A strange collection of short stories covering the developmental years of the author. These are the previously unpublished stories that show his internal struggles with writing, living with bipolar and trying to understand the world through the lens of a writer.
‘Fifteen men on the dead man's chest-Yo-ho-ho and a bottle of rum!’ Treasure Island is a tale of pirates and villains, maps, treasure and shipwreck, and is perhaps the best adventure story ever written. When young Jim Hawkins finds a packet in Captain Flint's sea chest, he could not know that the map inside it would lead him to unimaginable treasure. Shipping as cabin boy on the Hispaniola, he sails with Squire Trelawney, Captain Smollett, Dr Livesey, the sinister Long John Silver and a frightening crew to Treasure Island. There, mutiny, murder and mayhem lead to a thrilling climax. ** The cover is now available as ISBN 9781853261039 in the Children's Classics series ""
‘…man is not truly one, but truly two.’ In this powerful deconstruction of Calvinist belief and the hypocrisy at the heart of Victorian society, Stevenson creates a gothic icon in the divided self that is Dr Jekyll and Mr Hyde. Born from a nightmare and anticipating Freud’s theory of the unconscious, Stevenson literalises the concepts of the supernatural doppelgänger and the split personality in a timeless tale of guilt, desire, and violence by which all subsequent ‘double’ stories must be judged. In seeking to cleanse his soul of sin, Dr Henry Jekyll instead unleashes a monster. First published in 1886, this tragic study of the duality of man established Stevenson’s international reputation as an author. This volume also contains Stevenson’s 1887 collection of short stories, The Merry Men and Other Tales and Fables, which includes a further exploration of the mind of a murderer, ‘Markheim’, and the occult tales of terror, ‘The Merry Men’, ‘Olalla’, and ‘Thrawn Janet’.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT088659London: printed by Charles Rivington and William Woodfall, for C. Bathurst, J. Buckland, J. Beecroft, W. Strahan and 21 others in London], 1773. 2v.; 4
A strong case for Stone as an articulate and passionate moralist; In this guide to the fiction of Robert Stone, Gregory Stephenson introduces readers to a novelist of popular appeal and critical acclaim whom he describes as an anomaly among contemporary American writers - an author independent of literary fashions, unaffiliated with groups or movements. In this critical survey, Stephenson identifies the qualities that separate Stone from his peers and have brought him accolades such as the National Book Award, earning him a place of enduring significance in the American canon. Stephenson provides close readings of Stone's novels and short stories, including A Hall of Mirrors, Dog Soldiers, A Flag for Sunrise, Children of Light, Outerbridge Reach, and Damascus Gate. He traces the combination of a stark, hard-boiled realism with the hallucinatory and mystical aspects of Stone's writing. His examination of Stone's attention to character, imagery, and figures of speech stands beside his suggestion that Stone's corpus reveals a coherent, evolving vision of moral, psychological, political, and metaphysical concerns.
Public Lands and Agrarian Laws of the Roman Republic, est un livre classique et a t consid r comme important tout au long de l'histoire de l'humanit . Afin que ce livre ne soit jamais oubli , chez Alpha Editions, nous avons fait des efforts pour le pr server en le r ditant dans un format moderne pour les g n rations pr sentes et futures. Tout ce livre a t reformat , retap et con u. Ces livres ne sont pas constitu s de copies num ris es de leur oeuvre originale et le texte est donc clair et lisible.
Education service agencies (ESAs), the middle echelon in the P-12 education structure, serve local school districts and their children in 42 states. Since these agencies work directly with local school districts and their students, they are largely invisible to the general public and, incredibly, not a small number of legislators. Yet ESAs are responsible for the direct or indirect expenditure of billions of dollars and are perhaps the main vehicle for training in-service teachers, administrators, and other staff members throughout the country. In addition, they provide technical assistance for a wide range of management areas such as finance, food service, transportation, purchasing, and technology. This highly researched, well-referenced book, the first ever to document the work of service agencies in America, begins with four chapters that summarize the history and development of service agencies into current times and catalogue the different financing and governance structures under which they function. Three chapters are devoted to descriptions of programs and services offered for students, whether they have special interests or needs. Another chapter deals with ESAs as the lynch pin for partnerships with community agencies, businesses, and other levels of government. The book concludes with two chapters about the growing insistence on accountability for ESAs and a final chapter projects three scenarios about the possible future roles of ESAs in the American education system.
The family saga is a literary form much practiced in southern writing but little analysed in scholarship and criticism. The Family Saga in the South, Robert O. Stephens' lively, absorbing study, examines at last and in depth this genre whose roots extend to the Old Testament.The development of the family saga is analogous to that of an actual family; in both, traditions and characteristics emerge, evolve, and are handed on over time. According to Stephens, the prototypal family saga of Abraham, Sarah, and their descendants in Genesis 12:50 established twelve key conventions of the form.The first full realisation of the family saga in the southern tradition, Stephens says, was George Washington Cable's The Grandissimes (1880). Since that time many southern authors have used the form to convey their vision of the forces at work in southern culture. These writers have built on the recognition that, in the South especially, the family, the extended, consanguine connection of kin, typically represents the individual's picture of the world, his link with the past, his notion of values, his views of what is comic or tragic, his sense of destiny. The basic elements of the saga are oral family stories, enlarged upon and transformed in the novels and nonfictional chronicles.Stephens gives an extensive tour of twentieth-century authors who have used and further developed the southern family saga. He examines the works of writers such as T. S. Stribling and William Faulkner, who after the First World War reinterpreted the Civil War and its consequences in terms of a displaced inheritance; Caroline Gordon, Allen Tate, and Andrew Lytle, who built on the displacement motif to show family decline; Katherine Anne Porter, Eudora Welty, and Shirley Ann Grau, who in focusing on family stories transmitted by women explored implications of the matriarchal-patriarchal conflict resonating through generations; and Margaret Walker, Alex Haley, Ernest Gaines, and Toni Morrison, who showed the black family's struggle to find a place in history and later in memories of legendary Africa. Authors whom Stephens identifies as third-generation writers, such as Reynolds Price and Lee Smith, reached beyond history in their sagas to find moments of mythic vision, or they reduced family and public history to the pastless present of popular culture. The literary tradition of the family saga thrives in the South today, Stephens says, because there exists an operative context in which to read the saga: namely, some version of providential order, which affords glimpses of purpose beyond the daily struggles of generations. The Family Saga in the South will make an inestimable contribution to understanding this vital tradition in southern letters while pointing the way for study of the genre in other cultures.
This study explores Hemingway's newspaper and magazine journalism, his introductions and prefaces to books by others, his program notes on painting and sculpture exhibitions, and his statements in self-edited interviews. In doing so, it throws a new, oblique light on what has usually been regarded as his major work--his short stories and novels.Originally published in 1968.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
