This book offers a comprehensive overview of the key principles and challenges involved in tourism marketing in a national park context. It provides a framework to apply marketing principles to inform practices and guide the sustainable management of national parks and protected areas. The main themes address the foundation principles of marketing and contextualise these principles around a series of key insights and challenges related to the delivery of sustainable tourism services in national parks. The book centres on the issues faced by park managers as they address the need to manage national parks sustainably for future generations. It will be of interest to natural resource and tourism students, tourism scholars and natural resource managers as well as researchers in the areas of geography and forestry.
What sets Mary Shelley’s Frankenstein apart from so many other famous works of fiction? What special combination of creativity and vision made possible the drafting of Mag¬na Carta? When describing exceptional accomplishments like these – and the men and women behind them – we use the word ‘genius’. And while genius is difficult to define, we all recognize that elusive, special quality when we encounter it. 'Marks of Genius' pays tribute to some of the most remarkable testaments to genius throughout human history, from ancient texts on papyrus and the extraordinary medieval manuscript 'The Douce Apocalypse' to the renowned children's work 'The Wind in the Willows'. Bringing together some of the most impressive treasures from the collections of the Bodleian Libraries, it tells the story of the creation of each work and its afterlife, offering insight into the breadth and depth of its influence as well as its power to fascinate. Illustrating works from Euclid, Dante and Handel to Einstein, Austen and Gandhi, 'Marks of Genius' showcases over 100 books and manuscripts that constitute the pinnacle of human creativity and which we continue to revere and revisit.
Poetry. Jewish Studies. In MARKED, Stephen Herz's poems of the Holocaust, we see through a prism of linked poems the unfolding horror, terror, and despair of this dehumanizing bloody time of cruelty, evil, and death. Here are poems infused with the Third Reich's virulent anti-Semitic slogans, proclamations, and hate-filled speeches calling for the death of the enemy--the Jews. Here is the Yellow Star, marking all Jews for the round-ups, the ghettos, the mass-shootings, and the death trains. From the burning of the books to the burning of the bodies, here is history distilled. One can hear the voices of the bystanders wishing the Jews "good riddance." Voices of Einsatzgruppen, the mobile killing squads. Voices from the Sonderkommandos in the gas chambers of Auschwitz. Voices crying out for help from an indifferent America, an indifferent world. And, here are the shots shots shots echoing through the poems, echoing through time. Today, some seventy years after the Holocaust, we still can't understand. But, the author hopes this collection of Holocaust poems will help us to remember, help us to keep the Holocaust alive, to keep it from falling into mythology.
During the first two centuries CE there was a common awareness that familial tensions were generated by conversions to the Christian faith. Yet studies of Christian origins have so far paid little attention to the impact of the Christian movement upon attitudes to family ties and natural kinship. Stephen C. Barton remedies this deficiency by means of a detailed study of the relevant passages in the gospels of Mark and Matthew. First, however, he examines the religious traditions of Judaism and the philosophical traditions of the Greco-Roman world, and shows that the tensions apparent within the Christian movement were by no means unique. In all three areas of thought and religious belief there is found the conviction that familial obligations may be transcended by some higher responsibility, to God, to Christ, or to the demands of philosophy. Mark and Matthew saw the Jesus-movement as offering a transcendent allegiance, which relativised family ties.
Stephen Ahearne-Kroll examines the literary interaction between the Gospel of Mark's passion narrative and four Psalms of Individual Lament evoked in it. These four psalms depict a David who challenges God's role in his suffering, who searches for understanding of his suffering in light of his past relationship with God, and who attempts to shame God into acting on his behalf only because he is suffering. Mark alludes to these psalms in reference to Jesus; David's concerns become woven into the depiction of Jesus. Reading David's challenge to God as part of Jesus' going 'as it is written of him' (i.e., suffering and dying according to Scripture; Mark 14:21) calls into question the necessity for Jesus' death within an apocalyptic framework of meaning. Finally, the suffering King David offers a more appropriate model for Jesus' suffering in Mark than that of the servant from Deutero-Isaiah.
