Kirjahaku

Based on the special collection of Jarrell's writing in the library of the University of North Carolina at Greensboro, the bibliography is comprehensive, not only for all his books, but also for all other publications in which his poems, essays, stories, book reviews, and translations have appeared.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

In this expanded edition of Randall Jarrell's letters, his widow, Mary, has added letters from Jarrell to Peter Taylor, publication of which was withheld during Taylor's lifetime. Taylor was, along with Robert Lowell, Jarrell's oldest and closest friend, and the inclusion of these incomparable letters adds another dimension of friendship, artistry, and intellect to a collection already noted for its behind-the-scenes glimpse of twentieth-century American literary history in the making.

Randall Jarrell (1914-1965) was the most influential poetry critic of his generation. He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist. Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or formal terms, but none have considered both his aesthetic choices and their social contexts. Beginning with an overview of Jarrell's life and loves, Burt argues that Jarrell's poetry responded to the political questions of the 1930s, the anxieties and social constraints of wartime America, and the apparent prosperity, domestic ideals, and professional ideology that characterized the 1950s. Jarrell's work is peopled by helpless soldiers, anxious suburban children, trapped housewives, and lonely consumers. Randall Jarrell and His Age situates the poet-critic among his peers-including Bishop, Lowell, and Arendt-in literature and cultural criticism. Burt considers the ways in which Jarrell's efforts and achievements encompassed the concerns of his time, from teen culture to World War II to the Cuban Missile Crisis; the book asks, too, how those efforts might speak to us now.

Randall Jarrell (1914-1965) was the most influential poetry critic of his generation. He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist. Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or formal terms, but none have considered both his aesthetic choices and their social contexts. Beginning with an overview of Jarrell's life and loves, Burt argues that Jarrell's poetry responded to the political questions of the 1930s, the anxieties and social constraints of wartime America, and the apparent prosperity, domestic ideals, and professional ideology that characterized the 1950s. Jarrell's work is peopled by helpless soldiers, anxious suburban children, trapped housewives, and lonely consumers. Randall Jarrell and His Age situates the poet-critic among his peers-including Bishop, Lowell, and Arendt-in literature and cultural criticism. Burt considers the ways in which Jarrell's efforts and achievements encompassed the concerns of his time, from teen culture to World War II to the Cuban Missile Crisis; the book asks, too, how those efforts might speak to us now.

"To read Randall Jarrell on W. H. Auden is to read the best-equipped of American critics of poetry of the past century on the best-equipped of its Anglo-American poets, and we rush to read, perhaps, less out of an academic interest in fair judgment than out of a spectator's love of virtuosity in flight." From Adam Gopnik's foreword Randall Jarrell was one of the most important poet-critics of the past century, and the poet who most fascinated and infuriated him was W. H. Auden. In Auden, Jarrell found a crucial poetic influence that needed to be both embraced and resisted. During the 1940s, Jarrell wrestled with Auden's work, writing a series of notorious articles on Auden that remain admired and controversial examples of devoted and contentious criticism. While Jarrell never completed his proposed book on Auden, these previously unpublished lectures revise and reprise his earlier articles and present new insights into Auden's work. Delivered at Princeton University in 1951 and 1952, Jarrell's lectures reflect a passionate appreciation of Auden's work, a witty attack from an informed opponent, and an important document of a major poet's reception. Jarrell's lectures offer readings of many of Auden's works, including all of his long poems, and illuminate his singular use of a variety of stylistic registers and poetic genres. In the lecture based on the article "Freud to Paul," Jarrell traces the ideas and ideologies that animated and, at times, overwhelmed Auden's poetry. More precisely, he considers the influence of left-liberal politics, psychoanalytic and evolutionary theory, and the idiosyncratic Christian theology that characterized Auden's poems of the 1940s. While an admiring and sympathetic reader, Jarrell does not avoid identifying Auden's poetic failures and political excesses. He offers occasionally blistering assessments of individual poems and laments Auden's turn from a cryptic, feeling, impassioned poet to a rhetorical, self-conscious one. Stephen Burt's introduction provides a backdrop to the lectures and their reception and importance for the history of modern poetry.

