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1000 tulosta hakusanalla Robin Anne Griffiths
Robin Hood, along with his band of Merry Men, robs from the rich to give to the poor. But when the cruel Sheriff of Nottingham threatens the throne of King Richard, can Robin save the kingdom and win the heart of the fair Maid Marian?
First mentioned by William Langland in the late fourteenth century, Robin Hood comes down to us through ballads and folksongs, old chronicles and plays, medieval allusions, folklore and place names. Today Robin Hood folk songs are found in the USA as well as in England and Scotland, and place names and traditions are widely located in England. The earliest stories are centred on Barnsdale in Yorkshire, but later the emphasis shifts to Nottingham and Sherwood Forest. Originally a yeoman, Robin was upgraded to aristocrat in the sixteenth century, but he remains essentially a champion of the poor and oppressed and a social nonconformer. How far Robin Hood was based on a historical character and how far he is an archetypal outlaw or a Greenwood myth (who must withdraw from society and commune with nature) is the subject of the Doels' wide-ranging study.This new edition is complete with an updated gazetteer of Robin Hood sites and an annotated filmography. It includes almost 50 illustrations (including performances by present-day mummers).
Is hideous prose and ghastly poetry more fabulous than great literature? Determined to find out, award-winning comedian Robin Ince has spent most of the 21st century rummaging through charity shops, jumble sales, and even the odd skip to compile the defining collection of the world's worst inadvertently hilarious books. This book will guide you through the hinterland of celebrity autobiography, unearthing underappreciated classics such as those by It Ain't Half Hot Mum's Don Estelle and the brother of a former PM (MAJOR MAJOR). It offers a detailed study of romance sub-genres, from the equine (DIAMOND STUD) to the gynaecological (SIGN OF THE SPECULUM). And it will prove invaluable to anyone who wants to know THE SECRETS OF PICKING UP SEXY GIRLS. Above all, the Book Club is a manual - almost a life guide - training you up for membership of the Grand Order of Curators of Books That Should Never Have Been. Join the club.
Outlaw or Greenwood myth.
This version of Robin Hood has Robin and his merry men when the King's deer manage to evade their arrows, dining out at McDonald's, Kentucky Fried Chicken and eating jam sandwiches, Nevertheless, they are still more than willing to do battle with Robin's arch enemy Sir Guy de Custard Gisborne.
Robin Wood's CORES Recycled
Schiffer Publishing Ltd
2015
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Initially, they were the waste product of wooden bowls turned in an ancient technique by Robin Wood of the United Kingdom, an expert pole-lathe turner and author. Known for his historical and functional objects made on a foot-powered lathe, Wood keeps the tradition of pole turning alive. The leg-powered process Wood uses results in thousands of solid, round chunks – Cores – that get broken out of the center of the bowl at the last moment. Wood donated 100 Cores, which ranged in size from 2 x 2” to 3 x 4” to The Center for Art in Wood in Philadelphia. The Center sent Cores to two-score artists who agreed to the challenge of reworking them into new pieces of art. These works, shown here in more than 240 color photos, formed the exhibition – Robin Wood’s CORES Recycled – by The Center for Art in Wood.
From Errol Flynn to Kevin Costner to Daffy Duck, the bandit of Sherwood Forest has gone through a variety of incarnations on the way to becoming a cinematic staple. The historic Robin Hood--actually an amalgam of several outlaws of medieval England--was eventually transformed into the romantic and deadly archer-swordsman who "robbed from the rich to give to the poor." This image was reinforced by popular literature, song--and film. This volume provides in-depth information on each film based on the immortal hero. In addition, other historical figures such as Scottish rebel-outlaws Rob Roy MacGregor and William Wallace are examined. Nollen also explores nontraditional representations of the legend, such as Frank Sinatra's Robin and the Seven Hoods and Westerns featuring the Robin Hood motif. A filmography is provided, including production information. The text is highlighted by rare photographs, advertisements, and illustrations.
Robin Hood
CORNELL UNIVERSITY PRESS
2003
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One of the world's foremost authorities on the only mythical person in the Dictionary of National Biography delves deeply into the Robin Hood story, probing ballads, epitaphs on old gravestones, and Disney films in search of the man behind the legend. (Mythology & Folklore)
"The mythical character of Robin Hood has become an icon through his presence in popular culture for the last 600 years.... Knight is extremely knowledgeable about his subject."-Library Journal The only figure in the Dictionary of National Biography who is said never to have existed, Robin Hood has taken on an air of reality few historical figures achieve. His image in various guises has been put to use as a subject of ballads, nationalist rallying point, Disney cartoon fox, greenclad figure of farce, tabloid fodder, and template for petty criminals and progressive political candidates alike. In this engaging and deeply informed book Stephen Knight looks at the different manifestations of Robin Hood at different times and places in a mythic biography with a thematic structure. The best way to get at the essence of the Robin Hood myth, Knight believes, is in terms not of chronological and generic progression but of the purposes served by heroes. Each of the book's four central chapters identifies a particular model of the hero, mythic or biographic, which dominated in certain periods and in certain genres, and explores their interrelations, their implications, and their historical and sociopolitical contexts.
Since her first book, Beauty: A Retelling of the Story of Beauty and the Beast, was published in 1978, Robin McKinley has enchanted young adult readers for more than thirty years. This study is the first in-depth analysis of McKinley's works, including her award-winning books The Blue Sword (Newbery Honor, 1983) and The Hero and the Crown (Newberry Medal, 1985). In Robin McKinley: Girl Reader, Woman Writer, Evelyn Perry examines McKinley's novels and short stories as grouped into three categories: those set in Damar, which introduce and develop the rich geographic, social, political, and linguistic history of McKinley's secondary world; the retellings of folk and fairy tales, which reveal not only McKinley's encyclopedic knowledge of source stories but her respectful and highly literate approach to their contemporary adaptation; and her other works, less easily categorized but generally most recent, written for more mature readers, and featuring a diverse set of influences from vampires to homeopathy. Perry also explores the feminist articulation of character and social settings that are dominant themes running through McKinley's works. Anyone interested in Robin McKinley and her work, including secondary and post-secondary students, faculty, and librarians, will find Robin McKinley: Girl Reader, Woman Writer a valuable resource.
Robin Wood’s writing on the horror film, published over five decades, collected in one volume.Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques.In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film - the first serious collection of critical writing on the horror genre. Robin Wood onthe Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, ""Psychoanalysis of Psycho,"" which appeared in1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, ""What Lies Beneath?"", written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose iseloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology.Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.