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Seeing Through Abstraction

Seeing Through Abstraction

Anatoly Detwyler

Columbia University Press
2025
sidottu
During the first half of the twentieth century, China saw sweeping changes in the material conditions and practices of communication, transforming the volume, velocity, variety, veracity, and value of information. Encountering the new abstract matter of information, a generation of Chinese writers faced a crisis of literary identity: What made literature distinct from other informational genres, such as newspaper columns, financial figures, and telegrams? How was the emergent information order reshaping individual and social knowledge? And where would literature stand within this new order?This book examines how writers of the Republican era (1912–1949) came to recognize and respond to “information.” Anatoly Detwyler investigates a wide range of literary and graphic experiments that engaged with different forms of information management, including data visualization, financial statistics, and propaganda science. These works, he argues, collectively attest to a new perceptibility of abstraction and its epistemological implications for apprehending reality. Tracing this mode of perception across fiction, poetry, and woodcut art, Seeing Through Abstraction offers a revisionist account of the development of modern Chinese literature and repositions it within the global history of the information age.
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Scenic Design and Lighting Techniques

Scenic Design and Lighting Techniques

Rob Napoli; Chuck Gloman

Focal Press
2006
nidottu
Basic. This is the key word in Scenic Design and Lighting Tecniques: A Basic Guide for Theatre, written by two seasoned professionals with over twenty years of experience. This book is designed to show you how to turn a bare stage into a basic set design, without using heavy language that would bog you down. From materials and construction to basic props and lighting, this book explains all you will need to know to build your set and light it.
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Scenic Art for the Theatre

Scenic Art for the Theatre

Susan Crabtree; Peter Beudert

Focal Press
2011
nidottu
Now in its Third Edition, Scenic Art for the Theatre: History, Tools and Techniques continues to be the most trusted source for both student and professional scenic artists. With new information on scenic design using Photoshop, Paint Shop Pro and other digital imaging softwares this test expands to offer the developing artist more step-by-step instuction and more practical techniques for work in the field. It goes beyond detailing job functions and discussing techniques to serve as a trouble-shooting guide for the scenic artist, providing practical advice for everyday solutions.
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Seeing Sarah Bernhardt

Seeing Sarah Bernhardt

Victoria Duckett

University of Illinois Press
2015
sidottu
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.
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Seeing the Elephant

Seeing the Elephant

Joseph Allan Frank; George A. Reaves

University of Illinois Press
2003
nidottu
One of the bloodiest battles in the Civil War, the two-day engagement near Shiloh, Tennessee, in April 1862 left more than 23,000 casualties. Fighting alongside seasoned veterans were more than 160 newly recruited regiments and other soldiers who had yet to encounter serious action. In the phrase of the time, these men came to Shiloh to “see the elephant.” Drawing on the letters, diaries, and other reminiscences of these raw recruits on both sides of the conflict, “Seeing the Elephant” gives a vivid and valuable primary account of the terrible struggle. From the wide range of voices included in this volume emerges a nuanced picture of the psychology and motivations of the novice soldiers and the ways in which their attitudes toward the war were affected by their experiences at Shiloh.
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Seeing Sarah Bernhardt

Seeing Sarah Bernhardt

Victoria Duckett

University of Illinois Press
2015
nidottu
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.
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Seeing the Unseen

Seeing the Unseen

Susan Elizabeth Gagliardi

INDIANA UNIVERSITY PRESS
2023
sidottu
How do arts convey the existence of potent knowledge without revealing details of that knowledge? In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts in western West Africa negotiate through objects, assemblages, and performances. Gagliardi examines how ambiguity anchors design of the arts, and she shows that attempts to determine exact meanings miss the point. Specialists across western West Africa construct assemblages, installations, and buildings that hint at the possibility of revelation, but full disclosure remains unattainable. Specific activities and contexts integral to the design and use of the works often leave no visible trace. Through attention to many ways of seeing and knowing, Seeing the Unseen opens new possibilities for the study of so-called historical or classical arts of Africa grounded in the specificity of individual works, their making, and their reception. It also prompts us to reflect on how we know and what it means to know in any context.
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Seeing the Unseen

