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Robert Penn Warren and American Idealism

Robert Penn Warren and American Idealism

John Burt

Yale University Press
2014
pokkari
Robert Penn Warren has distinguished himself in many areas of endeavor—as a poet, a novelist, a critic, and an observer of American history and politics. In this book, John Burt examines Warren’s writings in these apparently disparate fields and shows how they are tied together not only by their common themes but also by an inner logic that captures the analogies between artistic and political problems.
Robert Motherwell Drawings

Robert Motherwell Drawings

Katy Rogers

YALE UNIVERSITY PRESS
2022
sidottu
This highly anticipated, definitive publication documenting Robert Motherwell’s 1,413 known drawings is an essential resource for artists, scholars, collectors, and aficionados Chosen by Brooklyn Rail as one of the “Ten Best Art Books of 2022” The drawings of Robert Motherwell (1915–1991) are critical to understanding his larger career, but they have been underexplored in scholarship. This long-awaited publication is the first comprehensive compilation of Motherwell’s drawings. During a career that lasted half a century, Motherwell, one of the preeminent artists of the Abstract Expressionist movement, created a large and varied body of work. He employed a broad range of imagery, inventing, refining, and reinventing his signature motifs. Drawing, which Motherwell described as “perhaps the only medium as fast as the mind itself,” was crucial to his output. This two-volume catalogue raisonné includes works from private collections never before seen by the public, as well as works from public collections worldwide. The first volume explores the significance of drawing throughout Motherwell’s career and illuminates how his drawings both inform and are distinct from his work in other media; it also includes a detailed bibliography and exhibition history of the drawings. The second volume illustrates and thoroughly documents his 1,413 known drawings.
Robert Ryman

Robert Ryman

Yale University Press
2017
sidottu
A comprehensive study highlighting the interplay of context and meaning in Robert Ryman’s work This remarkable volume, featuring new photography and original essays by a formidable array of scholars and curators, is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist’s own strategies of display. Ryman’s paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman’s practice to contemporary art: Robert Storr, curator of Ryman’s 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015–16 exhibition at Dia Chelsea, looks at Ryman’s three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman’s early works; and artist Charles Gaines asks what, in a Ryman, is real.Published in association with Dia Art Foundation
Robert the Bruce

Robert the Bruce

Michael Penman

Yale University Press
2018
pokkari
Robert the Bruce (1274–1329) famously defeated the English at Bannockburn and became the hero king responsible for Scottish independence. In this fascinating new biography of the renowned warrior, Michael Penman focuses on Robert’s kingship in the fifteen years that followed his triumphant victory and establishes Robert as not only a great military leader but a great monarch. Robert faced a slow and often troubled process of legitimating his authority, restoring government, rewarding his supporters, accommodating former enemies, and controlling the various regions of his kingdom, none of which was achieved overnight. Penman investigates Robert’s resettlement of lands and offices, the development of Scotland’s parliaments, his handling of plots to overthrow him, his relations with his family and allies, his piety and court ethos, and his conscious development of an image of kingship through the use of ceremony and symbol. In doing so, Penman repositions Robert within the context of wider European political change, religion, culture, and national identity as well as recurrent crises of famine and disease.
Robert Motherwell Drawing

Robert Motherwell Drawing

Edouard Kopp

YALE UNIVERSITY PRESS
2022
pokkari
A celebration of Robert Motherwell’s drawings that provides new insight into the thematic continuities and techniques that informed the artist’s working methods Throughout his long and prolific career, Robert Motherwell (1915–1991) sustained a fascination with making art on paper. His multifaceted drawing practice was an integral part of his search for a personal, spontaneous language of mark-making. Presenting works spanning from The Mexican Sketchbook of the early 1940s to the Joyce Sketchbook of the 1980s, this overview of Motherwell’s work on paper highlights the way the artist embraced the suggestive potential of his materials—blending the accidental and the intentional in the creative gesture. Large-scale reproductions encourage close looking and immerse the reader in details such as a stroke of the brush or a tear of paper, while an essay by Edouard Kopp examines how the artist’s practice of “automatic drawing” dovetailed with his love of paper and ink in the creation of these unique and compelling works. The book closes with Motherwell’s own “Thoughts on Drawing” (1970).Distributed for the Menil CollectionExhibition Schedule:Menil Drawing Institute, Menil Collection, Houston (November 18, 2022–March 12, 2023)
Robert Wedderburn

