Kirjahaku

Keith Haring is synonymous with the downtown New York art scene of the 1980's. His artwork-with its simple, bold lines and dynamic figures in motion-filtered in to the world's consciousness and is still instantly recognizable, twenty years after his death. This Penguin Classics Deluxe Edition features ninety black-and-white images of classic artwork and never-before-published Polaroid images, and is a remarkable glimpse of a man who, in his quest to become an artist, instead became an icon.

A fascinating look at Keith Haring’s New York City subway artwork from the 1980sCelebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars.Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. Keith Haring: 31 Subway Drawings reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.Distributed for No More Rulers

Commemorating the 50th anniversary of the artist's birth, this book is the intended to be a faithful posthumous execution of the project. Containing a wealth of unpublished materials, and representing a decade of work and research, it promises to be the definitive book on the artist's life and work. Beginning with his very first collages and early subway tags - including many heretofore unseen photographs of the first ephemeral chalk drawings - through the development of the iconic graphic work now synonymous with his name, the book follows his meteoric rise to international stardom and worldwide recognition. Completely unprecedented in its scope, this volume documents everything from sketches to unedited interviews; personal snapshots to party invitations, bringing to life an extraordinary decade in art and history.

Aims to capture the spirit of Keith Haring's art, from his quick-draw graffiti art on black paper covering unsold advertising spaces in New York subways, to his large-scale canvases/murals and decorative and pop art output. Contributors to the text include William Burroughs and Timothy Leary.

Keith Haring was a revolutionary artist, who transformed the art world during his short but impactful life. Brought to life by Simon Doonan, Creative Director for Barneys New York, this new pocket-sized biography tells his inspirational story.Revolutionary and renegade, Keith Haring was an artist for the people, creating an instantly recognisable repertoire of symbols - barking dogs, space-ships, crawling babies, clambering faceless people - which became synonymous with the volatile culture of 1980s. Like a careening, preening pinball, Keith Haring playfully slammed into all aspects of this decade - hip-hop, new-wave, graffiti, funk, art, style, gay culture - and brought them together.Haring's fanatical drive propelled him into the orbit of the most interesting people of his time: Jean Michel Basquiat envied him; Warhol, William Boroughs and Grace Jones collaborated with him. Madonna and he shared the same tastes in men. Famous at 25, dead from AIDS at 31, Keith Haring is remembered as a Pied Piper, an unpretentious communicator who appeared happiest when mentoring a gang of kids, arming them with brushes and attacking the nearest wall.A series of brief biographies of the great artists, Lives of the Artists takes as its inspiration Giorgio Vasari's five-hundred-year-old masterwork, updating it with modern takes on the lives of key artists past and present. Focusing on the life of the artist rather than examining their work, each book also includes key images illustrating the artist's life. Hardbound, but pocket-sized, the books each sport a specially-commissioned portrait of their subject on the half-jacket.

Keith Haring (1958 -1990) is widely recognised for his colourful paintings, drawings, sculptures and murals. Haring exploded onto the early 1980s New York art scene with his vivid graffiti-inspired drawings, many of which found exposure in the public realm, such as the Times Square billboard broadcast of his famous Radiant Child in 1982. Haring's instantly recognisable `cartoon-like' imagery not only drew on the iconography of contemporary pop and club culture but also looked back to the patterns and rhythms of Islamic and Japanese art, and primitive wall-paintings,. Furthermore his work also reflected a profound commitment to social justice and activism, and raised numerous issues that remain relevant today, including the AIDS crisis, the Cold War and fear of nuclear attack, racism, the excesses of capitalism and environmental degradation. Featuring around fifty works supported by rarely seen photography, film and archival documents from the Keith Haring Foundation, this accessible book will not only introduce Haring to a new audience but also throw fresh light on an artist whose work remains symptomatic of the subcultural and creative energy of 1980s New York. Three short texts exploring various aspects of Haring's practice will be interspersed with illustrations of his works and a rolling time-line featuring key social and political events of the 1980s (from the election of Reagan in 1980 and the explosion of hip hop from underground movement to global phenomenon to the fall of the Berlin Wall in 1989) and Haring's responses to them. The publication also aims to include select and unpublished reminiscences from those who collaborated and interacted with Haring, including performers such as Madonna and Grace Jones and artists Jenny Holzer and Yoko Ono.