Seeing the Unseen

Susan Elizabeth Gagliardi

INDIANA UNIVERSITY PRESS
2023
pokkari
How do arts convey the existence of potent knowledge without revealing details of that knowledge? In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts in western West Africa negotiate through objects, assemblages, and performances. Gagliardi examines how ambiguity anchors design of the arts, and she shows that attempts to determine exact meanings miss the point. Specialists across western West Africa construct assemblages, installations, and buildings that hint at the possibility of revelation, but full disclosure remains unattainable. Specific activities and contexts integral to the design and use of the works often leave no visible trace. Through attention to many ways of seeing and knowing, Seeing the Unseen opens new possibilities for the study of so-called historical or classical arts of Africa grounded in the specificity of individual works, their making, and their reception. It also prompts us to reflect on how we know and what it means to know in any context.
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Seeing Red

Seeing Red

Jr. Kornweibel

Indiana University Press
1999
pokkari
Now in Paper! "Seeing Red" Federal Campaigns Against Black Militancy, 1919-1925 Theodore Kornweibel, Jr. A gripping, painstakingly documented account of a neglected chapter in the history of American political intelligence. "Kornweibel is an adept storyteller who admits he is drawn to the role of the historian-as-detective....What emerges is a fascinating tale of secret federal agents, many of them blacks, who were willing to take advantage of the color of their skin to spy upon others of their race. And it is a tale of sometimes desperate and frequently angry government officials, including J. Edgar Hoover, who were willing to go to great lengths to try to stop what they perceived as threats to continued white supremacy." —Patrick S. Washburn, Journalism History Theodore Kornweibel, Jr., Professor of African American history in the Africana Studies Department at San Diego State University, is author of No Crystal Stair and In Search of the Promised Land. Blacks in the Diaspora—Darlene Clark Hine, John McCluskey, Jr., and David Barry Gaspar, general editors
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Seeking a Sanctuary, Second Edition

Seeking a Sanctuary, Second Edition

Malcolm Bull; Keith Lockhart

Indiana University Press
2006
pokkari
The completely revised second edition further explores one of the most successful of America's indigenous religious groups. Despite this, the Adventist church has remained largely invisible. Seeking a Sanctuary casts light on this marginal religion through its socio-historical context and discusses several Adventist figures that shaped the perception of this Christian sect.
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Seen & Imagined

Seen & Imagined

Clifford Ross

MIT Press
2015
sidottu
The first comprehensive survey of Clifford Ross's work, from large-scale, highly detailed photographs to multimedia pieces; with more than 100 images. From the romantic, highly detailed realism of his large-scale "Mountain" photographs to multimedia pieces that embrace abstract forms drawn from close observation of nature, Clifford Ross's work is unlike any other. In 2002, Ross invented his R1 camera, with which he has produced some of the highest resolution single shot photographs ever realized. In a Ross landscape, viewers can spot a bird in a tree on a mountain a mile away. Ross's longstanding desire to reconcile realism and abstraction in his art intensified when he took up photography in the mid-1990s. This book offers the first comprehensive survey of his work, from large-scale, highly detailed landscape photographs to his latest "invisible art"-an augmented reality app for smartphones that reveals a hidden work within a work.Seen & Imagined accompanies a landmark exhibition at MASS MoCA. Featuring 139 images, most of them in color, including such major Ross series as "Mountains," "Mountain Redux," "Harmoniums," and "Digital Waves," it is the first fine-art book to offer readers an augmented reality 3D "pop up" experience (through a free downloadable app) using their smartphones. Texts by noted writers and critics David Anfam, Quentin Bajac, Arthur C. Danto, Jack Flam, Nicholas Negroponte, and Jock Reynolds, comment on Ross's work, placing it within the history of art and technology, alongside an interview by Orville Schell with the artist.Copublished with MASS MoCA (Massachusetts Museum of Contemporary Art)ExhibitionMay 22, 2015 - March 30, 2016
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Seeing the Mind: Spectacular Images from Neuroscience, and What They Reveal about Our Neuronal Selves

Seeing the Mind: Spectacular Images from Neuroscience, and What They Reveal about Our Neuronal Selves