Robert Wedderburn

Ryan Hanley

YALE UNIVERSITY PRESS
2025
sidottu
The first-ever biography of the ultra-radical thinker Robert Wedderburn, from his native Jamaica to metropole London, by an award-winning historian Robert Wedderburn (1762–1834/5) was one of the most charismatic, irascible, and radical intellectuals of the eighteenth- and early nineteenth-century Atlantic world. Born to an enslaved woman and a slavemaster in Jamaica, and moving in the radical working-class circles of London, Wedderburn made his name as a fiery political writer and orator—before dying, forgotten, in poverty. Among the few abolitionists bold enough to publicly call for the enslaved in the British West Indies to rise up and violently overthrow their colonial “masters,” Wedderburn was also among the most outspoken and—amid an increasingly repressive British establishment—dangerous advocates for domestic political reform and working-class rights. From award-winning scholar Ryan Hanley, this is the first full-length biography of a man increasingly recognized as central to Black radical political thought in the Revolutionary Atlantic. Tapping newly rediscovered sources, Hanley details Wedderburn’s extraordinary public and private life, explores the central influence of enslaved women on his political ideas, and offers fresh analysis of his contributions to British political thought and activism.
Robert Rauschenberg

Robert Rauschenberg

Michelle White

YALE UNIVERSITY PRESS
2025
sidottu
A survey of Robert Rauschenberg’s innovative use of cloth in the 1970s and its significance in the artist’s oeuvre Centering on a period of Robert Rauschenberg’s career that has not received much attention, this book focuses on three series by the artist that feature fabric: the idiosyncratic Venetians, 1972–73; the gauzy Hoarfrosts, 1974–76; and the large, simple Jammers, 1975–76. Fascinated by the expressive potential of textiles, including silks, gauze, cheesecloth, and drop cloths, Rauschenberg experimented with the ability of woven materials to capture color and light, hold printed images, and move in the air. Essays contextualize Rauschenberg’s work with cloth in the history of 1970s late modernism and Postminimalism, as well as his career-long interest in the intersection of art and the body through his work in scenography and costumes for dance. Michelle White provides an in-depth overview of the three series and related works, while Branden Joseph explores how they connect with the era’s cultural and economic precarity. Nick Mauss examines how the artist used fabric to create a sense of intimacy and revisit past practices, relationships, and dynamics of collaboration. And Joseph N. Newland discusses Rauschenberg’s costumes and scenic designs for the dance companies of Merce Cunningham and Trisha Brown. Distributed for the Menil Collection Exhibition Schedule: The Menil Collection, Houston, TX (September 19, 2025–March 1, 2026)
The Silver Snarling Trumpet: The Birth of the Grateful Dead--The Lost Manuscript of Robert Hunter
Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s--a wry, richly observed, and enlightening remembrance of "the scene" in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself--with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier. "Strange to think back on those days when it was perfectly natural that we all slept on the floor in one small room.... These were the days before practical considerations, matters of 'importance, ' began to eat our minds. We were all poets and philosophers then, until we began to wonder why we had so few concrete worries and went out to look for some." So wrote Robert Hunter in The Silver Snarling Trumpet, both a novelistic singular work of art and the missing piece of the Grateful Dead origin story. In these pages, readers are privy to the early days of Hunter, Garcia, and their cohorts, who sit at coffee shops passing around a single cup of bottomless coffee because they lacked the funds for more than one. Follow these truth-seeking souls into the stacks at Kepler's Books, renting instruments at Swain's House of Music, and through the countryside on mind-expanding road trips. Witness impromptu jams, inspired intellectual pranks, and a dialogue that is, by turns, amusing and brilliant and outrageous. Hunter shares his impressions of his first gig with Garcia for a college audience, along with descriptions of his most intense dreams and psychedelic explorations. All of it, enlivened by Hunter's visionary spirit and profound ideas about creativity and collaboration. The lost manuscript is augmented with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier, who was part of their scene in the San Francisco Bay Area that served as a bridge from the beatniks to the hippies. Also included is Hunter's own 1982 assessment of his work--about how he shared it with close confidants but then decided to leave it unpublished. Five years after Hunter's death, the text has been found, so readers and fans of Hunter's indelible poetry and song can explore the origin of his genius and his craft.
The Silver Snarling Trumpet: The Birth of the Grateful Dead--The Lost Manuscript of Robert Hunter
Published at last in 2024 to a celebratory reception among historians, critics, and Deadheads, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s--a wry, richly observed, and enlightening remembrance of "the scene" in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia--with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier. "Strange to think back on those days when it was perfectly natural that we all slept on the floor in one small room.... These were the days before practical considerations, matters of 'importance, ' began to eat our minds. We were all poets and philosophers then, until we began to wonder why we had so few concrete worries and went out to look for some." So wrote Robert Hunter in The Silver Snarling Trumpet, both a novelistic singular work of art and the missing piece of the Grateful Dead origin story. In these pages, readers are privy to the early days of Hunter, Garcia, and their cohorts, who sit at coffee shops passing around a single cup of bottomless coffee because they lacked the funds for more than one. Follow these truth-seeking souls into the stacks at Kepler's Books, renting instruments at Swain's House of Music, and through the countryside on mind-expanding road trips. Witness impromptu jams, inspired intellectual pranks, and a dialogue that is, by turns, amusing and brilliant and outrageous. Hunter shares his impressions of his first gig with Garcia for a college audience, along with descriptions of his most intense dreams and psychedelic explorations. All of it, enlivened by Hunter's visionary spirit and profound ideas about creativity and collaboration. The lost manuscript is augmented with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier, who was part of their scene in the San Francisco Bay Area that served as a bridge from the beatniks to the hippies. Also included is Hunter's own 1982 assessment of his work--about how he shared it with close confidants but then decided to leave it unpublished. Five years after Hunter's death, the text has been found, so readers and fans of Hunter's indelible poetry and song can explore the origin of his genius and his craft.
Robert Altman

