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1000 tulosta hakusanalla Vincent Harding

Vincent Trio Scores (2015)

Vincent Trio Scores (2015)

Teo Barry Vincent

Createspace Independent Publishing Platform
2014
pokkari
Amazing unique and beautiful arrangements of classical standards for a violin-piano-bass trio. Excellent scoring reviewed by top Royal Conservatory of Music and Liszt Academy (Budapest) experts. Includes: Carmen's Habanera from the opera Carmen, Opus 21 no. 2 by Georges Bizet (1838-1875), 3 pages.Symphony Number 3 in F Major, Poco Allegretto, Opus 90 by Johannes Brahms (1833-1897), 5 pages.Komm Zigany from the operetta Countess Maritza, 1924 by Emmerich Kalman (1882-1953), 7 pages.Don Sanche's Aria from Don Sanche ou le Chateau d'Amour, Opus 1 by Franz Liszt (1811-1886), 5 pages.Laudate Dominum, K339 by Wolfgang Amadeus Mozart (1856-1891), 4 pages.Piano Concerto No. 21, Andante, K467 by Wolfgang Amadeus Mozart, 9 pages.Piano Concerto No. 2, Adagio, Opus 18 by Serge Rachminoff (1873-1943), 9 pages.Bol ro from the ballet Fandango, Opus M. 81, by Joseph-Maurice Ravel (1875-1937), 5 pages.Bergamasca from Ancient Airs and Dances, Opus 40 by Ottorino Respighi (1879-1936), 7 pages.Romanza Andaluza from Spanish Dances III, Opus 22 by Pablo de Sarasate (1844-1908), 10 pages.Ave Maria (Ellens Gesang), Opus 52 no. 6 by Franz Schubert (1797-1828) and Franz Liszt, 7 pages.Serenade / Standchen (Schwanengesang D957 no. 4), Opus 134 / 90 no. 11 by Franz Schubert, 4 pages.Piano Trio, Andante, Opus 17 by Clara Schumann (1819-1896), 7 pages.Traumerei (Dreaming), Opus 15 no. 7 by Robert Schumann (1810-1856), 2 pages.Fruhlingsstimmen (Voices of Spring) Opus 410 by Johann Strauss, Jr. (1825-1899), 4 pages.Ball, Opus 38 no. 3 by Pyotr Ilyitch Tchaikovsky (1840-1893), 5 pages.
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Vincent Price

Vincent Price

Price Victoria

Open Road Media
2014
pokkari
Since his death in 1993, Vincent Price’s legacy as a Hollywood legend has only grown in stature. His lengthy and distinguished career—as the voice of The Saint on the radio; as an actor in such unforgettable horror films as House of Wax and The Fly, in classic movies such as Laura and The Song of Bernadette, and on popular TV shows such as Batman and The Brady Bunch; and as a star on the Broadway stage—spanned sixty-five years. In addition to being an icon of stage and screen, Price was an art historian and collector who did much to popularize the visual arts in the United States, as well as a gourmet chef and author of bestselling cookbooks. Widely revered for his elegance and erudition, this Renaissance man left his mark on many areas of American culture during the twentieth century. Vincent Price was also a loving father to his daughter Victoria, who was born shortly before he turned fifty-one, at the height of his popularity. Though the star’s busy film schedule took him in and out of his young daughter’s life, he was always a larger-than-life presence and, simply, her father. The deep bond between father and daughter managed to survive the machinations of Price’s third wife, the elegant British actress Coral Browne, who resented the close relationship between Price and his children and grandchildren. After Browne’s death, Price and his daughter spent over a year taping conversations that would form the basis of this compelling biography-cum-memoir. In writing about the father she adored, Victoria Price reveals a man complex, human, and humorous. An actor of range, less than one-third of the movies in which he appeared were in the horror genre. As a pre-war anti-Nazi sympathizer, he was greylisted during the Red Scare of the 1950s until, in a desperate gesture, he signed a secret oath that saved his career. His passion for the arts gave him a second life as a savvy columnist and museum founder, even as his films were featured in drive-ins nationwide. And through it all, Vincent Price’s professionalism, grace under pressure, and tongue-in-cheek humor earned him lifelong friendships among his peers and generation after generation of loyal fans. Victoria Price’s account of her father is one of candor and honesty; both his passionate and charismatic public persona and his conflicted inner life are treated with curiosity and understanding. Vincent Price: A Daughter’s Biography is, in short, the thorough—and uniquely intimate—life of a legend. For more information about Vincent Price, please visit vincentprice.com.
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Vincent & P.Go

