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1000 tulosta hakusanalla Thomas Satchell

Thomas Reid's Theory of Perception

Thomas Reid's Theory of Perception

Ryan Nichols

Clarendon Press
2007
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The thesis that the mind cannot directly apprehend features of the physical world - what Reid calls the Way of Ideas - is a staple of Early Modern philosophical tradition. This commitment to the direct awareness of, and only of, mental representations unifies the otherwise divergent philosophical systems of Rationalists and Empiricists. Thomas Reid battles against this thesis on many fronts, in particular over the nature of perception. Ryan Nichols lays the groundwork for Reid's theory of perception by developing Reid's unheralded argument against a representational theory of thought, which Nichols applies to his discussion of the intentionality of perceptual states and Reid's appeal to 'signs'. Reid's efforts to preserve common sense epistemic commitments also lead him to adopt unique theories about our concepts of primary and secondary qualities, and about original and acquired perceptions. About the latter pair, Nichols argues that most perceptual beliefs depend for their justification upon inferences. The Way of Ideas holds that sensations are objects of awareness and that our senses are not robustly unified. Nichols develops Reid's counter-proposals by examining his discussion of the evolutionary purpose of sensations, and the nature of our awareness of sensations, as well as his intriguing affirmative answer to Molyneux's questions. Nichols brings to the writing of this book a consummate knowledge of Reid's texts, published and unpublished, and a keen appreciation for Reid's responses to his predecessors. He frequently reconstructs arguments in premise/conclusion form, thereby clarifying disputes that have frustrated previous Reid scholarship. This clarification, his lively examples, and his plainspoken style make this book especially readable. Reid's theory of perception is by far the most important feature of Reid's philosophical system, and Nichols offers what will be, for a long time to come, the definitive analysis of this theory.
Thomas Adès in Five Essays

Thomas Adès in Five Essays

Massey Drew

Oxford University Press Inc
2020
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The British composer, conductor, and pianist Thomas Adès has achieved a level of recognition and celebrity within the world of classical music today that is almost unmatched. Once seen as the heir to Benjamin Britten, both in his importance to British music and his reputation as the enfant terrible of the concert world, Adès is a fascinating figure of contemporary composition. Reaching for the music behind the celebrity, author Drew Massey deftly tackles the challenges of writing about a living figure with such far-reaching impact by focusing on representative moments in his compositional career and critical reception. In this series of five interlocking essays, Massey provides an illuminating look at the formal characteristics of Adès's music, considers his work from the perspective of a contemporary listener, and places it within the larger context of developments in twentieth-century British music. He not only traces the diverse historical forms and traditions that Adès taps into but also reflects on where he is steering the future of composition and performance. An analysis of the key transitions in the artist's critical reception completes this book as the most comprehensive study of this pivotal figure of contemporary classical music in the English language to this day.
Thomas Aquinas's Summa Theologiae

Thomas Aquinas's Summa Theologiae

Brian Davies

Oxford University Press Inc
2014
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This book is a detailed account of and commentary on Thomas Aquinas's most influential work: the Summa Theologiae. Intended for students and general readers interested in medieval philosophy and theology, the book will also appeal to professors and scholars, although it does not presuppose any previous knowledge of its subject. Following a scholarly account of Aquinas's life, the book explores his purposes in writing the Summa Theologiae and works systematically through each of its three Parts. It also relates their contents and Aquinas's teachings to that of other works and other thinkers both theological and philosophical. In addition to being expository, the volume aims to help readers think about the value of the Summa Theologiae for themselves. The concluding chapter considers the impact Aquinas's best-known work has had since its first appearance, and why it is still studied today. Davies's study is a solid and reflective introduction both to the Summa Theologiae and to Aquinas in general.
Thomas Aquinas's Summa Theologiae