Stanislas Dehaene

MIT PRESS
2023
sidottu
A lavishly illustrated and accessibly explained deep dive into the major new findings from cognitive neuroscience. Who are we? To this age-old question, contemporary neuroscience gives a simple answer: we are exquisite neuronal machines. Each of our dreams, thoughts, and feelings arises from a pattern of activity in our brain. In Stanislas Dehaene's Seeing the Mind, we learn not only that the mind maps onto the brain, but that it is just a complex electrical motif on the tapestry of our neurons. In this richly illustrated and highly accessible book, Dehaene uses the power of brain images to tell the story of centuries-old efforts to understand who we are, and how it is possible that our thoughts emerge from just three pounds of flesh. Seeing the Mind is divided into one hundred topics, each described by a spectacular full-page color image and, on the facing page, a brief text that explains what this image means and why it matters. By weaving together images and text, the book brings readers into the intimacy of their own brains. As Dehaene explains, "All the gorgeous biological processes that you are about to discover are taking place, right now, inside your own brain." A modern cabinet of curiosities, Seeing the Mind is an intriguing and memorable read that will astonish readers with a direct, face-to-face meeting with themselves--and with the material stuff of their thoughts and dreams.
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Seeing

Seeing

John P. Frisby; James V. Stone

MIT Press
2010
pokkari
An accessible yet rigorous and generously illustrated exploration of the computational approach to the study of biological vision.Seeing has puzzled scientists and philosophers for centuries and it continues to do so. This new edition of a classic text offers an accessible but rigorous introduction to the computational approach to understanding biological visual systems. The authors of Seeing, taking as their premise David Marr's statement that "to understand vision by studying only neurons is like trying to understand bird flight by studying only feathers," make use of Marr's three different levels of analysis in the study of vision: the computational level, the algorithmic level, and the hardware implementation level. Each chapter applies this approach to a different topic in vision by examining the problems the visual system encounters in interpreting retinal images and the constraints available to solve these problems; the algorithms that can realize the solution; and the implementation of these algorithms in neurons.Seeing has been thoroughly updated for this edition and expanded to more than three times its original length. It is designed to lead the reader through the problems of vision, from the common (but mistaken) idea that seeing consists just of making pictures in the brain to the minutiae of how neurons collectively encode the visual features that underpin seeing. Although it assumes no prior knowledge of the field, some chapters present advanced material. This makes it the only textbook suitable for both undergraduate and graduate students that takes a consistently computational perspective, offering a firm conceptual basis for tackling the vast literature on vision. It covers a wide range of topics, including aftereffects, the retina, receptive fields, object recognition, brain maps, Bayesian perception, motion, color, and stereopsis. MatLab code is available on the book's website, which includes a simple demonstration of image convolution.
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Seeing Human Rights

Seeing Human Rights

Sandra Ristovska

MIT Press
2021
nidottu
As video becomes an important tool to expose injustice, an examination of how human rights organizations are seeking to professionalize video activism. Visual imagery is at the heart of humanitarian and human rights activism, and video has become a key tool in these efforts. The Saffron Revolution in Myanmar, the Green Movement in Iran, and Black Lives Matter in the United States have all used video to expose injustice. In Seeing Human Rights, Sandra Ristovska examines how human rights organizations are seeking to professionalize video activism through video production, verification standards, and training. The result, she argues, is a proxy profession that uses human rights videos to tap into journalism, the law, and political advocacy. Ristovska explains that this proxy profession retains some tactical flexibility in its use of video while giving up on the more radical potential and imaginative scope of video activism as a cultural practice. Drawing on detailed analysis of legal cases and videos as well as extensive interviews with staff members of such organizations as Amnesty International, Human Rights Watch, WITNESS, the International Criminal Tribunal for the former Yugoslavia (ICTY), and the International Criminal Court (ICC), Ristovska considers the unique affordances of video and examines the unfolding relationships among journalists, human rights organizations, activists, and citizens in global crisis reporting. She offers a case study of the visual turn in the law; describes advocacy and marketing strategies; and argues that the transformation of video activism into a proxy profession privileges institutional and legal spaces over broader constituencies for public good.
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Seeing Science

Seeing Science

Jack Challoner

MIT PRESS LTD
2022
nidottu
The power of images to represent the unseeable: stunning visualizations of science, from the microscopic to the incredibly vast. We live among patterns of delicate beauty and exquisite chaos that our eyes can't detect; we are surrounded by invisible particles and shifting fields of matter that permeate all of space. Our very cells are intricate molecular machines, and the story of our origins stretches back through an unimaginable amount of time. How can we see the richness of what lies beyond our sensory perception? Scientists have developed visualization tools that can make the invisible visible. This bountifully illustrated book demonstrates the power of images to represent the unseeable, offering stunning visualizations of science that range from the microscopic to the incredibly vast. With more than 200 color images and an engaging text by leading science writer Jack Challoner, Seeing Science explains and illustrates the techniques by which scientists create visualizations of their discoveries. We see the first detection of a black hole as represented by an image from an Xray telescope, get a direct view of DNA through an electron microscope, and much more. Visualizations are also used to make sense of an avalanche of data--concisely presenting information from the 20,000 or so human genes, for example. Scientists represent complex theories in computer models, which take on a curious beauty of their own. And scientists and artists collaborate to create art from science visualizations, with intriguing results.
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Seeing Things Their Way