Vincent & P.Go

Michael J. Leslie

Createspace Independent Publishing Platform
2014
nidottu
Arles, France. The autumn of '88. Loneliness as thick as lead white paint. Setting up his easel before orchards, wheatfields and the few subjects who will tolerate him. His only friends a drunken postal worker, a skirt-chasing Zouave, and Rachel, one of Madame Virginie's girls. Then Gauguin shows up and the world blooms. They venture to the night caf for an absinthe and on to Madame Virginie's to see Rachel. They gamble at Ginoux's table, throw punches in Place Lamartine, dance at the Folies. Gauguin nails him up in a coffin so he can taste death and when he awakes it is to a new life. And, always, they paint. Like madmen, relentlessly, passionately, radically. Sunflowers and vineyards and Les Alyscamps and the wash station on the Roubine du Roi. It's the most happiness Vincent has known since he was a boy. He doesn't realize that all hell's about to break loose - that Gauguin has a dark side, that Rachel is in trouble... or that much of what he sees is not really even there.
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Vincent Loves to Read

Vincent Loves to Read

Martha Brady

Createspace Independent Publishing Platform
2015
nidottu
Vincent loves to read. In fact, Vincent loves to read more than anything else in the whole wide world. This little brown teddy bear loves to read high up in trees, under beds, on a park bench, in a bookshelf and...But wait There are so many strange places where Vincent goes to read his favorite books that you will just have to read this children's story to find out. As a surprise, each colorful illustration in Vincent Loves to Read, has a hidden object that doesn't quite fit in the illustration itself. You will have fun looking at each illustration closely to find the strange little objects. Also, as a different way of illustrating a children's picture book, all of the illustrations, in this particular book, are layered with free public domain photos and objects to create a complete illustration. This different way of designing a total scene is something your students can do on their own when they wish to create 'artwork' to accompany their stories, projects, and so on.
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Vincent van Gogh: Der Roman eines Gottsuchers

