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1000 tulosta hakusanalla Rodney Timms
Rodney explores the rise and career of a naval commander within the context maritime power. Drawing from a stable family heritage in Somersetshire, the narrative traces early influences and the beginning of naval service during a time when national dominance at sea was still uncertain. The book focuses on the shaping of ambition, discipline, and command within the structures of naval life rather than offering a straightforward biography. Early passages present the routines and demands of life at sea during peacetime, portraying it as a period of preparation rather than rest. Avoiding glorification, the story emphasizes a complex individual shaped by duty, endurance, and exposure to global conflict. The account examines how leadership emerges not only from heritage but through consistent decision-making under pressure. Personal achievements are placed within a broader imperial context, showing how military service at sea demanded resilience and adaptability. The work ultimately reflects on legacy, loyalty, and the cost of command during a formative era in naval history.
Rodney Stone Spanish Version (Edition1)
Ukiyoto Publishing
2025
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Rodney Stone German Version (Edition1)
Ukiyoto Publishing
2025
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Rodney Stone French Version (Edition1)
Ukiyoto Publishing
2025
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Richard Rodney Bennett is one of Britain's most distinguished, versatile, and prolific twentieth century composers. His music ranges across a broad spectrum of styles from opera and ballet through orchestral and chamber music to jazz. This book, the first ever to be published about Bennett, documents his vast and ever increasing output. It consists of a brief biography; a detailed list of works and performances, classified by genre and then arranged alphabetically by title of composition; a list of Bennett's publishers; a discography of commerically and privately produced sound recordings; and an annotated bibliography of writings by and about Bennett, including reviews of performances of his works. Alphabetical and chronological lists of his main compositions and a complete general index conclude the volume.Stewart Craggs' bio-bibliography is a significant contribution to the study of contemporary music. This first book-length study of Richard Rodney Bennett to be published provides unique information about an important twentieth century composer. For those already familiar with Bennett's art, it offers complete discographic and bibliographic information, permitting further study and enjoyment. This book belongs in all music libraries.
Reading Rodney King/Reading Urban Uprising
Routledge
1993
sidottu
Reading Rodney King/Reading Urban Uprising keeps the public debate alive by exploring the connections between the Rodney King incidents and the ordinary workings of cultural, political, and economic power in contemporary America. Its recurrent theme is the continuing, complicated significance of race in American society. Contributors: Houston A. Baker, Jr.; Judith Butler; Sumi K. Cho; Kimberle Crenshaw; Mike Davis; Thomas L. Dumm; Walter C. Farrell, Jr.; Henry Louis Gates, Jr.; Ruth Wilson Gilmore; Robert Gooding-Williams; James H. Johnson, Jr.; Elaine H. Kim; Melvin L. Oliver; Michael Omi; Gary Peller; Cedric J. Robinson; Jerry Watts; Cornel West; Patricia Williams; Rhonda M. Williams; Howard Winant.
Reading Rodney King/Reading Urban Uprising
Routledge
1993
nidottu
Reading Rodney King/Reading Urban Uprising keeps the public debate alive by exploring the connections between the Rodney King incidents and the ordinary workings of cultural, political, and economic power in contemporary America. Its recurrent theme is the continuing, complicated significance of race in American society. Contributors: Houston A. Baker, Jr.; Judith Butler; Sumi K. Cho; Kimberle Crenshaw; Mike Davis; Thomas L. Dumm; Walter C. Farrell, Jr.; Henry Louis Gates, Jr.; Ruth Wilson Gilmore; Robert Gooding-Williams; James H. Johnson, Jr.; Elaine H. Kim; Melvin L. Oliver; Michael Omi; Gary Peller; Cedric J. Robinson; Jerry Watts; Cornel West; Patricia Williams; Rhonda M. Williams; Howard Winant.
The Rodney Papers
Ashgate Publishing Limited
2005
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Overbearing, avaricious and difficult, yet talented and ambitious, George Brydges Rodney has never attracted much sympathy or understanding. He was nevertheless an original thinker and one of the great admirals of the eighteenth century. The contents of this volume, the first of three, document his career from 1742 until 1763 - his private and political life. His early years as a captain were spent in the severe conditions of the North Sea and in taking privateers in the western approaches. During the peace after 1748 he was Governor of Newfoundland and in the Seven Years' War blockaded Le Havre before going, as a flag officer, to command in the Leeward Islands where he participated in the capture of Martinique. This volume also contains letters to his wife which indicate, against past opinion, that Rodney had a heart.