Robert Altman

Mitchell Zuckoff

Random House USA Inc
2010
pokkari
Robert Altman--visionary director, hard-partying hedonist, eccentric family man, Hollywood legend--comes roaring to life in this rollicking oral biography. After an all-American boyhood in Kansas City, a stint flying bombers in World War II, and jobs ranging from dog tattoo entrepreneur to television director, Robert Altman burst onto the scene in 1970 with M*A*S*H. He reinvented American filmmaking, and went on to produce such masterpieces as McCabe & Mrs. Miller, Nashville, The Player, Short Cuts, and Gosford Park. In Robert Altman, Mitchell Zuckoff has woven together Altman's final interviews; an incredible cast of voices including Meryl Streep, Warren Beatty, Paul Newman, among scores of others; and contemporary reviews and news accounts into a riveting tale of an extraordinary life.
Robert Redford: The Biography

Robert Redford: The Biography

Michael Feeney Callan

VINTAGE
2012
nidottu
Robert Redford is among the most widely admired Hollywood stars of his generation, renowned for his iconic roles as the Sundance Kid, Bob Woodward and Jay Gatsby, and celebrated for his fierce commitment to environmental causes, independent filmmaking, and his Sundance Film Festival. Yet only now, in this revelatory biography written in close collaboration with the extraordinary actor and director himself, do we see the complex man beneath the Hollywood fa ade.
Robert Lowell, Setting the River on Fire