Thomas Aquinas's Summa Theologiae

Brian Davies

Oxford University Press Inc
2014
nidottu
Following a scholarly account of Thomas Aquinas's life, Davies explores his purposes in writing the Summa Theologiae and works systematically through each of its three Parts. He also relates their contents and Aquinas's teachings to those of other works and other thinkers both theological and philosophical. The concluding chapter considers the impact Aquinas's best-known work has exerted since its first appearance, and why it is still studied today. Intended for students and general readers interested in medieval philosophy and theology, Davies's study is a solid and reflective introduction both to the Summa Theologiae and to Aquinas in general.
Thomas on Powers

Thomas on Powers

Geraint Thomas

Oxford University Press
2012
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Highly regarded, and cited in a number of judgments, Thomas on Powers is concerned with the general principles and doctrines governing or affecting the creation, exercise, and operation of powers in private law, and provides a discursive, intellectual analysis of the principles underlying the problems commonly encountered by practitioners. The first edition of Thomas on Powers was published in 1998 as part of Sweet & Maxwell's Property and Conveyancing Library. This new edition both updates the original work and expands the scope of the book significantly to include coverage of offshore trusts and current trusts issues such as fiduciary powers, protectors, and "shams". Thomas on Powers provides extensive coverage of recent statutes dealing with trustee delegation; developments to the law relating to pension schemes; and cases relating to the rule in Hastings-Bass, which has had a series of contentious recent decisions. This edition includes expanded discussion of case law from Commonwealth countries and focuses more on the numerous judgments from offshore jurisdictions, some of which raise novel questions and issues. The book also includes an increased emphasis on the specific legislation of offshore trusts, where practical problems centred around the creation and exercise of trustee powers have become very important. This edition covers the problematic interaction of powers of revocation and sham trusts; the scope and effects of powers of amendment; the powers and role of protectors of offshore trusts; and the powers of directors of companies; and the relationship between fiduciary powers in private law and powers exercised by public bodies.
Thomas Aquinas

Thomas Aquinas

Fergus Kerr

Oxford University Press
2009
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Thomas Aquinas, an Italian Catholic priest in the early thirteeth century, is considered to be one of the great Christian thinkers who had, and who still has, a profound influence on Western thought. He was a controversial figure who was exposed and engaged in conflict. This Very Short Introduction looks at Aquinas in a historical context, and explores the Church and culture into which Aquinas was born. It considers Aquinas as philosopher, and looks at the relationship between philosophy and religion in the thirteenth century. Fergus Kerr, in this engaging and informative introduction, will make The Summa Theologiae, Aquinas's greatest single work, accessible to new readers. It will also reflect on the importance of Thomas Aquinas in modern debates and asks why Aquinas matters now. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Thomas Middleton: The Collected Works
Thomas Middleton (1580-1627) - 'our other Shakespeare' - is the only other Renaissance playwright who created lasting masterpieces of both comedy and tragedy; he also wrote the greatest box-office hit of early modern London (the unique history play A Game at Chess ). His range extends beyond these traditional genres to tragicomedies, masques, pageants, pamphlets, epigrams, and Biblical and political commentaries, written alone or in collaboration with Shakespeare, Webster, Dekker, Ford, Heywood, Rowley, and others. Compared by critics to Aristophanes and Ibsen, Racine and Joe Orton, he has influenced writers as diverse as Aphra Behn and T. S. Eliot. Though repeatedly censored in his own time, he has since come to be particularly admired for his representations of the intertwined pursuits of sex, money, power, and God. The Oxford Middleton, prepared by more than sixty scholars from a dozen countries, follows the precedent of The Oxford Shakespeare in being published in two volumes, an innovative but accessible Collected Works and a comprehensive scholarly Companion. Though closely connected, each volume can be used independently of the other. The Collected Works brings together for the first time in a single volume all the works currently attributed to Middleton. It is the first edition of Middleton's works since 1886. The texts are printed in modern spelling and punctuation, with critical introductions and foot-of-the-page commentaries; they are arranged in chronological order, with a special section of Juvenilia. The volume is introduced by essays on Middleton's life and reputation, on early modern London, and on the varied theatres of the English Renaissance. Extensively illustrated, it incorporates much new information on Middleton's life, canon, texts, and contexts. A self-consciously 'federal edition', The Collected Works applies contemporary theories about the nature of literature and the history of the book to editorial practice.
Thomas Hobbes: Elements of Law