Vincent van Gogh: Der Roman eines Gottsuchers

Julius Meier-Graefe

Createspace Independent Publishing Platform
2015
nidottu
Die au ergew hnliche Biographie Vincent van Goghs in Romanform. Ein Malerschicksal ohnegleichen. "Van Gogh hat uns etwas vorgemacht, das uns alle angeht, nicht nur K nstler und Literaten, nicht nur Kunstfreunde und Kenner; die am wenigsten. Alle Menschen, die sich nicht widerstandslos dem gro en Treibeis unterwerfen, geht er an, alle Sehns chtigen, alle Bedr ckten, alle Erniedrigten und Beleidigten, alle Gl cklichen, die eine Hoffnung schwellt. Er hat uns mehr als Bilder vorgemacht. (.) Ein ma loses Herz brauchte er, um gegen die ungeheure Mauer anzurennen, die er selbst aufbauen half. Es steckt harte Gegenwart in seiner Kunst, der Verzicht eines rationalistisch Geschulten. Und zugleich steckt der Anprall emp rerischer Leidenschaft darin. Ja, diese Leidenschaft bertrifft den Verzicht gleich ausbrechenden Flammen, aber mischt sich mit Scherben, die sie zerbrach, und h her erhebt uns der Anblick des troph enlosen K mpfers, der durch ein mit Bitterkeit berf lltes Dasein bis an die u ersten Grenzen des M rtyrertums schritt, bis zuletzt dem tig und ohne Klage. (.) Den Schreiter haben wir vor Augen, der mit jeder Regung, mit jedem Gedanken, jedem Wort nach dem Heil seiner Seele, nach dem Heil f r uns alle schritt. F r uns alle Es geh rt z nftige Dialektik dazu, um in der Hingabe gr erer Genies an ihre Kunst Altruismus zu erkennen und einen C zanne, der tobte, wenn ihn jemand ansprach, f r einen Menschenfreund zu halten. Eine notwendige und durchaus sittliche Dialektik, ich wei . Was bleibt, wenn wir sie dran g ben und zum Beispiel C zanne f r einen Maniak hielten, der mit seiner Manie auch uns, anderen Maniaks, Vergn gen bereitet? Beileibe nicht daran r hren Aber man bringe diese Dialektik den Freunden van Goghs bei, den Aardappeleters und den holl ndischen Webern, in deren H tten sich der Winkel f r ihn fand, dem Postboten in Arles, der Kneipenwirtin und den arlesischen M dchen aus dem Freudenhaus. Sie verstanden ganz gewi seine Bilder ebensowenig wie die des Menschenfreunds in Aix, aber er selbst, der sonderbare Mensch mit dem roten Haar, ging ihnen auf. Auch sein Wahn schreckte sie nicht zu sehr. Solche Leute wissen damit umzugehen. H chstens schreckte sie der Wahn in seinen Bildern, den unsere berlegene sthetik f r den Gipfel der Gesundheit h lt." (Aus dem Vorwort von Julius Meier-Graefe)
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Vincent and Theo Van Gogh

Vincent and Theo Van Gogh

Joe Rotonda

Createspace Independent Publishing Platform
2015
nidottu
For Vincent and TheoWhose undying love and loyalty for art goes beyond the flourished minds and hearts of those who know, there is more to life than what is seen with the human eye.To those who listen to the soulful soundsthat sunflowers make while dancingwith the eternal wind of fire, for the tip of your brush holds purpose.Grow in peace. Paint the heavens withpearl diamond thoughts that radiateechoes of laughter. Dance with the sun, kiss the moon, hold the sea in your arms while the wind whispers to the Golden Dove.Grow in joy as you wake up the souls of those who are passionately evolved with kindness and gentleness, for theyweave their way onto your canvas.Such giving spirits ..
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Vincent de Gournay: l'economie politique du laissez-faire

Vincent de Gournay: l'economie politique du laissez-faire

Benoit Malbranque

Createspace Independent Publishing Platform
2016
nidottu
De Vincent de Gournay (1712-1759), on n'a longtemps retenu qu'une formule: laissez faire, laissez passer, cens e r sumer une oeuvre connue uniquement par ou -dire. C'est que les crits de cet conomiste, tr s t t perdus, ne furent d couverts et publi s qu'en 1976, autorisant un r examen tardif mais n cessaire. L' tude de ces nouvelles sources force reconna tre en Gournay l'un des pionniers du lib ralisme dans notre pays et l'agent principal de son introduction dans les sph res intellectuelles et administratives de la France du si cle des Lumi res. Face une soci t d'Ancien r gime paralys e par l'exc s d'imp ts, de privil ges et de r glements, Gournay a combattu pour la libert du travail, la libert du commerce et l' galit devant la loi. Dans ses crits et dans son action d'intendant du commerce, il a inaugur le proc s des corporations, des privil ges et des r glementations sur l'activit conomique, tout en th orisant la sup riorit du travail libre et de l'initiative individuelle. Admir de Voltaire, tenu plus tard en haute estime tant par les physiocrates que par leurs adversaires, Vincent de Gournay fut aussi le ma tre penser du jeune Turgot, qui continua son oeuvre et appliqua, lors de son cours passage au minist re, les plans de r forme de son mentor et ami.
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