Storytelling as a fundamental human impulse, one that announces itself at the moment, hidden in infancy, that dreams begin--this is what the poet and critic Randall Jarrell set out to illuminate in this extraordinary book. Here Jarrell presents ballads, parables, anecdotes, and legends along with some of the finest work of Chekhov, Babel, Elizabeth Bowen, Isak Dinesen, Kafka, Peter Taylor, and Katherine Anne Porter. This wonderful anthology, with its celebrated introductory essay, enlarges and deepens our perception of the storyteller's art and its central place in the world of our feelings. ContentsRANDALL JARRELL: IntroductionFRANZ KAFKA: A Country DoctorANTON CHEKHOV: GusevRAINER MARIA RILKE: The Wrecked Houses; The Big ThingROBERT FROST: The Witch of Co sGIOVANNI VERGA: La LupaNIKOLAI GOGOL: The NoseELIZABETH BOWEN: Her Table SpreadLUDWIG TIECK: Fair EckbertBERTOLT BRECHT: Concerning the Infanticide, Marie FarrarLEO TOLSTOY: The Three HermitsPETER TAYLOR: What You Hear from 'Em?HANS CHRISTIAN ANDERSEN: The Fir TreeKATHERINE ANNE PORTER: HeANONYMOUS: The Red King and the WitchANTON CHEKHOV: Rothschild's FiddleTHE BROTHERS GRIMM: Cat and Mouse in PartnershipE. M. FORSTER: The Story of the SirenTHE BOOK OF JONAHFRANZ KAFKA: The Bucket-RiderSAINT-SIMON: The Death of MonseigneurISAAC BABEL: AwakeningCHUANG T'ZU: Five AnecdotesHUGO VON HOFMANNSTHAL: A Tale of the CavalryWILLIAM BLAKE: The Mental TravellerD. H. LAWRENCE: Samson and DelilahLEO TOLSTOY: The Porcelain DollIVAN TURGENEV: Byezhin PrairieWILLIAM WORDSWORTH: The Ruined CottageFRANK O'CONNOR: PeasantsISAK DINESEN: Sorrow-Acre

A Study Guide for Randall Jarrell's "The Woman at the Washington Zoo," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

This is the story of how, one by one, a man found himself a family. Almost nowhere in fiction is there a stranger, dearer, or funnier family -- and the life that the members of The Animal Family live together, there in the wilderness beside the sea, is as extraordinary and as enchanting as the family itself.

There was once a little brown bat who couldn't sleep days--he kept waking up and looking at the world. Before long he began to see things differently from the other bats who from dawn to sunset never opened their eyes. The Bat-Poet is the story of how he tried to make the other bats see the world his way.With illustrations by Maurice Sendak, The Bat-Poet--a New York Times Best Illustrated Children's Book selection--is a collection of the bat's own poems and the bat's own world: the owl who almost eats him; the mockingbird whose irritable genius almost overpowers him; the chipmunk who loves his poems, and the bats who can't make heads or tails of them; the cardinals, blue jays, chickadees, and sparrows who fly in and out of Randall Jarrell's funny, lovable, truthful fable.Supports the Common Core State Standards

Beneath the unassuming surface of a progressive women's college lurks a world of intellectual pride and pomposity awaiting devastation by the pens of two brilliant and appalling wits. Randall Jarrell's classic novel was originally published to overwhelming critical acclaim in 1954, forging a new standard for campus satire - and instantly yielding comparisons to Dorothy Parker's razor-sharp barbs. Like his fictional nemesis, Jarrell cuts through the earnest conversations at Benton College mischievously - but with mischief nowhere more wicked than when crusading against the vitriolic heroine herself.

Poet, novelist, critic, and teacher, Randall Jarrell was a diverse literary talent with a distinctive voice, by turns imaginative, realistic, sensitive, and ironic. His poetry, whether dealing with art, war, memories of childhood, or the loneliness of everyday life, is powerful and moving. A poet of colloquial language, ample generosity, and intimacy, Jarrell wrote beautifully "of the American landscape," as James Atlas noted in American Poetry Review, " with] a broad humanism that enabled him to give voice to those had been given none of their own."The Complete Poems is the definitive volume of Randall Jarrell's verse, including Selected Poems (1955), with notes by the author; The Woman at the Washington Zoo (1960), which won the National Book Award for Poetry; and The Lost World (1965), "his last and best book," according to Robert Lowell. This volume also brings together several of Jarrell's uncollected or posthumously published poems as well as his Rilke translations.

Poet, novelist, literary critic, and teacher, Randall Jarrell was a writer with many facets, but most of all, he was a poet with a unique voice, one that was by turns imaginative, realistic, sensitive, and ironic. From the narratives of army life during the Second World War to the domestic scenes he wrote about so movingly in his final book, "The Lost World," Jarrell's poems are marked throughout by a voice that could be astonishingly intimate or could open up to speak to our common humanity. This collection, prepared by William H. Pritchard, presents some of Jarrell's finest poems to a new generation of readers.