Through his graffiti-inspired drawings, paintings, sculptures, murals, and other works, Keith Haring created an immediately recognizable visual iconography that spoke to an enormous population - gay and straight, young and old, male and female. His importance in the annals of popular culture is indisputable, but little attention has been paid to his advocacy for social justice. Haring's political perspective is the focus of this visually arresting selection of works that traces the artist's development and historical significance and gives new gravitas to his career. Accompanying a major exhibition at the de Young museum in San Francisco, this book features more than 130 works of art, including large-scale paintings on tarpaulin and canvas, sculptures, and subway drawings. Together they create a narrative that explores Haring's responses to nuclear disarmament, racial inequality, capitalist excess, environmental degradation, and other prevalent social issues. Essays and conversations with writers, critics, and art dealers round out this important analysis of Haring's life, career, and passion. Exhibition Itinerary, de Young museum, San Francisco, 8th November 2014 - 8th February 2015.

Children's reactions to art can be incredibly insightful and few artists attract a young audience as much as Keith Haring, who used thick black lines, bright colors, and striking symbols to create paintings that are as open to interpretation as they are joyful and fun. This engaging book records children's reactions to Haring's most imaginative drawings, and the results are as unpredictable and profound as the work itself. Along the way, the book encourages its readers to let their own imaginations run wild. By exploring Haring's life, technique, and creativity, the book will inspire readers of all ages to express themselves, whether through art, poetry, or simply saying what is on their minds.

From his boyhood days spent drawing compulsively through his tragic death, the trajectory of Keith Haring’s life is a story of incredible achievement, luck, opportunity, and extraordinary commitment. This graphic novel looks at every stage of that life, exploring his early influences, the roots of his activism, and his close friendships with other artist contemporaries. It shows readers what it was like to be part of New York City’s vibrant downtown art scene in the 1980s—the nightclubs, art openings, the rise of hip-hop—and how world events, such as the fall of the Berlin Wall; the escalation of the nuclear arms race; apartheid; and the dawn of the climate crisis played into his work. They’ll learn how Haring’s own battle with AIDS fueled his advocacy for education and research, and they’ll get to know the figures who were most influential to his work— from Warhol to Basquiat, Fab Five Freddy to Madonna. Packed with key cultural reference points as well as the artist’s own reflections, this graphic biography makes for compulsive, eye-opening reading.

Iconic pop artist Keith Haring comes to life for young readers in this picture book biography lovingly written by his sister This one-of-a-kind book explores the life and art of Keith Haring from his childhood through his meteoric rise to fame. It sheds light on this important artist's great humanity, his concern for children, and his disregard for the establishment art world. Reproductions of Keith's signature artwork appear in scenes boldly rendered by Robert Neubecker. This is a story to inspire, and a book for Keith Haring fans of all ages to treasure.

Pop Art 123! from Mudpuppy teaches counting from numbers 1 through 10, while also introducing young readers to Keith Haring’s colourful world of Pop Art. The dots on each page are slightly raised for tactile learning.

In the thirty years since his death, Keith Haring-a central presence on the New York downtown scene of the 1980s-has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring’s artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring’s artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring’s Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring’s life and art. Examining Haring’s engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring’s messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.

In the thirty years since his death, Keith Haring-a central presence on the New York downtown scene of the 1980s-has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring’s artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring’s artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring’s Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring’s life and art. Examining Haring’s engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring’s messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.

Haring as activist and egalitarian: a fresh, accessible and dynamic look at one of New York’s most exhilarating artists Lavishly illustrated with essays and reflections by cultural leaders, Keith Haring: Art Is for Everybody surveys Haring’s dynamic art practice from 1978 to 1990, shining a bright light on the iconic and beloved artist known for his fluid, uniform lines, intricate compositions and repeating imagery such as the barking dog and radiant baby. Forty years after he came to prominence, Haring’s art continues to garner worldwide recognition, breaking down barriers and spreading joy, while taking on complex issues that remain crucial today, from environmentalism, capitalism and the proliferation of new technologies to religion, sexuality and race. Titled after a quote from Haring’s journals, Art Is for Everybody centers on the artist’s activism, the emphasis he placed on community and his egalitarian approach to art and life. The volume is organized chronologically and thematically, emphasizing Haring’s work made with publics in mind such as the subway drawings and murals, his collaborative practice and his unflinching belief that art is essential in making a better world. Keith Haring was born in Reading, Pennsylvania, in 1958 and arrived in New York from Pittsburgh in 1978, befriending artists including Kenny Scharf and Jean-Michel Basquiat. During the 1980s, Haring achieved international recognition and participated in numerous group and solo exhibitions. After being diagnosed with HIV in 1988, he focused his activism on the AIDS crisis. Less than two years later, Haring died of an AIDS-related illness.