Robert Lowell, Setting the River on Fire

Kay Redfield Jamison

Vintage Books
2018
nidottu
A Pulitzer Prize Finalist In this magisterial study of the relationship between illness and art, the best-selling author of An Unquiet Mind brings a fresh perspective to the life and work of Pulitzer Prize-winning poet Robert Lowell. In his poetry, Lowell put his manic-depressive illness (now known as bipolar disorder) into the public domain, and in the process created a new and arresting language for madness. Here Dr. Kay Redfield Jamison brings her expertise in mood disorders to bear on Lowell's story, illuminating not only the relationships between mania, depression, and creativity but also how Lowell's illness and treatment influenced his work (and often became its subject). A bold, sympathetic account of a poet who was--both despite and because of mental illness--a passionate, original observer of the human condition.
Robert Mitchum: Baby, I Don't Care

Robert Mitchum: Baby, I Don't Care

Lee Server

St. Martin's Griffin
2002
nidottu
One of the movies' greatest actors and most colorful characters, a real-life tough guy with the prison record to prove it, Robert Mitchum was a movie icon for an almost unprecedented half-century, the cool, sleepy-eyed star of such classics as The Night of the Hunter; Heaven Knows, Mr. Allison; Cape Fear; The Longest Day; Farewell, My Lovely; and The Winds of War. Mitchum's powerful presence and simmering violence combined with hard-boiled humor and existential detachment to create a new style in movie acting: the screen's first hipster antihero-before Brando, James Dean, Elvis, or Eastwood-the inventor of big-screen cool. Robert Mitchum: "Baby, I Don't Care" is the first complete biography of Mitchum, and a book as big, colorful, and controversial as the star himself. Exhaustively researched, it makes use of thousands of rare documents from around the world and nearly two hundred in-depth interviews with Mitchum's family, friends, and associates (many going on record for the first time ever) ranging over his seventy-nine years of hard living. Written with great style, and vividly detailed, this is an intimate, comprehensive portrait of an amazing life, comic, tragic, daring, and outrageous.
Robert Ludlum's the Moscow Vector: A Covert-One Novel

Robert Ludlum's the Moscow Vector: A Covert-One Novel

Robert Ludlum; Patrick Larkin

St. Martin's Griffin
2005
nidottu
For the past three decades Robert Ludlum's bestselling novels have been enjoyed by hundreds of millions of readers worldwide and have set the standard against which all other thrillers are measured. His Covert-One series has been among his most beloved creations. Now comes the latest thrilling novel in the series: Robert Ludlum's The Moscow Vector At an international conference in Prague, Lt. Col. Jon Smith, an Army research doctor specializing in infectious diseases and secretly an agent attached to Covert-One, is contacted by a Russian colleague, Dr. Valentine Petrenko. Petrenko is concerned about a small cluster of mysterious deaths in Moscow and about the Russian government's refusal to release publicly any information or data on the outbreak. When the two meet, they are attacked by a group of mysterious men and Petrenko is killed. His notes and medical samples are lost, and Smith barely escapes with his life. At the same time, a series of government officials around the world are coming down with a mysterious, fast-acting virus with a 100% fatality rate. These deaths are somehow related to the increasing militarism from the new Russian government, headed by the autocratic and ambitious President Victor Dudarev. With few clues and precious little time, Smith and Covert-One must unravel this mysterious plot and find the mysterious figure who stands at the center of it all..
Robert Ward

Robert Ward

Kenneth Kreitner

Greenwood Press
1988
sidottu
A prolific American master whose work is rooted in the tonal tradition of nineteenth-century Romanticism, Robert Ward has had a long, varied, and successful musical career. Ward is noted for his keyboard and chamber music, songs and choral works, orchestral compositions, and operas, especially his musical rendering of The Crucible, which has become an established feature of the contemporary operatic repertoire. In this latest volume in the Bio-Bibliographies in Music series, Kenneth Kreitner presents a comprehensive bibliographic guide that includes the composer's complete works, recordings of his music, and relevant critical literature.In the introductory biographical section, Kreitner discusses Ward's life and career and examines the influence that have shaped his musical style. The complete list of works is arranged chronologically and supplies basic bibliographic data such as information on premieres and other selected performances. A discography offers data on commercially-produced recordings and an annotated bibliography lists writings by and about Ward and his music. The different sections are fully cross-referenced, and several indexes are provided. An important tool for scholars engaged in research on contemporary classical music, this volume will also be of interest to reference librarians and performing organizations.
Robert M. La Follette, Sr.

