Kirjahaku

A tribute to the life and work of one of the great musical icons of the twentieth century, reflected through the lenses of the world's greatest photographers. Published to coincide with the fiftieth anniversary of the release in 1964 of her ground-breaking debut single As Tears Go By, this is the definitive book on Faithfull, one of the most beloved singers of the twentieth century. As a folk singer in London, Marianne Faithfull was discovered in a coffeehouse in 1964 by the manager of the Rolling Stones. Over the five decades since, her work as a musician, her performances as an actress on stage and screen, and her presence as an icon of style have made Faithfull an undisputed icon of pop culture. Edited by the artist herself, with accompanying handwritten captions, this book represents a personal collection of images that tell the stories of her life-from her explosive success in London in the 1960s and her infamous relationships with Mick Jagger and the Rolling Stones, to her rise as an actress and her collaborations with artists as diverse as David Bowie and Nick Cave. Including never-before-seen snapshots from Faithfull's collection, specially commissioned photographs of her home in Paris, and iconic images by many of the world's best-known photographers-Steven Meisel, David Bailey, and Anton Corbijn, among many others-this is a revealing celebration of an extraordinary life in popular culture.

Marianne Faithfull was the perfect icon of the Swinging Sixties; her life as colourful as the decade itself. A quiet but beautiful convent girl, she became internationally famous through her relationship with Mick Jagger of The Rolling Stones. As Years Go By is a richly detailed portrait of a woman who has lived an incredible life, one that far transcends her best known role as courtesan to the chief Rolling Stone. From aristocratic lineage to convent school, stardom to attempted suicide, junkie to punk, folk singer to torch chanteuse, Marianne has seen her life flash by in banner headlines. Researched through over 50 interviews with her family, former lovers and friends, As Years Go By reveals the truth behind the headlines, the person behind the profile. Updated and extensively revised by one of the UK's most acclaimed writers, it is a candid, illuminating account of an endearing yet misunderstood artist.

A remarkable feminist history and biography that features fragments from the five-decade career of an iconic artist.'Through this deeply personal take, the real significance of Faithfull as an irrepressible female icon shines through.'SHINDIG'Excellent . . . Pearson deserves the widest possible audience.'POPMATTERSFirst as a doe-eyed ingénue with 'As Tears Go By', then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock 'n' roll to chart a career spanning five decades and multiple detours.Why, then, was Faithfull absent from the male-dominated history of the British Invasion?Putting memoir on equal footing with biographical accounts, historian Tanya Pearson writes about Faithfull as an avid fan, recovered addict and queer musician at a crossroads. Whether exploring Faithfull's rise to celebrity, her drug addiction and fall from grace as a spurned 'muse' or her reinvention as a sober, soulful chanteuse subverting all expectations for an ageing woman in music, Pearson reaffirms the deep connection between creator and listener in this remarkable feminist history of the iconic artist.'Witty, passioante, and provactive. Finally, a feminist appreciation for Marianne Faithfull.'VIVIEN GOLDMAN, author of Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot'With vulnerability and a smart sense of humor, Tanya Pearson exposes the profoundly misogynistic music industry that abused Marianne Faithfull . . . heroic and hiliarious.'JD SAMSON, of LeTigre and MEN MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips- Why Marianne Faithfull Matters by Tanya Pearson- Why Karen Carpenter Matters by Karen Tongson

First as a doe-eyed ing nue with "As Tears Go By," then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock 'n' roll to chart a career spanning five decades and multiple detours. In Why Marianne Faithfull Matters, Tanya Pearson crafts a feminist account that explains the musician's absence from the male-dominated history of the British Invasion and champions the eclectic late career that confirmed her redemption.Putting memoir on equal footing with biographical history, Pearson writes about Faithfull as an avid fan, recovered addict, and queer musician at a crossroads. She's also a professional historian unafraid to break from the expectations of the discipline if a "titty-centered analysis" or astrology can illuminate the work of her subject. Whether exploring Faithfull's rise to celebrity, her drug addiction and fall from grace as spurned "muse," or her reinvention as a sober, soulful chanteuse subverting all expectations for an aging woman in music, Pearson affirms the deep connections between listeners and creators and reveals, in her own particular way, why Marianne Faithfull matters.

MARIANNE FAITHFULL: The most enigmatic of the Brit Girls, no less popular today than back then, whose fall from grace made world headlines, but who dragged herself out of the mire to become-and remain-one of the world's most prestigious entertainers.SANDIE SHAW: The "Barefoot Princess" and one of the decade's most alluring images-she topped the British charts three times, won Eurovision, sang with The Smiths, and while the world was still at her feet bowed out of the music scene, never to return.LULU: The wee Scottish lassie with the voice which could demolish a skyscraper-the only Brit Girl to top the US charts, she married a Bee Gee, also won Eurovision, and following a slump in her career made a spectacular return singing with the boy band, Take That.Includes full UK & European 1960s Discographies.Also in this series: British Divas Of The 1960s Volume One: Dusty Springfield, Helen Shapiro, Cilla Black & Kathy Kirby.

This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes. A decade after the publication of ‘Faithfull’, one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening. A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den. Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer. Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and… Well, the rest is the subject of this book.'

Marianne Faithfull singer, dope addict and lover of Mick Jagger and other rich and famous people tells us her story, in a frank, revealing autobiography.

Our story begins in 1920s London, at a time when women’s rights were surging after the long battle for suffrage and nightclubs emerged as spaces where single women could socialise unchaperoned. This was the age of the dance craze and the gender-bending ‘Flapper’, who inspired the creation of the Gargoyle club, a nocturnal hunting ground for Femmes Fatales.Meanwhile, London’s Bohemia was ruled by the ‘Queen of Clubs’, Kate Meyrick; the taboo-breaking ‘Tiger Woman’, Betty May; the original ‘Chelsea Girl’, Viva King; the artist, Nina Hamnett; the ‘Euston Road Venus’, Sonia Orwell; and Isabel Rawsthorne, artist, spy, pornographer, model and muse … to name but a few.Using previously unpublished memoirs and interviews, Queens of Bohemia creates a soundscape of voices that gives the reader a taste of their world, so exotic and yet often wracked with despair. It offers a unique insight into a generation of women for whom ideals of duty and self-sacrifice had been debunked by the horrors of war and whose morality resided in being true to one’s self, as they took their struggle for freedom into the wider world and learned to value their individuality along the way.

Our story begins in 1920s London, at a time when women’s rights were surging after the long battle for suffrage and nightclubs emerged as spaces where single women could socialise unchaperoned. This was the age of the dance craze and the gender-bending ‘Flapper’, who inspired the creation of the Gargoyle club, a nocturnal hunting ground for Femmes Fatales.Meanwhile, London’s Bohemia was ruled by the ‘Queen of Clubs’, Kate Meyrick; the taboo-breaking ‘Tiger Woman’, Betty May; the original ‘Chelsea Girl’, Viva King; the artist, Nina Hamnett; the ‘Euston Road Venus’, Sonia Orwell; and Isabel Rawsthorne, artist, spy, pornographer, model and muse … to name but a few.Using previously unpublished memoirs and interviews, Queens of Bohemia creates a soundscape of voices that gives the reader a taste of their world, so exotic and yet often wracked with despair. It offers a unique insight into a generation of women for whom ideals of duty and self-sacrifice had been debunked by the horrors of war and whose morality resided in being true to one’s self, as they took their struggle for freedom into the wider world and learned to value their individuality along the way.