Thomas Hobbes: Elements of Law

Oxford University Press
2024
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Hobbes's Elements of Law was written in 1640, on the eve of the English Civil War. It circulated in manuscript, and eleven manuscripts now survive. Two of them contain a substantial amount of material in Hobbes's own handwriting. Soon after writing it, Hobbes fled to France, while in England civil war broke out over many of the issues discussed by Hobbes in this book. In France he wrote a Latin version of his political theory (De Cive, on the Citizen), and then the English Leviathan, of which a Latin revision followed and in which he greatly expanded what he had to say about religion and church-state relations. The Elements of Law presents a complete but succinct version of Hobbes's political theory and of his more general philosophy. It analyzes the nature of knowledge and science, discusses psychology and human nature, surveys the rights and duties of individuals, and argues for the need of states to be governed by sovereign authority. It discusses the relationship between politics and religion, and the extent and limitations of political power. It is 'a work of extraordinary assurance, an almost fully fledged statement of Hobbes's entire political philosophy'. (Noel Malcolm) This edition is intended to replace the one edited by Ferdinand Tönnies (1889), from which that of J.C.A. Gaskin (Oxford World's Classics, 1994) derives. It establishes a more accurate text based on all the eleven known manuscripts, and includes much material omitted by Tönnies (who knew of only six manuscripts). It draws extensively on modern scholarship on Hobbes and his contexts.
Thomas Browne

Thomas Browne

Oxford University Press
2014
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This volume in the 21st Century Oxford Authors series offers students and readers an authoritative, comprehensive selection of the work of Sir Thomas Browne (1605-1682). Accompanied by full scholarly apparatus, the edition demonstrates the breadth of the author of some of the most brilliant and delirious prose in English Literature. Lauded by writers ranging from Coleridge to Virginia Woolf, from Borges to W.G. Sebald, Browne's distinct style and the musicality of his phrasing have long been seen as a pinnacle of early modern prose. However, it is Browne's range of subject matter that makes him truly distinct. His writings include the hauntingly meditative Urn-Burial, and the elaborate The Garden of Cyrus, a work that borders on a madness of infinite pattern. Religio Medici, probably Browne's most famous work, is at once autobiography, intricate religious-scientific paradox, and a monument of tolerance in the era of the English civil war. This volume also includes his Pseudodoxia Epidemica, an encyclopaedia of error which contains within its vast remit the entire intellectual landscape of the seventeenth centuryits science, its natural history, its painting, its history, its geography and its biblical oddities. The volume enables students to experience the ways in which Browne brings his lucid, baroque and stylish prose to bear across this range of diverse material, together with a carefully poised wit. This volume contains almost all of the author's work that was published in his lifetime, as well as a selection of writings published after his death. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browne.
Thomas De Quincey