Robert M. La Follette, Sr.

Carl R. Burgchardt

Greenwood Press
1992
sidottu
This reference is the only book-length work to analyze all of the major speeches of one of the most significant politicians of the first part of the twentieth century, Robert La Follette, Sr. His speeches offer historic snapshots into the Progressive era and of the thinking of an outstanding governor of Wisconsin, U.S. senator, and social agitator. This rhetorical biography analyzes key speeches and provides texts demonstrating how Senator La Follette used melodramatic scenarios to enlist citizens in his reform crusade against the gravest danger that he saw in this country. This reference also provides texts of his most important speeches, a chronology of his major orations, and a lengthy bibliography. This unique volume is designed for students and specialists in political communication, rhetorical criticism, and American studies.This systematical analysis of Senator La Follette's public speeches is a short and highly readable history of the Progressive era, World War I and its aftermath, and the early 1920s from the perspective of a leading political figure of the times. The analysis of La Follette's rhetorical strategy illuminates his use of confrontational tactics, such as the filibuster in Congress to educate the voter and to plead for reforms that he considered essential. This reference provides the texts of five seminal orations and the most complete bibliography of speeches available to date.
Robert Burton and The Anatomy of Melancholy
For more than a century after its initial publication in 1621, The Anatomy of Melancholy was extensively praised and almost as widely read as the Bible. A masterpiece of style and a unique compendium of insights and curious information, Burton's wide-ranging treatise on psychology and philosophy has earned a special place in English literature and continues to interest modern scholars. This new reference is the only complete and up-to-date bibliography of primary and secondary material devoted to Burton and his most famous work. Following a brief biography of Burton and an introductory discussion of The Anatomy of Melancholy and its history, Conn offers a list of important editions and reprints of the Anatomy, together with principal extracts editions. The second section is devoted to theses and dissertations on the subject and the third to other secondary sources. Entries are consecutively numbered and listed by author. Comprehensive indexes list citations by date, topic, and title. Thoroughly researched and painstakingly checked for errors, this volume represents a definitive update of earlier Burton bibliographies.
Robert Silverberg's Many Trapdoors

Robert Silverberg's Many Trapdoors

Charles Elkins; Martin Greenberg

Praeger Publishers Inc
1992
sidottu
One of the most popular, prolific, and important science fiction writers, Robert Silverberg is given penetrating analyses by major scholars and critics of the genre. Extending beyond the conventions of popular culture and pulp science fiction, the seven essayists assess Silverberg's body of work as being manifest of the modernist literary tradition, exploring techniques, such as irony, and themes, such as the fragility of identity, utopia and dystopia, and spirituality and transcendence.Noted Silverberg scholar Thomas Clareson contributes an overview of Silverberg's literary career from his first story published in 1954 to the present, and the editors provide a bibliography of his fiction and selected secondary studies, referring to Clareson's definitive bibliography. The trapdoor metaphor used in the title relates to an observation by critic Russell Letson on the complexity of reading Silverberg, which he compares to an experience of one of Silverberg's characters: What seems to be a firm foundation for reality may in fact turn out to be a trapdoor.
Robert Russell Bennett

Robert Russell Bennett

George J. Ferencz

Greenwood Press
1990
sidottu
This volume presents the life and works of Robert Russell Bennett, whose prolific career as composer and arranger spanned much of the twentieth century. George J. Ferencz chronicles how Bennett's concert works, orchestrations, and commercial scores both reflected and enhanced the musical vitality of New York City, where he spent most of his professional life. Although Bennett enjoyed commercial success, his stylistic preferences embraced the classics, and Ferencz appropriately focuses his study on Bennett's original concert works rather than his popular scores.Ferencz introduces the artist with a lengthy biographical profile, followed by a complete list of works and selected performances which features compositions rather than arrangements in an effort to document those works most representative of Bennett's singular talent. All of Bennett's known commercial recordings are cataloged in the discography, and an annotated bibliography highlights writings about the composer and his works. Subsequent appendixes list commercial orchestrations and original scores for shows, film, and television, and a full index completes the work.