During the first two centuries CE there was a common awareness that familial tensions were generated by conversions to the Christian faith. Yet studies of Christian origins have so far paid little attention to the impact of the Christian movement upon attitudes to family ties and natural kinship. Stephen C. Barton remedies this deficiency by means of a detailed study of the relevant passages in the gospels of Mark and Matthew. First, however, he examines the religious traditions of Judaism and the philosophical traditions of the Greco-Roman world, and shows that the tensions apparent within the Christian movement were by no means unique. In all three areas of thought and religious belief there is found the conviction that familial obligations may be transcended by some higher responsibility, to God, to Christ, or to the demands of philosophy. Mark and Matthew saw the Jesus-movement as offering a transcendent allegiance, which relativised family ties.
Stephen Ahearne-Kroll examines the literary interaction between the Gospel of Mark's passion narrative and four Psalms of Individual Lament evoked in it. These four psalms depict a David who challenges God's role in his suffering, who searches for understanding of his suffering in light of his past relationship with God, and who attempts to shame God into acting on his behalf only because he is suffering. Mark alludes to these psalms in reference to Jesus; David's concerns become woven into the depiction of Jesus. Reading David's challenge to God as part of Jesus' going 'as it is written of him' (i.e., suffering and dying according to Scripture; Mark 14:21) calls into question the necessity for Jesus' death within an apocalyptic framework of meaning. Finally, the suffering King David offers a more appropriate model for Jesus' suffering in Mark than that of the servant from Deutero-Isaiah.
Shakespeare in the Theatre: Mark Rylance at the GlobeEach volume in the Shakespeare in the Theatre series focuses on a director or theatre company who has made a significant contribution to Shakespeare production, identifying the artistic and political/social contexts of their work. The series introduces readers to the work of significant theatre directors and companies whose Shakespeare productions have been transformative in our understanding of his plays in performance. Each volume examines a single figure or company, considering their key productions, rehearsal approaches and their work with other artists.Since its opening in the late 1990s, the reconstructed Shakespeare’s Globe Theatre has made an indelible impression on the contemporary British theatre scene. This book explores the theatre’s first decade of productions under the pioneering leadership of Sir Mark Rylance. Drawing upon an extensive range of material from the theatre’s archive, interviews with Globe practitioners, and Rylance’s own personal archive, this book argues that the Rylance era was a ground-breaking and important period of recent theatre history. It concludes with an in-depth interview with Rylance himself. The book gives a unique insight into Rylance’s practice and impact, and will be of interest to anyone studying Shakespeare in performance.Stephen Purcell is Associate Professor of English at the University of Warwick. His research focuses on the performance of the work of Shakespeare and his contemporaries on the modern stage and screen, and his publications include the books Popular Shakespeare and Shakespeare and Audience in Practice. He also directs for the open-air theatre company The Pantaloons.Series Editors: Bridget Escolme, Queen Mary University of London, UK, Peter Holland, University of Notre Dame, USA and Farah Karim-Cooper, Shakespeare’s Globe, London ,UK.
Shakespeare in the Theatre: Mark Rylance at the GlobeEach volume in the Shakespeare in the Theatre series focuses on a director or theatre company who has made a significant contribution to Shakespeare production, identifying the artistic and political/social contexts of their work. The series introduces readers to the work of significant theatre directors and companies whose Shakespeare productions have been transformative in our understanding of his plays in performance. Each volume examines a single figure or company, considering their key productions, rehearsal approaches and their work with other artists.Since its opening in the late 1990s, the reconstructed Shakespeare’s Globe Theatre has made an indelible impression on the contemporary British theatre scene. This book explores the theatre’s first decade of productions under the pioneering leadership of Sir Mark Rylance. Drawing upon an extensive range of material from the theatre’s archive, interviews with Globe practitioners, and Rylance’s own personal archive, this book argues that the Rylance era was a ground-breaking and important period of recent theatre history. It concludes with an in-depth interview with Rylance himself. The book gives a unique insight into Rylance’s practice and impact, and will be of interest to anyone studying Shakespeare in performance.Stephen Purcell is Associate Professor of English at the University of Warwick. His research focuses on the performance of the work of Shakespeare and his contemporaries on the modern stage and screen, and his publications include the books Popular Shakespeare and Shakespeare and Audience in Practice. He also directs for the open-air theatre company The Pantaloons.Series Editors: Bridget Escolme, Queen Mary University of London, UK, Peter Holland, University of Notre Dame, USA and Farah Karim-Cooper, Shakespeare’s Globe, London ,UK.