Thomas De Quincey

Oxford University Press
2019
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This volume in the 21st-Century Oxford Authors series offers students an authoritative, comprehensive selection of the work of Thomas De Quincey (1785-1859). The edition presents De Quincey's work in all of its rich variety, and offers the most thorough and accurate annotation of De Quincey's major works ever compiled. Thomas De Quincey: 21st-Century Oxford Authors is the most comprehensive selection of De Quincey's writings published in decades, and includes all the essays that made him a major figure in his own age, and that give him a burgeoning relevance in ours. The volume features complete versions of his three most famous works of impassioned autobiography--Confessions of an English Opium-Eater (1821), Suspiria de Profundis (1845), and 'The English Mail-Coach' (1849)--as well as a great deal of manuscript material related to these works, and an extensive selection from his revised version of the Confessions (1856). It contains all three of his essays 'On Murder Considered as One of the Fine Arts' (1827, 1839, and 1854), the first two instalments of which are brilliant exercises in satirical high jinks, and the final instalment of which is a graphic account of the notorious Radcliffe Highway killings of 1811. It features lengthy excerpts from De Quincey's biographical recollections of 'Samuel Taylor Coleridge' (1834) and 'William Wordsworth' (1839), both of whom De Quincey admired intensely, though his personal relationship with both poets eventually collapsed into bitterness and self-justification. It features De Quincey's finest pieces of literary criticism, including 'On the Knocking at the Gate in Macbeth' (1823) and his two searching examinations of 'The Literature Knowledge and the Literature of Power' (1823 and (1848). The edition includes an Introduction to the life and works of De Quincey, and a Chronology, which enhance the study, understanding, and enjoyment of these works.
Thomas Middleton and Early Modern Textual Culture
Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into two parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor ('The Order of Persons') surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the 'Middleton century' (1580-1679). Ten original essays then focus on Middleton's connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The second part, 'The Texts', supplies the documentation for claims made in the first part. This includes detailed evidence for the canon and chronology of Middleton's works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. A full editorial apparatus is supplied for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: 'Hence, all you vain delights' (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances).
Middle Plays: The Collected Works of Thomas Heywood, Volume 3
Thomas Heywood (c.1573-1641), who claimed to have had 'an entire hand, or at least a maine finger' in two hundred and twenty plays, was one of the most prolific and influential dramatists of the Elizabethan, Jacobean, and early Caroline theatre. Heywood was also recognized in his own time as a master essayist, producing numerous prose tracts, miscellanies, treatises, pamphlets, and broadsides, and in them, to use his own terms, he 'dissected' and 'anatomised' the religious and political dilemmas of contemporary monarchs and their courts. As city poet and principal writer of pageants for the Lord Mayor's Day from 1631 to 1639, Heywood was in a unique position to celebrate civic governance and local policy. He also produced and circulated translations of ancient Greek and Latin texts, as well as writing his own poetry, and, uniquely, edited the plays and poems of his collaborators and contemporaries, often describing in detail in prefaces and epistles how these texts were transmitted from author to audience. In sum, he participated in, epitomised and helped to establish the entire range of author in the early modern age. This modern edition of his works makes him accessible to students, scholars, general readers, actors and directors and rightfully establishes him as a major and seminal contributor to early modern English drama, poetry and prose. Heywood's motto was Aut prodesse solent aut delectare, adapted from the Ars Poetica of Horace and proclaiming the poet's purpose to produce profit and pleasure in his audience. Volume 3 of the edition, Middle Plays, features the five Age plays that he wrote to delight and teach. Heywood set himself the task to chronicle the entire range of classical myth, 'an entire history from Jupiter and Saturn to the utter subversion of Troy'. With ancient Homer acting as chorus (or master of ceremonies) in The Golden Age, The Silver Age, and The Brazen Age, Heywood takes his audiences from the Golden Age of Gods (who embody the worst of human faults) through the exploits of Hercules. The last two plays, The Iron Age, Parts I and II, focus on the carnage of the Trojan war and its aftermath. Redemption lies in the potential of a 'New Troy' in London and Rome. In these plays, Heywood reveals himself as a master of stagecraft, especially of pyrotechnics and flying entrances. His theatre is always exciting.
Thomas Churchyard