Seeing Things Their Way

University of Notre Dame Press
2009
nidottu
While religious history and intellectual history are both active, dynamic fields of contemporary historical inquiry, historians of ideas and historians of religion have too often paid little attention to one another's work. The intellectual historian Quentin Skinner urged scholars to attend to the contexts as well as the texts of authors, in order to 'see things their way.' Where religion is concerned, however, historians have often failed to heed this good advice; this book helps to remedy that failure. The editors and contributors urge intellectual historians to explore the religious dimensions of ideas and at the same time commend the methods of intellectual history to historians of religion. The introduction is followed by an essay by Brad Gregory reflecting on issues related to the study of the history of religious ideas. Subsequent essays by John Coffey, Anna Sapir Abulafia, Howard Hotson, Richard A. Muller, and Willem J. van Asselt explore the importance of religion in the intellectual history of Great Britain and Europe in the medieval and early modern periods. James Bradley shifts forward with his essay on religious ideas in Enlightenment England. Mark Noll and Alister Chapman deal respectively with British influence on the writing of religious history in America and with the relationship between intellectual history and religion in modern Britain. David Bebbington provides a concluding reflection on the challenges inherent in restoring the centrality of religion to intellectual history.
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Seeing Ireland

Seeing Ireland

Joe Cleary

UNIVERSITY OF NOTRE DAME PRESS
2026
sidottu
Prompted by the centennial commemoration of the 1922 Paris Exposition d'Art Irlandais, Seeing Ireland explores the intersection of art and politics in the century that followed. While the Irish Revival of the late nineteenth and the early twentieth century is often associated with literary figures such as Joyce and Yeats, Seeing Ireland's focus on visual arts sheds new light on a pivotal era of Irish cultural and national development. The collection explores the 1922 Paris diaspora congress and its associated art exhibition, the development of an Irish school of art, official visual representations of post-independence Ireland, and the continuing intermingling of art and the state in subsequent decades. The Paris exhibition happened at a pivotal moment in Ireland's history, and the administration used Irish art to present a self-defined identity of the new state on the world stage for international consumption. This collection reflects on that event and on the recent Decade of Centenaries commemoration of the Irish revolutionary period. Academics and practicing artists alike contribute thought-provoking analyses of the exposition, Irish visual culture, and Irish diaspora politics. The collection ends with an exploration of the constantly negotiated relationship among the state, the arts, and memory.
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Seeking Ezekiel

Seeking Ezekiel

David J. Halperin

Pennsylvania State University Press
1993
pokkari
In Seeking Ezekiel, David J. Halperin argues that the biblical Book of Ezekiel provides substantial information about its author's psychology and reveals his personality in considerable depth. Psychoanalytic investigation of the book yields a coherent portrait of its author: a marvelously gifted yet profoundly disturbed man, tormented by inner conflicts over his sexual longings and fears.Ezekiel, Halperin argues, was dominated by a pathological dread and loathing of female sexuality. He expresses this emotional stance in the symbolic language of dreams (his vision of a temple polluted by idolatry); in a thin disguise of historical allegory (his obscenely graphic representations of Israel and Jerusalem as promiscuous wives); and in his self-described behavior at his wife's death.Ezekiel also demonstrates a deeply ambivalent attitude toward a dominant male figure. Normally, he projects the positive elements of his ambivalence onto his God, its negative elements onto other males. Yet the reverse can also take place, and this does much to explain the disturbing cruelty and arbitrariness of Ezekiel's God. Any psychological study of a man dead for 2500 years will run into formidable methodological difficulties. Halperin establishes the legitimacy of his approach by arguing that it permits the solution of a wide range of long-recognized textual problems. The implications of Halperin's study extend far beyond the boundaries of Biblical scholarship. The sexual pathology that he attributes to Ezekiel has afflicted humanity for most of its history, tainting the relations of men and women the world over. Ezekiel's powerful influence on posterity has done its part in strengthening the grip of this pathology. By understanding Ezekiel, people may come to a better understanding of his sickness within themselves and thus eventually come to find healing.
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