Diary Of Captain Thomas Rodney, 1776-1777 (1888)
Thomas Rodney; Caesar A. Rodney
KESSINGER PUBLISHING, LLC
2009
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Letters to and from Caesar Rodney, 1756-1784
Caesar Rodney; George Herbert Ryden
Literary Licensing, LLC
2011
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""Letters To And From Caesar Rodney, 1756-1784"" is a collection of personal correspondence between Caesar Rodney, a prominent American lawyer and politician during the colonial and revolutionary periods, and his family, friends, and political colleagues. The book offers a unique glimpse into the life and times of Rodney, who played a key role in the founding of the United States and the early years of its government.The letters cover a wide range of topics, from family matters and personal relationships to political events and issues of national importance. They provide insight into Rodney's personal and political beliefs, as well as his relationships with other notable figures of the time, such as Benjamin Franklin, John Adams, and George Washington.The book is edited by Rodney's descendant, H. Clay Reed, who provides historical context and commentary on the letters, as well as biographical information on Rodney and his family. The collection is a valuable resource for historians, scholars, and anyone interested in the history of the United States and the lives of its founding fathers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Letters to and from Caesar Rodney, 1756-1784
Caesar Rodney; George Herbert Ryden
Literary Licensing, LLC
2011
nidottu
Donald Rodney (1961-1998) was one of the most gifted, perceptive, and innovative contemporary British artists of his time. A protagonist from the first generation of Black British-born art students in the early 1980s, Rodney and his peers brought a new dynamic to British art – a hitherto unseen interplay between aesthetics, politics, humour and Black consciousness. Donald Rodney: Art, Race and the Body Politic is the first book-length study of a protean practice which spanned the early 1980s to the late 1990s and included a prodigious output of work across painting, photography, collage, assemblage, sculpture, installation, and new technologies.Across eight meticulously researched chapters, the book examines the social and cultural events which inspired Rodney's artwork and the responses it elicited. From his formative years in the West Midlands as a leading exponent of ‘Black Art’, to a subsequent decade of unbridled visual innovation and social critique, the book ventures new detailed analyses of key works, exhibitions, artistic influences and collaborations. Deploying recurring metaphors of the ‘diseased’, traumatised and ‘raced’ body, Rodney addressed racial and social inequality, legacies of slavery, police brutality, sport, and Black male identity in novel and powerful ways. Attending to the artist’s material dexterity and visual acuity, the book considers how and why Rodney’s innovative practice uniquely challenged delineations between the political and non-political, personal and public, representation and visibility. Over a generation has passed since Rodney’s premature death from the effects of the hereditary blood disorder sickle cell anaemia at aged thirty-six. Despite this, Rodney's work continues to speak to our contemporary moment in a multiplicity of ways. As such, the book provides a much-needed critical perspective and insight to the work and legacy of a nonpareil British artist.
Donald Rodney (1961-1998) was one of the most gifted, perceptive, and innovative contemporary British artists of his time. A protagonist from the first generation of Black British-born art students in the early 1980s, Rodney and his peers brought a new dynamic to British art – a hitherto unseen interplay between aesthetics, politics, humour and Black consciousness. Donald Rodney: Art, Race and the Body Politic is the first book-length study of a protean practice which spanned the early 1980s to the late 1990s and included a prodigious output of work across painting, photography, collage, assemblage, sculpture, installation, and new technologies.Across eight meticulously researched chapters, the book examines the social and cultural events which inspired Rodney's artwork and the responses it elicited. From his formative years in the West Midlands as a leading exponent of ‘Black Art’, to a subsequent decade of unbridled visual innovation and social critique, the book ventures new detailed analyses of key works, exhibitions, artistic influences and collaborations. Deploying recurring metaphors of the ‘diseased’, traumatised and ‘raced’ body, Rodney addressed racial and social inequality, legacies of slavery, police brutality, sport, and Black male identity in novel and powerful ways. Attending to the artist’s material dexterity and visual acuity, the book considers how and why Rodney’s innovative practice uniquely challenged delineations between the political and non-political, personal and public, representation and visibility. Over a generation has passed since Rodney’s premature death from the effects of the hereditary blood disorder sickle cell anaemia at aged thirty-six. Despite this, Rodney's work continues to speak to our contemporary moment in a multiplicity of ways. As such, the book provides a much-needed critical perspective and insight to the work and legacy of a nonpareil British artist.