Thomas Churchyard

Matthew Woodcock

Oxford University Press
2016
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Soldier, courtier, author, entertainer, and amateur spy, Thomas Churchyard (c.1529-1604) saw action in most of the principal Tudor theatres of war, was a servant to five monarchs, and had a literary career spanning over half a century during which time he produced over fifty different works in a variety of forms and genres. Churchyard's struggles to subsist as an author and soldier provides an unrivalled opportunity to examine the self-promotional strategies employed by an individual who attempts to make a living from both writing and fighting, and who experiments throughout his life with ways in which the arts of the pen and sword may be reconciled and aligned. Drawing on extensive archival and literary sources, Matthew Woodcock reconstructs the extraordinary life of a figure well-known yet long neglected in early modern literary studies. In the first ever book-length biography of Churchyard, Woodcock reveals the author to be a resourceful and innovative writer whose long literary career plays an important part in the history of professional authorship in sixteenth-century England. This book also situates Churchyard alongside contemporary soldier-authors such as Henry Howard, Earl of Surrey, George Gascoigne, and Sir Philip Sidney, and it makes a significant contribution to our understanding of the relationship between literature and the military in the early modern period. Churchyard's writings drew heavily upon his own experiences at court and in the wars and the author never tired of drawing attention to the struggles he endured throughout his life. Consequently, this study addresses the wider methodological question of how we should construct the biography of an individual who was consistently preoccupied with telling his own story.
Thomas Aquinas on God and Evil

Thomas Aquinas on God and Evil

Brian Davies

Oxford University Press Inc
2011
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Brian Davies offers the first in-depth study of Saint Thomas Aquinas's thoughts on God and evil, revealing that Aquinas's thinking about God and evil can be traced through his metaphysical philosophy, his thoughts on God and creation, and his writings about Christian revelation and the doctrines of the Trinity and the Incarnation. Davies first gives an introduction to Aquinas's philosophical theology, as well as a nuanced analysis of the ways in which Aquinas's writings have been considered over time. For hundreds of years scholars have argued that Aquinas's views on God and evil were original and different from those of his contemporaries. Davies shows that Aquinas's views were by modern standards very original, but that in their historical context they were more traditional than many scholars since have realized. Davies also provides insight into what we can learn from Aquinas's philosophy. Thomas Aquinas on God and Evil is a clear and engaging guide for anyone who struggles with the relation of God and theology to the problem of evil.
Thomas Aquinas on God and Evil

Thomas Aquinas on God and Evil

Brian Davies

Oxford University Press Inc
2011
nidottu
Brian Davies offers the first in-depth study of Saint Thomas Aquinas's thoughts on God and evil, revealing that Aquinas's thinking about God and evil can be traced through his metaphysical philosophy, his thoughts on God and creation, and his writings about Christian revelation and the doctrines of the Trinity and the Incarnation. Davies first gives an introduction to Aquinas's philosophical theology, as well as a nuanced analysis of the ways in which Aquinas's writings have been considered over time. For hundreds of years scholars have argued that Aquinas's views on God and evil were original and different from those of his contemporaries. Davies shows that Aquinas's views were by modern standards very original, but that in their historical context they were more traditional than many scholars since have realized. Davies also provides insight into what we can learn from Aquinas's philosophy. Thomas Aquinas on God and Evil is a clear and engaging guide for anyone who struggles with the relation of God and theology to the problem of evil.
Thomas Hobbes and the Natural Law Tradition

Thomas Hobbes and the Natural Law Tradition

Norberto Bobbio

University of Chicago Press
1993
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Pre-eminent among European political philosophers, Norberto Bobbio has throughout his career turned to the political theory of Thomas Hobbes. Gathered here for the first time are the most important of his essays which together provide both a valuable introduction to Hobbes's thought and a fresh understanding of Hobbes's place in the theory of modern politics. Tracing Hobbes's work through De Cive and Leviathan, Bobbio identifies the philosopher's relation to the tradition of natural law. That Hobbes must now be understood in both this tradition as well as in the seemingly contradictory positivist tradition becomes clear for the first time in Bobbio's account. Bobbio also demonstrates that Hobbes cannot be easily labelled "liberal" or "totalitarian"; in Bobbio's provocative analysis of Hobbes's justification of the state, Hobbes emerges as a true conservative. Though his primary concern is to reconstruct the inner logic of Hobbes's thought, Bobbio is also attentive to the philosopher's biography and weaves into his analysis details of Hobbes's life and world--his exile in France, his relation with the Mersenne circle, his disputes with Anglican bishops, and accusations of heresy leveled against him. The result is a revealing, thoroughly new portrait of the first theorist of the modern state.