This book interprets Mark's gospel in light of the Roman-Jewish War of 66-70 CE. Locating the authorship of Mark's gospel in rural Galilee or southern Syria after the fall of Jerusalem and the temple, and after Vespasian's enthronement as the new emperor, Kimondo argues that Mark's first hearers--people who lived through and had knowledge of the important events of the war--may have evaluated Mark's story of Jesus as a contrast to Roman imperial values. He makes an intriguing case that Jesus' proclamation as the Messiah in the villages of Caesarea Philippi set up a deliberate contrast between Jesus's teaching and Vespasian's proclamation of himself as the world's divine ruler. He suggests that Mark's hearers may have interpreted Jesus' liberative campaign in Galilee as a deliberate contrast to Vespasian's destructive military campaigns in the area. Jesus's teachings about wealth, power, and status while on the way to Jerusalem may have been heard as contrasts to Roman imperial values; hence, the entire story of Jesus may have been interpreted an anti-imperial narrative. ""Carefully researched and clearly written, Kimondo's book stands at the nexus of historiography, postcolonial theory, and rigorous textual analysis. Sober in its conclusions even as it is wide-ranging in its implications for the field, this book will be of deep interest to New Testament scholars as well as those seeking to learn from anti-imperial discourses of the past for the purposes of faithful resistance in the present. Highly recommended."" --Robert Saler, Christian Theological Seminary, Indianapolis ""In my work with the Bible in local communities of the poor and marginalised there is an immediate resonance with almost any section of the Gospel of Mark. Kimondo offers us a compelling analysis of why this is the case, providing a detailed interpretation of Mark as 'good news' for the economically oppressed in the context of war and empire. Mark's Jesus offers an egalitarian alternative to the ruling elites of both Jerusalem and Rome."" --Gerald West, University of Kwazulu-Natal ""Stephen Kimondo makes the case that Mark's gospel should be read simultaneously with the Jewish historian Josephus. Aspects of Mark's gospel make the most sense when read in the context of the Roman-Jewish War of 66-70 CE, including comparisons between Rome's bloody empire and God's life-giving rule, Jesus' activity as a campaign compared to Vespasian's campaign in Galilee, and the values of God's empire taught and embodied by Jesus compared to values shown by Roman authorities. Kimondo's mastery of both Josephus and Mark is a gift to students and teachers alike."" --Peter Perry, Fuller Theological Seminary ""In a carefully organized way, Kimondo's book has successfully made a contrast between the violent and pompous Vespasian military campaigns and entrances in cities, that were celebrated to be 'good news', as depicted by Josephus, and the redemptive, non-violent good news without splendor associated with the onset of God's empire, based on the proclamation, teachings, and redemptive deeds of Jesus as depicted by Mark's gospel. This book is well-presented, insightful, and worth the read of any New Testament scholar interested in studies of the early church."" --Elia Shabani Mligo, Teofilo Kisanji University, Mbeya Tanzania Stephen Simon Kimondo is Lecturer in New Testament studies at the University of Iringa in Tanzania. He received his PhD from the Lutheran School of Theology at Chicago.
Some describe civil litigation as little more than a drag on the economy. Others hail it as the solution to most of the country's problems. Stephen C. Yeazell argues that both positions are wrong. Deeply embedded in our political and economic systems, civil litigation is both a system for resolving disputes and a successful business model, a fact that both its opponents and its fans do their best to conceal. Lawsuits in a Market Economy explains how contemporary civil litigation in the United States works and how it has changed over the past century. The book corrects common misconceptions--some of which have proved remarkably durable even in the face of contrary evidence--and explores how our constitutional structure, an evolving economy, and developments in procedural rules and litigation financing systems have moved us from expecting that lawsuits end in trial and judgments to expecting that they will end in settlements. Yeazell argues that today's system has in some ways overcome--albeit inconsistently--disparities between the rich and poor in access to civil justice. Once upon a time, might regularly triumphed over right. That is slightly less likely today--even though we continue to witness enormous disparities in wealth and power. The book concludes with an evaluation of recent changes and their possible consequences.
