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798 tulosta hakusanalla Stendhal

The Charterhouse of Parma by Stendhal (Book Analysis)

The Charterhouse of Parma by Stendhal (Book Analysis)

Bright Summaries

BrightSummaries.com
2016
pokkari
Unlock the more straightforward side of The Charterhouse of Parma with this concise and insightful summary and analysis This engaging summary presents an analysis of The Charterhouse of Parma by Stendhal, which follows the young Italian Fabrizio del Dongo as he seeks military glory in the ranks of his hero Napoleon Bonaparte. Disillusioned and defeated, he is eventually forced to return to Italy, where he faces trial for murder and imprisonment, meets his true love, and is helped by an interesting collection of family and friends along the way. Along with The Red and the Black, The Charterhouse of Parma is widely considered to be Stendhal's finest work, and is particularly notable for the author's skilful and nuanced depiction of 19th-century Italy. It has been adapted for the opera, film and television. Stendhal was one of the earliest and most influential realist writers, admired by the likes of Tolstoy, Balzac, Henry James and Andr Gide. Find out everything you need to know about The Charterhouse of Parma in a fraction of the time This in-depth and informative reading guide brings you: - A complete plot summary- Character studies- Key themes and symbols- Questions for further reflectionWhy choose BrightSummaries.com?Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com
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Zur Konzeption Des «Homme Supérieur» Bei Stendhal Und Balzac --Mit Einem Ausblick Auf Alexandre Dumas Père

Zur Konzeption Des «Homme Supérieur» Bei Stendhal Und Balzac --Mit Einem Ausblick Auf Alexandre Dumas Père

Ursula Schmid

Peter Lang AG
1991
nidottu
Im Bereich der Menschendarstellung und damit auch der jeweiligen -Helden--Konzeption spielt der Begriff der -superiorite- fur den franzosischen Roman der ersten Halfte des 19. Jahrhunderts eine zentrale Rolle. Die vorliegende Untersuchung geht vergleichend der Frage nach, was Stendhal, Balzac und Dumas pere unter dem -homme superieur- (-femme superieure-, -ame superieure- usw.) verstehen. Dabei werden die romanasthetisch bzw. gattungsspezifisch bedingten Unterschiede ihrer Auffassungen herausgearbeitet, die vom -homme d'esprit- bis zum -surhomme- reichen."
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Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture

Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture

Stefan Zweig

Routledge
2017
sidottu
Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture, the final volume of Stefan Zweig's masterful Master Builders of the Spirit trilogy, discloses the smaller version of a writer's own ego. Unconscious though it is, no reality is as important to the writer as the reality of their own life. Giacomo Casanova, Stendhal (Marie-Henri Beyle), and Leo Tolstoy have different approaches to self-portraiture, but Zweig shows that together they symbolize three levels which represent successively ascending gradations of the same creative function.Casanova is depicted as having a primitive gradation; he simply records deeds and happenings, without any attempt to appraise them or to study the deeper working of the self. Stendhal's self-portraiture is depicted as psychological; he observes himself and investigates his own feelings. Tolstoy has the highest level; he describes his own life, records what led him to his own actions, and focuses on self-reflection in a completely unexaggerated manner.At first glance it might seem as if self-portraiture is an artist's easiest task. With no further trouble than a probing of memory and a description of the facts of life, "the truth" is revealed. The history of literature shows that ordinary autobiographers are no more than commonplace witnesses testifying to facts that chance has brought to their knowledge. A practiced artist is needed to discern the innermost happenings of the soul; few who have attempted autobiography have been successful in this difficult task. The present volume expounds the characteristics of these subjectively minded artists, and of autobiography as their typical method of personal expression.
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Letters to Achille Chaper: Intimate Sketches of Life Among Stendhal's Coterie

Letters to Achille Chaper: Intimate Sketches of Life Among Stendhal's Coterie

Victor Jacquemont; J. F. Marshall

Literary Licensing, LLC
2011
sidottu
""Letters To Achille Chaper: Intimate Sketches Of Life Among Stendhal's Coterie"" est un livre �����crit par Victor Jacquemont. Il s'agit d'une collection de lettres �����crites ������ Achille Chaper, un ami proche de l'�����crivain Stendhal. Les lettres offrent un aper�����u intime de la vie quotidienne des membres du cercle litt�����raire de Stendhal, y compris des d�����tails sur leur travail, leurs relations et leurs int�����r������ts personnels. Jacquemont, qui �����tait lui-m������me un �����crivain et un ami de Stendhal, a �����galement inclus des r�����flexions sur la vie et l'art dans ses lettres. Le livre offre donc un aper�����u unique de la vie intellectuelle et culturelle de la France du XIXe si�����cle.Text Language Is French. Introduction Is In English.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture

Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture

Stefan Zweig

AldineTransaction
2012
nidottu
Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture, the final volume of Stefan Zweig's masterful Master Builders of the Spirit trilogy, discloses the smaller version of a writer's own ego. Unconscious though it is, no reality is as important to the writer as the reality of their own life. Giacomo Casanova, Stendhal (Marie-Henri Beyle), and Leo Tolstoy have different approaches to self-portraiture, but Zweig shows that together they symbolize three levels which represent successively ascending gradations of the same creative function.Casanova is depicted as having a primitive gradation; he simply records deeds and happenings, without any attempt to appraise them or to study the deeper working of the self. Stendhal's self-portraiture is depicted as psychological; he observes himself and investigates his own feelings. Tolstoy has the highest level; he describes his own life, records what led him to his own actions, and focuses on self-reflection in a completely unexaggerated manner.At first glance it might seem as if self-portraiture is an artist's easiest task. With no further trouble than a probing of memory and a description of the facts of life, "the truth" is revealed. The history of literature shows that ordinary autobiographers are no more than commonplace witnesses testifying to facts that chance has brought to their knowledge. A practiced artist is needed to discern the innermost happenings of the soul; few who have attempted autobiography have been successful in this difficult task. The present volume expounds the characteristics of these subjectively minded artists, and of autobiography as their typical method of personal expression.
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Les Inspiratrices de Balzac, Stendhal, Mérimée

Les Inspiratrices de Balzac, Stendhal, Mérimée

Hugues Rebell

Hachette Livre - BNF
2014
pokkari
Les inspiratrices de Balzac, Stendhal, Merimee / Hugues RebellDate de l'edition originale: 1902Sujet de l'ouvrage: Balzac, Honore de (1799-1850) -- Et les femmesStendhal (1783-1842) -- Et les femmesMerimee, Prosper (1803-1870) -- Et les femmesCe livre est la reproduction fidele d une uvre publiee avant 1920 et fait partie d une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d un partenariat avec la Bibliotheque nationale de France, offrant l opportunite d acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les uvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d un livre ancien a partir de sa version numerisee avec le souci d un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d informations, rendez-vous sur www.hachettebnf.fr
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