cast and crew credits, critical responses, awards and nominations, production notes, and comments from the director himself resulting in a unique overview of a remarkable career. In addition, a complete annotated bibliography of all books, articles, and interviews by or about Wise is included. An interesting feature is the examination of many of his unproduced projects.Wise's career began with RKO as an editor for such films as Citizen Kane (1941) and The Magnificent Ambersons (1942), when he then stepped in for director Gunther von Fritsch to complete Curse of the Cat People (1944). At 20th-Century Fox, Wise directed The Day the Earth Stood Still (1951), Somebody Up There Likes Me (1956), and Run Silent, Run Deep (1958). West Side Story (1961), which Wise codirected with choreographer Jerome Robbins, marked the beginning of the third phase of his career, a period marked by mammoth productions that met with overwhelming approval commercially and critically. West Side Story The Sound of Music (1965), one of the highest grossing films in history, though Wise considers The Haunting (1963) his best film. Though Wise's films since 1965 have rarely been box-office successes, he has done intriguing and varied work such as The Andromeda Strain (1971), The Hindenburg (1975), and Audrey Rose (1977).
Robert Benchley

Robert Benchley

Gordon E. Ernst

Greenwood Press
1995
sidottu
This book is the first full-length annotated bibliography of the works of humorist Robert Benchley. It contains chapters on his books, essays, newspaper writings, dramatic criticism, plus a filmography and a discography. Also included is a chapter on secondary sources about his life. When humorist Robert Benchley died in 1945 at the age of 56, he left behind a large body of little-known material. Some of this material was collected into book form during and after Benchley's lifetime, but much of it remains uncollected. This annotated bibliography brings together in one volume citations to most of Benchley's collected and uncollected works. The volume contains chapters on Benchley's books, essays, newspaper writings, dramatic criticism, secondary sources about him, a filmography, and a discography. The books chapter contains all of Benchley's major books and lists the contents of each. The chapters on his essays and newspaper writings detail his work for such publications as the New Yorker, Life, Liberty, Vanity Fair, the New York Tribune, New York World, and the Chicago Tribune. The dramatic criticism chapter contains all his theater reviews, for Life and the New Yorker, with the titles of the reviewed plays and the authors for each. Entries are numbered, cross-referenced, and indexed to assist the reader.
Robert Ludlum

Robert Ludlum

Gina Macdonald

Greenwood Press
1997
sidottu
There's more than meets the eye in the fiction of the master of the espionage thriller Robert Ludlum. In a study that examines seventeen of Ludlum's novels in depth, including the latest, The Apocalypse Watch (1995), Macdonald uncovers the serious themes running through the novels: the role of the individual in preserving democracy, the value of competing voices, the failure of educational institutions to preserve ideals, the temptations of power, the importance of personal loyalties in the face of impersonal organizations, and the nature of evil. She shows how Ludlum's novels are valuable in helping us to understand modern paranoia—our fear of conspiracies, terrorism, barbarism, and intolerance. A personal interview granted by Ludlum for this book illuminates the influences on his craft, especially his long experience in the theater, which affects his sense of pacing, characterization, humor, and suspense.After an initial biographical chapter, Macdonald examines Ludlum's literary roots in suspense novels and discusses the genre. Each succeeding chapter examines a group of his novels tied together thematically or, in the case of the Bourne series, by recurring characters. The discussion of each novel is organized into sections on plot and structure, character, and theme, and features an alternate critical interpretation, such as Freudian, Marxist, or reader response criticism, which offers the reader another fresh perspective from which to examine the concerns of the novel. Novels covered in depth are: Trevayne, The Cry of the Halidon, The Scarlatti Inheritance, The Rhinemann Exchange, The Gemini Contenders, The Holcroft Covenant, The Road to Gandolfo, The Road to Omaha, The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum, The Matarese Circle, The Parsifal Mosaic, The Aquitaine Progression, The Icarus Agenda, The Scorpio Illusion, and The Apocalypse Watch. This critical companion includes an up-to-date bibliography of all of Ludlum's published works, as well as selected reviews of all works examined in this study.
Robert E. Lee

Robert E. Lee

Brian C. Melton

Greenwood Press
2012
sidottu
This biography provides a concise, accurate, and lively account of one of the best known yet least understood figures of the Civil War, Robert E. Lee, depicting him as a human being instead of a legend, making him accessible as a person.Robert E. Lee: A Biography takes one of the best known and least understood figures of the American Civic War down from his pedestal as an iconic, legendary hero and transforms him into a human being that 21st-century readers can easily relate to. Author Brian Melton clearly separates fact from the idealized lore and fiction created after the Civil War by members of what has been termed "the Lee cult." Through the book's thorough, clear, and accessible presentation, and its inclusion of accurate historical details—for example, Lee's status as an incurable flirt—General Lee becomes a fascinating and compelling mortal man.Intended for both high school students and the general public, this biography will offer a thorough and unbiased examination of Lee's life and military career. Readers will be able to clearly trace the steps that led Lee to prominence—both before and during the Civil War—and discover how his actions helped shape the American military.
Robert Louis Stevenson and the Appearance of Modernism
Despite attracting the admiration of Modernists like Nabokov and Borges, Stevenson remains for many an apologist for the lost world of the romance. This is not only to misread and simplify his fiction, it is greatly to undervalue his lively, forward-looking literary essays. Strenously resisting the authority of the literary 'fathers' (though haunted by the complexities of paternity), Stevenson reveals strong affinities with emergent Modernism. It is from this perspective that Alan Sandison's latest book (the first to appear for nearly thirty years) conducts a lively and readable re-examination of this often underrated writer.
Robert Browning

Robert Browning

S. Wood

Palgrave Macmillan
2001
sidottu
Browning both denied and affirmed the value of biography for an understanding of literature. This book narrates the development of his controversial creative life through responses to his work by five key nineteenth-century figures: John Stuart Mill, William Charles Macready, Thomas Carlyle, John Ruskin and Matthew Arnold. It also relates Browning's sense of literary vocation to Victorian publishing. Browning emerges as a writer vividly engaged with contemporary assumptions, yet deeply aware of the unaccountability of writing.
Robert Browning

Robert Browning

S. Wood

Palgrave Macmillan
2001
nidottu
Browning both denied and affirmed the value of biography for an understanding of literature. This book narrates the development of his controversial creative life through responses to his work by five key nineteenth-century figures: John Stuart Mill, William Charles Macready, Thomas Carlyle, John Ruskin and Matthew Arnold. It also relates Browning's sense of literary vocation to Victorian publishing. Browning emerges as a writer vividly engaged with contemporary assumptions, yet deeply aware of the unaccountability of writing.
Robert Louis Stevenson

Robert Louis Stevenson

Palgrave Macmillan
1995
nidottu
Amongst the classics of children's literature, Treasure Island and Kidnapped remain as popular today as ever. And in recent years, there has been a wave of fresh enthusiasm for the author of these novels, with the publication of several new biographies and collections of his letters. Stevenson's reputation has soared and his travel writing is now thought to be of particular interest, providing a unique insight into life on the South Sea islands. This fascinating volume brings together the most memorable interviews and recollections from a wealth of material, portraying the life and times of one of the nineteenth-century's most successful writers.