Some describe civil litigation as little more than a drag on the economy; Others hail it as the solution to most of the country's problems. Stephen C. Yeazell argues that both positions are wrong. Deeply embedded in our political and economic systems, civil litigation is both a system for resolving disputes and a successful business model, a fact that both its opponents and its fans do their best to conceal. Lawsuits in a Market Economy explains how contemporary civil litigation in the United States works and how it has changed over the past century. The book corrects common misconceptions--some of which have proved remarkably durable even in the face of contrary evidence--and explores how our constitutional structure, an evolving economy, and developments in procedural rules and litigation financing systems have moved us from expecting that lawsuits end in trial and judgments to expecting that they will end in settlements. Yeazell argues that today's system has in some ways overcome--albeit inconsistently--disparities between the rich and poor in access to civil justice. Once upon a time, might regularly triumphed over right. That is slightly less likely today--even though we continue to witness enormous disparities in wealth and power. The book concludes with an evaluation of recent changes and their possible consequences.
Class Strategies and the Education Market examines the ways in which the middle classes maintain and improve their social advantages in and through education.Drawing on an extensive series of interviews with parents and children, this book identifies key moments of decision making in the construction of the educational trajectories of middle class children. Stephen J. Ball organises his analysis around the key concepts of social closure, social capital, values and principles and risk, while bringing a broad range of up-to-date sociological theory to bear upon his subject. From this thorough analysis, valuable and thought-provoking insights emerge into the assiduous care and considerable effort and expenditure which goes into ensuring the educational success of the middle class childThe middle classes are a sociological enigma, presenting the social researcher with considerable analytic and theoretical difficulties. Class Strategies and the Education Market provides a set of working tools for class analysis and the examination of class practices. Above all, it offers new ways of thinking about class theory and the relationships between classes in late modern society.
Class Strategies and the Education Market examines the ways in which the middle classes maintain and improve their social advantages in and through education.Drawing on an extensive series of interviews with parents and children, this book identifies key moments of decision making in the construction of the educational trajectories of middle class children. Stephen J. Ball organises his analysis around the key concepts of social closure, social capital, values and principles and risk, while bringing a broad range of up-to-date sociological theory to bear upon his subject. From this thorough analysis, valuable and thought-provoking insights emerge into the assiduous care and considerable effort and expenditure which goes into ensuring the educational success of the middle class childThe middle classes are a sociological enigma, presenting the social researcher with considerable analytic and theoretical difficulties. Class Strategies and the Education Market provides a set of working tools for class analysis and the examination of class practices. Above all, it offers new ways of thinking about class theory and the relationships between classes in late modern society.
Samuel Beckett has long carried the aura of an artist ""damned to fame."" Known for being a recluse with a profound distaste for publicity, Beckett gained a legendary image, infusing much of the critical attention that his literary work continues to receive. In this highly original and audacious volume, Dilks sharply departs from existing accounts of Beckett’s persona by developing a critical analysis of his life as a professional writer. Focusing on the period between 1929 and 1969, and taking into account published and unpublished letters, advertising materials, photographic portraits, royalty statements, and other archival material, Samuel Beckett in the Literary Marketplace offers a powerful challenge to the received understanding of Beckett as an author shy of fame, averse to self-promotion, and unconcerned with commercial success. Showing how Beckett’s assumptions about professional life were shaped by his socioeconomic upbringing in South Dublin, Dilks illustrates the author’s protracted efforts to develop and sustain a successful career as a professional writer with an enduring legacy. Dilks explores in great detail how Beckett fashioned an authorial persona, shaped public reception of his work, and controlled his business affairs. He shrewdly used agents and professional acquaintances to market himself as an unknown celebrity and to defend and disseminate his public image. Throughout, the book acknowledges Beckett’s self-consciousness about his mythic relationship with the literary marketplace.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