An ode to three friends and their jubilant fusion of drawing, dance and photographyIn the days of downtown New York in the '70s and '80s, three boundary-pushing artists flourished: Keith Haring (1958-90), Muna Tseng (born 1953) and Tseng Kwong Chi (1950-90). Boundless Minds & Moving Bodies presents an intimate visual journey through the early collaborations between these artists and friends, offering a unique and colorful prism of their expression through their respective disciplines: drawing, dance and photography, respectively. Their work and interactions reveal a shared performative energy--the joy of experimenting, openness, exchange and social engagement. Together and independently, they were immersed in and contributors to the bustling and vibrant cultural downtown scene.This book features the 1982 collaboration between Haring and Tseng, in which the former created the set for the latter, drawing a visual score for her performance piece Epochal Songs. Tseng's brother, Kwong Chi, took photographs of Haring's work in the subways, on the streets and during public performances, rendering them accessible to audiences across the globe. Next to the collaborative work of Haring and Tseng, the publication introduces Kwong Chi's own body of seminal work: the famous self-portrait series East Meets West, which he made while visiting many iconic tourist sites across the world with Haring.

A fresh perspective on the work of Keith Haring—one of the world’s most beloved contemporary artists—with a special focus on his three-dimensional work From the moment he landed in NYC in 1978, Keith Haring took three-dimensional objects—whether discards on the street, household appliances, or subway walls—as his atypical canvas. From cars to vases to refrigerators and even a sarcophagus, these could often be rich sites of collaboration with artist contemporaries including Jean-Michel Basquiat, Kenny Scharf, and LA2 (Angel Ortiz) among others. Extending his unmistakable mark-making to clothes, stage sets, and bodies inspired creative connections beyond the boundaries of the art world: Haring collaborated with the likes of Grace Jones, Bill T. Jones, Madonna, and Annie Leibovitz, the last of whom photographed Haring in an now-famous session during which he made his own body a canvas, painting himself to blend into an elaborate 3D environment. Although his career was brief, Keith Haring’s sculpture practice was a significant and integral facet of his extensive oeuvre, with his three-dimensional artworks found in museums and art collections worldwide. Keith Haring in 3D illuminates this rarely explored dimension of Haring’s work, and its role in his enduring legacy. The book’s generous format and engaging design, including more than 350 illustrations, invites readers to immerse themselves in the world Haring created. Featuring archival photographs of Haring at work, stunning reproductions of his art in three dimensions, and a trove of essays by respected curators, scholars, and collectors, Keith Haring in 3D celebrates in stunning detail the buoyant, brilliant work of one of the world’s most iconic artists.

As one of the first academic monographs on Keith Haring, this book uses the Pop Shop, a previously overlooked enterprise, and artist merchandising as tools to reconsider the significance and legacy of Haring’s career as a whole.Haring developed an alternative approach to both the marketing and the social efficacy of art: he controlled the sales and distribution of his merchandise, while also promulgating his belief in accessibility and community activism. He proved that mass-produced objects can be used strategically to form a community and create social change. Furthermore, looking beyond the 1980s, into the 1990s and 2000s, Haring and his shop prefigured artists’ emerging, self-aware involvement with the mass media, and the art world’s growing dependence on marketing and commercialism. The book will be of interest to scholars or students studying art history, consumer culture, cultural studies, media studies, or market studies, as well as anyone with a curiosity about Haring and his work, the 1980s art scene in New York, the East Village, street art, art activism, and art merchandising.

As one of the first academic monographs on Keith Haring, this book uses the Pop Shop, a previously overlooked enterprise, and artist merchandising as tools to reconsider the significance and legacy of Haring’s career as a whole.Haring developed an alternative approach to both the marketing and the social efficacy of art: he controlled the sales and distribution of his merchandise, while also promulgating his belief in accessibility and community activism. He proved that mass-produced objects can be used strategically to form a community and create social change. Furthermore, looking beyond the 1980s, into the 1990s and 2000s, Haring and his shop prefigured artists’ emerging, self-aware involvement with the mass media, and the art world’s growing dependence on marketing and commercialism. The book will be of interest to scholars or students studying art history, consumer culture, cultural studies, media studies, or market studies, as well as anyone with a curiosity about Haring and his work, the 1980s art scene in New York, the East Village, street art, art activism, and art merchandising.